Author picture

Caryl Brahms (1901–1982)

Author of No Bed for Bacon

33 Works 890 Members 24 Reviews 2 Favorited

About the Author

Disambiguation Notice:

Do not combine this page with that of S.J. Simon, or Simon & Brahms' joint author pages.

Series

Works by Caryl Brahms

No Bed for Bacon (1941) 264 copies, 11 reviews
A Bullet in the Ballet (1937) 175 copies, 3 reviews
Don't, Mr. Disraeli! (1940) 78 copies, 3 reviews
Casino for Sale (1938) 62 copies, 2 reviews
Six Curtains for Stroganova (1986) 45 copies
Titania Has a Mother (1944) 25 copies, 2 reviews
Envoy on Excursion (1940) 23 copies
No Nightingales (1944) 22 copies
Trottie True (1948) 15 copies
The Elephant is White (1965) 13 copies, 1 review
Footnotes to the ballet (1938) 12 copies
To Hell with Hedda (1965) 12 copies
You were there (1950) 12 copies

Tagged

Common Knowledge

Legal name
Abrahams, Doris Caroline
Other names
Brahms, Caryl
Birthdate
1901-12-08
Date of death
1982-12-05
Gender
female
Education
Royal Academy of Music
Minerva College, Leicestershire
Occupations
writer
journalist
theater critic
ballet critic
historical novelist
short story writer (show all 7)
poet
Short biography
Caryl Brahms was the pen name of Doris Caroline Abrahams, born to an Anglo-Jewish family in Croydon, Surrey. She was educated at Minerva College, Leicestershire, and studied piano at the Royal Academy of Music in London. She wrote light verse for the Academy student magazine, and then was published in the The Evening Standard. She adopted her pseudonym so her parents would not learn of her professional activities, as they wished her to marry instead. In 1930, she published her first book, a slim volume of poems for children, The Moon on My Left, illustrated by Anna Zinkeisen. She met S.J. Simon (Simon Jacobovitch Skidelsky) when they were fellow lodgers in a house in London, and recruited him to help her with some satirical cartoon stories for the Evening Standard. In the 1930s and 1940s, they collaborated on a series of successful comic mystery novels set in the world of dance, and humorous "backstairs history" novels set in various periods of English history. Their work was adapted for stage, radio, television and films. The duo also produced several collections of short stories. At the same time, Caryl worked as a ballet critic for leading newspapers, including The Daily Telegraph. In 1943, she published an independent biography of dancer Robert Helpmann. Later she concentrated on reviewing for the theater.

After S.J. Simon's sudden death in 1948, she wrote solo for some years, but in the 1950s she established a second long-running collaboration with writer and broadcaster Ned Sherrin, which lasted for the rest of her life. They wrote plays and musicals for the stage and television, and published both fiction and nonfiction books.
Nationality
UK
Birthplace
Croydon, Surrey, England, UK
Places of residence
London, Ebgland, UK
Place of death
London, England, UK
Disambiguation notice
Do not combine this page with that of S.J. Simon, or Simon & Brahms' joint author pages.
Associated Place (for map)
England, UK

Members

Reviews

26 reviews
"Overcome by sudden affection due to not having to meet for the next six months, the authors dedicate this book to each other." With a dedication like that, I knew I was in for a treat. The narration is wonderfully dry-witted and sharp, and the characters delightfully absurd. When a member of a ballet troupe is killed while performing the role of Petrushka in the ballet of the same name, Inspector Quill investigates and finds himself up against some very eccentric characters. The mystery show more itself is almost incidental; the real fun is following along with Stroganoff and Arenskaya and all the rest as they confound and help the authorities in equal measure.

