Picture of author.

David A. Carter (1) (1957–)

Author of How Many Bugs in a Box?: A Pop-Up Counting Book

For other authors named David A. Carter, see the disambiguation page.

93+ Works 5,180 Members 86 Reviews

About the Author

David A. Carter was born March 4, 1957 in Salt Lake City. Utah. He attended Utah State University where he studied art and illustration. David worked several years as graphic designer and a paste up artist. While working at one job he learned the fine art of Paper-Engineering and Pop-Up bookmaking. show more He created his first book How Many Bugs in a Box? and has created more than 50 pop-up books since. David lives in California with his wife and daughters where he grows vegetables and native plants and does volunteer work. (Bowker Author Biography) show less
Image credit: Photo by Keith Sutter

Series

Works by David A. Carter

600 Black Spots (2007) 233 copies, 5 reviews
Love Bugs: A Pop-Up Book (1995) 218 copies, 2 reviews
Jingle Bugs (1992) 186 copies, 1 review
More Bugs in Boxes (1990) 169 copies, 7 reviews
Horton Hears a Who Pop-up! (2008) 126 copies, 8 reviews
Bugs That Go Bump in the Night (1996) 113 copies, 1 review
Bugs in Space : Starring Captain Bug Rogers (1997) 109 copies, 1 review
Whoo? Whoo? (2007) 57 copies, 4 reviews
Opposites (Little learners board books) (1993) 57 copies, 3 reviews
Tibetan Buddhist Altars: A Pop-Up Gallery of Traditional Art and Wisdom (2004) — Paper pop-up technique — 48 copies
Woof! Woof! (2006) 39 copies
The Lorax Pop-Up! (2012) — Paper engineer — 38 copies, 5 reviews
Peekaboo Bugs: A Hide-and-Seek Book (2002) 36 copies, 1 review
Old Macdonald Had a Farm Pop-up (2001) 35 copies, 1 review
Let's Make It Pop-Up (2004) 29 copies
Hide and Seek (2012) 27 copies, 1 review
What's in My Pocket? (1989) 24 copies
Merry Christmas, bugs! (2014) 21 copies
I Love You: A Pop-Up Book (2017) 18 copies
In and Out (1993) 18 copies
If Pigs Could Fly (1988) 15 copies, 1 review
Spot the Dot (2013) 14 copies
Numbers (Sticker Bugs) (1996) 7 copies
Who Says (1993) 3 copies
Zoom. Libro pop-up (2018) 1 copy
Snowy Day in Bugland! (2012) 1 copy
Un mundo de colores (2015) 1 copy
Snack Attack (1993) 1 copy

Associated Works

Over in the Meadow: An Old Counting Rhyme (1985) — Illustrator, some editions — 2,952 copies, 21 reviews
Cars! Cars! Cars! (1995) — Illustrator — 195 copies
Peter and the Wolf Pop-up Book (1986) — Paper engineer — 79 copies, 1 review
Peek in My Pocket (2007) — Illustrator — 38 copies, 2 reviews
I'm a Little Mouse: A Pat and Play Book (1990) — Illustrator — 35 copies, 4 reviews
Peek-A-Boo, Little Mouse (Pat & Play Lift-the-Flap Book) (1992) — Illustrator — 27 copies, 1 review
What's in the Cave?: A Lift-the-Flap, Pop-up Book (1985) — Illustrator — 23 copies
Little Mouse and Daddy (2003) — Illustrator — 5 copies
Little Mouse and Mommy (2003) — Illustrator — 3 copies

Tagged

alphabet (42) animals (64) art (45) board book (45) bugs (195) children (80) children's (135) children's books (25) children's literature (22) Christmas (67) colors (49) counting (89) Easter (28) fiction (69) Halloween (47) Hanukkah (24) hardcover (23) holidays (22) insects (106) interactive (41) math (35) non-fiction (28) numbers (23) paper engineering (41) picture book (155) pop-up (708) preschool (22) shapes (46) to-read (30) Valentine's Day (24)

Common Knowledge

Birthdate
1957-03-04
Gender
male
Education
Utah State University
Nationality
USA
Places of residence
Bountiful, Utah, USA
Auburn, California, USA
Associated Place (for map)
USA

Members

Reviews

100 reviews
Selected by The New York Times as one of the "Best Illustrated Children’s Books of 2009," David A. Carter's White Noise is a pop-up book with a purpose. Described by its creator as "an experiment with color and structure," it is meant to make noise, as each pop-up unfolds.

Bold colors and shapes explode from every page, in abstract designs that puzzle and fascinate, and while I wouldn't describe the noise produced as particularly impressive, certain spreads (like the ones approximating show more musical instruments) do indeed produce some interesting sounds. But although Carter's idea is innovative, and his paper engineering accomplished, I'm not really sure that this succeeds as a children's book, nor would I have selected it for any "best of" lists.

I acknowledge that I'm no pop-up aficionado, although I do try to stay abreast of the latest Sabuda developments, but it has struck me, of late, that the majority of pop-up creations, while ostensibly aimed at children, are really being produced for adults. Which isn't necessarily a negative thing - I've no objection to adult pop-ups. But so many of the hot new titles in the genre are of such a complicated and delicate construction, that it's difficult to imagine young children being allowed to play with them, the way I did with the more simplistic lift-the-flap books of my youth.
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I enjoyed listening to this book being read-aloud to me by my music teacher. The first thing I like about it is the plot. The story is designed to be read orally in order to scare the audience. The plot is extremely suspenseful and it builds up until the end. The story takes you through a haunted house. The second thing I liked was the illustrations. After moving through the haunted house, the last page jump-scares you with a pop-up illustration of a ghost. This pop-up picture paired with show more the reader screaming "BOO!" completes the book and leaves the audience scared and satisfied. The main idea of the book is to scare the reader/audience, which I think it successfully accomplished. show less
Most of the lift-the-flap books we bought for our toddler show some major wear and tear twenty years later, but this one is practically pristine, evidence of how few times we returned to it.

It's pretty dull for adults, with no story and a tenuous color theme. The images on the flaps all match the page color, though they are not things that are always that color -- like blue boots or a pink teapot -- but the images under the flaps do not match the color. There is no association between the show more image on the flap and the one below, especially since there are little wheels to rotate the hidden images. Ostensibly the rotation keeps the book interesting as a hidden bug won't necessarily be in the same place each time as you search for that peekaboo moment with it.

I just don't know why I'd want to find the dumb bug. I mean is this just baby's first introduction to Russian Roulette? "Oops! You found a bug. You lose. Now we have to put the book away. Sorryyyyy."

How did the author manage to turn this into a series with over two dozen books?
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David Carter's "Bug" books are so stinkin' cute, is there anyone who doesn't love them? Halloween Bugs are wonderful, each hiding behind a flap "door" just waiting to trick or treat with you. At the end, a host of graveyard bugs pop-up and invite you to "smell our feet, give us something good to eat"! My favorite pop-up is the "Gotcha" spider popping out of the rusty iron door. Even the smallest kids love this book.

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Statistics

Works
93
Also by
12
Members
5,180
Popularity
#4,800
Rating
4.1
Reviews
86
ISBNs
298
Languages
8

Charts & Graphs