Roz Kaveney

Well written, and I enjoyed seeing lesbians as part of the story, but it didn't work for me overall. Parts of the plot just didn't make much sense - maybe I missed something, but the whole vampire/elf wedding seemed to have no real purpose and I really don't believe that making one group of vampires and elves break their own rules meant an end to all vampires and elves everywhere. (and I felt that the reader had no way of guessing what those rules were beforehand - I'm familiar with show more changeling myths, but I've never read that the one left by the elves had to be the son of a leader, nor that he HAD to die, just that it was a sickly creature and likely to die.) show less

As the title suggests, this is a critical analysis of the "teen movie" and its television heirs, starting with the seminal John Hughes films from the '80s and going all the way up through the first season of Veronica Mars. I've read several of these kinds of books before and have always had mixed reactions, since in an anthology of essays the level of quality can vary quite a bit. ([book:Finding Serenity], in particular, was a bewildering mixture of brilliant insight and pure crap.) By show more contrast, this book is by one author - and holy hell is she one of the good ones! Reading analysis of this depth by someone this intelligent is incredibly exciting and completely satisfying, and I absolutely want to pick up her other books now. I've already read [book:Reading the Vampire Slayer] - it was an essay anthology, but she was the chief contributor and editor - and other critical books by her are [book:From Alien to the Matrix: Reading Science Fiction] and an upcoming volume on superheroes. Highly, highly enjoyable. show less

Are you looking for queer, unconventional fantasy centered around female characters? Than Rituals by Roz Kaveney is for you.

Before I get into a plot synopsis, I think it’s necessary to explain the unusual structure of Rituals. It’s almost more like a collection of novellas or novelettes than a standard book. There’s not really a plot arc for the book as a whole; instead, each chapter has it’s own plot line, arc, climax, and conclusion. Usually, they take place at different times as show more well. What unites them is the characters and the world.

Rituals has two protagonists: Mara the Huntress and Emma Jones, an ordinary English woman who becomes involved in the world of the supernatural. Emma’s chapters take place in the 80’s and 90’s, roughly a ten year span from 1985 to 1995. Mara’s ranged from the ancient Middle East to the fall of Tenochtitlan, which make sense considering that she’s a goddess. In the world of Rituals, there’s many ways to become a god, but one is the ritual of blood – committing mass murder to gain immortality and divinity. Mara has sworn to be a protector of the weak, and she hunts anyone who dares attempt the ritual of blood.

Between Emma and Mara, I preferred Emma’s sections. In the start of the book, Emma is a fairly ordinary student, but when she goes to a party and sees her roommate eaten by an ogre, she’s suddenly thrown into the world of the supernatural. Especially when her roommate shows back up as a ghost, becomes Emma’s girlfriend, and starts working with her to solve supernatural problems. My favorite of Emma’s chapters involved one where she was called upon to witness a vampire/elf wedding and business affair. She knows there’s something sketchy going on and starts to investigate. One of my favorite supporting characters was the vampire princess, who was self conscious about her small fangs!

Emma was easily my favorite character in Rituals. I like how her superpower is basically being sensible and talking things through. She doesn’t have any sort of fighting skills, and her eventual career as a psychic is more due to her natural bent for diplomacy. While I liked Emma, I was not as into Mara or really any of the other characters. I did appreciate how the major protagonists tended to be queer women. Emma, her girlfriend Caroline, and Mara are all lesbians. There’s also a bi woman as a major supporting character, and the word bi is actually used! I really loved how Rituals wasn’t afraid to use words like “bi,” “lesbian,” and “queer” and how it was trans inclusive.

As a forewarning, if you’re particularly religious, I don’t know how you’d feel about this one. Both God and Satan appear as major supporting characters, and I can easily see devout members of the Abrahamic religions being upset by God’s portrayal here. Otherwise, Rituals would probably appeal to you if you liked American Gods but thought that it could be a lot gayer.

Rituals is a book that marches to the beat of its own drum. Unfortunately, I don’t think the structure worked well for me. I had trouble getting through Mara’s chapters, and my reactions to Emma’s were variable enough that I’m probably not going to head into the next book in the series. I can see other people liking this book more than I did, and trust me when I say that the book is a whole lot better than the cover.

Originally posted on The Illustrated Page. show less

I thought this was great, and am definitely going to point many of my comics-reading friends towards it. Roz Kaveney obviously knows a huge amount about her subject - in this case, particularly superhero comics and films, but the discussion also goes onto Buffy and other teen tv shows, and popular culture in general.

However, what I got out of this book might perhaps mean that it's not so obviously a book for a non-comics readership (though it is aimed at all who would like to know about the show more intersection of comics and films). For instance, I caught up on huge swathes of comics narrative that I've never bothered with (having removed myself from mainstream comics through jadedness) and she makes it sound interesting, fun, and worth bothering about. But if you're not already at least a bit knowledgeable about comics and the way they work commercially, then despite Roz' detailed and interesting explanations I'm not sure that you will come away enlightened so much as rather bewildered by the complexities of the comics world.

As Tony Keen pointed out in his review, there are also sadly a number of errors in the book. Some are the sort that you might skip over, depending on your focus / fandom - another reviewer picked up on her misspelling of "Ra's Al Ghul" as "R'as", which I wouldn't particularly have noticed myself, but I certainly did notice when she misspelled Illyana Rasputin as Lilyana. These are small errors individually, though there are also some infelicities of writing such as a point where she refers to Wanda Maximoff and the Scarlet Witch separately, and this is clearly a result of not having fully revised the sentence. Taken together, though, they do leave an unfortunate impression of carelessness, and certainly should be fixed in any future printings.

Those two paras above make me sound too nit-picky, and I did really enjoy this book and found a lot to discuss with friends. For instance, her view of superhero continuity as a "thick text" that is created by multiple contributors all playing a delicate balancing act with pre-existing knowledge, and making changes that are more, or less, successful but which involve quite a deep level of knowledge, is both a valuable addition to discussions of this area and a boost to the notion of superhero comics as a subject worthy of serious study. show less