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Francis Beaumont (1584–1616)

Author of The Knight of the Burning Pestle

82+ Works 884 Members 7 Reviews

About the Author

Francis Beaumont (1584-1616) and his collaborator John Fletcher (1579-1625) wrote some of the most popular dramas of Elizabethan England. Beaumont and Fletcher began to work together in about 1606 and continued their partnership until Beaumont's retirement in 1613. Beaumont apparently was the show more primary plotter of their plays, while Fletcher had a strong flair for language. Their comedies and tragedies include The Woman Hater, The Coxcomb, A Maid's Tragedy, The Knight of the Burning Pestle, Wit Without Money, and Philaster, Or Love Lies A Bleeding. Fletcher authored several other plays alone, such as the comedy The Wild Goose Chase (1621) and the tragedy Bonduca (1614). Cardenio, or the Second Maiden's Tragedy, and Two Noble Kinsmen are attributed to Fletcher, although there has been some speculation that he collaborated with Shakespeare on the plays. Beaumont and Fletcher's work is energetic, rich in stage thrills, declamatory speeches and bizarre plots. Although their work is not as unified as that of some of their contemporaries including Shakespeare and Webster, it influenced the development of Restoration comedy and tragedy, and thus played an important role in the history of drama. (Bowker Author Biography) show less
Disambiguation Notice:

The cataloguing in many places (even in reputable libraries) of works by the Jacobean playwrights Francis Beaumont (1584-1616) and/or John Fletcher (1579-1625) and/or their various collaborators tends to be confusing. Works by Fletcher alone can be found catalogued under Beaumont or under Beaumont & Fletcher; works by Beaumont alone can be found catalogued under Fletcher or under Beaumont & Fletcher; collaborations by Beaumont & Fletcher can be found catalogued under Fletcher alone or under Beaumont alone; collaborations by Fletcher and Massinger can be found catalogued under Fletcher alone or under Beaumont & Fletcher; –and some works are catalogued correctly! Collected and selected editions usually include a mix. (These confusions occurred even in the 17th century.) Here’s a breakdown: it’s a lot, but all of these are present in single play volumes or in Beaumont & Fletcher collections listed on LT.

Works by Beaumont alone: The Knight of the Burning Pestle; Salmacis & Hermaphroditus; Masque of the Inner Temple.

Works by Fletcher alone: The Faithful Shepherdess; Bonduca; Valentinian; The Woman’s Prize, or, The Tamer Tamed; Monsieur Thomas; The Island Princess; The Loyal Subject; The Mad Lover; The Pilgrim; A Wife for a Month; Rule a Wife & Have a Wife; The Chances; The Wild-Goose Chase; Women Pleased; Wit without Money; The Humourous Lieutenant, or, Demetrius & Enanthe.

Works by Beaumont & Fletcher together: The Maid’s Tragedy; Philaster, or, Love Lies A-Bleeding; A King & No King; Cupid’s Revenge; The Scornful Lady; The Coxcomb; The Woman Hater; The Captain; Love’s Pilgrimage; The Noble Gentleman

Works by Beaumont & Fletcher and Philip Massinger: Thierry & Theodoret; Beggars Bush; Love’s Cure.

Works by Fletcher and Massinger: Barnavelt; The Custom of the Country; The Double Marriage; The Elder Brother; The False One; The Little French Lawyer; The Lovers’ Progress; The Prophetess; The Sea Voyage; The Spanish Curate; A Very Woman.

Works by Fletcher and various collaborators: The Fair Maid of the Inn (w/ Massinger, John Webster & John Ford); The Two Noble Kinsmen (w/ Shakespeare); Four Plays in One (w/ Nathan Field); The Queen of Corinth (w/ Massinger & Field); The Knight of Malta (w/ Massinger & Field); The Honest Man’s Fortune (w/ Massinger & Field & Cyril Tourneur); The Maid in the Mill (w/ William Rowley); The Night Walker (revised by James Shirley); Rollo Duke of Normandy, or, The Bloody Brother (w/ Massinger & ?Jonson, ?Chapman, ?Field);

Works Printed with the Beaumont & Fletcher canon but which are by other authors altogether: The Nice Valour by Thomas Middleton; Wit at Several Weapons by Middleton & Rowley; The Laws of Candy by John Ford.

