Tabitha King
Author of Candles Burning
About the Author
Tabitha King, the wife of the widely successful horror novelist Stephen King, is an author in her own right. Her novels range from romantic to science fiction horror thrillers. Although both Kings set their stories in their home state of Maine, their writing styles are very different. King's novel, show more One on One, published in 1984, revolves around a high school romance between the town's hero and star athlete, Sam Reuben, and the town pariah. King wrote The Book of Reuben, the prequel to One on One and Pearl, another book on the earlier days of the Reuben family, in 1995. Titles of her other novels include The Trap, Survivor, Caretakers, and Small World. The latter is the story of a nerdy genius who invents a device that can shrink people to a height of six inches. (Bowker Author Biography) show less
Image credit: photograph © Sigrid Estrada
Works by Tabitha King
The Blue Chair 1 copy
Associated Works
Nightmares and Dreamscapes (1993) — Narrator, some editions; Author photo, some editions — 9,475 copies, 67 reviews
The Chronicles of Harris Burdick: Fourteen Amazing Authors Tell the Tales (2011) — Contributor — 978 copies, 49 reviews
Mid-life Confidential: The Rock Bottom Remainders Tour America with Three Chords and an Attitude (1994) — Contributor — 75 copies, 4 reviews
The Strength of a Nation: Six Years of Australians Fighting For the Nation and Defending the Homefront in World War II (2006) — Cover designer, some editions — 35 copies, 1 review
Tagged
Common Knowledge
- Other names
- Spruce, Tabitha Jane-Frances (birth)
- Birthdate
- 1949-03-24
- Gender
- female
- Education
- University of Maine (Orono, BA-History)
- Occupations
- author
activist - Relationships
- King, Stephen (husband)
Hill, Joe (son)
King, Owen (son)
Braffet, Kelly (daughter-in-law) - Short biography
- Tabitha King is the wife of author Stephen King and the mother of author Joe Hill
- Nationality
- USA
- Birthplace
- Old Town, Maine, USA
- Places of residence
- Old Town, Maine, USA
Bangor, Maine, USA
Florida, USA - Associated Place (for map)
- Maine, USA
Members
Reviews
DNF at page 142, so no rating.
Y'know, I paid a lot of money for this special Cemetery Dance edition of King's novel. Then I waited something like four years for them to finally get it done and sent out.
I'd previously read her SMALL WORLD novel, that didn't do a heck of a lot for me, but I also read THE TRAP, that I quite enjoyed.
And this one? Well, right up to page 120, aside from the grammatical errors (sorry, CD, you just ain't the publisher you used to be), I was actually quite enjoying show more the story. Then I read page 120...and the following 22 pages after that. And I'm out.
It may sound hypocritical, my reason for closing this novel and not reading further, considering some of the content I've written in my own works, so let me see if I can explain. But to do so, I have to get into some seriously spoilerific content, just so you know...
SPOILERS AHEAD
So, on page 120, having already found out that one of the two major players in this novel, Joe Nevers, isn't always the most stand up guy...he's messed around on both his wives, but now we're treated to his second wife accusing him of being obsessed with the other major player in the novel, Torie Christopher. And it's important to note that she's not wrong.
But Joe punches his wife. In the face. Hard enough that he not only breaks her nose, but leaves her both with nerve damage and needing plastic surgery to repair the damage to her nose.
Then, he takes her to the local doc immediately after, and the doc does what he can, warns Joe that, if she presses charges, he has to tell what he knows, but he promises to do everything he can to avoid that. And then he asks a few pointed questions that begin to shift the blame over to Joe's battered wife. Basically, putting it down to her being so cutting with her mouth that she was inviting it.
Then the battered wife, who's name is Cora, has her adult daughter over for Thanksgiving. The daughter, Jane, notices they aren't talking, then SHE takes her mother to task, ripping into her, and full on blaming her for bringing on the beating, then all but invites her to commit suicide.
When Cora leaves, the daughter then invites Joe into her bed. Of course he declines, and of course, he goes back on that.
Finally, Cora comes home, and she's got the town gossip with her. The town gossip starts laying into Joe, and then Joe—the guy that everyone's defending because they all think he's too stand up a guy to really be bad—tells the gossip she's lucky she's married to a friend of his, otherwise, he would have r@ped her.
Yes. Really.
And that's pretty much the summary of pages 120-142.
I'm not triggered. I don't get triggered. And I'm no prude. I've written about all of these acts.
I guess the thing that's bugging me is, everyone's defending him, and it truly feels like the author also wanted you to side with Joe. I know there's times we write despicable characters, and sometimes they're our lead characters. But a guy that does all that?
I think the author's intent is the thing that bugs me the worst. Sure, he does all this, but he's still a good man.
No, no he's not.
I have zero sympathy for a character painted in those colours. The story just kind of crashed and burned in those 22 pages.
So, whether you read through the spoiler or not, suffice it to say, there were multiple events, back to back to back that just pulled me right out of the story.
...and I think I'm officially done with Tabitha King. Which is too bad. She can write. show less
Y'know, I paid a lot of money for this special Cemetery Dance edition of King's novel. Then I waited something like four years for them to finally get it done and sent out.
I'd previously read her SMALL WORLD novel, that didn't do a heck of a lot for me, but I also read THE TRAP, that I quite enjoyed.
