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James Fenimore Cooper (1789–1851)

Author of The Last of the Mohicans

501+ Works 30,630 Members 338 Reviews 32 Favorited

About the Author

James Fenimore Cooper, acclaimed as one of the first American novelists, was born in Burlington, N.J., on September 15, 1789. When he was one year old, his family moved to Cooperstown, N.Y., which was founded by his father. Cooper attended various grammar schools in Burlington, Cooperstown, and show more Albany, and entered Yale University in 1803 at the age of 13. In 1806, Cooper was expelled from Yale for pushing a rag with gunpowder under a classmate's door, causing it to explode. He then spent some time as a merchant seaman and served as a midshipman in the U.S. Navy from 1808-1811. In 1811, Cooper married Susan De Lancey, and lived the life of a country gentleman until one day in 1820. Cooper and his wife were reading a book together. When Cooper told Susan that he could write a better book than the one they were reading, she challenged him to do so. Thus began his career as an author, with Precaution (first published anonymously). Cooper is known for writing more than 50 works under his own name, Jane Morgan, and Anonymous. His works included fiction, nonfiction, history, and travel sketches. He gained insight for his travel works while the Cooper family lived in Europe from 1826 to 1833. Cooper is best known for the novel The Last of The Mohicans, which has been made into several motion picture adaptations, the most recent starring Daniel Day-Lewis as Hawkeye. The Last of the Mohicans is part of The Leatherstocking Tales, which includes the other novels, The Pioneers, The Deerslayer, and The Pathfinder. Hawkeye, whose given name is Nathaniel Bumpo, is a recurring character in the series which accurately chronicles early American pioneering life and events during the French and Indian War. In 1851, Cooper developed a liver condition, dying on September 14th of that year, just one day before his 62nd birthday. (Bowker Author Biography) show less
Image credit: George Henry Durrie self-portrait

