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A. P. Herbert (1890–1971)

Author of Uncommon Law

94+ Works 903 Members 16 Reviews 2 Favorited

About the Author

Sir Alan Herbert was the author of a host of articles, essays, sketches, novels, criticisms, musicals, plays and poems. A long-standing contributor of Punch, he used his column to campaign for a number of reforms -- notably a change in the divorce laws -- but always with his characteristic wry show more humour and a great sense of fun. By the time of his death in 1971, he had established a large following that included such literary greats as H G Wells, Rudyard Kipling, John Galsworthy and Hilaire Belloc show less
Image credit: Courtesy of the NYPL Digital Gallery (image use requires permission from the New York Public Library)

Works by A. P. Herbert

Uncommon Law (1935) 174 copies, 1 review
The Secret Battle (1976) 121 copies, 4 reviews
London — Introduction — 59 copies, 1 review
The Water Gipsies (1973) 55 copies, 1 review
Holy Deadlock (1972) 37 copies
More Uncommon Law (1982) 30 copies
What a Word! (1935) 28 copies, 1 review
Wigs at work (1966) 23 copies
Misleading Cases in the Common Law (1927) 18 copies, 2 reviews
The house by the river (1920) 16 copies
Independent member (1970) 15 copies
Number Nine (2014) 12 copies, 1 review
A.P.H.: His Life and Times (1970) 11 copies
Look Back and Laugh (1960) 10 copies
She-shanties (1926) 9 copies
Bring back the bells (1943) 9 copies
Siren Song (1941) 9 copies, 1 review
The ayes have it (1937) 9 copies, 1 review
Mr Gay's London (1976) 9 copies
Why Waterloo? (1970) 9 copies, 1 review
The Trials of Topsy (2002) 8 copies
Made for man (1958) 8 copies
The point of Parliament (1946) 8 copies
Mild and bitter (1936) 8 copies
Ballads for broadbrows (1930) 7 copies
More Misleading Cases (1930) 7 copies
The old flame (2009) 7 copies
General cargo (2014) 6 copies
Plain Jane 6 copies
Light Articles Only (2001) 5 copies
The Topsy Omnibus (1949) 5 copies
The Thames (1966) 5 copies
Topsy Turvy (2001) 5 copies
Honeybubble & Co (2014) 4 copies
The War Story of Southend Pier (1945) 4 copies, 1 review
Tantivy Towers (1941) 4 copies
Topsy, M.P (1929) 3 copies
The man about town (2001) 3 copies
Laughing Ann. (1925) 3 copies
Let us be Glum (1941) 3 copies
Sip! Swallow! (2001) 3 copies
Little rays of moonshine (2007) 2 copies
'No boats on the river' (1932) 2 copies
Vrangen på retten (1987) 1 copy, 1 review
Well, anyhow ... (1942) 1 copy

Associated Works

The Best Cartoons From Punch (1952) — Foreword — 169 copies, 4 reviews
A Century of Humour (1935) — Contributor — 49 copies
Seven famous one-act plays (1937) — Contributor — 41 copies
London: A Book of Photographs (1959) — Introduction — 27 copies
The Great Book of Humour (1935) — Contributor — 24 copies, 1 review
The World of Law, Volume II : The Law as Literature (1965) — Contributor — 22 copies
100 Story Poems (Hardcover with Dust Jacket) (1951) — Contributor — 19 copies
The Favourite Wonder Book (1938) — Contributor — 17 copies
House by the River [1950 film] (1949) — Original book — 13 copies, 1 review
The London Omnibus (1932) — Contributor — 11 copies
Fiction Goes to Court (1954) — Contributor — 10 copies
Tall Short Stories (1960) — Contributor — 9 copies
The Fireside Treasury of Modern Humor (1963) — Contributor — 7 copies

Tagged

Common Knowledge

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Reviews

17 reviews
I cannot understand why A.P. Herbert is not more famous than he is, for this book is a fascinating, funny and thought-provoking collection of fake legal cases and until I stumbled across Herbert's name in Wikipedia while looking for something else, I had never heard of him. He really ought to rank up next to P.G. Wodehouse et al as being one of the top humorists of that time and place.

