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Richard Harding Davis (1864–1916)

Author of In the Fog

98+ Works 1,252 Members 19 Reviews 2 Favorited

About the Author

Author and journalist Richard Harding Davis was born in Philadelphia on April 18, 1864. After studying at Lehigh and Johns Hopkins universities, he became a reporter and in 1890, he was the managing editor of Harper's Weekly. On assignments, he toured many areas of the world and recorded his show more impressions of the American West, Europe, and South America in a series of books. As a foreign correspondent, he covered every war from the Greco-Turkish to World War I and published several books recording his experiences. In 1896, he became part of William Randolph Hearst's unproven plot to start the Spanish-American War in order to boost newspaper sales when Hearst sent him and illustrator Frederick Remington to cover the Cuban rebellion against Spanish rule. In Cuba, Davis wrote several articles that sparked U.S. interest in the struggles of the Cuban people, but he resigned when Hearst changed the facts in one of his stories. Davis was aboard the New York during the bombing of Mantanzas, which gave the New York Herald a scoop on the war. As a result, the U.S. Navy prohibited reporters from being aboard any U.S. ships for the rest of the Cuban conflict. Davis was captured by the German Army in 1914 and was threatened with execution as a spy. He eventually convinced them he was a reporter and was released. He is considered one of the most influential reporters of the yellow journalist era. He died in Mount Kisco, New York on April 11, 1916. (Bowker Author Biography) show less
Image credit: Courtesy of the NYPL Digital Gallery (image use requires permission from the New York Public Library)

Works by Richard Harding Davis

In the Fog (1901) 119 copies, 5 reviews
Soldiers of Fortune (1897) 108 copies, 1 review
Gallegher and Other Stories (1891) 52 copies, 1 review
The Lion and the Unicorn (1899) 48 copies, 1 review
Captain Macklin: His Memoirs (2007) 48 copies, 1 review
The King's Jackal (1898) 47 copies
Notes of a War Correspondent (1911) 47 copies, 1 review
Real Soldiers of Fortune (1901) 46 copies
Ranson's Folly (1902) 43 copies
The West from a car-window (2006) 37 copies
With the Allies (2009) 37 copies
Van Bibber and Others (2001) 36 copies
The Bar Sinister (1903) 36 copies, 1 review
The White Mice (1909) 30 copies, 1 review
Cuba in War Time (2000) 23 copies
About Paris (2010) 23 copies
The Lost Road (2002) 22 copies, 1 review
The Scarlet Car (2010) 20 copies, 1 review
Once Upon a Time (2008) 20 copies
The Man Who Could Not Lose (2007) 18 copies
The Red Cross Girl (1918) 17 copies
Our English Cousins (2008) 15 copies
The Princess Aline (2010) 15 copies
Somewhere in France (2007) 14 copies, 1 review
A year from a reporter's note-book (1903) 11 copies, 1 review
Miss Civilization (2006) 11 copies
The Boy Scout (2006) 9 copies
Vera the medium (1990) 9 copies
The Deserter (2006) 7 copies
My Buried Treasure (2014) 6 copies
Her First Appearance (1996) 6 copies
Stories for Boys (1977) 5 copies
The Amateur (2012) 4 copies
The Spy (2004) 3 copies
The Lost House (2014) 3 copies
The Consul (2006) 3 copies, 1 review
A Wasted Day (1990) 3 copies, 1 review
The Make-Believe Man (2018) 2 copies
The Zone Police 2 copies
A Charmed Life (1990) 2 copies, 1 review
The Messengers (2006) 2 copies
Peace Manoeuvres (2004) 2 copies
Cloak and Dagger — Author — 1 copy
The Reporter (2006) 1 copy
Gallegher (2018) 1 copy
A Question of Latitude (1990) 1 copy
The Frame Up (1999) 1 copy
The Nature Faker (1990) 1 copy
Cinderella (2013) 1 copy
Gallegher 1 copy