Series

Works by James Fenimore Cooper

The Last of the Mohicans (1826) — Author — 15,274 copies, 145 reviews
The Deerslayer (1841) 3,218 copies, 36 reviews
The Pathfinder (1840) 1,603 copies, 13 reviews
The Pioneers (1823) 1,374 copies, 13 reviews
The Prairie (1827) — Author — 1,224 copies, 14 reviews
The Spy (1821) 881 copies, 21 reviews
The Pathfinder / The Deerslayer (1985) 445 copies, 1 review
The Leatherstocking Tales (1841) 441 copies, 7 reviews
The Pilot: A Tale of the Sea (1824) 349 copies, 3 reviews
The Pilot / The Red Rover (1991) 304 copies, 3 reviews
The Red Rover (1828) — Author — 229 copies, 6 reviews
The Wing-and-Wing; or, Le Feu-Follet (1842) — Author — 150 copies, 2 reviews
The Two Admirals (1842) 117 copies, 3 reviews
The Water-Witch; or, The Skimmer of the Seas (1830) — Author — 113 copies, 1 review
Satanstoe (1845) — Author — 106 copies, 2 reviews
The Crater (1847) — Author — 76 copies, 1 review
The Spy / Lionel Lincoln (2018) — Author — 70 copies
Precaution (1820) 69 copies, 1 review
Afloat and Ashore (2004) — Author — 67 copies, 1 review
The Bravo (1831) — Author — 65 copies
The Chainbearer (1845) — Author — 62 copies, 1 review
Home as Found (1835) 60 copies
The Wept of Wish-Ton-Wish (1972) — Author — 55 copies
The Redskins (1983) — Author — 55 copies, 1 review
The Sea Lions (2002) — Author — 54 copies
Autobiography of a Pocket Handkerchief (1843) 54 copies, 1 review
Homeward Bound (2003) 53 copies
The Last of the Mohicans [adapted - Saddleback Timeless Classics] (2001) — Original Writer — 52 copies, 1 review
The Oak Openings; or, The Bee Hunter (1848) — Author — 47 copies, 2 reviews
Jack Tier (2003) — Author — 47 copies
Wyandotte (1981) — Author — 45 copies
Ned Myers ; or, A Life Before the Mast (1843) 42 copies, 1 review
The Monikins (1990) 42 copies, 1 review
Lionel Lincoln (1985) — Author — 42 copies
The Headsman (1833) — Author — 41 copies
The Last of the Mohicans / The Prairie (1992) — Author — 39 copies, 1 review
The Ways of the Hour (1850) — Author — 39 copies
Miles Wallingford (2001) 36 copies
The Heidenmauer; or, The Benedictines (2006) — Author — 28 copies
Mercedes of Castile (2003) — Author — 28 copies
Chapters (1986) 27 copies, 1 review
Pages and pictures (1865) 18 copies
New York (1864) 15 copies
Works of J. Fenimore Cooper (1823) 15 copies
The Last of the Mohicans / The Prairie / The Spy (1821) — Author — 14 copies
The Pilot / The Red Rover / The Two Admirals (1824) — Author — 14 copies
Wyandotte / The Monikins / Jack Tier (1835) — Author — 13 copies
The Crater / Miles Wallingford / Homeward Bound (1838) — Author — 11 copies
Recollections of Europe (2007) 11 copies
The Deerslayer / The Pathfinder / The Pioneers (1823) — Author — 11 copies
The Lake Gun (2015) 10 copies
Home As Found / The Chainbearer / The Redskins (1838) — Author — 8 copies
Eclipse (1831) 6 copies
La Sentimulo (Facila Esperanto) — Author — 6 copies, 1 review
The last of the Mohicans (1993) 5 copies
The Bravo / Mercedes of Castile (1880) — Author — 5 copies
The Deerslayer Part 1 Of 2 (1983) — Author — 5 copies
Lucie Hardinge (2015) 5 copies
Old Ironsides (2008) 4 copies
Correspondence of James Fenimore-Cooper (1971) 4 copies, 1 review
Letters and journals (1960) 4 copies
The Water-Witch / The Crater — Author — 3 copies
Le lac Ontario (2014) 3 copies
Precaution / The Ways of the Hour (1899) — Author — 2 copies
La pradera 2 copies
Les pionniers tome 1 (1956) 2 copies
Ojo de halcón 2 copies
Hjortedreper (1994) 2 copies
Der Lederstrumpf (1992) 2 copies
Works (2019) 2 copies
The Pathfinder / The Pioneers / The Prairie (1975) — Author — 2 copies
The Last of the Mohicans, V. 2 — Author — 2 copies
The Two Admirals / Jack Tier (1880) — Author — 2 copies
Stories from Fenimore Cooper (1970) 2 copies, 1 review
The Headsman / The Heidenmauer — Author — 2 copies
El jefe indio 2 copies
El Bravo 1 copy
A Delfin fedélzetén (1994) 1 copy
Red Rover 1 copy
The Redskins 1 copy
Satanstoe 1 copy
Vadolo (2005) 1 copy
EXCURSIONS IN SWITZERLAND 1 copy, 1 review
Der Wildtöter (2019) 1 copy
Pren 1 copy
Bravo 1 copy
Le Paquebot Américain (2019) 1 copy
The Spy [abridged] (1924) 1 copy
The Pathfinder — Author — 1 copy
LOVEC JELEŇOV 1 copy, 1 review
Satanstoe / The Chainbearer — Author — 1 copy
The Pilot / The Two Admirals — Author — 1 copy
Indiánova pomsta (1992) 1 copy
Útmutató 1 copy
A Vadölő 1 copy
Tropiciel śladów (1989) 1 copy
Bas-de-Cuir (2018) 1 copy
Takuzinis : [romāns] (1991) 1 copy
Romanzi 1 copy
Stanstoe 1 copy

