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Jan Pieńkowski (1936–2022)

Author of Christmas

89+ Works 2,844 Members 46 Reviews 3 Favorited

About the Author

Jan Pienkowski was born in Warsaw in 1936. During the war Pienkowski moved a lot, from Poland to Austria, Germany, Italy and finally to England in 1946. He went to The Cardinal Vaughan School in London and then to King's College, Cambridge, where he read Classics and English and became involved in show more stage design. Pienkowski co-founded the greetings card company, Gallery Five. He worked in advertising, publishing, and doing graphics for the BBC children's TV series Watch! In his spare time, he started to illustrate books for children. He won the Library Association Kate Greenaway Medal in 1972 for his silhouette illustrations to Joan Aiken's The Kingdom Under The Sea and again in 1980 for Haunted House. Jan pioneered the modern Pop-up book with Haunted House, Robot, Dinner Time, Good Night and 17 others. Meg and Mog, the series of books which Jan created with Helen Nicoll, has reached 14 titles. Four of them became the Meg and Mog Show, exuberantly staged by David Wood and designed for the West End by Jan. His lifelong interest in stage design landed other commissions: two shows for Theatre de Complicite, then Beauty and the Beast for The Royal Ballet, Covent Garden and a spectacular Sleeping Beauty at Disneyland, Paris. (Bowker Author Biography) show less
Image credit: Jan Pieńkowski by David Mackintosh

Series

Works by Jan Pieńkowski

Christmas (1984) 318 copies, 4 reviews
Haunted House (1979) 304 copies, 9 reviews
Dinner Time (1981) 260 copies
Oh My a Fly (1989) 180 copies, 2 reviews
Easter (1989) 172 copies, 3 reviews
The Fairy Tales (2005) 161 copies, 4 reviews
Little Monsters (1986) 146 copies, 2 reviews
Meg at Sea (1973) — Illustrator — 128 copies, 1 review
Small Talk (1980) 120 copies, 2 reviews
The First Noel: A Christmas Carousel (2004) 81 copies, 2 reviews
Robot (1979) 79 copies, 1 review
Botticelli's Bed & Breakfast (1996) 67 copies, 2 reviews
The Monster Pet (2000) 58 copies
Shapes (1973) 45 copies
Gossip (1983) 37 copies, 1 review
Colours (1974) 37 copies, 1 review
Faces (1988) 31 copies
Sizes (1973) 30 copies
Weather (1982) 28 copies
Numbers (1973) 26 copies
Homes (1979) 23 copies
Yes No (1992) 20 copies
ABC (1981) 20 copies
Fairy Tale Library (1977) 18 copies
1001 Words (1994) 17 copies
Phone Book (Pop-Up) (1991) 16 copies
PET FOOD (Little Monsters) (1989) 15 copies, 1 review
Wheels (2008) 15 copies
Big Machines (1997) 14 copies, 1 review
Planes: And Other Things that Fly (1997) 14 copies, 3 reviews
Pizza! (2001) 13 copies
Farm (1985) 13 copies
Doorbell (1992) 12 copies, 1 review
I'm Frog (1985) 12 copies
Time (1980) 10 copies
Food (Nursery Board Books) (1988) 10 copies
I'm Not Scared (1997) 10 copies
Trucks: And Other Working Wheels (1997) 10 copies, 3 reviews
Snow White (1977) 9 copies
I'm Cat (1985) 9 copies
Boats (1997) 8 copies, 1 review
I'm Panda (1985) 8 copies
Pets (1991) 7 copies
The Sleeping Beauty (1977) 5 copies
Road Hog (Pop Up) (1993) 4 copies
Ninja Cat (2007) 3 copies
Diggers (Nursery Pops) (1997) 2 copies
Bel and Bub and the Baby Bird (2000) 2 copies, 1 review
Race You! (Picture Books) (1989) 2 copies
The Toilet Book (1994) 2 copies
Habladurías 1 copy
Home Sweet Home (1989) 1 copy
Le medicine di Meg (1988) 1 copy
Robot 1 copy
A cenar 1 copy
Robots 1 copy
Mahlzeit (1992) 1 copy
Monster Pops 1 copy
Batto the Bat (1997) 1 copy
Jungle: A Pop-Up Book (2008) 1 copy
Zet 'm op ! 1 copy

