John Dickson Carr (1906–1977)
Author of Three Coffins
About the Author
John Dickson Carr, the master of locked room mysteries, was born in Uniontown, Pennsylvania, in 1906. He was educated at Haverford College and the Sorbonne in Paris. Carr is a prolific writer with more than 80 novels and collections of short stories to his credit. He began his writing career at the show more age of 26 with his first published novel, It Walks At Night. Some of his most popular works are The Three Coffins (1935), The Burning Coat (1937), and The Bride of Newgate (1951). Carr also collaborated with Adrian Doyle, the son of Sir Arthur Conan Doyle in The Exploits of Sherlock Holmes (1954). Carr met his wife in 1932 and settled in England in 1933. He was drafted by the United States military in World War II, and was ordered to remain in England and work with the BBC. He lived in many cities throughout the world until 1967, when he permanently moved to Greenville, South Carolina. John Dickson Carr also wrote mystery novels under the name Carter Dickson. He died in Greenville in 1977. (Bowker Author Biography) show less
Series
Works by John Dickson Carr
Dr. Fell Mysteries: To Wake the Dead/The Blind Barber/The Crooked Hinge/The Case of the Constant Suicides (1988) 52 copies, 2 reviews
Merrivale Holds the Key: Two Classic Locked-Room Mysteries: The Plague Court Murders / The Red Widow Murders (1935) 38 copies
A John Dickson Carr Trio: The Three Coffins/The Crooked Hinge/The Case of the Constant Suicides (1957) 34 copies, 2 reviews
The Dr. Gideon Fell Mysteries Volume One: The Blind Barber, Death-Watch, and To Wake the Dead (2018) 9 copies
The Bowstring Murders | The White Priory Murders | The Red Widow Murders | The Peacock Feather Murders (1996) 6 copies
Dr Gideon Fell: The Complete BBC Radio Drama Collection: Eight Full-Cast Crime Dramas from the Golden Age of Detective Fiction (2021) 6 copies
Gideon Fell - There is No Perfect Crime: The Black Spectacles/Till Death Do Us Part/He Who Whispers/The Sleeping Sphinx (1976) 5 copies
Poison in Jest | The Bowstring Murders | The Burning Court | The Problem of the Wire Cage | The Emperor's Snuff-Box | The Nine Wrong Answers (2003) 3 copies
The John Dickson Carr Omnibus: Hag's Nook/The Mad Hatter Mystery/The Eight of Swords (2000) 3 copies
カー短篇集. 1 3 copies
カー短篇集. 2 3 copies
カー短篇集. 3 3 copies
The Unexpected Instinct 2 copies
Il lago d'oro 2 copies
Desafio à polícia 2 copies
Death by Invisible Hands 2 copies
Sir Arthur Conan Doyle Great Stories — Editor — 2 copies
The Other Hangman [Short Story] 2 copies
Oscura sospecha 2 copies
Secret Radio 2 copies
NOVELAS ESCOGIDAS 2 copies
O ENIGMA DA CRIPTA 1 copy
O CASO DO COCHE FANTASMA 1 copy
The Crime In Nobody's Room 1 copy
A kastly titka 1 copy
Fantasma in mare 1 copy
OS TRÊS ATAÚDES 1 copy
Svart sabbat 1 copy
Gideon Fell 1 copy
El codo de Satanás 1 copy
Il-Kastell Ras ta' Mewt 1 copy
Åttan i svärd 1 copy
Il mistero di Muriel 1 copy
Terrore sul Ponte di Londra 1 copy
The House in Goblin Wood 1 copy
The Wrong Problem 1 copy
Vex Not His Ghost 1 copy
AYAK İZLERİ 1 copy
Skeleton in the Clock 1 copy
HLa Isposa di Newgate 1 copy
HIl Imostro del plenilunio 1 copy
Veleni letali 1 copy
HUn Icolpo di pistola 1 copy
O Mistério da Areia Vermelha 1 copy
Rösten 1 copy
Det slutna rummet 1 copy
Saper morire 1 copy
Associated Works
The Game Is Afoot: Parodies, Pastiches, and Ponderings of Sherlock Holmes (1994) — Contributor — 216 copies, 2 reviews
London After Midnight : A Tour of Its Criminal Haunts (1996) — Contributor; Contributor — 157 copies
The Mammoth Book of Locked-Room Mysteries and Impossible Crimes (2000) — Contributor — 135 copies, 1 review
101 Years' Entertainment: The Great Detective Stories 1841-1941 (1941) — Contributor — 111 copies, 1 review