Associated Works

The Spy's Bedside Book (1957) — Contributor — 399 copies, 1 review
Americans in Paris: A Literary Anthology (2004) — Contributor — 328 copies, 3 reviews
The Art of Fact: A Historical Anthology of Literary Journalism (1997) — Contributor — 225 copies, 1 review
World War I and America: Told by the Americans Who Lived It (1918) — Contributor — 221 copies, 1 review
Stories About Boys and Girls (1938) — Contributor — 207 copies, 2 reviews
The Fireside Book of Dog Stories (1943) — Contributor — 167 copies
An Anthology of Famous American Stories (1953) — Contributor — 155 copies, 1 review
The Rivals of Sherlock Holmes: A Collection of Victorian Detective Tales (2008) — Contributor — 140 copies, 1 review
The Scribner Treasury: 22 Classic Tales (1953) — Contributor — 114 copies, 1 review
The American Rivals of Sherlock Holmes (1976) — Contributor — 111 copies, 1 review
Crime and Mystery Short Stories (2016) — Contributor — 108 copies
Victorian Villainies (1984) — Contributor — 98 copies, 2 reviews
The Bedside Book of Famous American Stories (1936) — Contributor — 78 copies
The Best American Mystery Stories of the 19th Century (2014) — Contributor — 67 copies, 1 review
Best Loved Short Stories [Watermill Press] (1986) — Contributor — 62 copies, 2 reviews
Murder British Style (1993) — Contributor — 61 copies, 1 review
Reading for Pleasure (2023) — Contributor — 55 copies
Fourteen Great Detective Stories (1928) — Contributor — 41 copies
The Best Crime Stories of the 19th Century (1988) — Contributor — 36 copies, 1 review
American Short Stories of the Nineteenth Century (1930) — Contributor — 31 copies
21 Essential American Short Stories (2011) — Contributor — 28 copies, 1 review
Short Story Classics [American], Volume 4 (1905) — Contributor — 18 copies
A cavalcade of Collier's (1959) — Contributor — 10 copies
Fiction Goes to Court (1954) — Contributor — 10 copies
An Omnibus of American Mysteries (1959) — Contributor — 5 copies
Representative American Short Stories — Contributor — 5 copies, 1 review
The Spy in the Shadows (1965) — Composer — 5 copies

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21 reviews
Hard to believe that this story was written in 1901. Very easy to read and entertaining, it's a detective story with a tricky ending. It reminded me of Robert Louis Stevenson's "The Suicide Club" stories, although it's the more light-hearted of the two. Definitely a good read for a foggy evening.
[The Notes of a War Correspondent] by Richard Harding Davis

Richard Harding Davis was a journeyman writer in the late 19th century and into the 20th; he produced journalism, short stories, novels, and plays. He worked as an editorial executive for several newspapers and magazines. Before he died of a heart attack in 1916, several of his stories were adapted to the silver (but silent) screen. Despite his versatility and productivity, he isn't remembered for any particular outstanding piece. show more But he is the iconic turn-of-the-century war correspondent, covering the Cuban-Spanish War in 1896, the Greek-Turkish War in 1897, the Spanish-American War (1898), second Boer War of 1899–1902, and the Russo-Japanese War in 1904–1905. The Notes of a War Correspondent includes a miscellany of reports from each of those five wars.

Of the battle of Velestinos during the Greek-Turkish war, Davis reported:

The Turks had made three attacks on Velestinos on three different days, and each time had been repulsed. A week later, on the 4th of May, they came back again, to the number of ten thousand, and brought four batteries with them, and the fighting continued for two more days. This was called the second battle of Velestinos…

He reported on the sounds of battle, of the unpredictability and treacherousness of war in the trenches, and the bravery and stoicism of the combatants:

Then there began a concert which came from just overhead—a concert of jarring sounds and little whispers. The “shrieking shrapnel,” of which one reads in the description of every battle, did not seem so much like a shriek as it did like the jarring sound of telegraph wires when some one strikes the pole from which they hang…After a few hours we learned by observation that when a shell sang overhead it had already struck somewhere else, which was comforting…The bullets were much more disturbing; they seemed to be less open in their warfare, and to steal up and sneak by, leaving no sign, and only to whisper as they passed. They moved under a cloak of invisibility, and made one feel as though he were the blind man in a game of blind-man’s-buff…
   If a man happened to be standing in the line of a bullet he was killed and passed into eternity, leaving a wife and children, perhaps, to mourn him. “Father died,” these children will say, “doing his duty.” As a matter of fact, father died because he happened to stand up at the wrong moment, or because he turned to ask the man on his right for a match, instead of leaning toward the left, and he projected his bulk of two hundred pounds where a bullet, fired by a man who did not know him and who had not aimed at him, happened to want the right of way. One of the two had to give it, and as the bullet would not, the soldier had his heart torn out…
   Toward mid-day you would see a man leave the trench with a comrade’s arm around him, and start on the long walk to the town where the hospital corps were waiting for him. These men did not wear their wounds with either pride or braggadocio, but regarded the wet sleeves and shapeless arms in a sort of wondering surprise. There was much more of surprise than of pain in their faces, and they seemed to be puzzling as to what they had done in the past to deserve such a punishment.