Associated Works

Cinderella (1697) — Illustrator, some editions — 637 copies, 43 reviews
Meg and Mog (1972) — Illustrator — 426 copies, 4 reviews
A Necklace of Raindrops and Other Stories (1968) — Illustrator, some editions — 421 copies, 7 reviews
The Kingdom Under the Sea and Other Stories (1971) — Illustrator — 190 copies
Meg's Eggs (1972) — Illustrator — 162 copies, 1 review
Meg's Castle (1975) — Illustrator — 149 copies, 1 review
Meg on the Moon (1973) — Illustrator — 129 copies, 1 review
Meg's Veg (1976) — Illustrator — 126 copies, 1 review
Meg's Car (1975) — Illustrator — 118 copies, 1 review
Mog in the Fog (1984) — Illustrator — 87 copies, 1 review
The Thousand Nights and One Night (2007) — Illustrator — 83 copies, 1 review
Tale of a One-Way Street and Other Stories (1978) — Illustrator, some editions — 78 copies
Owl at School (1984) — Illustrator — 70 copies, 1 review
A Foot in the Grave (1989) — Illustrator — 70 copies
The Golden Bird (1970) — Illustrator — 69 copies, 1 review
Mog at the Zoo (1982) — Illustrator — 66 copies, 2 reviews
Past Eight O'Clock: Goodnight Stories (1986) — Illustrator, some editions — 61 copies, 3 reviews
Meg Up the Creek (2002) — Illustrator — 49 copies, 1 review
The Glass Mountain: Tales from Poland (2014) — Illustrator — 38 copies
Meg & Mog: 3 Favourite Stories (2011) — Illustrator — 38 copies
Hans Christian Andersen's Fairy Tales (Puffin Classics) (2014) — Introduction, some editions — 33 copies
Nut Cracker (2008) — Illustrator — 32 copies, 1 review
Ghosts and Bogles (1978) — Illustrator — 30 copies
Mog's Missing (2005) — Illustrator — 29 copies, 1 review
Meg, Mog and Og (2003) — Illustrator — 28 copies, 1 review
Mog's Mumps (1976) — Illustrator — 26 copies, 1 review
Meg's Mummy (2004) — Illustrator — 22 copies, 1 review
Jim Along, Josie : A Collection of Folk Songs and Singing Games for Young Children (1970) — Illustrator, some editions; Illustrator, some editions — 22 copies
Meg's Cauldron (Meg and Mog Books) (2004) — Illustrator — 21 copies, 1 review
Jack and the Beanstalk (The Jan Pienkowski Fairy Tale Library) (1974) — Illustrator — 21 copies, 2 reviews
Meg and the Dragon (2015) — Illustrator — 20 copies, 1 review
Meg & Mog: Three Terrific Tales (2012) — Illustrator — 17 copies
Meg Goes to Bed (2010) — Illustrator — 17 copies, 2 reviews
Meg and Mog Play Hide-and-Seek (2004) — Illustrator — 16 copies
M.O.L.E. (Much Overworked Little Earthmover) (1993) — Illustrator — 15 copies
Meg and Mog Birthday Book (1979) — Illustrator — 15 copies, 1 review
Mog's Box (1987) — Illustrator — 15 copies, 1 review
Meg's Fancy Dress (2005) — Illustrator — 15 copies, 1 review
Meg's Treasure (2004) — Illustrator — 14 copies, 1 review
Meg's Christmas (2018) — Illustrator — 13 copies
Meg and Mog Collection: 10 Book Gift-Set (2013) — Illustrator — 13 copies
Meg and Mog: Touch and Feel Counting Book (2006) — Illustrator — 13 copies
Meg and Mog: Six Book Collection (2004) — Illustrator — 10 copies
Puffins progress : 15 October 2010, University of Bristol (2014) — Contributor — 10 copies
Mog in Charge (2005) — Illustrator — 9 copies, 1 review
Meg & Mog Treasury (1994) — Illustrator — 9 copies
In the Beginning (2010) — Illustrator — 9 copies
Meg and Mog: Four Plays for Children (1994) — Illustrator — 9 copies
Meg and the Pirate (2014) — Illustrator — 8 copies
Hundreds and Hundreds (1984) — Contributor — 8 copies
Meg and Mog Jigsaw Puzzle Book (2003) — Illustrator — 7 copies, 1 review
Meg in the Jungle (2016) — Illustrator — 7 copies
Meg and the Romans (2017) — Illustrator — 6 copies
Meg's Friends: A Pull-the-Tab Book (2005) — Illustrator — 6 copies, 1 review
Owl at the Vet (1990) — Illustrator — 6 copies, 1 review
Meg and Mog: Spin-A-Spell-Book (2004) — Illustrator — 5 copies
Cricket Magazine, Vol. 3, No. 2, October 1975 (1974) — Cover artist — 5 copies
The Amber Mountain (1976) — Illustrator — 3 copies
Meg and Mog Press-Out Spells (2005) — Illustrator — 2 copies