Who Killed Father Christmas? and Other Seasonal Mysteries (2023) — Contributor — 76 copies, 2 reviews
Ghosts from the Library: Lost Tales of Terror and the Supernatural (2023) — Contributor — 75 copies, 1 review
Bodies from the Library 5: Forgotten Stories of Mystery and Suspense from the Golden Age of Detection (2022) — Contributor — 47 copies, 1 review
The Mystery Hall of Fame: An Anthology of Classic Mystery and Suspense Stories (1984) — Contributor — 36 copies, 1 review
The Poison Belt: Together with The Disintegration Machine and When The World Screamed (1964) — Introduction, some editions — 34 copies
All but Impossible! An Anthology of Locked Room and Impossible Crime Stories by Members of the Mystery Writers of America (1981) — Contributor — 30 copies
To the Queen's Taste: The First Supplement to 101 Years Entertainment Consisting of the Best Stories Published in the First Four Years of Ellery Queen's Mystery Magazine (1946) — Contributor — 28 copies
The Locked-Room Mysteries (The Four Just Men, The Mystery of the Yellow Room, The Hollow Man) (2017) — Contributor — 18 copies, 1 review
Tricks and Treats: An Anthology of Mystery Stories by the Mystery Writers of America (1976) — Contributor — 16 copies
Academy Mystery Novellas: Women Sleuths, Police Procedurals, Locked Room Puzzles, Great British Detectives (1991) — Contributor — 13 copies
Rejser i tid og rum : en bog om science fiction (1973) — Author, some editions — 12 copies, 1 review
Reader's Digest Great Stories of Mystery and Suspense, 1974, Volume 2 (1974) — Contributor — 10 copies
The Magazine of Fantasy and Science Fiction January 1957, Vol. 12, No. 1 (1957) — Contributor — 9 copies, 1 review
More Murder on Cue: Stage, Screen & Radio Favorites: Stories from Ellery Queen's Mystery Magazine (1990) — Contributor — 9 copies
The Magazine of Fantasy and Science Fiction January 1955, Vol. 8, No. 1 (1955) — Contributor — 7 copies
Nieuwe verhalen die Hitchcock koos — Contributor — 6 copies
Crimes and Misfortunes: The Anthony Boucher Memorial Anthology of Mysteries — Contributor — 5 copies
Detective-verhalen — Contributor — 3 copies
The Dark Eyes of London | The Eight of Swords | The Iron Gates | The Second Confession | The Tragedy of Y (1965) — Contributor — 1 copy
The Waxworks Murder | A Gun to Play With | An Air That Kills — Contributor — 1 copy
Bedrooms Have Windows | Ninth Life | The Door to Doom — Contributor — 1 copy
Tagged
Common Knowledge
- Canonical name
- Carr, John Dickson
- Legal name
- Carr, John Dickson
- Other names
- Dickson, Carter
Dickson, Carr
Fairbairn, Roger - Birthdate
- 1906-11-30
- Date of death
- 1977-02-27
- Gender
- male
- Education
- Haverford College
Sorbonne University - Occupations
- novelist
short story writer - Organizations
- Baker Street Irregulars
Detection Club (Britain) - Awards and honors
- MWA Grand Master (1963)
Ellery Queen prize (for short stories) - Cause of death
- lung cancer
- Nationality
- USA
- Birthplace
- Uniontown, Pennsylvania, USA
- Places of residence
- England, UK
Greenville, South Carolina, USA (death)
Uniontown, Pennsylvania, USA (birth) - Place of death
- Greenville, South Carolina, USA
- Burial location
- Springwood Cemetery, Greenville, South Carolina, USA
- Associated Place (for map)
- Greenville, South Carolina, USA
Members
Discussions
Found: Murder mystery book in Name that Book (February 2025)
Exploits of Sherlock Holmes in Combiners! (February 2023)
Reviews
Probably the most famous of Carr's Dr. Gideon Fell mysteries, and a frequent occupant of "all-time best mysteries" lists. It's famous, among other things, for its Chapter 17, in which Dr. Fell delivers a lecture on the various types of locked-room mysteries.