And this one? Well, right up to page 120, aside from the grammatical errors (sorry, CD, you just ain't the publisher you used to be), I was actually quite enjoying show more the story. Then I read page 120...and the following 22 pages after that. And I'm out.
It may sound hypocritical, my reason for closing this novel and not reading further, considering some of the content I've written in my own works, so let me see if I can explain. But to do so, I have to get into some seriously spoilerific content, just so you know...
SPOILERS AHEAD
But Joe punches his wife. In the face. Hard enough that he not only breaks her nose, but leaves her both with nerve damage and needing plastic surgery to repair the damage to her nose.
Then, he takes her to the local doc immediately after, and the doc does what he can, warns Joe that, if she presses charges, he has to tell what he knows, but he promises to do everything he can to avoid that. And then he asks a few pointed questions that begin to shift the blame over to Joe's battered wife. Basically, putting it down to her being so cutting with her mouth that she was inviting it.
Then the battered wife, who's name is Cora, has her adult daughter over for Thanksgiving. The daughter, Jane, notices they aren't talking, then SHE takes her mother to task, ripping into her, and full on blaming her for bringing on the beating, then all but invites her to commit suicide.
When Cora leaves, the daughter then invites Joe into her bed. Of course he declines, and of course, he goes back on that.
Finally, Cora comes home, and she's got the town gossip with her. The town gossip starts laying into Joe, and then Joe—the guy that everyone's defending because they all think he's too stand up a guy to really be bad—tells the gossip she's lucky she's married to a friend of his, otherwise, he would have r@ped her.
Yes. Really.
And that's pretty much the summary of pages 120-142.
I'm not triggered. I don't get triggered. And I'm no prude. I've written about all of these acts.
I guess the thing that's bugging me is, everyone's defending him, and it truly feels like the author also wanted you to side with Joe. I know there's times we write despicable characters, and sometimes they're our lead characters. But a guy that does all that?
I think the author's intent is the thing that bugs me the worst. Sure, he does all this, but he's still a good man.
No, no he's not.
I have zero sympathy for a character painted in those colours. The story just kind of crashed and burned in those 22 pages.
So, whether you read through the spoiler or not, suffice it to say, there were multiple events, back to back to back that just pulled me right out of the story.
...and I think I'm officially done with Tabitha King. Which is too bad. She can write. show less
I came for the basketball, but I stayed for the coming-of-age. One of the better flawed romances I've ever read. There are some seriously damaged people in this book, but they find a certain peace in spite of it all. In addition to the great romance and coming of age, this is also a brilliant look at life in a small time. The erotic scenes are damn impressive as well. Very explicit and very well done.
I don't know how many times I've read this book, and I never tire of it. I know Sam and Deanie like the back of my hand by now, and that should bore me, but it doesn't. It's probably the truest accounting of mismatched young love in the history of literature. It's definitely Tabitha King's finest work (and all her work is pretty fine).
Within the pages of The Book of Reuben twenty five years of a life unfold. We meet Reuben Styles as a typical hot headed teenager and follow his tumultuous life into adulthood. The natural progression of life: marriage, kids, work and looking after aging elders. Reuben meets Laura in high school and loves her from afar until finally she gives him a lukewarm chance at romance. At the same time Reuben learns the language of passion from an older woman.
It is not a spoiler alert to share that show more Reuben eventually convinces Laura to marry him, but truth be know, their relationship never really heats up and soon they are headed for divorce. When it comes to Laura's character, I sincerely doubt King could have made Reuben's wife more vile. At the height of her hatred of Reuben she is violent towards him, steals his money, has an open affair for the whole community to see, and tries to block Reuben from seeing his three children. Short of killing his mother or the family dog, there was little else she could do to him. As an aside, I read one review where someone said they didn't understand the purpose of the widow and her children as a characters. Come again? I felt each one set the groundwork for Reuben's personality. The widow taught Reuben the benefits of great sex, being a good lover, and what it felt like to have that fiery passion reciprocated. She cultivated a hot blooded male which made Laura's frostiness all the more frustrating. With the widow's troubled and strange son Reuben displayed an acceptance and kindness that solidified his reputation as a good guy...at least with this reader. I felt the purpose of the widow and her children were not for the plot, but rather for the character development of Reuben. show less
It is not a spoiler alert to share that show more Reuben eventually convinces Laura to marry him, but truth be know, their relationship never really heats up and soon they are headed for divorce. When it comes to Laura's character, I sincerely doubt King could have made Reuben's wife more vile. At the height of her hatred of Reuben she is violent towards him, steals his money, has an open affair for the whole community to see, and tries to block Reuben from seeing his three children. Short of killing his mother or the family dog, there was little else she could do to him. As an aside, I read one review where someone said they didn't understand the purpose of the widow and her children as a characters. Come again? I felt each one set the groundwork for Reuben's personality. The widow taught Reuben the benefits of great sex, being a good lover, and what it felt like to have that fiery passion reciprocated. She cultivated a hot blooded male which made Laura's frostiness all the more frustrating. With the widow's troubled and strange son Reuben displayed an acceptance and kindness that solidified his reputation as a good guy...at least with this reader. I felt the purpose of the widow and her children were not for the plot, but rather for the character development of Reuben. show less
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