Rebecca Solnit
Author of Men Explain Things to Me {updated edition}
About the Author
Rebecca Solnit writes extensively on photography and landscape. She is a contributing editor to Art Issues and Creative Camera and is the author of three books. She has contributed essays to several museum catalogues including Crimes and Splendors: The Desert Cantos of Richard Misrach and the show more Whitney Museum's Beat Culture and the New America. She was a 1993 recipient of a National Endowment for the Arts Fellowship. (Bowker Author Biography) show less
Series
Works by Rebecca Solnit
A Paradise Built in Hell: The Extraordinary Communities That Arise in Disaster (2009) 1,029 copies, 32 reviews
Not Too Late: Changing the Climate Story from Despair to Possibility (2023) — Editor — 174 copies, 4 reviews
Solnit, Rebecca Archive 1 copy
Associated Works
Nasty Women: Feminism, Resistance, and Revolution in Trump's America (2017) — Contributor — 253 copies, 10 reviews
Tales of Two Americas: Stories of Inequality in a Divided Nation (2017) — Contributor — 229 copies, 7 reviews
Embrace Fearlessly the Burning World: Essays (2022) — Introduction, some editions — 194 copies, 4 reviews
Standing at the Edge: Finding Freedom Where Fear and Courage Meet (2018) — Foreword, some editions — 131 copies, 3 reviews
These United States: Original Essays by Leading American Writers on Their State within the Union by John Leonard (1995) — Contributor — 102 copies, 1 review
Celebrate People's History! The Poster Book of Resistance and Revolution (2010) — Foreword, some editions — 81 copies, 1 review
Trust Kids!: Stories on Youth Autonomy and Confronting Adult Supremacy (2022) — Contributor — 75 copies
After the Ruins, 1906 and 2006: Rephotographing the San Francisco Earthquake and Fire (2006) — Contributor — 61 copies
No Ordinary Land: Encounters in a Changing Environment (2005) — Introduction, some editions — 37 copies
The World According to Tomdispatch: America In The New Age of Empire (2008) — Contributor — 31 copies
Tagged
Common Knowledge
- Canonical name
- Solnit, Rebecca
- Birthdate
- 1961-06-24
- Gender
- female
- Education
- San Francisco State University (B.A.)
University of California, Berkeley (M.A.|1984) - Occupations
- essayist
memoirist
author - Organizations
- The Guardian (contributor)
Third Act (advisor) - Awards and honors
- Lannan Literary Award (Nonfiction ∙ 2003)
National Book Critics Circle Award in Criticism (2004)
Sally Hacker Prize (2004)
Mark Lynton History Prize (2004)
Kirkus Prize for Nonfiction (2018)
Windham-Campbell Prize (Nonfiction, 2019) (show all 7)
Corlis Benefideo Award for Imaginative Cartography (2015) - Agent
- Frances Coady
- Nationality
- USA
- Birthplace
- Bridgeport, Connecticut, USA
- Places of residence
- Novato, California, USA
San Francisco, California, USA
Paris, Île-de-France, France - Map Location
- California, USA
Members
Reviews
“And so there I was where so many young women were, trying to locate ourselves somewhere between being disdained or shut out for being unattractive and being menaced or resented for being attractive, to hover between two zones of punishment in space that was itself so thin that perhaps it never existed, trying to find some impossible balance of being desirable to those we desired and being safe from those we did not.”
“When I read, I ceased to be myself, and this nonexistence I pursued show more and devoured like a drug”
“Men’s bodies are weapons and women’s bodies are targets and queer bodies are hated for blurring the distinction or rejecting the metaphors.”
Men are scum. After reading books like this and watching current events, where this is played out every moment of every day, this is the only conclusion I can have. Yes, I am a male in America but I have try to be respectful and considerate toward the opposite sex. Probably not perfect but I do try. I love Solnit's writing. She pulls no punches and describing her experiences, as a young woman establishing her self in a male-dominated world, where many of her female friends had been sexually assaulted, or demeaned or ignored, is quite eye-opening. An important book. show less
“When I read, I ceased to be myself, and this nonexistence I pursued show more and devoured like a drug”
“Men’s bodies are weapons and women’s bodies are targets and queer bodies are hated for blurring the distinction or rejecting the metaphors.”
