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E. H. Carr (1892–1982)

Author of What Is History?

85+ Works 4,998 Members 60 Reviews 6 Favorited

About the Author

Series

Works by E. H. Carr

What Is History? (1961) 2,264 copies, 32 reviews
The twenty years' crisis 1919-1939 (1939) 530 copies, 4 reviews
The Bolshevik Revolution, 1917-1923, Vol. 1 (1950) 263 copies, 1 review
The Bolshevik Revolution, 1917-1923, Vol. 2 (1952) 188 copies, 1 review
The Romantic Exiles (1968) 175 copies, 2 reviews
The Interregnum, 1923-1924 (1954) 105 copies, 3 reviews
The Bolshevik Revolution, 1917-1923 (1950) 93 copies, 2 reviews
Michael Bakunin (1965) 72 copies, 1 review
October Revolution: Before and After (1969) 62 copies, 3 reviews
Studies in Revolution (1950) 56 copies
Dostoevsky 1821-1881 (1973) 42 copies, 1 review
The New Society (1957) 42 copies
Nationalism and after (1968) 39 copies
The Soviet impact on the western world (2007) 23 copies, 1 review
Los derechos del hombre (1973) 10 copies, 3 reviews
Storia della Russia sovietica 5 copies, 1 review
Bakunin 1 copy
1917 1 copy
Karl Marx (2009) 1 copy

Associated Works

What Is to Be Done? (1863) — Introduction, some editions — 537 copies, 12 reviews
The ABC of Communism (1920) — Editor, some editions — 124 copies
Revolutionary Russia: A Symposium (1968) — Contributor — 18 copies

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Common Knowledge

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Reviews

63 reviews
A stimulating theoretical overview of the study of history; its main strength is that you don't feel like you have to agree with everything E. H. Carr is advocating, whilst still engaging with his arguments. I agreed with a lot of his ideas, and disagreed with a lot too, and that's all fine. He was a bit too enamoured with Marx for my tastes and, as Richard J. Evans notes in his (sometimes overly-) critical introduction, some of his stuff – partly because of this quasi-Marxist worldview show more – now seems out of date. But What is History? continues to provoke debate and will continue to encourage students to think about what remains an undervalued and fascinating subject. show less
"Az a vizsgázó, aki arra a kérdésre, »Miért tört ki az 1917-es orosz forradalom?«, egyetlen okban véli megtalálni a választ, hármasnál jobbat nemigen érdemel."

Carr professzor felteszi magának a blikkfangos kérdést, hogy "Mi a történelem?", és meg is válaszolja. Közben olyas témákat jár körül, mint:
a.) mi is az a "történelmi tény"?
b.) hogyan viszonyul egymáshoz egyén és társadalom?
c.) hogyan viszonyul a történelemtudomány a tudományokhoz általában?
d.) show more mennyire fűzhető fel a történelemtudomány az okok és okozatiságok rabláncára?
stb.
És miközben ezzel így elgyönyörködteti olvasóját, gondoskodik arról is, hogy mondandóját időnként egymondatos aforizmákká szublimálja - ide a bökőt, hogy az oxfordi történelemtudományi tanszék szuvenírboltjában csupa olyan pólót kapni, amire ezek az aranyköpések vannak nyomtatva*. Emellett pedig remekül ért ahhoz, hogy a kollégák (főképp Karl Popper és Isaiah Berlin) általánosító rendszereinek egy-egy csattanós sziporkával odacsördítsen a térdhajlatába. Szóval öröm és élvezet olvasni, az ember nem talál rajta fogást. Mondjuk lehet, azért nem talál rajta fogást, mert Carr olyan rendszert épít, ami egyenlő távolságot kíván tartani a többi rendszertől - ilyen értelemben pedig bizonyos értelemben nem annyira eredeti konstrukció, mint más konstrukciók eredője, kísérlet arra, hogy a történész mértéktartón az önálló rendszerek közé pozicionálja magát. Azt mondja, a történész nem lehet tökéletesen objektív, de ne legyen szubjektív se. Hogy ne higgyen a szükségszerűségben, de ne vesse el teljesen az ok-okozatiságot se. Hogy az egyén nem a társadalom ellentéte, de nem is azonos a társadalommal. Szóval valami kozmikus konszenzusra törekszik. Ez pedig sajátos módon teszi egyszerre támadhatatlanná és továbbgondolhatatlanná. De ez legyen azoknak a baja, akik vitatkozni akarnak vele. Én csak bólogatok.

* Pl. "Ennélfogva a »Mi a történelem?« kérdésre az első válaszom az volna, hogy szakadatlan kölcsönhatás a történész és a tények, soha véget nem érő párbeszéd a múlt és a jelen között." Vagy: "Képessé tenni az embert arra, hogy megértse a múlt társadalmát, és segíteni neki abban, hogy kezelni tudja a jelen társadalmát - ez a történetírás kettős funkciója."
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I had wanted to read more about historiography and the theory of history since I'll be writing history myself, but it had been difficult to find books that were interesting and accessible without being aimed at undergraduates. I'm not looking for advice on how to write a course paper, but I also didn't want something overly dense that name-drops modern theorists without explanation of their ideas.