In this one, Carr gives us two apparently impossible murders. Two men are in a locked office, and a gunshot is heard. In the few seconds it takes to burst through the door, the killer has disappeared. There is a window through which he show more could have jumped, but the newly-fallen snow in the yard below is undisturbed. The second killing takes place in the middle of a short dead-end street. There are witnesses at both ends of the street who see a man fall after a gunshot is heard. The police determine that he's been shot at close range, but no gunman was seen, and again, the victim is surrounded by snow with no footprints but his own.
The solution to the mysteries is indeed clever, and all of the clues are neatly laid out, many of them scattered into Fell's locked-room lecture. But getting to that solution is a bit of a slog, I'm afraid. Carr's prose is stodgy and dense; plowing through to the final chapters is rather like wading through molasses. (And I say that as someone who enjoys mysteries of this era.)
As for the famous lecture? It's thorough and informative, but it's a great clump of "and now I shall pontificate" that brings the actual story to a screeching halt for a dozen pages. The most interesting thing about it is the moment in which Fell obliterates the fourth wall, saying
"...we're in a detective story, and we don't fool the reader by pretending we're not. Let's not invent elaborate excuses to drag in a discussion of detective stories. Let's candidly glory in the noblest pursuit possible to characters in a book."
Happy to have read this for its historical importance, but I think Carr's prose will keep me from going back for more, despite the cleverness of his solutions. show less
In this one, Carr gives us two apparently impossible murders. Two men are in a locked office, and a gunshot is heard. In the few seconds it takes to burst through the door, the killer has disappeared. There is a window through which he show more could have jumped, but the newly-fallen snow in the yard below is undisturbed. The second killing takes place in the middle of a short dead-end street. There are witnesses at both ends of the street who see a man fall after a gunshot is heard. The police determine that he's been shot at close range, but no gunman was seen, and again, the victim is surrounded by snow with no footprints but his own.
The solution to the mysteries is indeed clever, and all of the clues are neatly laid out, many of them scattered into Fell's locked-room lecture. But getting to that solution is a bit of a slog, I'm afraid. Carr's prose is stodgy and dense; plowing through to the final chapters is rather like wading through molasses. (And I say that as someone who enjoys mysteries of this era.)
As for the famous lecture? It's thorough and informative, but it's a great clump of "and now I shall pontificate" that brings the actual story to a screeching halt for a dozen pages. The most interesting thing about it is the moment in which Fell obliterates the fourth wall, saying
"...we're in a detective story, and we don't fool the reader by pretending we're not. Let's not invent elaborate excuses to drag in a discussion of detective stories. Let's candidly glory in the noblest pursuit possible to characters in a book."
Happy to have read this for its historical importance, but I think Carr's prose will keep me from going back for more, despite the cleverness of his solutions. show less
A Drunken Farce, without a Locked Room
Review of The Murder Room eBook (November 19, 2012) of the Harper and Brothers hardcover original (October 1, 1934)
The Blind Barber is a particularly weak entry for the Dr. Gideon Fell series and hopefully a one-off with its reliance on drunken comic antics. Dr. Fell is approached at home by his friend, the writer Henry (Hank) Morgan who was a passenger on the Queen Victoria cruise liner due to dock at Southampton after its journey from New York City. Morgan has managed to get ashore ahead of time via a smaller crew vessel as the larger ship awaits a docking berth.
Morgan relates a tale of how he and a group of friends had got themselves mixed-up in the middle of a jewelry heist and then found a body apparently murdered by a cutthroat razor (the single brief tie-in to the title) but when bringing it to the attention of the ship's authorities they found that the body had disappeared. Enormous amounts of alcohol are consumed throughout, adding to the befuddlement of the characters. There were various other irritations such as having 3 characters deliver their dialogue in fake accented dialogue: a Norwegian, a Scot and an Italian.
What might be funny in small doses becomes insufferable when used several dozen times.