Associated Works

The Last of the Mohicans [1992 film] (1992) — Original novel — 570 copies, 3 reviews
The Spy's Bedside Book (1957) — Contributor — 402 copies, 1 review
Americans in Paris: A Literary Anthology (2004) — Contributor — 327 copies, 3 reviews
Writing New York: A Literary Anthology (1998) — Contributor — 301 copies, 4 reviews
The Heath Anthology of American Literature, Volume 1 (1990) — Contributor, some editions — 252 copies, 1 review
The Portable Conservative Reader (1982) — Contributor — 232 copies, 1 review
Great Stories of the Sea & Ships (1940) — Contributor — 196 copies
World's Great Adventure Stories (1929) — Contributor — 83 copies
Pirates & Ghosts Short Stories (Gothic Fantasy) (2017) — Cover artist — 82 copies
Best Loved Books for Young Readers 09 (1826) 78 copies, 1 review
Colonial Horrors (2017) — Contributor — 63 copies
The Portable Romantic Reader (1957) — Contributor — 56 copies
The Last of the Mohicans (Marvel Illustrated) (2008) — Contributor — 56 copies, 1 review
France in Mind (2003) — Contributor — 36 copies, 1 review
American Gothic: An Anthology 1787–1916 (1999) — Contributor — 27 copies
American Literature: The Makers and the Making (In Two Volumes) (1973) — Contributor, some editions — 25 copies
International Short Stories, Volume 1: American Stories (1910) — Contributor; Contributor — 15 copies
Classic American Short Stories [2016] (2012) — Contributor — 11 copies, 4 reviews
The Last of the Mohicans [1936 film] (1936) — Original novel — 10 copies
More Classic American Short Stories (2007) — Contributor — 9 copies
The Wild West [Gallery Books] (1989) — Contributor — 9 copies
Themes in American Literature (1972) — Contributor — 5 copies
Representative American Short Stories — Contributor — 5 copies, 1 review
Famous Stories of Five Centuries (1934) — Contributor — 4 copies
The princess's story book — Contributor — 1 copy

Tagged

Common Knowledge

Canonical name
Cooper, James Fenimore
Legal name
Cooper, James Fenimore
Other names
Cooper, James F.
Birthdate
1789-09-15
Date of death
1851-09-14
Gender
male
Education
Albany Academy for Boys
Yale College
Occupations
writer
sailor
consul
Organizations
United States Navy
Awards and honors
The Hall of Fame for Great Americans (1910)
Relationships
Cooper, Paul Fenimore (great-grandson)
Woolson, Constance Fenimore (great-niece)
Lafayette, Marquis de (friend)
Morse, Samuel (friend)
Cooper Jr., James Fenimore (great-grandson)
Cooper, Susan Fenimore (daughter)
Short biography
James Fenimore Cooper (September 15, 1789 – September 14, 1851) was an American writer of the first half of the 19th century. His historical romances depicting frontier and Native American life from the 17th to the 19th centuries created a unique form of American literature. He lived much of his boyhood and the last fifteen years of life in Cooperstown, New York, which was founded by his father William on property that he owned. Cooper became a member of the Episcopal Church shortly before his death and contributed generously to it. He attended Yale University for three years, where he was a member of the Linonian Society.

After a stint on a commercial voyage, Cooper served in the U.S. Navy as a midshipman, where he learned the technology of managing sailing vessels which greatly influenced many of his novels and other writings. The novel that launched his career was The Spy, a tale about espionage set during the American Revolutionary War and published in 1821. He also created American sea stories. His best-known works are five historical novels of the frontier period, written between 1823 and 1841, known as the Leatherstocking Tales, which introduced the iconic American frontier scout, Natty Bumppo. Cooper's works on the U.S. Navy have been well received among naval historians, but they were sometimes criticized by his contemporaries. Among his most famous works is the Romantic novel The Last of the Mohicans, often regarded as his masterpiece. Throughout his career, he published numerous social, political, and historical works of fiction and non-fiction with the objective of countering European prejudices and nurturing an original American art and culture.
Nationality
USA
Birthplace
Burlington, New Jersey, USA
Places of residence
Ostego Hall, Cooperstown, New York, USA
Cooperstown, New York, USA
New Haven, Connecticut, USA
Westchester County, New York, USA
Scarsdale, New York, USA
New York, New York, USA (show all 7)
Lyon, France
Place of death
Cooperstown, New Jersey, USA
Burial location
Christ Churchyard, Cooperstown, New York, USA
Map Location
New York, Etats-Unis
Associated Place (for map)
New York, USA