This was recommended by one of my supervisors, and it was exactly what I was looking for. Carr show more has written a very readable account of what he thinks history is and how ideas about history have developed over time, without talking down to the reader. This is a book about theory that's actually entertaining to read, thanks in large part to Carr's vivid and memorable metaphors. For example, he describes the naive writing of history without theory as a sort of Garden of Eden:

"This was the age of innocence, and historians walked in the Garden of Eden, without a scrap of philosophy to cover them, naked and unashamed before the god of history. Since then, we have known Sin and experienced a Fall; and those historians who today pretend to dispense with a philosophy of history are merely trying, vainly and self-consciously, like members of a nudist colony, to recreate the Garden of Eden in their garden suburb."


This follows a discussion of nineteenth-century historiography, with its focus on facts that could really be known. The key phrase is Ranke's, that "the task of the historian was 'simply to show how it really was (wie es eigentlich gewesen)'." Positivists and empiricists thought that history could be carried out like science, and was just a matter of gathering the facts.

I have to include another of Carr's comparisons here, because I just find them so entertaining:

"The facts are available to the historian in documents, inscriptions, and so on, like fish on the fishmonger's slab. The historian collects them, takes them home, and cooks and serves them in whatever style appeals to him. Acton, whose culinary tastes were austere, wanted them served plain...."


And then he resumes 20 pages later:

"The facts are really not at all like fish on the fishmonger's slab. They are like fish swimming about in a vast and sometimes inaccessible ocean; and what the historian catches will depend partly on chance, but mainly on what part of the ocean he chooses to fish in and what tackle he chooses to use—these two factors being, of course, determined by the kind of fish he wants to catch. By and large, the historian will get the kind of facts he wants."


The basic idea is that history isn't simply a matter of presenting the facts in some pure form; instead, it's about the interaction of the historian and the facts. The "facts" are what the historian makes of them. At the beginning of the first chapter, Carr answers the title question as follows: History is "a continuous process of interaction between the historian and his facts, an unending dialogue between the present and the past."

The next chapter follows in the same vein: he brings in society, arguing that people don't exist in isolation. This leads to the conclusion that history "is a dialogue not between abstract and isolated individuals, but between the society of today and the society of yesterday."

Much of what Carr says is reasonable and helpful (I particularly appreciated one point about just writing, when you reach the point where you have to set down your ideas on paper, even if it's in the middle of an idea—I've been struggling lately with the fact that my writing style does not match the extremely systematic approach promoted by one of my supervisors, so it was nice to see that in reality people don't all write like that). I found myself agreeing with a lot of what he said. But of course, there are some ideas that I'm less persuaded by. I'm not sure quite where I stand on the idea that there's not much difference between history and science because both ask the question "why". I know that the newest theories say that we can't really know anything as certainly as we think, and yet even as I accept that history is a discourse dependent for meaning on the historian and the reader and all sorts of external factors, rather than reflecting some absolute certainty in itself, I still believe in the objectivity of science in a different way. Carr acknowledges that there is a difference between physical science and history, but goes on to try to close the gap between them: "My principal objection to the refusal to call history a science is that it justifies and perpetuates the rift between the so-called 'two cultures'." Carr relates this to class prejudice ("the humanities were supposed to represent the broad culture of the ruling class, and science the skills of the technicians who served it"), and ultimately is "not convinced that the chasm which separates the historian from the geologist is any deeper or more unbridgeable than the chasm which separates the geologist from the physicist". These are interesting ideas, but not ones that I ultimately find very persuasive.

The other key point where I differ from Carr is on the idea of history as progress, and I think this is one place where I actually fall more on the side of the postmodernists, whom I usually find frustratingly negative and destructive (although I actually found it very fruitful to read a book on postmodern theory of history, which I'll review next). Basically, Carr acknowledges that "the hypothesis of progress has been refuted. The decline of the West has become so familiar a phrase that quotation marks are no longer required." But he goes on to assert that he still really believes in progress after all, because societies are always working toward improvement. In his view, "Every civilized society imposes sacrifices on the living generation for the sake of generations yet unborn." This was published in the early 60s, and it sounded almost ridiculously quaint and outdated to me when I read it in the present: my impression of the world is that people as a whole look primarily to their own immediate benefit, and leave the problems of debt/environmental degradation/various unsustainable practices for future generations to worry about. Apparently I've become sort of cynical. But I still think there's a *possibility* for progress, I just don't see it as a given for any "civilized society".

But despite these disagreements, or maybe even because of them, I found this a very rewarding read. There's lots to think about, and it's presented in a clear and accessible style that doesn't hide behind jargon. I'd definitely recommend it to anyone interested in the broader concept of history.
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Going back to re-read old university textbooks for fun must be a sign of incipient nostalgia for the lost days of youth. That or masochism. I didn’t get a nostalgic buzz (possibly as I was young and foolish enough to think I could get away by essentially skimming it) but reading it with age and experience was far more rewarding than giving it to an intellectually arrogant 19 year old.

Carr’s initial question is the springboard for six essays, transcribed from a series of lectures. It’s show more a musing on what history is and the role it has in our society – how it actually fits neatly in with sciences, how objective a historian can be and how history tells us as much about the time it’s written in as it does about the time itself. It’s actually aged very well, being prescient on a number of issues and forcefully making a point of how history should be a positive force. Still, one thing is concerning– if Carr’s thesis that a nation in decline harks back to golden ages and nostalgia and turns inward on itself then the UK is in a ‘sick’ state indeed. A fascinating starting point for anyone looking at history and historiography. show less

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Works
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ISBNs
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