Henry James (1) (1843–1916)
Author of The Portrait of a Lady
For other authors named Henry James, see the disambiguation page.
Henry James (1) has been aliased into Henry James Jr.
About the Author
Image credit: Wikipedia
Series
Works by Henry James
Works have been aliased into Henry James Jr.
Autobiographies | A small boy and others | Notes of a son and brother | The middle years | other autobiographical writings (2016) 109 copies
Daisy Miller | Washington Square | The Portrait of a Lady | The Turn of the Screw | The Wings of the Dove (2006) 43 copies
Daisy Miller | Washington Square | Portrait of a Lady | The Bostonians | The Aspern Papers (2002) 42 copies
The art of travel; scenes and journeys in America, England, France, and Italy from the travel writings (1977) 37 copies
The Turn of the Screw and Other Stories: The Romance of Certain Old Clothes, The Friends of the Friends and The Jolly Corner (Vintage Classics) (2010) 29 copies
The Spoils of Poynton; A London Life; The Chaperon (The Novels and Tales of Henry James, New York Edition, Volume X) (2015) 17 copies
Daisy Miller, Pandora, The Patagonia, The marriages, The real thing, Brooksmith, The Beldonald Holbein, The story in it, Flickerbridge, and Mrs. Medwin. (1971) 15 copies
The Europeans | Daisy Miller | Washington Square | The Aspern Papers | The Turn of the Screw | The Portrait of a Lady (1981) 14 copies, 1 review
The Henry James Collection: The American / The Portrait of a Lady / The Wings of the Dove / The Golden Bowl / The Spoils of Poynton (2009) — Original book — 13 copies
Turn of the Screw and Other Short Novels: Aspern Papers, Altar of the Dead, Daisy Miller, International Episode, the Beast In the Jungle (1962) 12 copies
Henry James and H.G. Wells: A record of their friendship, their debate on the art of fiction, and their quarrel (1979) 12 copies
Letters 11 copies
Romanzi brevi 9 copies
Henry James Collection: The Complete Novels, Short Stories, Plays, Travel Writings, Essays, Autobiographies (2012) 8 copies
Tales 7 copies
The Reverberator, Madame de Mauves, A Passionate Pilgrim, The Madonna of the Future, and Louisa Pallant. (1971) 7 copies
The Novels and Tales of Henry James, Volume XVI: The Author of Beltraffio, the Middle Years, Greville Fane, and Other Tales (1909) 7 copies
The novels and tales of Henry James. Volume 11: What Maisie Knew; In the Cage; The Pupil (1936) 7 copies
Verschijningen uit niemandsland 6 copies
Selected Short Works by Henry James: The Aspern Papers: The Beast in the Jungle: The Jolly Corner (2004) 5 copies
Racconti 5 copies
Henry James: Representative Selections, with Introduction, Bibliography, and Notes (American Writers Series) (1966) 5 copies
The Correspondence of Henry James and the House of Macmillan, 1877-1914: 'All the Links in the Chain' (1993) 4 copies
The Lesson of the Master; The Marriages; The Pupil; Brooksmith; The Solution; Sir Edmund Orme (2004) 4 copies
The Aspern Papers and Other Stories by James, Henry ( AUTHOR ) Feb-01-2013 Paperback (2013) 4 copies
The Master, the Modern Major General, and His Clever Wife: Henry James's Letters to Field Marshal Lord Wolseley and Lady Wolseley, 1878-1913 (2012) 4 copies
The tale of three cities 3 copies
The Aspern Papers and Other Tales, 1884–1888 (The Cambridge Edition of the Complete Fiction of Henry James, Series Number 27) (2022) 3 copies
Cousin et cousine 3 copies
Obras escogidas, vol. II 3 copies
Reading & Training : Henry James : The turn of the screw [book + sound recording] (2008) — Writer — 3 copies
Lo real y otros cuentos 3 copies
Reading & Training : Henry James : The portrait of a lady [book + sound recording] (2005) — Writer — 3 copies
The Henry James Collection I: 24 Novellas and Short Stories (Unexpurgated Edition) (Halcyon Classics) (2009) 3 copies
36 Ghost Stories: Anthology 3 copies
Portræt af en dame 2 copies
The Greatest Ghost and Horror Stories Ever Written: volume 5 (30 short stories) (English Edition) (2018) 2 copies
