Susan L. Roth

Here is a grand deed, as basic as a science-fair project, that had a profound application bringing health and economic bounty to a small coastal town, Hargigo, in Eritrea. Dr. Gordon Santo had a brainstorm: Why not plant mangrove trees in the waters off Hargigo? The leaves would feed the town’s hungry herds of sheep and goats and provide wood for fuel; the trees’ root system would attract fish (a food and revenue source); and the trees themselves would do what trees are so good show more at—converting carbon dioxide to oxygen. Roth’s artwork is a treat, cut-paper and fabric collages of intense, shimmering color on a ground of paper that is electric with thick veins of fiber (photos join glossary in backmatter). Roth and Trumbore’s cumulative verse goes about its merry way on the left page—“These are the shepherds / Who watch the goats / and watch the sheep / That eat the leaves”—while a narrative on the right takes readers on Santo’s journey. He has named the project Manzanar, after the internment camp where he was placed during World War II, because he wanted to turn that experience (where he first grew desert plants) into something good. Hitting home hard is the project’s simple practicality: no high-tech, no great infusions of capital or energy—in a word, motivating, in the best possible way. (Informational picture book. 6-9)

-Kirkus Review show less

I hated everything about this book! The illustrations, which were collages of scraps from the illustrator's studio, looked like they were just sloppily slapped together of, like she was on a deadline. The fact that the children on the cover are wearing hijabs, when it doesn't show any pictures of the actual children wearing them, shows me that she didn't look beyond stereotypes. As for the story, I think it's actually more about the author's messiah complex. Basically, he gets lost hiking in show more the mountains and comes across a village, where the villagers take care of him for about a year. When it's time for him to leave, he asks the old wise man of the village what he can do to give something back to them. The old man replies, "listen to the wind." The author somehow interprets this as the children of the village need a modern, Americanized school. Who knows what the old mountain man really meant??? They build a school for the children and apparently everything is happy ever after. And I love how he tells the story from the children's point of view, instead of his own! That way, we can definitely be sure whether the children and villagers really appreciated his "gift". To me, the book is really about a typical American who believes his way of life is so much better than other people's (more simple) way of life, so he takes it upon himself to assimilate them. The fact that it is written under the guise of a happy little children's book is even worse. would NEVER read this book to children, unless it was to teach them that just because you like your way of life, doesn't mean that is what everybody else wants and needs, too. I'm glad I have a strong intuition about fake, terrible people. Do a little googling about Greg Mortensen and you'll see what I mean. show less

This picture book shares a grandmother's Cherokee story to a young girl about a terrapin and possum who eat persimmons. A wolf comes along eating the persimmons, but ends up choking on a large one. The terrapin uses the wolves ears to eat kanahena, a type of cornmeal mush eaten by the Cherokee. Word spreads among the wolves about terrapin's new eating utensils. They come to put an end to terrapin, but he tricks them. The tale ends with several versions of terrapin's eventual fate, presenting show more an opportunity for the young child to decide which he thinks happened. Cute story with illustrations that will appeal to some and not to others but which convey the Cherokee theme well. show less

Parrots Over Puerto Rico, however, is an extraordinary exception. Using highly detailed collage art, and employing many textured and brightly colored materials, Susan L. Roth has created a book that accurately portrays the colors of the island and evokes the stunning beauty of the endangered parrots of Puerto Rico. Designed to be read "portrait style," the collages cover about 2/3 of each double-spread layout. Cindy Trumbore's narrative appears in a simple black font in the bottom third of show more the collage against a plain, complementary-colored background.

As stunning as it is, the artwork is not the only thing to love about Parrots over Puerto Rico. An astute teacher's dream, Parrots takes a holistic view of the parrots' rapid decline and slow slog back to viability in the wild. As the story of the American Bison is forever entwined with the story of American Westward expansion, the Puerto Rican's parrot story is entwined with that of the Tainos, the Spaniards, and the Americans, as well as that of invasive species, and natural disasters like Hurricane Hugo.

Existing for millions of years on the island of Puerto Rico, they once numbered in the hundreds of thousands, and by 1975, had dwindled to only 13.

"Above the treetops of Puerto Rico flies a flock or parrots as green as their island home. If you look up from the forest, and you are very lucky, you might catch the bright blue flashes of their flight feathers and hear their harsh call.
These are Puerto Rican parrots. They lived on this island for millions of years, and then they nearly vanished from the earth forever. This is their story."

An Afterword contains photographs and information on the Puerto Rican Parrot Recovery Program. Also included is a timeline of Important Dates in the History of Puerto Rico and Puerto Rican Parrots, and Author's Sources.

A video and more at http://shelf-employed.blogspot.com/2014/01/parrots-over-puerto-rico-review.html show less