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Dorothy Allison (1) (1949–2024)

Author of Bastard Out of Carolina

For other authors named Dorothy Allison, see the disambiguation page.

18+ Works 9,853 Members 171 Reviews 36 Favorited

About the Author

Dorothy Allison, 1949 - Writer Dorothy Allison was born in 1949 in Greenville, South Carolina to a fourteen-year-old unwed mother. She grew up with an abusive and violent father figure. Allison was the first in her family to graduate from high school. She received a National Merit Scholarship and show more earned a bachelor's degree from Florida Presbyterian College and a master's from New York's School of Social Research. In 1988, "Trash," a book of short stories was published. Allison followed with "The Women Who Hate Me: Poetry, 1980-1990," which gained her respect in the gay and lesbian community. "Trash" was awarded two Lambda Literary awards: Best Small Press and Best Lesbian Book. "Bastard Out of Carolina" gave her mainstream success and was a National Book Award finalist. The novel tells a tale of poverty, incest, abuse and survival and is centered around the Boatwright family of Greenville County, South Carolina. Allison has also published a collection of essays titled "Skin: Talking About Sex, Class and Literature," which won critical acclaim. "Two or Three Things I Know For Sure" (1995) is a short memoir in which she used text and family photographs. "Cavedweller" is an epic novel that chronicles the lives of four strong women in the difficult terrain of small town Georgia. In addition to writing her books, Allison is a contributor to publications such as The New York Times, Harpers and Allure. (Bowker Author Biography) show less
Image credit: By Rodrigo Fernández - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=19210603

Works by Dorothy Allison

Associated Works

The Story and Its Writer: An Introduction to Short Fiction (1976) — Contributor — 1,214 copies, 3 reviews
The Vintage Book of Contemporary American Short Stories (1994) — Contributor — 544 copies, 2 reviews
The Best American Short Stories 2003 (2003) — Contributor — 497 copies, 4 reviews
The Penguin Book of Lesbian Short Stories (1993) — Contributor — 326 copies, 2 reviews
Growing Up Gay/Growing Up Lesbian: A Literary Anthology (1993) — Contributor — 309 copies
Women on Women: An Anthology of American Lesbian Short Fiction (1990) — Contributor — 261 copies, 1 review
Without a net : the female experience of growing up working class (2003) — Contributor — 241 copies, 2 reviews
Gay and Lesbian Poetry in Our Time (Stonewall Inn Editions) (1988) — Contributor — 189 copies, 1 review
Pleasure and Danger: Exploring Female Sexuality (1984) — Contributor — 141 copies, 1 review
The Writer's Notebook: Craft Essays from Tin House (2009) — Contributor — 133 copies, 3 reviews
Downhome: An Anthology of Southern Women Writers (1995) — Contributor — 129 copies
The Penguin Book of the Modern American Short Story (2021) — Contributor — 128 copies
Heart of the Land: Essays on Last Great Places (1995) — Contributor — 118 copies
The Literature of the American South: A Norton Anthology (1997) — Contributor — 110 copies
Swords of the Rainbow: Gay & Lesbian Fantasy Adventures (1996) — Contributor — 106 copies
Coming of Age in America: A Multicultural Anthology (1994) — Contributor — 106 copies, 1 review
Best Food Writing 2006 (2006) — Contributor — 105 copies, 1 review
The Mammoth Book of Lesbian Short Stories (1999) — Contributor — 99 copies
My Lover Is a Woman (1996) — Contributor — 95 copies, 1 review
The Portable Feminist Reader (2025) — Contributor — 94 copies
Best Food Writing 2008 (2008) — Contributor — 87 copies, 2 reviews
Calling Home: Working-Class Women's Writings (1990) — Contributor — 76 copies
The Heath Anthology of American Literature, Concise Edition (2003) — Contributor — 73 copies, 1 review
On Our Backs: The Best Erotic Fiction (2001) — Contributor — 67 copies
The Seasons of Women: An Anthology (1995) — Contributor — 51 copies
Bestial Noise: The Tin House Fiction Reader (2003) — Contributor — 50 copies
Best Lesbian Erotica : 1996 (1996) — Contributor — 44 copies
Best of Tin House: Stories (2006) — Foreword — 43 copies
New Stories from the South 2010: The Year's Best (2010) — Contributor — 43 copies
LGBTQ Fiction and Poetry from Appalachia (2019) — Contributor — 40 copies
Mothers and Daughters: An Anthology (1998) — Contributor — 34 copies, 1 review
New Stories from the South 2003: The Year's Best (2003) — Contributor — 34 copies
OutWrite: The Speeches That Shaped LGBTQ Literary Culture (2022) — Contributor — 32 copies
Southern Sin: True Stories of the Sultry South and Women Behaving Badly (2014) — Introduction — 27 copies, 10 reviews
Circa 2000: Lesbian Fiction at the Millennium (2000) — Contributor — 26 copies
The Queer South: Lgbtq Writers on the American South (2014) — Contributor — 24 copies, 1 review
Once Upon a Time: Erotic Fairy Tales For Women (1996) — Contributor — 22 copies
Ghosts in Gaslight, Monsters in Steam (Gay City) (2013) — Contributor — 5 copies
Bastard Out of Carolina [1996 film] (2000) — Original novel — 3 copies