Davis covered two wars in Cuba, only two years apart. The Cubans fought to free themselves from Spanish rule in 1896. And American forces fought the Spaniards in Cuban (and elsewhere) in 1898. The latter was made famous by Teddy Roosevelt and the troops he commanded, known as the Rough Riders. According to Davis' report, the Battle for San Juan Hill began with a series of military blunders that had "brought seven thousand American soldiers into a chute of death from which there was no escape except by taking the enemy who held it by the throat and driving him out and beating him down…"

Colonel Roosevelt, on horseback, broke from the woods behind the line of the Ninth, and finding its men lying in his way, shouted: “If you don’t wish to go forward, let my men pass.” The junior officers of the Ninth, with their negroes, instantly sprang into line with the Rough Riders, and charged at the blue block-house on the right.
   I speak of Roosevelt first because…he was, without doubt, the most conspicuous figure in the charge…Roosevelt, mounted high on horseback, and charging the rifle-pits at a gallop and quite alone, made you feel that you would like to cheer…Someone asked one of the officers if he had any difficulty in making his men follow him. “No,” he answered, “I had some difficulty in keeping up with them.”

The entire book is like this. Is it an important read? Nah. But I was entertained by it, and I wouldn't hesitate to say, "Go ahead and read it.
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This is really odd for a short story, but I was actually impressed with this story. It's on the long side--close to 7,500 words--so I was daunted to delve into what I usually think of classical short stories: commentary on the times and poor character and plot development--not that I blame short stories for that, it's just an indication that while I have a personal goal to read more short stories and learn to appreciate them, they're generally not my favorite type of publication.

The Consul show more has a sad side to it. The main character, Marshall, was once Abraham Lincoln's right hand man, but since the President's death, Marshall has fallen out of political favor. After many years in the navy rising to admiral and many more years as an ambassador to a myriad of countries, he has been "marooned" in Columbia. Forgotten. His hometown grew up, he has few friends, and he simply has no connection to his old life until the plot of the story: Senator Hanley pays him a visit, and on that ship is also an admiral that's a friend of Marshall's.

What will happen? Will party boy Hanley destroy Marshall's career? Will Admiral Hardy find a way to intervene?

It looks good. Marshall stands up for righteousness. But Hanley makes threats.

You must read to the last three, short paragraphs to find out. The plot twists left and right until the end. In fact, I still wasn't 100 percent sure what happened. I knew the result, but how did it come about? Who was the true conniving man? Was someone not a bad guy? What this planned in advance, if so how far? Was it decided at the first conflict? Why can't I find Spark Notes on this?

I think all the potential methods for the conclusion make the story as fun as the transparent plot twists.
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Not bad, not exciting. A collection of short stories; many of them are romances (boy meets girl, trouble, HAE). Each was pleasant to read (ok, _most_ of them were pleasant to read), none stand out in my memory. The Picture was interesting, though I hope his experiment doesn't put him off all women, and it was amusing how he could surprise himself with her words - with what he thought would be her words. The one about Cuba was depressing. The last one, about the young man who ran away, was show more headed for bland sweetness - then took an abrupt turn into nearly-depressing. But he made a good choice at the end. I wish, though, that he didn't so casually dismiss what he'd built - it wasn't all he could do, but it wasn't despicable. The Fever Dream was another with very striking language. I enjoyed reading it, and I'm completely uninterested in reading it again. I might look for more by Davis, but I'd avoid another collection like this one - one after another blurs into dullness, for me. show less

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Works
98
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