There are also extended fake French language passages, usually involving ranting about the alcohol intake.
The front cover of the original 1934 Harper and Brothers hardcover. Image sourced from Goodreads.
To top it off, there are artefacts which demonstrate that a sloppy proofread / copy edit of the text scan was done to produce the eBook edition. Various scan typos were not fixed, even some that should have been caught by spellcheck such as the word: "endorsemHnt" (sic).
Dr. Fell is able to explain it all of course and even to cable a message to the authorities to have the culprit arrested upon docking. Overall, there was too little deduction, even though Fell lists 16 clues which point to the villain during the course of the story-telling. Disappointingly, I thought the bad 'un was apparent fairly early on, unlike most John Dickson Carr books which usually involve confusing puzzles in the so-called "locked room" sub-genre.
Avoid this one, even if you are a Dr. Fell or John Dickson Carr completist.
Bonus Track
Even among the dregs and the dross, I thought this one passage describing inebriation 🥴😵 was rather good:
Trivia and Links
John Dickson Carr (1906-1977) is one of the 99 authors listed in The Book of Forgotten Authors>/i> (2017) by Christopher Fowler. He is No. 20 in the alphabetical listing which you can see towards the bottom of my review here.
John Dickson Carr took the inspiration for Dr. Gideon Fell's appearance from that of author G.K. Chesterton (1874-1936), writer of the Father Brown mysteries and other works.
See photograph at https://upload.wikimedia.org/wikipedia/commons/thumb/7/75/Gilbert_Chesterton.jpg...
Photograph of G.K. Chesterton. Image sourced from Wikipedia.
The source of the name Dr. Fell is apparently from the apocryphal epigram:
Review of The Murder Room eBook (November 19, 2012) of the Harper and Brothers hardcover original (October 1, 1934)
Uninsured jewels belonging to ?!£&/! viscounts were stolen while murdering thieves posed as Harley Street doctors at his table. Blood-stained blankets and razors mysteriously appeared in the cabins; women vanished but did not vanish; the nephews of eminent American administrators first went mad and gibbered of bears and geography then ranshow more
amok with bug-powder guns, tried to poison him and finally threatened him with razors. Indeed, an unprejudiced listener would have decided that the situation aboard the Queen Victoria was past hope. - the ship's captain summarizes the mayhem of events on board his ship.
The Blind Barber is a particularly weak entry for the Dr. Gideon Fell series and hopefully a one-off with its reliance on drunken comic antics. Dr. Fell is approached at home by his friend, the writer Henry (Hank) Morgan who was a passenger on the Queen Victoria cruise liner due to dock at Southampton after its journey from New York City. Morgan has managed to get ashore ahead of time via a smaller crew vessel as the larger ship awaits a docking berth.
Morgan relates a tale of how he and a group of friends had got themselves mixed-up in the middle of a jewelry heist and then found a body apparently murdered by a cutthroat razor (the single brief tie-in to the title) but when bringing it to the attention of the ship's authorities they found that the body had disappeared. Enormous amounts of alcohol are consumed throughout, adding to the befuddlement of the characters. There were various other irritations such as having 3 characters deliver their dialogue in fake accented dialogue: a Norwegian, a Scot and an Italian.
“You get somet’ing to gag him wit’ till he cool down, or he call de chief mate and den maybe we iss all in de brig." “do you t’ank we are right, or iss dere a mistake? Dat wass no yoke, what dey tell us. If dey say dere is nobody missing, den ay don’t see how dere is somebody missing. Maybe we talk about a murder and dere is no murder.”
"'Auld Ayr, wham ne'er a town surpasses,'" announced Dr. Kyle, with a gesture that indicated him to be a local boy and proud of it, "'for honest men and bonnie lasses'! Aye! A statement ye ken, Mr. Morgan, frae the wairks o' the great Scottish poet, Rabbie Burrrns. Sit down Mr. Morgan. And perhaps yell tak a drap o' whusky, eh? 'The souter tauld his queerest stories__.'"
“So! So! You have trieda to de-ceive me, eh? You have a trieda toa deceive Signor Benito Furioso Camposozzi, eh? Sangua della madonne, I feex you! You tella me he eesa all-right, eh? Haah! What you call all-aright, eh? I tell you, signorina, to youra face, he eesa DRUNK!”
