Philip José Farmer (1918–2009)
Author of To Your Scattered Bodies Go
About the Author
Philip José Farmer was born in North Terre Haute, Indiana on January 26, 1918. He worked in a steel mill while attending Bradley University at night and writing in his spare time. In 1952, his story The Lovers, in which a human has sex with an alien, was published in a pulp magazine called show more Startling Stories and won him the Hugo Award in 1953 for most promising new author. He quit his job to become a full-time writer, but a string of misfortunes eventually forced him to take jobs as a manual laborer. He worked as a technical writer from 1956 to 1970, but continued writing science fiction. He finally found success in the 1960's with the Riverworld series. He wrote more than 75 books throughout his lifetime including the Dayworld series and the World of Tiers series. He also wrote short stories. He won the Hugo award for best novella in 1968 for Riders of the Purple Wage and for best novel in 1972 for To Your Scattered Bodies Go. In 1988, he was the recipient of the Writers of the Past Award and the Nova for best book for Riverworld. In 2001 he was awarded the Grand Master Award and the World Fantasy Life Achievement Award. He died on February 25, 2009 at the age of 91. (Bowker Author Biography) show less
Series
Works by Philip José Farmer
The World of Tiers, Volume 1 (Maker of Universes, Gates of Creation, Private Cosmos) (1986) 260 copies, 1 review
Riverworld: Including To Your Scattered Bodies Go & The Fabulous Riverboat (2010) 248 copies, 4 reviews
The World of Tiers, Volume 2 (Lavalite World, Behind the Walls of Terra, More than Fire) (1997) 127 copies
The World of Tiers, Volume 2 (A Private Cosmos, Behind the Walls of Terra, The Lavalite World) (1993) 122 copies, 2 reviews
The World of Tiers Volume One: The Maker of Universes, The Gates of Creation, and A Private Cosmos (1981) 81 copies
Riverworld Series 1-4 (To Your Scattered Bodies Go, Fabulous Riverboat, Dark Design, Magic Labyrinth) (1971) 42 copies
The World of Tiers, Volume 2 (Behind the Walls of Terra, The Lavalite World, Red Orc’s Rage, More Than Fire) (2017) 25 copies
The Lovers * Dark Is the Sun * Riders of the Purple Wage: Three Powerful Science Fiction Classics (2017) 15 copies
Riverworld: Including To Your Scattered Bodies Go & The Fabulous Riverboat (Riverworld, 1) 12 copies
Strangers No More: Tales of Alien Life by Science Fiction Masters Isaac Asimov, Philip José Farmer, Marion Zimmer Bradley and More! (2017) 9 copies
Unterwegs in die Welt von morgen: Das Ding aus einer anderen Welt / Die Irrfahrten des Mr. Green (1990) 9 copies
The world of tiers 5 copies
Three Powerful Science Fiction Classics: The Lovers, Dark Is the Sun, and Riders of the Purple Wage 5 copies
Desígnio negro - 2 5 copies
The King of the Beasts 4 copies
The Shadow Of Space 4 copies
Riverworld 4 copies
Desígnio negro - 1 4 copies
One Down, One to Go {short story} 3 copies
Heel 3 copies
O labirinto mágico - 2 3 copies
La Torre Negra, El Abismo, Voumen 3 copies
O labirinto mágico - 3 3 copies
O Labirinto Mágico/3 3 copies
O labirinto mágico - 1 3 copies
Farmer, Phillip Jose 3 copies
Uproar In Acheron 2 copies
Savage Shadow 2 copies
Day of the Great Shout [short story] 2 copies
Regresso ao Mundo do Rio 1 2 copies
Regresso ao Mundo do Rio 2 2 copies
Nobody's Perfect 2 copies
Mother Earth Wants You 2 copies
