Jed Perl
Author of New Art City
About the Author
Jed Perl is the art critic of The New Republic.
Image credit: Photo © 2005 Marion Ettlinger
Works by Jed Perl
Art in America 1945–1970: Writings from the Age of Abstract Expressionism, Pop Art, and Minimalism (2014) — Editor — 131 copies
Art in America: 1945 to 1970 1 copy
A Century of Surrealism 1 copy
Associated Works
New York 400: A Visual History of America's Greatest City with Images from The Museum of the City of New York (2009) — Contributor — 74 copies
Against the Grain: The New Criterion on Art and Intellect at the End of the Twentieth Century (1995) — Contributor — 35 copies
Tagged
Common Knowledge
- Birthdate
- 1951
- Gender
- male
- Education
- Columbia University (BA)
Brooklyn College (MFA|1974) - Occupations
- art critic
- Organizations
- Vogue
The New Republic
New School for Social Research - Relationships
- Perl, Martin Lewis (father)
- Nationality
- USA
- Places of residence
- New York, New York, USA
- Associated Place (for map)
- New York, USA
Members
Reviews
It’s a curious book about Watteau, an enigmatic and easily misunderstood painter, often dismissed as merely decorative. Just like his art, this book is whimsical and unsystematic. Presented in the form of alphabetically arranged entries, it explores an art critic’s thoughts and memories centered on one of his favorite artists, the themes of his art, and the influence it had on later works of various genres.
Watteau’s subjects are difficult to define. His figures meet, turn to and away show more from each other, flirt, part, and it actually stays unclear to the viewer what happens in the paintings – is it a hello or a goodbye? Is it love or indifference? Watteau focuses on the fleeting emotions, and the figures in his paintings strike the viewer as a bit disconnected like mere acquaintances. While their meetings have all the potential of opportunities, their interaction is not based on solid friendship or knowledge of each other so that his figures’ emotions are bound to fade like the silvery dusk on Watteau’s canvases.
Antoine’s Alphabet is very diverting; it jumps from one subject to another, leading the reader on a delightful voyage of discovery. It’s great for anyone who loves Watteau or wants to explore his art from a slightly different, less art historical angle. Just don’t expect a structured dictionary of themes and Watteau-related history. show less
Watteau’s subjects are difficult to define. His figures meet, turn to and away show more from each other, flirt, part, and it actually stays unclear to the viewer what happens in the paintings – is it a hello or a goodbye? Is it love or indifference? Watteau focuses on the fleeting emotions, and the figures in his paintings strike the viewer as a bit disconnected like mere acquaintances. While their meetings have all the potential of opportunities, their interaction is not based on solid friendship or knowledge of each other so that his figures’ emotions are bound to fade like the silvery dusk on Watteau’s canvases.
Antoine’s Alphabet is very diverting; it jumps from one subject to another, leading the reader on a delightful voyage of discovery. It’s great for anyone who loves Watteau or wants to explore his art from a slightly different, less art historical angle. Just don’t expect a structured dictionary of themes and Watteau-related history. show less
Impressive in its scope, but often - particularly when interpreting artists' work - Perl really strains to make everything lock together. Well worth reading, anyway.
Provides a [rather lifeless if true] history of modern art and how it came of age in New York City. Explains how everyone relates to everyone else and how they influenced each other to transform the world of art.
Now to watch "Children of Paradise" and learn more about the Sitwells.
Awards
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Associated Authors
Statistics
- Works
- 20
- Also by
- 4
- Members
- 872
- Popularity
- #29,353
- Rating
- 3.9
- Reviews
- 4
- ISBNs
- 43
- Languages
- 6
