Tagged

Common Knowledge

Canonical name
Pieńkowski, Jan
Legal name
Pieńkowski, Jan Michał
Birthdate
1936-08-08
Date of death
2022-02-19
Gender
male
Education
Cardinal Vaughan School
University of Cambridge (King's College|classics and English)
Occupations
book illustrator
stage designer
storyteller
book designer
author
Awards and honors
Kate Greenaway Medal (1972)
Kate Greenaway Medal (1980)
BookTrust Lifetime Achievement Award (2019)
Relationships
Walser, David (partner|1962-2005|civil partner|2005|to date)
Short biography
Jan Michel Pieńkowski is a Polish-born British illustrator and author of children's books. He is probably best known for his Meg and Mog books with writer Helen Nicoll and for his pop-up books, including Haunted House (winner of the 1980 Kate Greenaway Medal), Robot, Dinner Time, Good Night and seventeen others.

Pieńkowski illustrated his first book at the age of eight, as a present for his father. During World War II, Pieńkowski's family moved about Europe, finally settling in Herefordshire, England in 1946. He attended the Cardinal Vaughan School in London, and later read English and Classics at King's College, Cambridge.

After leaving university Pieńkowski founded the Gallery Five greeting cards company. He began illustrating children's books in his spare time, but soon found the work taking over all his time. He began working with children's author Joan Aiken in 1968; he later won the first of two Kate Greenaway Medals in 1972 for his illustrations for Aiken's The Kingdom Under the Sea.

Pieńkowski has had a life-long interest in stage design. He was commissioned to provide designs for Theatre de Complicite, Beauty and the Beast for the Royal Ballet, and Sleeping Beauty at Disneyland Paris.

In 2005 Pienkowski contracted a civil partnership with David Walser, with whom he has been in a relationship for over forty years.

Pienkowski suffers from bipolar disorder.
Nationality
UK
Birthplace
Warsaw, Poland
Places of residence
Barnes, London, England, UK
Herefordshire, England, UK
Map Location
UK

Members

Reviews

54 reviews
Meg, Mog and Owl find themselves at sea in this fourth picture-book adventure, when an outing to the seaside, a wish to go sailing, and one of Meg's spells all lead (predictably) to disaster. Stranded on a tiny desert island after a tumultuous storm brought on by Meg's efforts to scare up a breeze - "Mermaid's tail / Lobster's toe / Octopus wriggle / Blow wind blow" - the three companions survive as best they can, until rescued by helicopter.

