Jan Pieńkowski (1936–2022)
Author of Christmas
About the Author
Jan Pienkowski was born in Warsaw in 1936. During the war Pienkowski moved a lot, from Poland to Austria, Germany, Italy and finally to England in 1946. He went to The Cardinal Vaughan School in London and then to King's College, Cambridge, where he read Classics and English and became involved in show more stage design. Pienkowski co-founded the greetings card company, Gallery Five. He worked in advertising, publishing, and doing graphics for the BBC children's TV series Watch! In his spare time, he started to illustrate books for children. He won the Library Association Kate Greenaway Medal in 1972 for his silhouette illustrations to Joan Aiken's The Kingdom Under The Sea and again in 1980 for Haunted House. Jan pioneered the modern Pop-up book with Haunted House, Robot, Dinner Time, Good Night and 17 others. Meg and Mog, the series of books which Jan created with Helen Nicoll, has reached 14 titles. Four of them became the Meg and Mog Show, exuberantly staged by David Wood and designed for the West End by Jan. His lifelong interest in stage design landed other commissions: two shows for Theatre de Complicite, then Beauty and the Beast for The Royal Ballet, Covent Garden and a spectacular Sleeping Beauty at Disneyland, Paris. (Bowker Author Biography) show less
Image credit: Jan Pieńkowski by David Mackintosh
Series
Works by Jan Pieńkowski
The Animals Went in Two by Two: A Noah's Ark Pop-Up Book (Noah's Ark Pop-Up Books) (2003) 11 copies, 1 review
Annie, Bridget and Charlie: an A.B.C. for Children of Rhymes Recollected by Jessie G. Townsend (1967) 4 copies
Habladurías 1 copy
Meg comes to School 1 copy
Robot 1 copy
A cenar 1 copy
Krokodillevoer 1 copy
Meg in the Jungle 1 copy
Robots 1 copy
Monster Pops 1 copy
Hora do jantar 1 copy
Zet 'm op ! 1 copy
Associated Works
A Necklace of Raindrops and Other Stories (1968) — Illustrator, some editions — 421 copies, 7 reviews
Hans Christian Andersen's Fairy Tales (Puffin Classics) (2014) — Introduction, some editions — 33 copies
Jim Along, Josie : A Collection of Folk Songs and Singing Games for Young Children (1970) — Illustrator, some editions; Illustrator, some editions — 22 copies
Jack and the Beanstalk (The Jan Pienkowski Fairy Tale Library) (1974) — Illustrator — 21 copies, 2 reviews
Cricket Magazine, Vol. 4, No. 10, June 1977 — Illustrator — 1 copy
Tagged
Common Knowledge
- Canonical name
- Pieńkowski, Jan
- Legal name
- Pieńkowski, Jan Michał
- Birthdate
- 1936-08-08
- Date of death
- 2022-02-19
- Gender
- male
- Education
- Cardinal Vaughan School
University of Cambridge (King's College|classics and English) - Occupations
- book illustrator
stage designer
storyteller
book designer
author - Awards and honors
- Kate Greenaway Medal (1972)
Kate Greenaway Medal (1980)
BookTrust Lifetime Achievement Award (2019) - Relationships
- Walser, David (partner|1962-2005|civil partner|2005|to date)
- Short biography
- Jan Michel Pieńkowski is a Polish-born British illustrator and author of children's books. He is probably best known for his Meg and Mog books with writer Helen Nicoll and for his pop-up books, including Haunted House (winner of the 1980 Kate Greenaway Medal), Robot, Dinner Time, Good Night and seventeen others.
Pieńkowski illustrated his first book at the age of eight, as a present for his father. During World War II, Pieńkowski's family moved about Europe, finally settling in Herefordshire, England in 1946. He attended the Cardinal Vaughan School in London, and later read English and Classics at King's College, Cambridge.