Monolog [short story] 2 copies
Flight to Opar (Khokarsa Series #2) 2 copies
Toward The Beloved City 2 copies
The Sumerian Oath [short fiction] 2 copies
Short Science Fiction Collection 067 2 copies
The Volcano [short story] 2 copies
The Biological Revolt 2 copies
Il fiume della vita 2 copies
Pianeta d'aria (Urania) 1 copy
Planul Misterios 1 copy
Amor no cosmos 1 copy
Il fiume della vita (Urania) 1 copy
Universos paralelos 1 copy
Ο δημιουργός των κόσμων 1 copy
¡Cuidado con la bestia! 1 copy
Tarzan's Greatest Secret 1 copy
Un amore a Siddo 1 copy
Il grande disegno 1 copy
Lord Tyqer 1 copy
The Alley God 1 copy
Oi Erastes 1 copy
Love Song 1 copy
gdzie wasze ciała porzucone 1 copy
Ördögszem 1 copy
Ένας ιδιωτικός κόσμος 1 copy
The Full Account 1 copy
Gate of Time 1 copy
¡Cuidado con la bestia! 1 copy
The stone god awakens 1 copy
A feast unknown 1 copy
Врата творения 1 copy
Создатель вселенных 1 copy
За стенами Терры 1 copy
The Wounded 1 copy
Iron Castle 1 copy
Un mestiere difficile 1 copy
The Wind Whales of Ishmael 1 copy
Behind the Walls of Terra 1 copy
Hadon of Ancient Opar 1 copy
Primo contatto 1 copy
Il sole nero 1 copy
How Deep the Grooves 1 copy
Poarta 1 copy
O Labirinto Mágico I Livro 3 1 copy
1973 1 copy
O Construtor de Universos 1 copy
Day of the Great Shout 1 copy
The World of Tiers 2 hb 1 copy
Mundo sem morte 1 copy
Viagem para além da morte 1 copy
A armadilha cósmica 1 copy
as portas do universo 1 copy
Dayworld 1 1 copy
Behnd the Walls of Terra 1 copy
Strange Fantasy 1 copy
The Return of Greatheart Silver or The Secret Life of Rebecca of Sunnybrook Farm [Greatheart Silver] 1 copy
Spiders of the Purple Mage 1 copy
Only Who Can Make A Tree? 1 copy
The Freshman 1 copy
The Last Rise Of Nick Adams 1 copy
Hunter’s Moon [short story] 1 copy
Dayworld 3: Dayworld Breakup 1 copy
Autograph, (S.F. Writer), Typescript for "Rip Van Winkle's Plurial Dream," with cut Signature 1 copy
Futuro 1 copy
Ljubavnici 1 copy
The Wounded [short story] 1 copy
Universos Paralelos Livro 1 1 copy
GLI DEI DEL FIUME 1 copy
Odyseja Greena 1 copy
Regresso ao mundo do rio - 2 1 copy
Regresso ao mundo do rio - 1 1 copy
Associated Works
Alien Sex: 19 Tales by the Masters of Science Fiction and Dark Fantasy (1990) — Contributor — 531 copies, 6 reviews
Philip Jose Farmer's The Dungeon: The Black Tower (1988) — Foreword, some editions — 521 copies, 6 reviews
Isaac Asimov's Magical Worlds of Fantasy, Volume 8: Devils (1987) — Contributor — 106 copies, 2 reviews
The Prentice Hall Anthology of Science Fiction and Fantasy (2000) — Contributor — 100 copies, 2 reviews
Best Science Fiction Stories of the Year First Annual Collection (1972) — Contributor — 89 copies, 2 reviews
Worlds of Maybe : Seven Stories of Science Fiction (1970) — Contributor, some editions — 82 copies, 1 review
And walk now gently through the fire, and other science fiction stories (1972) — Contributor — 77 copies, 2 reviews
Isaac Asimov's Wonderful Worlds of Science Fiction, Volume 8: Monsters (1988) — Author — 75 copies, 2 reviews
Isaac Asimov's Wonderful Worlds of Science Fiction, Volume 6: Neanderthals (1987) — Contributor — 72 copies, 1 review
The Mammoth Book of New World Science Fiction: Short Novels of the 1960's (The Mammoth Book Series) (1991) — Author — 67 copies
A Century of Science Fiction 1950-1959 : The Greatest Stories of the Decade (1996) — Contributor — 64 copies, 2 reviews