As always, I enjoyed this quirky outing with the show more witchy/feline/strigine trio, and think it would make an excellent story-hour selection for younger, preschool children. The simple text and brightly colored artwork are sure to appeal to a toddler audience, while the sound-words and exclamations give the adult reader plenty of opportunity to add excitement. As an added educational bonus, a brief reference to Morse Code is made, in the scene in which Meg flags down the helicopter. Now: on to the next installment in this witchy series, Meg's Castle! show less
Using selections from the King James Bible as his text, and his own beautiful silhouette artwork for illustrations, Jan Pieńkowski has created a powerful picture-book presentation of the Easter story in this title. Opening as Jesus and his Disciples arrive in Jerusalem for the observance of Passover, the book chronicles the process whereby Christ is betrayed by Judas Iscariot, taken into custody and tried, and executed by crucifixion at Calvary. It concludes, of course, with the show more Resurrection, and the command to spread the word.

I spotted this gem as I was walking past my local library's Easter display this past weekend, and recalling that an online friend had reviewed it favorably, picked it up. I have loved Pieńkowski's artwork since the time I first encountered it in the works of Joan Aiken, and have appreciated his illustrations in everything from the Meg and Mog books to his fairy tale retellings, and was curious to see what he would do with more religious themes. His trademark silhouettes are paired here with vibrantly colorful floral backdrops, generously embellished with gold, and the result is simply gorgeous. It also happens to work very well with the text: somehow the representation of the human figures in silhouette adds to the power of the story itself - perhaps because the reader is not distracted by the faces of the people being depicted? It has always seemed to me that the Easter story has as much terror to it as joy - it is truly awesome, in the old-fashioned sense of inspiring awe - and this book captured that feeling perfectly. Recommended to anyone looking for beautiful picture-book presentations of the Easter story - the real, non-watered-down Easter story.
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Selections from the King James Version of the Gospel of Luke and the Gospel of Matthew are used as the text in this beautiful picture book presentation of the Christmas story, which pairs these classic words with illustrator Jan Pieńkowski's signature silhouette artwork. Opening "in the days of Herod the King," the narrative relates how the angel Gabriel brought the tiding of Jesus to Mary, how Joseph and Mary went from Nazareth to Bethlehem, how Jesus was born in the stable, how the show more shepherds heard the glad tidings from a host of angels, and how the three wise men came with their gifts. The story closes with the Holy Family's flight into Egypt, and then their eventual return to Israel...

Originally published in 1984, Pieńkowski's Christmas is a book I have been meaning to pick up for some time now, especially as I greatly enjoyed his Easter, another picture book pairing biblical text with silhouette artwork, some years ago. I am glad to have finally tracked down a copy and read it, as it is truly wonderful. The story holds no surprises, of course, but is as beautiful as ever. The King James Version of the Bible may not be the most faithful or accurate translation available in English (and not the one I would use for study), but it is certainly one of the most beautiful, and has been immensely influential in the development of the English language. The artwork here is lovely—I am a long-time fan of Pieńkowski's, whose silhouette work never disappoints—and I appreciated the decorative flourishes, from the larger, illuminated manuscript style initial letter on each page of text, and the gold-embellished greenery over which the larger illustrations and the text are placed. Recommended to anyone looking for beautiful picture-book presentations of the Christmas story - the real, non-watered-down Christmas story.
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When I was a child I would have craved this gorgeous book with all my heart. I would have loved the heavy paper, the fancy font, the extra-careful translations, and of course the illustrations that are both pretty and just a bit naughty. I would be in a fairy-tale mood, and would have wished that I didn't know any better than to actually steal it.

Now, it seems a fair bit overdone. And the shapely silhouettes of the very young women make me feel a bit squicked. And the simplicity of the roles show more (heroines lovely, stepsisters ugly, servants pretty much decorative), while traditional, is not what I am now looking for. And there are only four stories! I would rather have had fewer pictures and more tales. show less

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Statistics

Works
89
Also by
61
Members
2,844
Popularity
#9,022
Rating
4.0
Reviews
46
ISBNs
319
Languages
10
Favorited
3

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