Members

Discussions

Leatherstocking Tales in Easton Press Collectors (April 2023)
Correspondence of James Fenimore-Cooper in Book talk (September 2021)

Reviews

448 reviews
--May contain minor spoilers--

This novel held a few charms, but none were sustained throughout. Although the plot is one of adventure and suspense, to the modern reader the prose and dialogue often come off as goofy at best. The multiple epithets for each character, for example, imply a sense of grandeur to the pageant that simply wasn't there. The sentence structure, the narrative voice, the epigraphs that preface each chapter and the dialogue all shared in this effect. I was initially show more entertained by Cooper's eagerness to please, but eventually groans and eye-rolls began to take their toll.

The book is at its best when we're getting to know the characters. I became fond of Major Heyward, and much preferred his character to that of Hawkeye the scout. Hawkeye is likely meant to be portrayed as an amazing hero, but he starts out as a completely insufferable know-it-all. (Hawkeye becomes much more tolerable in the final third of the book, but by that point the book has other problems...) I enjoyed the banter with Gamut, the descriptions of the Munro family's love for and loyalty to one another, and the portrayal of Uncas's and Chingachgook's relationship. Magua makes a worthy foe.

Memorably, whenever a character is engaged in a debate or is called upon to make a stirring speech, Cooper goes to great lengths to describe the rhetorical strategy, cunning, and eloquence that must be employed for the occasion. One is asked to hear the listeners of these speeches oooh and aaah as Cooper praises the words of his noble and ignoble characters. These speeches on the page, however, are never all that different from how he has any given character speak the most casual dialogue anyway. It's goofball stuff.

Cooper asks for a heavy suspension of disbelief when it comes to the amazing prowess of Hawkeye, but even this does not prepare one for later chapters featuring characters infiltrating enemy villages by wearing... a bear costume. (There was also a brief moment of a character blending in with some beavers.) There are truly impressive moments in the book (the massacre outside the fort, for example) but having recently finished it I just can't take it seriously--I'm hung up on the complete cheese of the hero crawling around disguised as a gruff but domesticated bear and getting away with it. Only the experienced eye of Uncas can notice the subtle differences between this farce and the real thing!

I read this book out of literary/historical interest, and I'm glad I read it. I enjoyed it at times, although maybe not for the reasons Cooper may have intended. My curiosity is now satisfied, and I will not be looking to read more Cooper.
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½
A classic for good reasons. A travel/adventure tale, set in the 1700's against the backdrop of the French and Indian War (7 Years War) in northern New York State. I thought this was an excellent portrayal of the times and a favorable portrayal of the native Americans, which was not always the case at the time. Well written, it conveys the feel of the forest and the emotions of those involved very well.
½
By and large, I found Cooper's The Last of the Mohicans a rather enjoyable read and even frequently humorous, though I'm reasonably sure that humor was not in the author's mind as he wrote in early 19th century America. This needs explaining, but first let's consider why I read the book in the first place. After all, it was first published in 1826, 197 years ago (and counting). The age of the novel is precisely why I determined to read it. After all, to quote history.com, it is considered to show more be “one of the earliest distinctive American novels.” To expand on this, britannica.com notes that “by the first decades of the 19th century, a truly American literature began to emerge. Though still derived from British literary tradition, the short stories and novels published from 1800 through the 1820s began to depict American society and explore the American landscape in an unprecedented manner.” Britannica goes on to cite Cooper as a defining example of a novelist of this period. It seemed obvious to me that, if one wishes to profess any knowledge of American literature, one needs to be at least familiar with Cooper's works, yet he was studied neither in my university course on “The Novel” nor in my course on “American Literature,” so I decided to rectify the omission.

