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About the Author

Clayton Eshleman is an American poet, translator, and editor. He is a professor emeritus at Eastern Michigan University.

Series

Works by Clayton Eshleman

Companion Spider: Essays (2002) 20 copies, 1 review
Hades in Manganese (1981) 19 copies
Hotel Cro-Magnon (1989) 19 copies
Under World Arrest (1994) 19 copies
Fracture (1983) 19 copies
A Sulfur anthology (2016) 16 copies
Coils (1973) 13 copies
From Scratch (1998) 12 copies
My Devotion: New Poems (2002) 12 copies
The Gull Wall (1975) 10 copies
Indiana (1969) 8 copies
Archaic Design (2007) 8 copies
Altars (1971) 7 copies
What She Means (1978) 7 copies
SULFUR [NO. 22] (1988) 6 copies
Everwhat (2003) 6 copies
Caterpillar 7: April 1969 — Editor — 5 copies
Caterpillar 3/4 (1971) 5 copies
Caterpillar 15/16 (1971) 4 copies
Mexico and North (1971) 4 copies
The aranea constellation (1998) 4 copies
Caterpillar 8/9, October 1969 (1969) — Editor — 4 copies
Reciprocal Distillations (2007) 4 copies, 1 review
Sulfur 7 (1983) 4 copies
Caterpillar 12: July 1970 — Editor — 3 copies
Caterpillar 19: Spring 1972 — Editor; Contributor — 3 copies
The Price of Experience (2013) 3 copies
Sulfur II (1984) 3 copies
SULFUR [NO. 10] (1984) 3 copies
SULFUR [NO. 1] (1981) 3 copies
Erratics 3 copies
Nora's Roar (1996) 3 copies
The Lich Gate (1980) 3 copies
Caterpillar 6: January 1969 — Editor — 3 copies
The Jointure (2012) 2 copies
SULFUR [NO. 9] (1984) 2 copies
CATERPILLAR: NO. 11: APRIL 1970 — Editor — 2 copies
Caterpillar 2 copies
SULFUR #36 — Editor — 2 copies
SULFUR [NO. 20] (1987) 2 copies
An Anatomy Of The Night (2011) 2 copies
Brother Stones (1968) 2 copies
Mecha de enebros (2015) 2 copies
Sulfur 33 2 copies
SULFUR 15 (1986) 2 copies
CATERPILLAR: NO. 13 [OCTOBER 1970] — Editor — 2 copies
CATERPILLAR 20 — Editor — 2 copies
Caterpillar 10. — Editor — 2 copies
Sulfur 3 2 copies
Aux Morts 2 copies
Nested Dolls (2014) 2 copies
SULFUR #26 (1990) 2 copies
Sulfur 29 [Fall 1991] (1991) 2 copies
SULFUR [NO. 23] 2 copies
Hybrid Hierophanies (2016) 1 copy
Walks 1 copy
Penetralia: Poems (2017) 1 copy
SULFUR #24 1 copy
Sulfur 4 (1982) 1 copy
FOETUS GRAFFITI (1981) 1 copy
Cogollo 1 copy
SPARROW 18: Aux Morts (1974) — Author — 1 copy
Grotesca 1 copy
Pollen Aria (2019) 1 copy
Caterpillar 18: Winter 1972 — Editor — 1 copy
SULFUR #32 (1993) 1 copy
Sulfur 9 1 copy
The House of Ibuki (1969) 1 copy
Bearings (1971) 1 copy
Core Meander (1977) 1 copy

Associated Works

The Complete Poetry (1978) — Translator, some editions — 340 copies, 3 reviews
The Best American Poetry 2002 (2002) — Contributor — 192 copies, 1 review
The Best American Poetry 2005 (2005) — Contributor — 186 copies
Lyric and Dramatic Poetry, 1946-82 (1990) — Translator, some editions — 18 copies
Artaud the Mômo (2020) — Translator, some editions — 15 copies
New Directions in Prose and Poetry 33 (2010) — Contributor — 3 copies
Temblor Contemporary Poets, Issue Number 2 (2026) — Contributor — 2 copies
Sarasota Review (2000) — Contributor — 1 copy
Stooge Thirteen, Spring 1975 — Contributor — 1 copy

Tagged

Common Knowledge

Birthdate
1935-06-01
Gender
male
Education
Indiana University
Occupations
poet
translator
editor
Nationality
USA
Birthplace
Indianapolis, Indiana, USA
Places of residence
Indianapolis, Indiana, USA
Ypsilanti, Michigan, USA
Associated Place (for map)
USA

Members

Reviews

2 reviews
Reciprocal Distillations is the second book of Eshleman’s own poetry to appear since he published his lifelong translation project of the great Peruvian poet Cesar Vallejo. Each poem in Reciprocal Distillations is written in response to a visual artist, a practice that Eshleman has engaged frequently since his 1967 book Walks. Using a density of image that supplements the act of viewing, whether a Henry Darger panel (“No matter how many carnivores he releases, / the Vivian Girls are show more trillion in a field.”); or a classic Caravaggio, each poem produces an indelible image of the original. Eshleman’s language in response to the visual is an intense and sometimes playful distillation of experience. show less
In her foreword to this book of essays and critiques, Adrienne Rich refers to Eshleman's "prodigious empathetic capability." Having dipped into this volume but not read every word, I would certainly emphasize the term "prodigious." Eshleman as poet, as artist, as a being, is a wonder, a guide to the underworld, and perhaps an omen.

Lists

Awards

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Statistics

Works
148
Also by
12
Members
580
Popularity
#43,222
Rating
4.1
Reviews
2
ISBNs
68
Languages
2
Favorited
1

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