Thieves' World® Volume One: Thieves' World, Tales from the Vulgar Unicorn, and Shadows of Sanctuary (2020) — Contributor — 52 copies, 4 reviews
The Magazine of Fantasy and Science Fiction October 1990, Vol. 79, No. 4 (1990) — Contributor — 20 copies, 1 review
The Magazine of Fantasy and Science Fiction December 1974, Vol. 47, No. 6 (1974) — Contributor — 17 copies
Van Jules Verne tot Isaac Asimov de vijftig beste science fiction verhalen (1981) — Contributor — 16 copies, 1 review
The Magazine of Fantasy and Science Fiction October 1960, Vol. 19, No. 4 (1960) — Author — 13 copies
Hollywood Ghosts: Haunting, Spine-Chilling Stories from America's Film Capital (American Ghost Series) (1991) — Contributor — 12 copies
Special Wonder: The Anthony Boucher Memorial Anthology of Fantasy and Science Fiction (1970) — Contributor — 12 copies
Worlds of If Science Fiction 155, July/August 1971 (Vol. 20, No. 12) (1971) — Contributor — 6 copies
Faseskift : science fiction noveller : et udvalg (1984) — Author, some editions — 5 copies, 1 review
Strade senza uscita — Contributor — 4 copies
Once and future tales; from the Magazine of fantasy and science fiction (1968) — Contributor — 3 copies
Monolith 003 : Almanah Znanstveno-fantasticne Knjizevnosti (Monolith, No. 003) (2000) — Contributor — 3 copies
Fantastic Universe October 1954 — Contributor — 2 copies
Den elektriske myre og andre science fiction-fortællinger (1984) — Author, some editions; Author, some editions — 2 copies, 1 review
Strange Fantasy #8 Spring '69 featuring Some Fabulous Yonder — Contributor — 1 copy
Tagged
Common Knowledge
- Other names
- Trout, Kilgore (pseudonym)
Somers, Jonathan Swift, III (pseudonym)
Bird, Cordwainer (pseudonym) - Birthdate
- 1918-01-26
- Date of death
- 2009-02-25
- Gender
- male
- Education
- University of Missouri
Bradley Polytechnical Institute
Bradley University (B.A. | English | 1950) - Occupations
- power-line worker
technical writer (defense industry)
steel mill laborer
science fiction writer - Organizations
- Science Fiction and Fantasy Writers of America
- Awards and honors
- Hugo (New SF Author or Artist ∙ 1953)
SFWA Grand Master (2000)
World Fantasy Award (Life Achievement, 2001) - Short biography
- Born in Indiana in 1918, he had to earn a very young living. He attended evening classes and obtained his BA in letters in 1950. He is now one of the great figures of American science fiction and is read all over the world. (Thanks, Google Translation)Philip José Farmer (January 26, 1918 – February 25, 2009) was an American author known for his science fiction and fantasy novels and short stories.
Farmer is best known for his sequences of novels, especially the World of Tiers (1965–93) and Riverworld (1971–83) series. He is noted for the pioneering use of sexual and religious themes in his work, his fascination for, and reworking of, the lore of celebrated pulp heroes, and occasional tongue-in-cheek pseudonymous works written as if by fictional characters. Farmer often mixed real and classic fictional characters and worlds and real and fake authors as epitomized by his Wold Newton family group of books. These tie all classic fictional characters together as real people and blood relatives resulting from an alien conspiracy. Such works as The Other Log of Phileas Fogg (1973) and Doc Savage: His Apocalyptic Life (1973) are early examples of literary mashup.
