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Hilton Als

Author of White Girls

36+ Works 1,050 Members 14 Reviews

About the Author

Hilton Als is an American writer and theater critic born in New York City, New York in 1960. He began contributing pieces to The New Yorker magazine in 1989 and later worked as a staff writer and theater critic. He worked as a staff writer for The Village Voice, an Editor-at-large at Vibe and wrote show more articles for The Nation. He collaborated on film scripts for "Swoon" and "Looking for Langston." He edited the exhibition catalog for The Whitney Museum of American Art, "Black Male: Representations of Masculinity in Contemporary American Art," His first book, The Women, was published in 1996. His awards included, the New York Association of Black Journalists first prize in both Magazine Critique/Review and Magazine Arts and Entertainment. He was awarded a Guggenheim for Creative Writing in 2000 and the George Jean Nathan Award for Dramatic Criticism for 2002-03. He won the 2016 Windham-Campbell Literature Prize in nonfiction for White Girls (2013) and The Women (1996). The 2016 Lambda literary awards presented him The Trustee Award for Excellence in Literature He has taught at Yale University, Wesleyan, and Smith College. (Bowker Author Biography) show less

Includes the names: Hilton Als -, ed. Hilton Als

Image credit: Columbia University

Works by Hilton Als

White Girls (2013) 477 copies, 7 reviews
The Best American Essays 2018 (2018) — Editor — 135 copies, 1 review
The Women (1996) 124 copies, 1 review
My Pinup (2022) 50 copies, 3 reviews
Alice Neel: Uptown (2017) 30 copies
Peter Doig: No Foreign Lands (2013) 30 copies, 1 review
Joan Didion: What She Means (2022) — Editor — 24 copies
Elizabeth Peyton: Ghost: Works on Paper (2011) 16 copies, 1 review
(Nothing but) Flowers (2022) 11 copies
Catherine Opie (2021) 11 copies

Associated Works

Giovanni's Room (1956) — Introduction, some editions — 7,568 copies, 175 reviews
Let Me Tell You What I Mean (2021) — Foreword — 697 copies, 20 reviews
If He Hollers, Let Him Go (1945) — Foreword, some editions — 652 copies, 10 reviews
Life Stories: Profiles from the New Yorker (2000) — Contributor — 329 copies, 4 reviews
The 40s: The Story of a Decade (2014) — Contributor — 328 copies, 7 reviews
Without Sanctuary: Lynching Photography in America (2000) — Reaction — 294 copies, 11 reviews
The Best American Essays 2011 (2011) — Contributor — 254 copies, 4 reviews
Fashion Climbing: A Memoir with Photographs (2018) — Preface — 189 copies, 5 reviews
The Best American Essays 1997 (1997) — Contributor — 174 copies, 1 review
McSweeney's 35 (2010) — Contributor — 125 copies, 2 reviews
The Matter of Black Lives: Writing from The New Yorker (2021) — Contributor — 117 copies
My Favorite Plant: Writers and Gardeners on the Plants They Love (1998) — Contributor — 100 copies, 1 review
Sally Mann: A Thousand Crossings (2018) — Contributor — 82 copies
Hokum: An Anthology of African-American Humor (2006) — Contributor — 72 copies
The Warhol Look: Glamour, Style, Fashion (1997) — Contributor — 69 copies
Lorna Simpson (2006) — Contributor — 57 copies, 1 review
Nothing Personal {2017 reprint} (2017) — Introduction — 45 copies
Satchmo: The Wonderful World and Art of Louis Armstrong (2009) — Foreword — 40 copies, 2 reviews
Robert Gober: The Heart Is Not a Metaphor (2014) — Contributor — 38 copies
Dawoud Bey: Seeing Deeply (2018) — Contributor — 34 copies
Drawing Us In: How We Experience Visual Art (A Beacon Anthology) (2000) — Foreword — 31 copies, 1 review
Kara Walker: Dust Jackets for the Niggerati (2013) — Contributor — 21 copies, 1 review
Lynette Yiadom-Boakye: Verses After Dusk (2015) — Contributor — 15 copies
Peter Schlesinger: A Photographic Memory 1968-1989 (2015) — Introduction — 14 copies
Toni Morrison: The Pieces I Am [2019 film] (2019) — Self — 13 copies
Andy Warhol at Christie's (2012) — Contributor — 12 copies, 1 review
Glenn Ligon: Stranger (2001) — Contributor — 10 copies
Grand Street 63: Crossing the Line (Winter 1998) (1998) — Contributor — 9 copies
David Salle: Bears/Interiors (1999) — Contributor — 8 copies
Kara Walker: The Black Road (2010) — Contributor — 4 copies, 1 review
Andy Warhol at Christie's: Photographs (2012) — Contributor — 3 copies

Tagged

Common Knowledge

Birthdate
1960
Gender
male
Occupations
critic
writer
Organizations
Vibe
The New Yorker
Awards and honors
George Jean Nathan Award (2002-03)
Windham–Campbell Literature Prize (2016)
Pulitzer Prize (Criticism, 2017)
Nationality
USA
Birthplace
Brooklyn, New York, USA
Places of residence
Brooklyn, New York, USA
Associated Place (for map)
Brooklyn, New York, USA

Members

Reviews

14 reviews
This is such an incredibly curious two-part essay on, yes, Als on Prince—but also the so-much-more behind and beyond that fascination. Maybe I'd just describe it as strange and wonderful in the way that love, or at least infatuation and wanting to be loved or even to be absorbed by someone, and if you're lucky, being self-reflective about it, often is.
Star-rating does not apply to this work. The best of it is flat-out stunning - funny and brilliant and thrilling as a new truth, like a joke that cuts so surprisingly deeply laughing is not enough. It is, however, a bit uneven, occasionally cruel, and sometimes over-reaching in either technique or conclusion. Still, a colossal achievement and absolutely worth reading.
This is THE best book of essays (a mashup of fiction, non-fiction, critique) by a fearless writer who can put words together that leave your jaw dropped. On top of that, Als is the queen of brilliant first sentences.
I loved this! This is a book about everything. It's "creative nonfiction" that moves from memoir to journalism and is informed by women, theory, movies, everything. It's all the big brains of "litratshure" and none of the b.s. It's subjective and personal and all the more trustworthy for being honest. Good, great, fantastic. Such a welcome relief from grad school.

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Statistics

Works
36
Also by
33
Members
1,050
Popularity
#24,543
Rating
4.1
Reviews
14
ISBNs
46
Languages
3

Charts & Graphs