Foreign parts 2 copies
I grandi romanzi: L'americano-Washington Square-Le bostoniane-Ritratto di signora-Le ali della colomba-Giro di vite. Ediz. integrale (2016) 2 copies
Até o último fantasma 2 copies
The author of Beltraffio, Pandora, Georgina's reasons. The path of duty, Four meetings (2010) 2 copies
William Wetmore Story and his friends from letters, diaries, and recollections, Vol. II (2015) 2 copies
The Question of Speech 2 copies
Obras Escogidas 2 copies
Nathaniel Hawthorne 2 copies
Drzewo wiadomości i inne opowiadania 2 copies
The Henry James Collection II: 24 Novellas and Short Stories (Unexpurgated Edition) (Halcyon Classics) (2009) 2 copies
Great Works Of Henry James 2 copies
Die Freunde der Freunde. Der Geier (Die Meisterwerke der Phantastischen Weltliteratur ; Bd. 6) (1983) 2 copies
Reading & Training : Henry James : Washington Square [book + sound recording] (2005) — Writer — 2 copies
The Henry James Collection III: 16 Novels in One Volume (Unexpurgated Edition) (Halcyon Classics) (2009) 2 copies
Racconti scelti 2 copies
Noveller 2 copies
Novels and stories of Henry James 2 copies
Henry James: Five Novels- The Portrait of a Lady, The Turn of the Screw, The Wings of the Dove, What Maisie Knew, The Golden Bowl (2015) 2 copies
Drzewo wiadomości 2 copies
La venganza de Osborne 1 copy
The Pupil 1 copy
The Other House by Henry James - Delphi Classics (Illustrated) (Delphi Parts Edition (Henry James) Book 12) (2019) 1 copy
Henry James : The American 1 copy
The figure in the carpet 1 copy
Der geisterhafte Mietzins 1 copy
Siena 1 copy
La Madone De l'Avenir 1 copy
Série Reencontro - Os inocentes - A volta do parafuso. Adaptação em Português de Cláudia Lopes. 1 copy
SST 24 - Washington Square 1 copy
Egy hölgy arcképe Henry James .- 2. kiad .- Budapest Európa Könyvkiadó 1976 .- 715 p. 21 cm .- 1 copy
SST 45 - Le bostoniane 1 copy
Best Known Books 1 copy
Henry James Three Novels 1 copy
SST 40 - Gli ambasciatori 1 copy
SST 47 - La coppa d'oro I 1 copy
The Library of America: H. James (2 Volume Set with Slip Case) Complete Stories 1892-1898 & Complete Stories 1898-1910 (1996) 1 copy
En la jaula 1 copy
SST 48 - La coppa d'oro II 1 copy
Lo que Maise sabía 1 copy
The Turn of the Screw [1989 Nightmare Classics TV episode] — Author — 1 copy
Portrait of a Lady, Vol 2 1 copy
Tales of the Dark Romantics and Beyond: Tales of the Dark Romantics — Contributor — 1 copy
Henry James Short Stories 1 copy
Sablasni podstanar 1 copy
The American- Heron Books 1 copy
La tigre nella jungla 1 copy
The Princess Casamassima by Henry James - Delphi Classics (Illustrated) (Delphi Parts Edition (Henry James) Book 9) (2019) 1 copy
WASSHINGTON SQUARE 1 copy
Victorian Short Stories: Stories of Successful Marriages: Exploring Nuanced Victorian Marital Themes 1 copy
Daisy Manis 1 copy
The Complete Tales by Henry James - Delphi Classics (Illustrated) (Delphi Parts Edition (Henry James) Book 31) (2018) 1 copy
En busca de otras imagenes 1 copy
Dernier Des Valerii Et Autres Nouvelles (Le) (Romans, Nouvelles, Recits (Domaine Etranger)) (French Edition) (1960) 1 copy
Giro di vite : romanzo 1 copy
Great American Short Stories 1 copy
Collection 1 copy
Romans 1 copy
William Wetmore Story and his friends from letters, diaries, and recollections, Vol. I (2015) 1 copy
THE GHOST KINGS 1 copy
THE MADONNA OF THE FUTURE / A BUNDLE OF LETTERS / THE DIARY OF A MAN OF FIFTY / EUGENE PICKERING 1 copy
Ghost Stories of Olde Vol. 3 1 copy
Łgarz. opowiadania 1 copy
L'ultimo dei Valeri 1 copy
Frames in James: The Tragic Muse, The Turn of the Screw, What Maisie Knew, and The Ambassadors (E L S Monograph Series) (1993) 1 copy
The Spoils of Poynton [1970 TV series] — Original book — 1 copy
Romanzi e racconti 1 copy
oeuvres romanesques 1 copy
Six Stories 1 copy
Henry James Omnibus 1 copy
The Works of Henry James 1 copy
Letters, volumes 1 -4 1 copy
Henry James 1 copy