What might be funny in small doses becomes insufferable when used several dozen times.
There are also extended fake French language passages, usually involving ranting about the alcohol intake.
“Eh, bien, eh bien! Encore tu bois! Toujours tu bois! Ah, zut, alors!” She became cutting. “Tu m’a donné votre parole d’honneur, comme un soldat de la France! Et qu’est-ce que je trouve? Un soldat de la France, hein! Non!” She drew back witheringly. “Je te vois en buvant le GIN!”
The front cover of the original 1934 Harper and Brothers hardcover. Image sourced from Goodreads.
To top it off, there are artefacts which demonstrate that a sloppy proofread / copy edit of the text scan was done to produce the eBook edition. Various scan typos were not fixed, even some that should have been caught by spellcheck such as the word: "endorsemHnt" (sic).
Dr. Fell is able to explain it all of course and even to cable a message to the authorities to have the culprit arrested upon docking. Overall, there was too little deduction, even though Fell lists 16 clues which point to the villain during the course of the story-telling. Disappointingly, I thought the bad 'un was apparent fairly early on, unlike most John Dickson Carr books which usually involve confusing puzzles in the so-called "locked room" sub-genre.
Avoid this one, even if you are a Dr. Fell or John Dickson Carr completist.
Bonus Track
Even among the dregs and the dross, I thought this one passage describing inebriation 🥴😵 was rather good:
Each of his trio had consumed exactly one bottle of champagne; and, while he would have scorned the imputation that he could become the least sozzled on a quart of fizz, he could not in honesty deny certain insidious manifestations. For example, it seemed to him that he was entirely without legs, and that his torso must be moving through the air in a singularly ghostly fashion;
Trivia and Links
John Dickson Carr (1906-1977) is one of the 99 authors listed in The Book of Forgotten Authors>/i> (2017) by Christopher Fowler. He is No. 20 in the alphabetical listing which you can see towards the bottom of my review here.
John Dickson Carr took the inspiration for Dr. Gideon Fell's appearance from that of author G.K. Chesterton (1874-1936), writer of the Father Brown mysteries and other works.
See photograph at https://upload.wikimedia.org/wikipedia/commons/thumb/7/75/Gilbert_Chesterton.jpg...
Photograph of G.K. Chesterton. Image sourced from Wikipedia.
The source of the name Dr. Fell is apparently from the apocryphal epigram:
I do not like thee, Doctor Fell,show less
The reason why – I cannot tell;
But this I know, and know full well,
I do not like thee, Doctor Fell.
Clever locked room mystery. Carr's style when writing Dr. Fell is a bit didatic and may turn off some readers but I loved the (somewhat lengthy) exposition Fell gives about the various types of so-called "locked room" mysteries. As he says himself:
" "When the cry of 'This-sort-of-thing-wouldn't-happen!' goes up, when you complain about half-faced fiends and hooded phantoms and blond hypnotic sirens, you are merely saying, 'I don't like this sort of story.' That's fair enough. If you do show more not like it, you are howlingly right to say so. But when you twist this matter of taste into a rule for judging the merit or even the probability of the story, you are merely saying, 'This series of events couldn't happen, because I shouldn't enjoy it if it did.'"
As I was starting this book, I realized that I had read a few other Gideon Fell mysteries before and that Fell wasn't as much fun as Gervase Fen. In other words, I do not much like Carr's mysteries or perhaps just not his writing style.
However, this seemingly insoluble, improbable locked-room mystery in which the murderer didn't even leave footprints in the snow was extremely clever. I thought I had suspected everyone in turn but not once did I come close to the true culprit! Carr plays fair with the reader -- there are no hidden facts brought out only during the solution. In fact, he tells you in the first chapter the names of certain witnesses whose testimony can be relied on to be truthful and complete!! Yet despite this broad hint and Fell uttering cryptic clues periodically, I only deciphered one small aspect of the crime.
In addition, Gideon Fell did make me chuckle several times with his pronouncements, such as when he gives rules about what ghosts should be like in English fiction (they should be seen in old abbeys or cemeteries, not lemonade stands). I also liked his mention of several other mystery novels and authors who excelled at certain types of mysteries during his discourse mentioned above.