After leaving university Pieńkowski founded the Gallery Five greeting cards company. He began illustrating children's books in his spare time, but soon found the work taking over all his time. He began working with children's author Joan Aiken in 1968; he later won the first of two Kate Greenaway Medals in 1972 for his illustrations for Aiken's The Kingdom Under the Sea.
Pieńkowski has had a life-long interest in stage design. He was commissioned to provide designs for Theatre de Complicite, Beauty and the Beast for the Royal Ballet, and Sleeping Beauty at Disneyland Paris.
In 2005 Pienkowski contracted a civil partnership with David Walser, with whom he has been in a relationship for over forty years.
Pienkowski suffers from bipolar disorder. - Nationality
- UK
- Birthplace
- Warsaw, Poland
- Places of residence
- Barnes, London, England, UK
Herefordshire, England, UK - Map Location
- UK
Members
Reviews
Meg, Mog and Owl find themselves at sea in this fourth picture-book adventure, when an outing to the seaside, a wish to go sailing, and one of Meg's spells all lead (predictably) to disaster. Stranded on a tiny desert island after a tumultuous storm brought on by Meg's efforts to scare up a breeze - "Mermaid's tail / Lobster's toe / Octopus wriggle / Blow wind blow" - the three companions survive as best they can, until rescued by helicopter.
As always, I enjoyed this quirky outing with the show more witchy/feline/strigine trio, and think it would make an excellent story-hour selection for younger, preschool children. The simple text and brightly colored artwork are sure to appeal to a toddler audience, while the sound-words and exclamations give the adult reader plenty of opportunity to add excitement. As an added educational bonus, a brief reference to Morse Code is made, in the scene in which Meg flags down the helicopter. Now: on to the next installment in this witchy series, Meg's Castle! show less
As always, I enjoyed this quirky outing with the show more witchy/feline/strigine trio, and think it would make an excellent story-hour selection for younger, preschool children. The simple text and brightly colored artwork are sure to appeal to a toddler audience, while the sound-words and exclamations give the adult reader plenty of opportunity to add excitement. As an added educational bonus, a brief reference to Morse Code is made, in the scene in which Meg flags down the helicopter. Now: on to the next installment in this witchy series, Meg's Castle! show less
Using selections from the King James Bible as his text, and his own beautiful silhouette artwork for illustrations, Jan Pieńkowski has created a powerful picture-book presentation of the Easter story in this title. Opening as Jesus and his Disciples arrive in Jerusalem for the observance of Passover, the book chronicles the process whereby Christ is betrayed by Judas Iscariot, taken into custody and tried, and executed by crucifixion at Calvary. It concludes, of course, with the show more Resurrection, and the command to spread the word.
I spotted this gem as I was walking past my local library's Easter display this past weekend, and recalling that an online friend had reviewed it favorably, picked it up. I have loved Pieńkowski's artwork since the time I first encountered it in the works of Joan Aiken, and have appreciated his illustrations in everything from the Meg and Mog books to his fairy tale retellings, and was curious to see what he would do with more religious themes. His trademark silhouettes are paired here with vibrantly colorful floral backdrops, generously embellished with gold, and the result is simply gorgeous. It also happens to work very well with the text: somehow the representation of the human figures in silhouette adds to the power of the story itself - perhaps because the reader is not distracted by the faces of the people being depicted? It has always seemed to me that the Easter story has as much terror to it as joy - it is truly awesome, in the old-fashioned sense of inspiring awe - and this book captured that feeling perfectly. Recommended to anyone looking for beautiful picture-book presentations of the Easter story - the real, non-watered-down Easter story. show less
