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Nicholas Delbanco

Author of What Remains

43+ Works 728 Members 14 Reviews

About the Author

Nicholas Delbanco lives in Ann Arbor, Michigan. (Bowker Author Biography)

Includes the name: Nicholas Delbanco

Image credit: By Dwight Burdette - Own work, https://commons.wikimedia.org/w/index.php?curid=18394889

Works by Nicholas Delbanco

What Remains (2000) 62 copies, 2 reviews
Lastingness: The Art of Old Age (2011) 50 copies, 1 review
The Vagabonds (2004) 49 copies, 2 reviews
The Sincerest Form (2003) 44 copies
Spring and Fall (2006) 32 copies, 2 reviews
Old Scores (1997) 30 copies
The Count of Concord (2008) 25 copies, 2 reviews
Why Writing Matters (2018) 24 copies, 1 review
In the Name of Mercy (1995) 23 copies
Literature: Craft and Voice (2009) 21 copies
The Lost Suitcase (2000) 19 copies, 1 review
The Beaux Arts Trio (1985) 15 copies
The Years (2015) 12 copies, 2 reviews
Consider Sappho Burning (1969) 6 copies
Possession (1977) 5 copies
Stillness (1980) 4 copies
Small Rain (1975) 2 copies

Associated Works

Writers on Writing: Collected Essays from the New York Times (2001) — Contributor — 478 copies, 5 reviews
Not So Funny When It Happened: The Best of Travel Humor and Misadventure (2000) — Contributor — 244 copies, 7 reviews
The Best American Essays 2002 (2002) — Contributor — 234 copies, 1 review
The Book of Love (1998) — Contributor — 151 copies
Writers on Writing (1991) — Contributor — 94 copies, 1 review

Tagged

Common Knowledge

Members

Reviews

15 reviews
I thoroughly enjoyed this book. The bulk of the story takes place in the years 1944-48, but this is sandwiched in between first and last chapters in the year 1964, with a 1984 prologue and a 1994 epilogue. In the ’forties, however, Jacob and Ben were children, through whose eyes we see momentous events unfolding between the end of WWII and the creation of a Jewish state in 1948.

Delbanco’s telling of this family’s story—in England, in transit to America, and in its efforts to learn show more what passed for culture there—is masterful. Told with warmth, sympathy, humor, and honesty, it convincingly presents finely nuanced sensibilities that cut across three generations and three countries. The cultural references are so authentic and prevalent that the book is almost a course on Twentieth-Century Western Civilization. This is definitely not light fiction. The language and dialogue is simple enough (except for the German and Latin passages), but the meanings, references, and associations have layers. show less
A lovely read, though I'm not sure the proffered answer is all that well developed. Passionate, yes, but clear? Not so much. Regardless, the prose, examples, anecdotes, and cleverness of language made this a real joy. If only it had been longer!! The quasi-writers' workshop style grew somewhat tiresome, however, and one chapter (#8) I found a complete miss.
Inquisitively interesting view, sometimes raw, of the creative mind into old age.

America grows older yet stays focused on its young. Whatever hill we try to climb, we're "over" it by fifty and should that hill involve entertainment or athletics we're finished long before. But if younger is better, it doesn't appear that youngest is best: we want our teachers, doctors, generals, and presidents to have reached a certain age. In context after context and contest after contest, we're more than show more a little conflicted about elders of the tribe; when is it right to honor them, and when to say "step aside.

In LASTINGNESS, Nicholas Delbanco, one of America's most celebrated men of letters, profiles great geniuses in the fields of visual art, literature, and music-Monet, Verdi, O'Keeffe, Yeats, among others - searching for the answers to why some artists' work diminishes with age, while others' reaches its peak. Both an intellectual inquiry into the essence of aging and creativity and a personal journey of discovery, this is a brilliant exploration of what determines what one needs to do to keep the habits of creation and achievement alive.

I feel every bone aching as I write this review. Not sure what to expect with this one although pleasantly surprised. Being a previous Psychology major who has hit that 45 mark. I think my older half, that artistic personality has pushed me to read this book. Like everyone else of course when it comes to aging, I would like to do it gracefully, yet keep my mind intact. So when a book like this comes along I could not possibly pass it up.

"LASTINGNESS" such a diverse title for a book, it can mean many things. Deblanco is intense on the subject while keeping it true to his title "The Art of Old Age". He brings to light the lives of many artists including sculptures, musicians, writers and painters, to numerous to list here. He concentrates on those artists that were still able to produce art toward the end of their lifetime, while also giving details of those who died to young. Deblance discusses whether their art was just as good as when they were young, was it better or did it decline. Why do some enter the world of art when they are much older, while others start young? Does it make a difference? These are some of the questions Deblanco tries to answer.

A very difficult conclusion to come too, when considering the artistic mind. The mind of the artist is so complicated. When you take apart the mind of the artist and truly look, you will find most are mentally challenged due to mental illnesses. The mental illness as is called is not always an illness for only what society chooses to label it. The clarity, fog, and ever changing moods of an artist alone can and do declare what comes out of an artist. How can you even know what causes them to do what they do throughout their lifetime.

Even with creativity relative to age being such a difficult task to write about. I enjoyed Deblanco's book, as his passion comes through in is his depictions of Shakespeare, Verdi, Monet and others. I learned about the lives of some genius artists and came across many interesting ideas Deblanco presents while reading LASTINGNESS. This book would be of interest to those like me who love to read and learn at the same time. Unless you are an enthusiast of painters, writers and other artists of the past this book is not for you.

Nicholas Debanco is the Robert Frost Distinguished University Professor of English Language and Literature at the University of Michigan and Chair of the Hopwood Committee. He has published twenty-four books of fiction and non-fiction. His most recent novels are The Count of Concord and Spring and Fall; his most recent works of non-fiction are The Countess of Stanlein Restored and The Lost Suitcase. To read more about the author Nicholas Deblanco.
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The Years
By: Nicholas Delbanco January 13, 2015
Published By: Little A Pages. 384
Copy Courtesy of Goodreads First Reads
Reviewed By: tk

A breathtaking journey of the deepest love possible.

Lawrence and Hermia meet in college. Their romance was ended when Lawrence graduated, leaving Hermia in her senior year to continue without him. For the next forty years they continue their separate lives, yet never once forgetting the other. They will carry each other in their hearts until a chance encounter show more on a cruise ship forty years later.

This story has made an incredible change in my life. I absolutely adore the relationship that this couple rekindles after so many years apart. I laughed, and cried through the entire story. I could only hope that my true love is still out there, and we would have half of what this couple has. I have hope once again.

Nicholas Delbanco is majestic, and stunning talent. The flow is smooth and flowing. The characters are so believable I felt that I knew them personally. If you enjoy an emotionally charged, unforgettable love story, this is for you. A must have in any library. I highly recommend this read! 5/5
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Works
43
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Rating
½ 3.5
Reviews
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ISBNs
83
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