TRES NOVELAS SELECTAS: DIARIO DE UN HOMBRE DE CINCUENTA AÑOS - EL MENTIROSO - POBRE RICHARD (2012) 1 copy
Tre ritratti 1 copy
Dietro la vetrina 1 copy
The American 1 copy
Mrs. Medwin {Short Story} 1 copy
Roderick Hudson (vol.I) 1 copy
Son Derece Tuhaf bir Durum 1 copy
WASHINGTON SQUARE Level 3 1 copy
L'INQUILINO FANTASMA 1 copy
Le Ali della Colomba Vol.II 1 copy
Representative selections 1 copy
Great of Henry James 1 copy
Memories and Studies 1 copy
Thalia petasata iterum; or, A foot journey from Dresden to Venice, described on the way in verse (2012) 1 copy
The Collected Works of Henry James: The Complete Works PergamonMedia (Highlights of World Literature) (2015) 1 copy
“Guest’s Confession” 1 copy
“A Day of Days” 1 copy
Due donne 1 copy
Racconti di fantasmi 1 copy
La lezione dei maestri 1 copy
ヘンリー・ジェイムズ傑作選 (講談社文芸文庫) 1 copy
Roderick Hudson (vol.II) 1 copy
Romanzi 1 copy
Gli amici degli amici 1 copy
Lo scolaro 1 copy
Romanzi brevi (vol.I) 1 copy
Four short novels 1 copy
The Innocent Voyage 1 copy
[unidentified works] 1 copy
Tuscan places, as seen by Henry James: with 32 coloured plates and original extracts from Henry James (1970) 1 copy
Nine Tales, C3 1 copy
Skruen strammes 1 copy
Henry James 1884-1891 1 copy
CUENTOS CON FANTASMAS 1 copy
4 volume Complete Stories of Henry James: 1864-1874, 1874-1884, 1884-1891, 1892-1898 (Library of America) (1999) 1 copy
the novel and tales 1 copy
Associated Works
Works have been aliased into Henry James Jr.
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 1,015 copies, 7 reviews
Great American Short Stories: From Hawthorne to Hemingway (2004) — Contributor — 675 copies, 2 reviews
Points of View: An Anthology of Short Stories, Revised & Updated Edition (1995) — Contributor — 443 copies, 7 reviews
American Fantastic Tales : Terror and the Uncanny from Poe to the Pulps (2009) — Contributor — 290 copies, 4 reviews
World War I and America: Told by the Americans Who Lived It (1918) — Contributor — 226 copies, 1 review
The Arbor House Treasury of Horror and the Supernatural (1981) — Contributor — 219 copies, 3 reviews
The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (2010) — Contributor — 186 copies, 4 reviews
Pages Passed from Hand to Hand: The Hidden Tradition of Homosexual Literature in English from 1748 to 1914 (1997) — Contributor — 185 copies, 1 review
Classic American Short Stories [Barnes & Noble Leatherbound Classics] (2001) — Contributor — 175 copies, 1 review
The Mammoth Book of Victorian and Edwardian Ghost Stories (1995) — Contributor — 174 copies, 4 reviews
An American Album: One Hundred and Fifty Years of Harper's Magazine (2000) — Contributor — 145 copies, 1 review
The Norton Anthology of American Literature, Volume 2: 1865 to Present (1979) — Contributor, some editions — 136 copies
The Glorious American Essay: One Hundred Essays from Colonial Times to the Present (2020) — Contributor — 118 copies
The Colour Out of Space: Tales of Cosmic Horror by Lovecraft, Blackwood, Machen, Poe, and Other Masters of the Weird (-0001) — Contributor — 110 copies, 1 review
Writing New York: A Literary Anthology (Expanded 10th-Anniversary Edition) (2008) — Contributor — 101 copies, 1 review
Delphi Complete Works of Charles Dickens (Illustrated) (2012) — Contributor, some editions — 96 copies
The Heath Anthology of American Literature, Concise Edition (2003) — Contributor — 73 copies, 1 review
The Smiles of Rome: A Literary Companion for Readers and Travelers (2005) — Contributor — 67 copies, 2 reviews
The Phantom Coach: A Connoisseur's Collection of Victorian Ghost Stories (2014) — Contributor — 63 copies, 1 review
Doré's London: All 180 Images from the Original London Series with Selected Writings (2008) — Contributor — 62 copies
The Blithedale Romance [Norton Critical Edition, 2nd ed.] (2010) — Contributor — 62 copies, 2 reviews
The World of Law, Volumes I-II: The Law in Literature, The Law as Literature (1960) — Contributor — 54 copies