Now to explain my introductory statement about humor. Language, being a social and cultural creation, is characterized by continuous evolution with neologisms popping up here and there, older words vanishing into the mists of forgetfulness, words remaining but with new uses and connotations, new styles of expression, and so on. In addition to language, societal assumptions, biases, and values are in a constant state of flux as well, and that which is considered a positive trait today may wear a negative face tomorrow, and that which is felt to be an objective truth now may well be seen as a prejudice born of ignorance in the future. Reading books such as The Last of the Mohicans opens a window through which one can view societal mores and the language by which they are described as they existed, in this case, nearly two centuries ago. Such an experience should thoroughly disabuse one of the erroneous belief that society is in any way permanent or stagnant and may also give the reader a chuckle or two at the changes that have occurred.

Cooper's writing style, while perfectly professional and polished for a literate man of his age, frequently appears stilted and grandiloquent when contrasted with 20th and 21st century styles. The apparent formality of the language contrasts so abruptly with the forested frontier environment and the struggles of the characters that I found it a source of continual amusement.

Similarly, many of the traits with which Cooper has imbued his characters have undergone significant social reappraisal in the most recent 200 years. For example, the two significant female characters in the novel receive the most admirable praise for their decorum and “alabaster” features. Portrayed as having achieved the very best features representative of their sex, they are in continual need of the strong care and protection of an honorable male member of the species, and, as their aging father laments, are surely unable to endure the privations of being captives in a wild forest. Far from appearing such fine examples of proper womanhood today, they would now be best described as “shrinking violets” and likely admonished to “stand on their own two feet.” It is amusing to compare the traits considered admirable in Cooper's time with such traits today.

In a similar vein, Cooper's depiction of his Native American characters highlights stereotypes beautifully. The character of Uncas, obviously the inspiration for the book's title, is the “noble savage” personified. All of the Natives, of course, display powers of concealment, of hearing, of discovery, and of every other facet of woodlore necessary for survival in the wilderness that far surpass those available to white men thanks to their intrinsic natures. True, as a result of his experience in the forest, Hawkeye exhibits similar traits, but every time the scout alludes to them he indicates how unusual it is for him who has no “cross” (i.e., mixed-race blood) to have such skills. He is very much the exception, not the rule, to be a white man with such abilities. As with our comely ladies, a comparison of yesterday's stereotypes with today's slightly more enlightened knowledge can evoke a few chuckles from the reader.

The very plot of the novel even has a humorous aspect. Really now, why are two very ladylike daughters of an elderly post commandant even being escorted through the trackless forest inhabited by hostile Indians in the midst of the French and Indian War far from the frontiers of civilization? That beggars belief. I am almost convinced that Cooper wrote this entertaining novel with his tongue firmly embedded in his cheek, and for that I rate him an even more entertaining author than I originally thought. Whether Cooper was intending to be deadly serious in his depictions and narratives or whether he was adroitly poking a bit of fun at his credulous 19th century readers, The Last of the Mohicans, as we read it in the 21st century, is an entertaining tale with more than a little levity in it—even if we modern readers have contributed that levity. True, the ending is a bit sad (not every character survives), but it's also an early and surprisingly progressive look (at least at the spiritual level) at what American society would later term amalgamation and, later still, miscegenation. Might Cooper be launching a very small and partially disguised criticism at one of society's prejudices?

Whether or not a reader will enjoy this novel depends greatly upon his or her reasons for picking it up as well as on his or her expectations. In its writing, it is quite different from a modern 21st century adventure novel. If one does choose to read it, enjoy the fictional and highly romanticized adventure, but keep a corner of the mind open to—just possibly—a touch of intentional humor and perhaps even a bit of social commentary hidden among the narratives. We can always debate later as to whether the author intended these things or whether we readers are injecting them ourselves.
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This must surely be one of the worst novels ever written. Check this out from the beginning of chapter 29:

“When Marmaduke Temple and his cousin rode through the gate of the former, the heart of the father had been too recently touched with the best feeling of our nature, to leave inclination for immediate discourse.”