I spotted this gem as I was walking past my local library's Easter display this past weekend, and recalling that an online friend had reviewed it favorably, picked it up. I have loved Pieńkowski's artwork since the time I first encountered it in the works of Joan Aiken, and have appreciated his illustrations in everything from the Meg and Mog books to his fairy tale retellings, and was curious to see what he would do with more religious themes. His trademark silhouettes are paired here with vibrantly colorful floral backdrops, generously embellished with gold, and the result is simply gorgeous. It also happens to work very well with the text: somehow the representation of the human figures in silhouette adds to the power of the story itself - perhaps because the reader is not distracted by the faces of the people being depicted? It has always seemed to me that the Easter story has as much terror to it as joy - it is truly awesome, in the old-fashioned sense of inspiring awe - and this book captured that feeling perfectly. Recommended to anyone looking for beautiful picture-book presentations of the Easter story - the real, non-watered-down Easter story. show less
Selections from the King James Version of the Gospel of Luke and the Gospel of Matthew are used as the text in this beautiful picture book presentation of the Christmas story, which pairs these classic words with illustrator Jan Pieńkowski's signature silhouette artwork. Opening "in the days of Herod the King," the narrative relates how the angel Gabriel brought the tiding of Jesus to Mary, how Joseph and Mary went from Nazareth to Bethlehem, how Jesus was born in the stable, how the show more shepherds heard the glad tidings from a host of angels, and how the three wise men came with their gifts. The story closes with the Holy Family's flight into Egypt, and then their eventual return to Israel...
Originally published in 1984, Pieńkowski's Christmas is a book I have been meaning to pick up for some time now, especially as I greatly enjoyed his Easter, another picture book pairing biblical text with silhouette artwork, some years ago. I am glad to have finally tracked down a copy and read it, as it is truly wonderful. The story holds no surprises, of course, but is as beautiful as ever. The King James Version of the Bible may not be the most faithful or accurate translation available in English (and not the one I would use for study), but it is certainly one of the most beautiful, and has been immensely influential in the development of the English language. The artwork here is lovely—I am a long-time fan of Pieńkowski's, whose silhouette work never disappoints—and I appreciated the decorative flourishes, from the larger, illuminated manuscript style initial letter on each page of text, and the gold-embellished greenery over which the larger illustrations and the text are placed. Recommended to anyone looking for beautiful picture-book presentations of the Christmas story - the real, non-watered-down Christmas story. show less
Originally published in 1984, Pieńkowski's Christmas is a book I have been meaning to pick up for some time now, especially as I greatly enjoyed his Easter, another picture book pairing biblical text with silhouette artwork, some years ago. I am glad to have finally tracked down a copy and read it, as it is truly wonderful. The story holds no surprises, of course, but is as beautiful as ever. The King James Version of the Bible may not be the most faithful or accurate translation available in English (and not the one I would use for study), but it is certainly one of the most beautiful, and has been immensely influential in the development of the English language. The artwork here is lovely—I am a long-time fan of Pieńkowski's, whose silhouette work never disappoints—and I appreciated the decorative flourishes, from the larger, illuminated manuscript style initial letter on each page of text, and the gold-embellished greenery over which the larger illustrations and the text are placed. Recommended to anyone looking for beautiful picture-book presentations of the Christmas story - the real, non-watered-down Christmas story. show less
When I was a child I would have craved this gorgeous book with all my heart. I would have loved the heavy paper, the fancy font, the extra-careful translations, and of course the illustrations that are both pretty and just a bit naughty. I would be in a fairy-tale mood, and would have wished that I didn't know any better than to actually steal it.
Now, it seems a fair bit overdone. And the shapely silhouettes of the very young women make me feel a bit squicked. And the simplicity of the roles show more (heroines lovely, stepsisters ugly, servants pretty much decorative), while traditional, is not what I am now looking for. And there are only four stories! I would rather have had fewer pictures and more tales. show less
Now, it seems a fair bit overdone. And the shapely silhouettes of the very young women make me feel a bit squicked. And the simplicity of the roles show more (heroines lovely, stepsisters ugly, servants pretty much decorative), while traditional, is not what I am now looking for. And there are only four stories! I would rather have had fewer pictures and more tales. show less
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