Vampires, Zombies, Werewolves and Ghosts: 25 Classic Stories of the Supernatural (Signet Classics) (2011) — Contributor — 54 copies, 1 review
The Signet Classic Book of Contemporary American Short Stories (1985) — Contributor — 47 copies, 1 review
Venice Stories (Everyman's Library Pocket Classics Series) (2018) — Contributor — 41 copies, 1 review
Published and Perished: Memoria, Eulogies, and Remembrances of American Writers (2002) — Contributor — 41 copies, 1 review
Civil War Memories: Nineteen Stories of Battle, Bravery, Love, and Tragedy (2000) — Contributor — 38 copies, 1 review
The Odd Number: Thirteen Tales by Guy de Maupassant (2004) — Introduction, some editions — 34 copies, 1 review
The Tavern Lamps Are Burning: Literary Journeys through Six Regions and Four Centuries of New York State (1964) — Contributor — 25 copies
The Third Ghost Story Megapack: 26 Classic Ghost Stories (2013) — Contributor — 19 copies, 2 reviews
The Romantic Friendship Reader: Love Stories Between Men in Victorian America (2003) — Contributor — 17 copies
The Second Ghost Story Megapack: 25 Classic Ghost Stories (2013) — Contributor — 15 copies, 2 reviews
Selected English Short Stories: XIX and XX Centuries (Second Series) (1924) — Contributor — 14 copies
Masters of Shades and Shadows: An Anthology of Great Ghost Stories (1978) — Contributor — 12 copies, 1 review
Great American Ghost Stories: Chilling Tales by Poe, Bierce, Hawthorne and Others (2008) — Contributor — 12 copies
More ghosts and marvels,: A selection of uncanny tales from Sir Walter Scott to Michael Arlen, (The World's classics) (1934) — Contributor — 10 copies
Het neusje van de zalm een feestelijke bloemlezing uit Querido's 'vlaggetjesreeks' (1986) — Contributor — 7 copies
Classic Ghost Stories: By Charles Dickens, M.R. James, Washington Irving, Lewis Carroll, Oscar Wilde and more (2019) — Contributor — 7 copies
Penny Dreadful Multipack Volume 7 – The Americans: The Legend of Sleepy Hollow, The Murders in the Rue Morgue, Mosses From An Old Manse, Owl Creek Bridge, The King In Yellow and… (2015) — Contributor — 7 copies
The Masterpiece Library of Short Stories Vol. XV: American — Contributor — 6 copies
Gran Colección de la Literatura Universal: Norteamericana I (1982) — Contributor — 5 copies, 1 review
The American [1998 film] — Original book — 5 copies
Ode to Boy: Vol. 2: An Anthology of Same-Sex Attraction in Literature from the 19th Century Through the First World War (2014) — Contributor — 2 copies
Modern Short Stories — Contributor — 2 copies
The Wendigo / The Ghostly Rental / The House of the Worm / Lords of the Ghostlands — Contributor — 1 copy
The Ethnic Image in Modern American Literature, 1900-1950, Volumes 1-2 (1984) — Contributor — 1 copy
The Uncertain Element: An Anthology of Fantastic Conceptions — Contributor — 1 copy
Tagged
Common Knowledge
- Canonical name
- James, Henry
- Birthdate
- 1843-04-15
- Date of death
- 1916-02-28
- Gender
- male
- Education
- privately educated
Harvard Law School - Occupations
- novelist
literary critic
playwright
travel writer
short story writer
essayist (show all 9)
biographer
art critic
war volunteer - Organizations
- American Academy of Arts and Letters (Literature ∙ 1898)
The Atlantic
The New York Tribune - Awards and honors
- L.H.D., Harvard University (1911)
L.H.D., Oxford University (1912)
Order of Merit (1915)
James Memorial Stone, Poet's Corner, Westminster Abbey, London - Relationships
- James Snr., Henry (father)
James, William (brother)
James, Alice (sister) - Short biography
- Henry James (15 April 1843 – 28 February 1916) was an American author, who became a British subject in the last year of his life, regarded as a key transitional figure between literary realism and literary modernism and is considered by many to be among the greatest novelists in the English language. He was the son of Henry James Sr. and the brother of renowned philosopher and psychologist William James and diarist Alice James.