Now that doesn't happen by accident, does it? He's written that on purpose and published it because he thinks it's good. Frightening. I read it to my mum and she got really show more angry on my behalf and asked why I didn't stop reading. Unfortunately I've started the series so now I have to finish. I could quote any number of passages which are equally bad or worse. A particular low point is the conversation between Richard and Agamemnon in chapter 32. I'll not quote that because I don't want anything so racist showing up under my name.

To put things in perspective, this is the best of the Leatherstocking series so far. The earlier novels suffered from their attempts to be adventure stories. Every time they build up to action you live in hope, only again and again to be subjected to frustration and disappointment by Cooper's determined incompetence. That doesn't happen here because not only does nothing happen, nothing ever looks like it's about to happen. What you're left with is deep, utter and complete boredom. It will seem like there's no end to it, but I promise you there is: I experienced the end earlier today and am currently basking in the glow that follows it.

This Everyman editions a nice one, with a sensible introduction that as much as admits that the book is a piece of shit, and in place of notes (which you don't really need), you have a selection of Cooper related criticism.
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Lists

AP Lit (1)
100 (1)
My TBR (2)
1820s (3)

Awards

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Associated Authors

Allan Nevins Afterword, Editor
Li Sidong Illustrator
Thomas Sperling Illustrator
Anthony VanArsdale Illustrator
Fred Carrillo Illustrator
J. S. Goodall Illustrator
James Franklin Beard Editor, Introduction
Horst Bartsch Illustrator
Robert E. Spiller Introduction, Afterword, Editor
Troy Howell Illustrator
Shannon Stirnweis Illustrator
Al Leiner Cover artist
John Severin Illustrator
Stanley Meltzoff Illustrator
Tom Lovell Illustrator
Niklaus Stoecklin Illustrator
Darrell Sweet Illustrator
Richard Zoozmann Translator
Gavin Gibbons Abridged by
N. C. Wyeth Illustrator
Edward A. Wilson Illustrator
Monique Ott Couleurs
Georges Berton Translator
Rudolf Drescher Revised by
Sarah Churchwell Introduction
William Camus Introduction
Robert Hunt Illustrator
Vladimír Henzl Translator
Bill Weideman Narrator
Drake Brookshaw Illustrator
Z. Burian Illustrator
Richard Slotkin Introduction
froufeanbal Translator
Oskar Hocker Translator
Ajsela Koka Translator
Gabriella Maio Translator
Joseph Henry Sharp Cover artist
Günther Geisler Translator
F. de las Casas Translator
Tim O'Brien Cover artist
Karen Lauer Translator
Agrippino Grieco Translator
A.B. Jr Guthrie Introduction
Gustav Sandgren Translator
Ottiero Ottieri Translator
Hermann Gerstner Translator
Torben Palsbo Translator
Hans Braarvig Translator
Joan Fontcuberta Translator
J. V. Lehtonen Translator
Ken Riley Illustrator
Fernanda Pivano Translator
C. Kolb Translator
Leonhard Tafel Übersetzer
Harry Iseborg Translator
François Happe Traduction
Stephen Railton Introduction
John T. Winterich Introduction
Donald A. Ringe Introduction
Bruce L. R. Smith Introduction
Robert Tilton Introduction
H. Daniel Peck Introduction
Donald E. Pease Introduction
Cecil J. Porter Introduction
Leslie Fiedler Introduction
Mary E. Milham Introduction
Thomas Berger Afterword
Albert Bierstadt Cover artist
Jacques Pecnard Illustrator
John Stauffer Introduction
Richard M. Powers Illustrator
George Henry Durrie Cover artist
Henry Nash Smith Introduction
Arno Schmidt Translator
Henry C. Pitz Illustrator
C. LeRoy Baldridge Illustrator
Leonhard Adelt Translator
Franz Kiengraber Illustrator
Robert Quackenbush Illustrator
Paul Rand Cover designer
Reginal Marsh Illustrator
Dean King Foreword

Statistics

Works
501
Also by
39
Members
30,630
Popularity
#648
Rating
½ 3.5
Reviews
338
ISBNs
2,809
Languages
31
Favorited
32

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