Image credit: Photo © ÖNB/Wien

Works by Francis Beaumont

The Knight of the Burning Pestle (1613) 277 copies, 2 reviews
The maid's tragedy (1968) 89 copies
Philaster (1969) — Author — 86 copies, 1 review
Select Plays (1911) 60 copies, 1 review
A king and no king (1964) 48 copies
Beaumont and Fletcher (2010) 29 copies, 1 review
Comedies and Tragedies 10 copies, 1 review
The Scornful Ladie, 1616 (1972) 7 copies
The dramatic works in the Beaumont and Fletcher canon Vol 4 (1979) — Author; Attributed author — 5 copies
Beaumont & Fletcher Vol. 1 5 copies, 1 review
The faithful friends (Malone Society) — attributed author — 4 copies
The little French lawyer (2008) 2 copies
Love's Pilgrimage (2018) 2 copies
Mermaid Series (14 vols) (1893) 2 copies

Associated Works

English Poetry, Volume I: From Chaucer to Gray (1910) — Contributor — 617 copies
English Renaissance Drama (2002) — Contributor — 240 copies, 1 review
Ben Jonson and the Cavalier Poets [Norton Critical Edition] (1975) — Contributor — 237 copies, 2 reviews
Eight Famous Elizabethan Plays (1950) — Contributor, some editions — 183 copies, 2 reviews
The Standard Book of British and American Verse (1932) — Contributor — 129 copies, 1 review
Six plays by contemporaries of Shakespeare (1915) — Contributor — 72 copies
Collins Albatross Book of Verse (1960) — Contributor — 62 copies
Six Elizabethan Plays: 1585-1635 (1963) 51 copies, 1 review
The chief Elizabethan dramatists, excluding Shakespeare (2017) — Contributor — 51 copies, 2 reviews
Five Stuart tragedies (1972) — Contributor — 19 copies
A Book of Masques: In Honour of Allardyce Nicoll (1980) — Contributor — 13 copies
The best Elizabethan plays (2015) — some editions — 11 copies
Restoration promptbooks (1981) — Contributor — 6 copies
The Harmony of the Muses (1654) (1990) — Contributor — 1 copy

Tagged

Common Knowledge

Birthdate
1584
Date of death
1616-03-06
Gender
male
Education
Broadgates Hall
Inner Temple, London, England
Occupations
poet
playwright
Relationships
Jonson, Ben (master)
Fletcher, John (collaborator)
Beaumont, Sir John (brother)
Nationality
England
Birthplace
Grace Dieu, Leicestershire, England
Places of residence
London, England
Place of death
London, England
Burial location
Westminster Abbey, London, England, UK
Map Location
UK
Disambiguation notice
The cataloguing in many places (even in reputable libraries) of works by the Jacobean playwrights Francis Beaumont (1584-1616) and/or John Fletcher (1579-1625) and/or their various collaborators tends to be confusing. Works by Fletcher alone can be found catalogued under Beaumont or under Beaumont & Fletcher; works by Beaumont alone can be found catalogued under Fletcher or under Beaumont & Fletcher; collaborations by Beaumont & Fletcher can be found catalogued under Fletcher alone or under Beaumont alone; collaborations by Fletcher and Massinger can be found catalogued under Fletcher alone or under Beaumont & Fletcher; –and some works are catalogued correctly! Collected and selected editions usually include a mix. (These confusions occurred even in the 17th century.) Here’s a breakdown: it’s a lot, but all of these are present in single play volumes or in Beaumont & Fletcher collections listed on LT.

Works by Beaumont alone: The Knight of the Burning Pestle; Salmacis & Hermaphroditus; Masque of the Inner Temple.

Works by Fletcher alone: The Faithful Shepherdess; Bonduca; Valentinian; The Woman’s Prize, or, The Tamer Tamed; Monsieur Thomas; The Island Princess; The Loyal Subject; The Mad Lover; The Pilgrim; A Wife for a Month; Rule a Wife & Have a Wife; The Chances; The Wild-Goose Chase; Women Pleased; Wit without Money; The Humourous Lieutenant, or, Demetrius & Enanthe.

Works by Beaumont & Fletcher together: The Maid’s Tragedy; Philaster, or, Love Lies A-Bleeding; A King & No King; Cupid’s Revenge; The Scornful Lady; The Coxcomb; The Woman Hater; The Captain; Love’s Pilgrimage; The Noble Gentleman

Works by Beaumont & Fletcher and Philip Massinger: Thierry & Theodoret; Beggars Bush; Love’s Cure.