Men are scum. After reading books like this and watching current events, where this is played out every moment of every day, this is the only conclusion I can have. Yes, I am a male in America but I have try to be respectful and considerate toward the opposite sex. Probably not perfect but I do try. I love Solnit's writing. She pulls no punches and describing her experiences, as a young woman establishing her self in a male-dominated world, where many of her female friends had been sexually assaulted, or demeaned or ignored, is quite eye-opening. An important book. show less
The Encyclopedia of Trouble and Spaciousness by Rebecca Solnit I loved this book because I have that magpie kind of mind that likes shiny bits of information and this book has them in droves. Intelligent, thoughful and humane is how I’d classify this collection of essays.
There is nothing trite or entertaining in here at all, which is not the same thing as saying that this is not to be enjoyed. You will need to engage your brain and your morals to get the most out of this book. It is not show more highbrow or academic, it is like talking to a really intelligent friend who can explain complex things without patronising you. A friend that you always look forward to spending time with.
If you don’t read this book this is just tiny iota of what you will be missing: “….there are many kinds of invisibility. There is the invisibility of what is so taken for granted that few see it, the custom of the country, the water in which the fish swim. Thus to perceive that the United States is an empire on a permanent wartime basis is be alien to, or become alienated from, the mainstream…..”
Gets a bit of a slagging on Amazon but Goodreads shows a bit more respect.
Get an axe, smash up your TV then read this book. If it is not too late for you then at least a thousand things will jump out at you and you will shout, “I need to know more about this”.
If that doesn’t happen then buy another TV and get back to those really, really, exciting cooking shows. show less
There is nothing trite or entertaining in here at all, which is not the same thing as saying that this is not to be enjoyed. You will need to engage your brain and your morals to get the most out of this book. It is not show more highbrow or academic, it is like talking to a really intelligent friend who can explain complex things without patronising you. A friend that you always look forward to spending time with.
If you don’t read this book this is just tiny iota of what you will be missing: “….there are many kinds of invisibility. There is the invisibility of what is so taken for granted that few see it, the custom of the country, the water in which the fish swim. Thus to perceive that the United States is an empire on a permanent wartime basis is be alien to, or become alienated from, the mainstream…..”
Gets a bit of a slagging on Amazon but Goodreads shows a bit more respect.
Get an axe, smash up your TV then read this book. If it is not too late for you then at least a thousand things will jump out at you and you will shout, “I need to know more about this”.
If that doesn’t happen then buy another TV and get back to those really, really, exciting cooking shows. show less
Impossible to convey how much I enjoyed this book; the prose lifts off the page and straight into the mind, balancing sparkling, romantic images with some of the most cutting social criticism I’ve read in a long time. Sonlit is angry (and why shouldn’t she be!) but she remains so measured and calculated in her excoriation of patriarchy that her talking points blend seamlessly into a deeply personal narrative about living (as a woman, as a writer and a historian, as a multiplicity). This show more book feels like sitting down with an intelligent, compassionate stranger, and hearing them speak until you feel yourself morphing into a new, better person.
There are authors who I read who make me excited and happy to experience literature, and I’m very happy to have found many this year alone. show less
There are authors who I read who make me excited and happy to experience literature, and I’m very happy to have found many this year alone. show less
A short collection of essays provides fertile ground for growing new ideas.
When I first started reading Solnit's essays, I felt angry. That's okay; I'm used to feeling angry. What I liked about this collection is that she goes beyond anger, which can lead all too easily to feelings of despair and hopelessness, and she does provide hope for a brighter future, as well as an impetus that we all keep doing our small part because everyone's work toward equality is important. Many reviewers have show more commented on "Woolf's Darkness" as an outlier piece in this collection, but it was the essay I most highlighted, because it talks about how creative work gets done and ties that into the limitations placed on women, and also because it introduces the idea that the future is dark. We cannot know what will happen in the future or how our actions now might make a difference. We are all spinners in a web, and how those threads come together, we just don't know, but those threads are all necessary, so we cannot stop our work, whatever it may be. We all make a difference.