Given that Caryl Brahms was a ballet critic for the Evening Standard, the ballet scenes are particularly well presented and may make you want to seek out a performance of Petrushka for yourself. I thoroughly enjoyed this very quick, light read and would read more by these authors if I came across any.
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In this hilarious send-up of the Elizabethan era -- or rather, the Elizabethan era as perceived by popular culture -- Sir Francis Bacon is desperate to obtain a bed that Queen Elizabeth has slept in during one of her royal progresses. He wants it to be an heirloom for his family, as he knows the bed's value will only increase through the years. Sir Walter Raleigh's attention is divided between his new cloak, which he hopes will be the envy of everyone at Elizabeth's court (especially that show more dandy, the Earl of Essex), and his upcoming introduction of the potato to England. Meanwhile, Sir Francis Drake is grumbling about the fact that he hasn't been able to do any really good pirating in years; theater owner Philip Henslowe will do anything in his power to shut down his rival, Burbage; and Shakespeare is trying to work on a new play, Love's Labour's Wunne, but he keeps getting distracted by the problem of how to spell his own name. Add a little romance, an overly ambitious watchman, and some reminiscing about the glory days of the Armada, and the stage is set for high comedy with a few history lessons thrown in.

I didn't know it until I read the introduction, but this book is actually part of the basis for the Academy Award-winning movie "Shakespeare in Love." But while the movie focuses almost entirely on the romance between Shakespeare and the noble Lady Viola, in the book it's just one of many plots involving the most famous figures of the Elizabethan age. If you know anything about the era or are interested in learning more, I highly recommend this book! It's pure farce, so there isn't much "plot" to speak of, but the jokes are more than funny enough to make up for that! One of my favorites was an exchange between Shakespeare and Bacon about some plot element of Shakespeare's play that Bacon didn't like. Shakespeare responds with great indignation, "Master Bacon, do I write my plays or do you?" Then there's this internal monologue from a Puritan who seeks to shut down the theater: "People had no right to enjoy themselves. He was going to stop them. His cause was a just one and he knew it. He was enjoying himself." So if you like Shakespeare and don't mind a little (or a lot of) silliness, you should definitely check out this book!
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Before there was Monty Python, before Terry Pratchett, before there was anyone but Dickens and the Marx Brothers, A. J. Simon and Caryl Brahms, perhaps apprehensive that there'd be nothing to read during the Blitz, cooked up this wonderful comic romp. Faster than anything save Groucho's dialogue, we are pushed into Victoriana that never was, but as some happy folk hoped it might have been. Read it and laugh 'til you weep!
This is not just a mystery, it is a comedy of errors too. The characters are painted broad and quirky. The action is a little Keystone Kop, Laurel and Hardy and Marx Brothers. But there is a murder, a murderer, a ex Scotland Yard detective, a French policeman, a cynical, blackmailing critic, a baron, the members of the ballet troupe, and other colourful characters.

Vladimir Stroganoff, impresario of the Stroganoff Ballet, sees a casino located in La Bazouch for sale. He reasons that the show more income from the casino could help finance and promote his ballet to even a higher level. He dashes off, meets up with Baron Rabinovitch and buys the place sight unseen. Thinking it is the glamourous casino he sees as he enters the town, he is definitely unhappy to find that it is a run down place not in the best part of town. But he prefers to see the positive and sets up shop.

Citrolo is a known cynical ballet critic who also makes his living blackmailing. Stroganoff tries to get a good review out of Citrolo but finds he can't. At that point, Stroganoff slips sleeping drops into Citrolo's drink and then writes his own glowing review, signing Citrolo's name to it. When Stroganoff is finished, Citrolo is still asleep, so Stroganoff leaves Citrolo to sleep it off in the office. The next day Citrolo is found to be dead. There are multiple clues/red herrings found in the office, along with the fact that Stroganoff left the room locked when he left. Yup, locked room mystery.

Quill, the ex-Scotland Yard detective, is in town for a vacation but is pulled in to investigate for Stroganoff. Meanwhile, Stroganoff is arrested and thrown in jail along with his business rival Buttonhooke. Quill is left to investigate on his own, interviewing a cast of strange and unusual people.

Even though this has the trappings of a standard mystery (is there such thing) I think reading it and being open for the character personalities, madcap situations and actions is more in line with what the authors intended. Brahms and Simon were well known in the 1920s and 1930s. It may have been the "golden age" of mysteries, but there was also quite a bit of comedy and humour too.
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Awards

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Associated Authors

Ned Sherrin Introduction, Author
Gretel Davis Narrator

Statistics

Works
33
Members
890
Popularity
#28,790
Rating
½ 3.5
Reviews
24
ISBNs
43
Languages
2
Favorited
2

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