Langdon Winner
Author of The Whale and the Reactor: A Search for Limits in an Age of High Technology
About the Author
Langdon Winner is the Thomas Phelan Chair of Humanities and Social Sciences in the Department of Science and Technology Studies at Rensselaer Polytechnic Institute. He is the author of numerous books, including Autonomous Technology.
Image credit: Author: Kandinski (Candeira). Source Wikimedia https://commons.wikimedia.org/wiki/File:LangdonWinner.jpg
Works by Langdon Winner
The Whale and the Reactor: A Search for Limits in an Age of High Technology (1986) 220 copies, 4 reviews
Autonomous Technology: Technics-out-of-Control as a Theme in Political Thought (1977) 124 copies, 3 reviews
Do artifacts have politics? 2 copies
Tecnología autónoma 1 copy
Associated Works
Variations on a Theme Park: The New American City and the End of Public Space (1992) — Contributor — 257 copies, 2 reviews
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Common Knowledge
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Reviews
Autonomous Technology is an important book in the history of STS, synthesizing many school of technological critique from Ellul, to Weber, to Marx, in search of a way to talk about technology that accurately respects its power and its relationship to human society. The problem is that important is not the same as influential, or even particularly good, and I found this book confused on several critical points: what is the nature of autonomy-necessary for authentic human flourishing, or a show more sign of a system dangerously out of control? Speaking of control, is it a necessary part of governing technology, or a system by which elites can 'rationally program' society from the center?
Winner's original scholarly contributed is mostly rooted in a sense of nostalgia-a nostalgia he writes about in The Whale and the Reactor. It's a longing for a lost boyhood on the California coast, in a small town of orange orchards and sea breezes. That life sounds beautiful, but far to small to encompass human experience-or even the current human population. Winner proposes "epistemological luddism", a stance that people only use tools that they understand fully, with a sense of appropriateness and wisdom. Yet the first part is incompatible with any sort of urban, technological, interdependent life, and 'appropriate' and 'wisdom' are elusive virtues in the simplest of times, let alone gales of a technological revolution. show less
Winner's original scholarly contributed is mostly rooted in a sense of nostalgia-a nostalgia he writes about in The Whale and the Reactor. It's a longing for a lost boyhood on the California coast, in a small town of orange orchards and sea breezes. That life sounds beautiful, but far to small to encompass human experience-or even the current human population. Winner proposes "epistemological luddism", a stance that people only use tools that they understand fully, with a sense of appropriateness and wisdom. Yet the first part is incompatible with any sort of urban, technological, interdependent life, and 'appropriate' and 'wisdom' are elusive virtues in the simplest of times, let alone gales of a technological revolution. show less
This book is incredible. Winner takes the thought of Ellul, Mumford, Marcuse, and others and makes their collective insights into the basis for a theory of technological politics that captures exactly what is missing from modern discourse: the effects of the overwhelming influence of modern technology on all forms of human experience. And all this in an academic book that is readable! Highly recommended.
This is a strong critique and synthesis of scholarly positions on technology. Highly recommended.
Another well-written, much needed work on our place in the increasingly technological world. Langdon Winner is currently my favorite living academic.
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