Solnit says in this essay: "To me, the grounds for hope are simply that we don't know what will happen next, and that the unlikely and the unimaginable transpire quite regularly. And that the unofficial history of the world shows that dedicated individuals and popular movements can shape history and have, though how and when we might win and how long it takes is not predictable."
"Despair is a form of certainty, certainty that the future will be a lot like the present or will decline from it; despair is a confident memory of the future, in Gonzalez's resonant phrase. Optimism is similarly confident about what will happen. Both are grounds for not acting. Hope can be the knowledge that we don't have that memory and that reality doesn't necessarily match our plans..."
While this essay spoke volumes to me, my favorite essay was "Grandmother Spider," which begins by showing how women have been erased from family lines and thus from history, and ends by honoring the work of women, all of it, and how it taken together weaves an intricate and beautiful web:
"Every woman who appears wrestles with the forces that would have her disappear. She struggles with the forces that would tell her story for her, or write her out of the story, the genealogy, the rights of man, the rule of law. The ability to tell your own story, in words or images, is already a victory, already a revolt."
An inspiring collection for all people. show less
When I first started reading Solnit's essays, I felt angry. That's okay; I'm used to feeling angry. What I liked about this collection is that she goes beyond anger, which can lead all too easily to feelings of despair and hopelessness, and she does provide hope for a brighter future, as well as an impetus that we all keep doing our small part because everyone's work toward equality is important. Many reviewers have show more commented on "Woolf's Darkness" as an outlier piece in this collection, but it was the essay I most highlighted, because it talks about how creative work gets done and ties that into the limitations placed on women, and also because it introduces the idea that the future is dark. We cannot know what will happen in the future or how our actions now might make a difference. We are all spinners in a web, and how those threads come together, we just don't know, but those threads are all necessary, so we cannot stop our work, whatever it may be. We all make a difference.
Solnit says in this essay: "To me, the grounds for hope are simply that we don't know what will happen next, and that the unlikely and the unimaginable transpire quite regularly. And that the unofficial history of the world shows that dedicated individuals and popular movements can shape history and have, though how and when we might win and how long it takes is not predictable."
"Despair is a form of certainty, certainty that the future will be a lot like the present or will decline from it; despair is a confident memory of the future, in Gonzalez's resonant phrase. Optimism is similarly confident about what will happen. Both are grounds for not acting. Hope can be the knowledge that we don't have that memory and that reality doesn't necessarily match our plans..."
While this essay spoke volumes to me, my favorite essay was "Grandmother Spider," which begins by showing how women have been erased from family lines and thus from history, and ends by honoring the work of women, all of it, and how it taken together weaves an intricate and beautiful web:
"Every woman who appears wrestles with the forces that would have her disappear. She struggles with the forces that would tell her story for her, or write her out of the story, the genealogy, the rights of man, the rule of law. The ability to tell your own story, in words or images, is already a victory, already a revolt."
An inspiring collection for all people. show less
Lists
Netgalley Reads (1)
Emily's Reviews (1)
Walking (1)
Non-Fiction (1)
2015 UpROOTed (1)
Female Author (1)
Feminism (1)
Five star books (2)
My Wishlist (1)
On Books (1)
Haymarket Books (1)
Awards
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Associated Authors
Statistics
- Works
- 48
- Also by
- 32
- Members
- 17,197
- Popularity
- #1,291
- Rating
- 3.9
- Reviews
- 455
- ISBNs
- 330
- Languages
- 14
- Favorited
- 40



































