Overall, I would recommend this as an excellent example of a certain style of mystery (the locked room) which is no longer fashionable. show less
" "When the cry of 'This-sort-of-thing-wouldn't-happen!' goes up, when you complain about half-faced fiends and hooded phantoms and blond hypnotic sirens, you are merely saying, 'I don't like this sort of story.' That's fair enough. If you do show more not like it, you are howlingly right to say so. But when you twist this matter of taste into a rule for judging the merit or even the probability of the story, you are merely saying, 'This series of events couldn't happen, because I shouldn't enjoy it if it did.'"
As I was starting this book, I realized that I had read a few other Gideon Fell mysteries before and that Fell wasn't as much fun as Gervase Fen. In other words, I do not much like Carr's mysteries or perhaps just not his writing style.
However, this seemingly insoluble, improbable locked-room mystery in which the murderer didn't even leave footprints in the snow was extremely clever. I thought I had suspected everyone in turn but not once did I come close to the true culprit! Carr plays fair with the reader -- there are no hidden facts brought out only during the solution. In fact, he tells you in the first chapter the names of certain witnesses whose testimony can be relied on to be truthful and complete!! Yet despite this broad hint and Fell uttering cryptic clues periodically, I only deciphered one small aspect of the crime.
In addition, Gideon Fell did make me chuckle several times with his pronouncements, such as when he gives rules about what ghosts should be like in English fiction (they should be seen in old abbeys or cemeteries, not lemonade stands). I also liked his mention of several other mystery novels and authors who excelled at certain types of mysteries during his discourse mentioned above.
Overall, I would recommend this as an excellent example of a certain style of mystery (the locked room) which is no longer fashionable. show less
This is a gripping locked room mystery that keeps you barreling along through fast-paced scenes of action and puzzlement. There are very few slow sections, which makes it a compelling case for finishing in one sitting, or at least one day (which is what I did!).
At the heart of the story are whisperings about a femme fatale – Lesley, the lovely new fiancée of Dick Markham. Why should Dick care that he knows absolutely nothing about her prior to the last six months? What could possibly be show more of concern? But when a neighbor masquerading as a fortune teller at a fair confides in Dick that he recognizes Lesley as a serial but unproven husband-poisoner, Dick's world is shaken. Especially when the fortune teller is immediately shot in the back by Leslie firing a gun, ahem, accidentally. What is happening?
The rest of the novel is a masterful kaleidoscope that leads you to believe first one thing, then another, then back again, then on to something else, and so on and so forth until a breathless finale.
This was my first book by John Dickson Carr, and I was impressed. Although his sleuth, Dr. Gideon Fell, is somewhat Poirot-adjacent but less appealing, the mystery itself and the core cast of characters are very good! I look forward to checking out more titles from this Golden Age author.
Thanks to NetGalley and Poisoned Pen Press for this digital review copy! show less
At the heart of the story are whisperings about a femme fatale – Lesley, the lovely new fiancée of Dick Markham. Why should Dick care that he knows absolutely nothing about her prior to the last six months? What could possibly be show more of concern? But when a neighbor masquerading as a fortune teller at a fair confides in Dick that he recognizes Lesley as a serial but unproven husband-poisoner, Dick's world is shaken. Especially when the fortune teller is immediately shot in the back by Leslie firing a gun, ahem, accidentally. What is happening?
The rest of the novel is a masterful kaleidoscope that leads you to believe first one thing, then another, then back again, then on to something else, and so on and so forth until a breathless finale.
This was my first book by John Dickson Carr, and I was impressed. Although his sleuth, Dr. Gideon Fell, is somewhat Poirot-adjacent but less appealing, the mystery itself and the core cast of characters are very good! I look forward to checking out more titles from this Golden Age author.
Thanks to NetGalley and Poisoned Pen Press for this digital review copy! show less
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Statistics
- Works
- 231
- Also by
- 151
- Members
- 19,020
- Popularity
- #1,148
- Rating
- 3.6
- Reviews
- 406
- ISBNs
- 885
- Languages
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