Literary critic Leslie Fiedler compared Farmer to Ray Bradbury as both being "provincial American eccentrics" who "strain at the classic limits of the [science fiction] form," but found Farmer distinctive in that he "manages to be at once naive and sophisticated in his odd blending of theology, pornography, and adventure." - Nationality
- USA
- Birthplace
- North Terre Haute, Vigo County, Indiana, USA
- Places of residence
- Syracuse, New York, USA
Scottsdale, Arizona, USA
Beverly Hills, California, USA
Los Angeles, California, USA - Place of death
- Peoria, Peoria County, Illinois, USA
- Associated Place (for map)
- USA
Members
Discussions
Potent Wings in Good Show Sir! — bad science fiction and fantasy covers (August 2025)
Buff Bodies Birdwatching in Good Show Sir! — bad science fiction and fantasy covers (August 2025)
Gonna need a bigger boat in Good Show Sir! — bad science fiction and fantasy covers (May 2025)
Dark is the Sun by Philip José Farmer in Science Fiction Fans (January 2012)
Reviews
Como seria efetivamente o quarto mundo, o mundo da justiça, em que um suposto Deus passa a existir e ressuscita a humanidade? A excêntrica ética do Meillassoux de "l'immanence d'outre monde" me fascina e é interessante que eu tenha lido o livro do Philip José Farmer pensando nela. Porque a Igreja da segunda chance articula um imperativo ético bastante próximo - agora que especulamos que só há o humano a culpar, devemos nos esforçar a atingir o patamar ético necessário. É claro show more que há muitas diferenças. Essa ascensão é para outra vida, ou ainda a morte, para além do Mundo-Rio em que os 36 bilhões de humanos habitam. Porque a maioria deles parece capitular e reproduzir os hábitos ruins históricos de dominação e violência. Nesse sentido, o experimento dos Éticos, ao fornecer uma quase imortalidade aos humanos, tem um ar de Ensaio sobre a Cegueira, ou ainda de Senhor das Moscas. E é claro que explicações, mesmo que turvas ou especulativas, sobre o propósito de tudo aquilo, levam a resultados específicos. Nosso protagonista mesmo, Sir Richard Francis Burton, declara recusar-se a melhorar eticamente. Porque o faria?! Tem em seu princípio uma rebeldia sem causa, mas que vai tomando corpo e transformando em projeto, junto a seu expresso-suicídio (the suicide express).
Livro ganhador do prêmio Hugo 1972 por melhor novela. show less
Livro ganhador do prêmio Hugo 1972 por melhor novela. show less
Philip José Farmer created the genre of bringing fictional characters into a shared world and having them adventure together. In this book, it is two of the 20th century's most recognisable figures, Sherlock Holmes and Tarzan!
If you want a straight-up recreation of the Holmesian canon, then steer well clear of this! Farmer has his tongue firmly in his cheek, and this is as much parody as pastiche. The description of Holmes, stripped naked, smeared in stripes of black mud and white clay and show more wagglng his arse to communicate with killer bees is likely to make strong men blanch and ladies clutch their pearls! Not to mention Watson's priapic response when spying on a beautiful woman!
So this is, and is intended to be, pulp fiction (The Shadow and The Spider also appear as guest stars) taken to absurd lengths and is not for the purist of either The World's Greatest Detective nor The Lord of the Jungle. I quite enjoyed it as a low pick, understanding that Farmer loved the source material and his mockery is good-hearted, and pointed at least in part to his own fascination with outrageous adventure fiction. show less
If you want a straight-up recreation of the Holmesian canon, then steer well clear of this! Farmer has his tongue firmly in his cheek, and this is as much parody as pastiche. The description of Holmes, stripped naked, smeared in stripes of black mud and white clay and show more wagglng his arse to communicate with killer bees is likely to make strong men blanch and ladies clutch their pearls! Not to mention Watson's priapic response when spying on a beautiful woman!
So this is, and is intended to be, pulp fiction (The Shadow and The Spider also appear as guest stars) taken to absurd lengths and is not for the purist of either The World's Greatest Detective nor The Lord of the Jungle. I quite enjoyed it as a low pick, understanding that Farmer loved the source material and his mockery is good-hearted, and pointed at least in part to his own fascination with outrageous adventure fiction. show less
Question: What would you do if you were minding your business in 1985 Syracuse, working on a ray to freeze atoms, when something goes horribly wrong and the next thing you know, you're in the middle of a war zone between two primitive alien species? That's exactly the situation Ulysses Singing Bear finds himself in. Add to that, the stone-like petrification caused by the ray has left him as a statue for an untold number of years and the war he wakes up to is over him, the "Stone God" of the show more two warring tribes.