Uncommon Law showcases much of the stupidity and silliness inherent in British law at that time. Cases are show more included illustrating the sheer ludicrousness of, for example, the following things:

1. There was, at the time, no such thing as a no-fault divorce. (This has, thank goodness, been corrected.) To get a divorce you had to accuse your partner of something like cruelty, adultery, etc. In a lot of cases couples who wanted to split up would stage an adultery, having the husband conspicuously check into a hotel for the night with a "mistress" hired for the occasion, just so they could get out of the marriage.
2. BUT if it was proven that both husband AND wife had misconducted themselves (committed adultery, for example), then the marriage had to stand.
3. The difference between a felony and a misdemeanor is a very significant one for the criminal record (a felony being considered a more serious crime and having much more severe consequences than a misdemeanor), but it is also completely meaningless. It had grown impossible to tell whether a particular offense was a felony, or a misdemeanor.
4. The government put a tax on lectures and performances, except when they were educational. However, they didn't recognize that such events could be both entertaining and educational, and tried to tax those, so in effect a lecture or play had to be boring to claim the tax exemption.

Herbert appears to be somewhat of a libertarian. Quoting from the book: "I understand that in the opinion of all Government Departments all fun is prima facie illegal, and, if it is not illegal, deserves to be taxed."
This book was written in the latter half of the twentieth century, but many of the legal issues therein are still highly relevant today. For instance, "Rex vs. Bloggs, What is Education?" is an excellent defense of homeschooling. And several of the cases deal with the issue of the police enticing people to commit violations, then arresting them for it. (To this day, do the police not send in underage teenagers to try to buy cigarettes?)
Lawyers in particular would love this book, but I would recommend it for any intelligent person who likes humor that will make them think as well as laugh.
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A sad and moving story of the British infantry man's experience in the trenches of the First World War. A. P. Herbert's style is as calm and measured as the events he describes are horrible.

Our hero is Harry, a delicate Oxford Scholar filled with fear and self-doubt but driven by a relentless need to conquer it. Through the lens of trenches in Gallipoli and France, the book looks at the "wind up" (what would now probably be called PTSD) and considers what constitutes courage, and how it show more differs from soldier to soldier. show less
As a writer [a:A.P. Herbert|5061807|A.P. Herbert|https://s.gr-assets.com/assets/nophoto/user/m_50x66-82093808bca726cb3249a493fbd3bd0f.png] was known for his comic work. This, however, his first book, is an altogether darker affair.

The Secret Battle, published in 1919, might be the first of the British novels/memoirs of the First World War. It tells the story of a high strung young soldier called Harry Penrose who enlists in 1914 and is executed for cowardice in 1917. Herbert, who fought at show more Gallipoli and on the Western Front, vividly evokes the squalor of both theatres, more so than in some better known books. Penrose's slow approach to his inevitable fate is powerfully told.

In Britain much of what is generally believed about the First World War comes from the poems, plays, novels, and memoirs it produced (the latter categories indistinguishable in some cases). The notion of 'shot at dawn' is particularly widespread; of shell-shocked men being summarily shot for cowardice by a brutal military. This book lends much weight to that. Indeed, there was a man, Sub-Lieutenant Edwin Dyett, in Herbert's regiment who was shot for cowardice in 1917 and the circumstances of the case certainly raise the eyebrows of a civilian reader a century later.

But, if Herbert is telling Dyett's story, he certainly does so with plenty of poetic licence. And, as [a:John Terraine|225975|John Terraine|https://d.gr-assets.com/authors/1367005763p2/225975.jpg] explains in his excellent introduction, capital punishment was very rare in the British Army in World War One.

The Secret Battle is far better than some better known books. But, with the blend of memoir and novel which that war's literature generated, the reader must always question which, exactly, they are reading.
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Seriocomic novel set in contemporary London and vicinity. The principal character is Jane Bell, a girl of the lower classes living on a barge (owing to losses incurred by her ne'er do well father in horse racing). Her relationships with Fred (an illiterate bargeman), Ernest (a fiery Socialist) and Mr. Bryan (the artistic son of a peer) form the basis of the novel. There are some bright moments of comedy, as you would expect from Herbert, who was a master of the genre, but there are certainly show more some wince-inducing moments, and not all of them are of the kind that I think Herbert intended. It's certainly curious to see a Socialist cast as something of a villain, and the Socialist version of Sunday School is presented, not without a certain ration of acid. (Herbert himself was an independent MP, though he had not been elected as such at the time the book came out.) To be sure, some of the Bright Young Things (like Bryan's fiancee and another lady) aren't treated much better. Quite a lot of talk about domestic violence and out of wedlock marriage, which might have been a bit surprising in 1930 (and doubly surprising for a book that has been printed in youth editions). Interesting, and well-written, but like flat champagne, it left me with a lingering sour taste that was hard to dispel. A few footnotes: Herbert lived near Hammersmith, where the novel is set, owned a yacht called Water Gipsy, which he used during his World War II service on the river, and was a noted supporter of river activities. show less
½

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Works
94
Also by
15
Members
903
Popularity
#28,406
Rating
½ 3.7
Reviews
16
ISBNs
92
Languages
4
Favorited
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