Tagged

abuse (136) American (83) American literature (88) American South (81) child abuse (144) class (96) coming of age (85) essays (94) family (109) feminism (127) fiction (1,190) lesbian (204) LGBT (74) literature (85) memoir (189) non-fiction (151) novel (136) poetry (57) poverty (133) queer (139) read (121) sexual abuse (58) sexuality (57) short stories (110) South Carolina (92) southern (159) southern literature (77) to-read (397) unread (59) women (106)

Common Knowledge

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Reviews

181 reviews
This book is so raw, painful, gutsy, vivid and honest it leaves a hole in your heart.

Semi-autobiographical, this is the story of Bone, a child born to southern 'white trash' in Carolina, to a family where illegitimacy, criminality, abuse and hopelessness are a way of life, part of an inevitable cycle that passes from generation to generation.

But this is so much more than yet another survival memoir - this is flawless fiction which I would go so far as to say is of a standard up there with show more To Kill a Mockingbird (and I don't say that lightly).

Everything in this novel is so vivid. The physical surroundings - the dilapidated houses in the wrong part of town, the dirt ingrained in the window sills, the grassless yards, iced tea on rotting porches, trash floating up the weed encrusted river, the meals of biscuits and gravy, the country music peppering evenings on the porch, the hot days and cool nights. The Boatwright family themselves - the uncles who fall in and out of jobs and jail; the aunts with umpteen kids and no expectations; the forthright granny who pulls no punches; the mother who compartmentalises her love for her child from her love for the man who is destroying that child.

Allison so deftly gets under the skin of the complexities of poverty and abuse, of choiceless existences, of the strength and complications of family love in this environment, of how the impact of all of this can inevitably set out a child's path in life from far too early an age. It's makes for difficult reading in parts - it touches on realities most of us would prefer to sweep under the carpet than visualise, but it's profoundly impacting, bringing the hidden violence of our communities out into the open.

There's no warm, fuzzy feeling by the end of this book - this is a book to immensely respect and appreciate. I don't know about the rest of the world, but it's certainly under the radar in the UK, and most undeservedly so.

5 stars. An immense writing achievement.
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there is so much more to this than i remember. the really awful abuse scene doesn't happen until near the very end, which means the rest is, like, 'i can probably live with this' abuse, and makes mama's love for bone more easy to believe. i remember carrying distrust for mama so was surprised when for most of the book she behaves pretty supportively, and i could believe she never knew the abuse was happening, or that it hadn't stopped, or that it had gotten as bad as it did. which is just a show more statement about me and her and about how we slowly accept things worsening without putting up a fight, like that frog in the proverbial pot of increasingly hot water. because if i was reading this for the first time i never would have thought that mama would have left bone after seeing what glen did to her. but really, she hadn't done nearly enough until then, so i should have seen it coming.

what a story about this family, that people consider to be poor white trash, but that (mostly) stand up in community for each other, support (mostly) each other through everything terrible that happens to them, whether the situations are their fault or not.