Works by Fletcher and Massinger: Barnavelt; The Custom of the Country; The Double Marriage; The Elder Brother; The False One; The Little French Lawyer; The Lovers’ Progress; The Prophetess; The Sea Voyage; The Spanish Curate; A Very Woman.

Works by Fletcher and various collaborators: The Fair Maid of the Inn (w/ Massinger, John Webster & John Ford); The Two Noble Kinsmen (w/ Shakespeare); Four Plays in One (w/ Nathan Field); The Queen of Corinth (w/ Massinger & Field); The Knight of Malta (w/ Massinger & Field); The Honest Man’s Fortune (w/ Massinger & Field & Cyril Tourneur); The Maid in the Mill (w/ William Rowley); The Night Walker (revised by James Shirley); Rollo Duke of Normandy, or, The Bloody Brother (w/ Massinger & ?Jonson, ?Chapman, ?Field);

Works Printed with the Beaumont & Fletcher canon but which are by other authors altogether: The Nice Valour by Thomas Middleton; Wit at Several Weapons by Middleton & Rowley; The Laws of Candy by John Ford.

Members

Reviews

7 reviews
Around 1607, about the time he began his famous collaboration with John Fletcher, Francis Beaumont penned this play, perhaps his most celebrated solo work, for a company of boy actors. Within a decade he would be dead, but the fruits of the relatively brief collaboration would eclipse even Shakespeare's popularity in decades to come.

KBP is most admired as a metatheatrical satire of middle-class London merchants, filled with snatches of song by the lighthearted Master Merrythought. The main show more plot is the familiar romantic conflict of runaway lovers being kept apart by a father, a London merchant who wishes his daughter Luce to wed his old friend Humphrey, not his apprentice Jasper. But though the boy actors try valiantly to keep the story on track, their play is repeatedly and hilariously interrupted by auditors who become actors. A grocer and his wife climb from the audience to take up stools on the stage and demand that Rafe their apprentice be given a knightly costume and made the star of the performance. Soon he is acting out his own adventure, taken from popular prose romances of the time, featuring knights errant pricking across desert plains on their palfreys to rescue distressed damsels.

The adventurer Rafe, the titular "Knight of the Burning Pestle," undertakes quests worthy of Don Quixote though patriotically English - vanquishing the giant Barbaroso and releasing his syphilitic clients, charming the Princess of Moldavia, performing as Lord of May Day, mustering all of London's apprentices in a skirmish, and ending the comedy with a mournful death-speech. Though Rafe the knight momentarily loses in his duel with Jasper the lover, the story of the grocer's apprentice quite eclipses the plotted drama of the love-contest for the hand of Luce -- in part because of the deep pockets of the grocer, who is called upon in medias res to pay the bills incurred by Rafe's adventures. Throughout the performance the two chatty spectators argue with the players and each other, but by the end both stories are knitted up - and like Rosalind in As You Like It, the grocer's wife gets the last word in an epilogue.

This Regents Renaissance Drama edition offers a brief introduction to the play and two extensive, helpful appendices: the music for the nearly 20 songs that fill the play, and a century's chronology of crucial dates relevant to early modern drama.
show less
One scene in each act. Not a bad story, pretty entertaining.

**spoiler alert**
Prince Pharamond is literally found sleeping with Megra and everyone just forgives and forgets, but Megra makes up a lie that Arethusa slept with Bellario and it's instantly the scandal of the century.
Includes The Knight of the Burning Pestle, a very amusing comedy/fantasy I once saw acted by the Young Vic, The Maid's Tragedy, a bloody melodrama, a King and No King , a tragicomedy with a happy ending, , the Faithful Shepherdess, a pastoral, The Wild-Goose Chase, a romantic comedy in which the "wild goose" is a fickle young traveler at last caught in marriage by a young lady, and Bonduca, a historical play based on the rebellion of Boudica against the Romans. Beaumont and Fetcher in their show more day (and his) were successful rivals of Shakespeare, and some of their plays have been revived successfully recently, though nowadays they are not so highly regarded as Shakespeare, Marlowe or Jonson. show less

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Rating
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Reviews
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ISBNs
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