Author picture

Edward Llewellyn (1917–1984)

Author of Salvage and destroy

6 Works 441 Members 2 Reviews

Series

Works by Edward Llewellyn

Salvage and destroy (1984) 110 copies
Word-Bringer (1986) 79 copies
Douglas Convolution (1979) — Author — 77 copies
Prelude to chaos (1983) 75 copies, 1 review
Fugitive in Transit (1985) 56 copies
The Bright Companion (1980) 44 copies, 1 review

Tagged

Common Knowledge

Legal name
Llewellyn-Thomas, Edward
Other names
Llewellyn, Edward
Birthdate
1917-12-15
1918-12-15
Date of death
1984-07-05
Gender
male
Occupations
researcher
novelist
Relationships
Llewellyn, Caroline (Edward's daughter)
Nationality
UK
Birthplace
Salisbury, Wiltshire, England
Place of death
Toronto, Ontario, Canada
Associated Place (for map)
Salisbury, Wiltshire, England

Members

Reviews

2 reviews
Edward Llewellyn THE BRIGHT COMPANION (1980) - THE BRIGHT COMPANION takes place in a post-apocalyptic world; the apocalypse was caused by mass female sterility caused by birth control. With this sort of premise you might expect one of the legion of didactically misogynistic and anti-feminist stories of the 1970s and 1980s, a la ALPH by Charles Eric Maine or THE FEMINISTS by J. Parley Cooper. You wouldn't be far wrong -- this book certainly falls in the same genre. But Llewellyn avoids the show more worst offenses of that genre and is thus not wholly and unreadably offensive.

As a novel it suffers primarily from being a Mary Stu wish fulfillment fiction: The male protagonist is a happy-go-lucky sort of schmuck, who ends up working with, and improbably winning, a feisty-but-beautiful -- and fertile! -- woman, en route to an improbably happy ending. Note that 'improbability' pops up a lot, a problem not just with characterization but plot as well.

It's sort of a Pangborn-esque plot, and is in fact a lot like Pangborn's DAVY in feel, although not nearly as well-written. Even the protagonist was named Davy, and he ends up wandering about with the woman of his dreams (Ann) while they travel to Europe and greater civilization.

A few things worth noting that distinguish THE BRIGHT COMPANION from the worst line of sexist anti-feminist tripe: blatant forms of misogyny are missing; the male protagonist likes the female's feistiness, and likes older women for the most part. The male protagonist doesn't believe in rape, the female character is largely capable of defending herself, and the male character values her for her cleverness & temper (the famous 'feistiness'). The inevitable matriarchy is not shown as objectively horrible and does not fold upon the arrival of the penis-ed protagonist.

By no means does Llewellyn avoid sexism altogether. As mentioned, women bear the blame for the end of the world because of their selfish use of birth control. Ann turns out to be a manipulator, who in this case has manipulated Davy into getting her to The Order, a matriarchal group of highly efficient and successful women. The matriarchy is described as sexless and neuter (although, improbably, at the same time as 'butch lesbians' -- imagine the cluelessness that lets the author identify butch lesbians as sexless.) Ann ends up forced to stick with Davy for three years because of her pregnancy, which he appreciates because it gives her a chance to fall in love with him -- which she does, and she will love him forever! Even though he's never really been shown as particularly desirable. So there's a certain amount of male romantic fantasy bullshit.

In conclusion, for the most part, this book was considerably less offensive than it might have been, or than I was expecting. It still wasn't well-written or believable. But for fellow 'sex war' genre completists, rest assured that THE BRIGHT COMPANION will not be the most painful couple of hours you will spend.
show less
http://nwhyte.livejournal.com/1306943.html

It's a somewhat confused tale of two wrongly accused prisoners breaking out and discovering that the USA (indeed, the world) of 2030 is on the brink of biological catastrophe. The point of the book seems mainly to be the escape sequences of the first half, followed by the resistance against the bad guys of the second half, which are decently enough written. The elements of a good book are all there but somehow don't quite gel.
½

You May Also Like

Associated Authors

James Gurney Cover artist
David B. Mattingly Cover artist

Statistics

Works
6
Members
441
Popularity
#55,515
Rating
½ 3.3
Reviews
2
ISBNs
10

Charts & Graphs