"Mama smiled, joked, slapped ass, and firmly passed back anything that looked like a down payment on something she didn't want to sell."

and i think the quote the entire book is built upon, the question this book was written to answer, or leave unanswered, depending on how you read it: "Could she love me and still hold him like that?" (4.5 stars)

from sept 2015:

this book is breathtaking. in the breadth and depth of the story and content as well as the writing. i wish i wasn't rushed to finish it because i want to read this one slowly; it deserves to be read slowly. it is so full of emotion (mostly pain, but some hope) that it should be read and sat with, and i didn't really get to do that. but i so appreciate what she has done here - shining a light on abuse and violence in a way that was so important when this was written. she shows such a personal story of living with violence, but also how the community supports and fails the people in it. how inescapable certain things seem - and maybe are - but also the potential people have.

i don't know what i want to say. this book is powerful and beautiful in all the ugliness and so hard and necessary to read. there are only (can i say that?) a few parts that were brutal (although in my memory of it, the entire book was this way, so they are awfully tough and they are memorable) to read, but oh there is so much heartbreak here. as a reader invested in the characters you want so badly for certain things to happen, but as a reader who wants the truth you know that it can't turn out that way. and it wrecks you.

"Mama smiled, joked, slapped ass, and firmly passed back anything that looked like a down payment on something she didn't want to sell."

"Moving gave me a sense of time passing and everything sliding, as if nothing could be held on to anyway. It made me feel ghostly, unreal and unimportant, like a box that goes missing and then turns up but you realize you never needed anything in it anyway."

"'They want you, oh yes, they want you. Till they get you. An't nothing in this world more useless than a hardworking religious fool. It an't that you get religion. Religion gets you and then milks you dry. Won't let you drink a little whiskey. Won't let you make no fat-assed girls grin and giggle. Won't let you do a damn thing except work for what you'll get in the hereafter. I live in the here and now, and I need my sleep on a Sunday morning. But I'll tell you, Bone, I like it that they want me, Catholics and Baptists and Church of Gods and Methodists and Seventh-Day Adventists, all of them hungry for my dirty white hide, my pitiful human soul. Hell! None of them would give two drops of piss for me if I was already part of their saggy-assed congregations.'" (5 stars)
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½
It was suggested that I read this for a Philosophies of Nonviolence class I'm taking at the moment. Part of me is pretty upset it took me 20 years to get around for this masterpiece - the other part realizes now is the time, as things tend to be.

Where do I start? The writing, wow the writing. Part of me wonders if I should ever pick up a pen again. Achingly beautiful in all the terrible, incredible ways that humanity IS. I understand, too, why this book has been banned in so many places - show more the truth hurts, indeed it does - but it needs to be heard. This is not an easy read. It's not beach reading. It's the kind of book you need to set aside for when you have a place of comfort to retreat to. You'll need to put it down and pick it back up again. You'll need to stop and write. And maybe go for a very, very long walk in between chapters.

I know the Boatwrights. I understand them.

Her website opens with these words:

Understand me.
What I am here for is to tell you stories that you may not want to hear.
What I am here for is to rescue my dead.
And to scare hell out of you now and then.
I was raised Baptist, I know how to do that.

I was raised Baptist, too. Everything, everything, everything about this book.

Also - the afterword? It's an entire class on fiction. Yes it is.
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I loved this book so much! I'm familiar with the community she writes about, and I've never read anything that captured it better. Or much else that has tried, for that matter. In addition to her description of class in the south, she also presents the thoughts and concerns of a child so well, in a way that transcends the setting of the book. A classic for a reason.

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Works
18
Also by
51
Members
9,853
Popularity
#2,417
Rating
3.9
Reviews
171
ISBNs
103
Languages
9
Favorited
36

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