Of course, this is just the beginning of Singing Bear's problems. He's in a strange world, with strange people who think he's a god, and now there's a prophecy involving his coming battle with ANOTHER god. Good morning, indeed.
What I love about Farmer is that he creates such fascinating worlds. Here, a twentieth century man finds himself surrounded by sentient humanoids that appear to be descended from common cats, raccoons, elephants, and leopards of our day. They have their own language, and there has clearly been some sort of gap in the knowledge obtained by man during his time on the planet... if this IS Earth, which the newly revived Ulysses can't say for sure, though he does suspect as much. Also, from the moment Ulysses is awake, the events take off at a lightning pace. There is very little downtime either for our hero or for the reader because now that the "Stone God" is awake, so many things are set in motion. These events lead to a pretty action-packed climax that makes the book hard to put down. show less
Of course, this is just the beginning of Singing Bear's problems. He's in a strange world, with strange people who think he's a god, and now there's a prophecy involving his coming battle with ANOTHER god. Good morning, indeed.
What I love about Farmer is that he creates such fascinating worlds. Here, a twentieth century man finds himself surrounded by sentient humanoids that appear to be descended from common cats, raccoons, elephants, and leopards of our day. They have their own language, and there has clearly been some sort of gap in the knowledge obtained by man during his time on the planet... if this IS Earth, which the newly revived Ulysses can't say for sure, though he does suspect as much. Also, from the moment Ulysses is awake, the events take off at a lightning pace. There is very little downtime either for our hero or for the reader because now that the "Stone God" is awake, so many things are set in motion. These events lead to a pretty action-packed climax that makes the book hard to put down. show less
6th Pearl Ruled (p66)
Rating: 2* of five, all for the Riverworld setting which is tremendously creative and involving
By the end of chapter 12, I was slogging through the prose hating each and every page folio and running head. My eye would catch the author's name on the verso and I'd begin to churn my guts into roiling masses of acid fury; the title on the recto made my rectum clench; and then, as page 66 gave me another bash in the balls with Farmer's name, the next chapter was 13 and, well, show more I lost the will to live on in Riverworld. It didn't help that this was the last page's last few lines:
So. Much. NO. I hate the "but she *meant* yes" defense, and this sounds to me like the classic set-up for date rape. "I know you better than you know yourself" is infuriating when your long-term partner says it (probably because there's some truth in that case); when some joker off the street does, it's enraging.
It was 1977 when this marvy came out. It isn't in me to revisit that head-space in this way with that dreadful, stodgy prose as my cicerone. show less
Rating: 2* of five, all for the Riverworld setting which is tremendously creative and involving
By the end of chapter 12, I was slogging through the prose hating each and every page folio and running head. My eye would catch the author's name on the verso and I'd begin to churn my guts into roiling masses of acid fury; the title on the recto made my rectum clench; and then, as page 66 gave me another bash in the balls with Farmer's name, the next chapter was 13 and, well, show more I lost the will to live on in Riverworld. It didn't help that this was the last page's last few lines:
"I see that we are getting close to our homes. I bid you adieu then until tonight. I will set out two torches, which you may see from your window, to announce when our little gathering begins."
"I did not say that I was coming."
"But you had nevertheless accepted," he said. "Is that not true?"
"Yes, but how did you know?"
"It's not telepathy," he said, smiling again. "A certain posture, a certain relaxation of muscles, the dilation of your pupils, an undertone to your voice, undetectable except to the highly trained, told me that you were looking forward to the party."
Jill said nothing. She had not known herself that she was pleased with the invitation. nor was she sure now. Was Piscator conning her?
So. Much. NO. I hate the "but she *meant* yes" defense, and this sounds to me like the classic set-up for date rape. "I know you better than you know yourself" is infuriating when your long-term partner says it (probably because there's some truth in that case); when some joker off the street does, it's enraging.
It was 1977 when this marvy came out. It isn't in me to revisit that head-space in this way with that dreadful, stodgy prose as my cicerone. show less
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Statistics
- Works
- 365
- Also by
- 126
- Members
- 36,011
- Popularity
- #519
- Rating
- 3.6
- Reviews
- 460
- ISBNs
- 895
- Languages
- 20
- Favorited
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