He is best known for a number of novels dealing with the social and marital interplay between émigré Americans, English people, and continental Europeans. Examples of such novels include The Portrait of a Lady, The Ambassadors, and The Wings of the Dove. His later works were increasingly experimental. In describing the internal states of mind and social dynamics of his characters, James often made use of a style in which ambiguous or contradictory motives and impressions were overlaid or juxtaposed in the discussion of a character's psyche. For their unique ambiguity, as well as for other aspects of their composition, his late works have been compared to impressionist painting.
His novella The Turn of the Screw has garnered a reputation as the most analysed and ambiguous ghost story in the English language and remains his most widely adapted work in other media. He also wrote a number of other highly regarded ghost stories and is considered one of the greatest masters of the field.
James published articles and books of criticism, travel, biography, autobiography, and plays. Born in the United States, James largely relocated to Europe as a young man and eventually settled in England, becoming a British citizen in 1915, one year before his death. James was nominated for the Nobel Prize in Literature in 1911, 1912 and 1916. - Nationality
- USA (birth)
UK (naturalised 1915) - Birthplace
- Washington Place, New York, New York, USA
- Places of residence
- Newport, Rhode Island, USA
Boston, Massachusetts, USA
London, England, UK
Lamb House, Rye, East Sussex, England, UK
Florence, Italy
Venice, Italy (show all 7)
Paris, France - Place of death
- Chelsea, London, England, UK
- Burial location
- Cambridge Cemetery, Cambridge, Massachusetts, USA (ashes interred)
Members
Discussions
The Turn of the Screw in Gothic Literature (Wednesday 8:57pm)
April 2025: Henry James in Monthly Author Reads (May 2025)
Group Read, June 2023: The Wings of the Dove in 1001 Books to read before you die (June 2023)
Victorian Era Abroad: Q1: The Bostonians by Henry James in Club Read 2023 (February 2023)
THE DEEP ONES: "The Friends of the Friends" by Henry James in The Weird Tradition (April 2022)
Henry James: American Author Challenge in 75 Books Challenge for 2015 (March 2015)
February Group Read: Portrait of a Lady by Henry James in 2015 Category Challenge (February 2015)
Group Read: The Portrait of a Lady by Henry James in 2013 Category Challenge (August 2013)
Which Henry James novel should i try? in Book talk (March 2012)
June 2011: What are you reading? in 1001 Books to read before you die (July 2011)
***Group Read: The Portrait of a Lady, Chapters 45-55 in 75 Books Challenge for 2011 (April 2011)
***Group Read: The Portrait of a Lady, Chapters 34-44 in 75 Books Challenge for 2011 (March 2011)
***Group Read: The Portrait of a Lady, Chapters 13-33 in 75 Books Challenge for 2011 (March 2011)
***Group Read: The Portrait of a Lady, Chapters 12-22 in 75 Books Challenge for 2011 (March 2011)
***Group Read: The Portrait of a Lady, Chapters 1-11 in 75 Books Challenge for 2011 (March 2011)
***Group Read: The Portrait of a Lady, by Henry James in 75 Books Challenge for 2011 (March 2011)
Reviews
This is one of those books that I hadn’t read despite it being mentioned pretty much every time someone called for a good ghost story. During our latest winter storm I decided it would be a good time to dive into it and for the most part I really liked it. It had excellent pacing and the story was trim, not a lot of extraneous detail. There’s the set up, which is folks gathered around a fire to hear a scary story, the prologue which puts our protagonist in place and then we’re off. show more Strangely the tale just ends and we never get back into the room with the fire. I wonder if James forgot or his editor or what, but those people never show up again. Kind of sloppy if you ask me.
And there’s that ending. Wow. It came on extra suddenly for me because I read it as a Project Gutenberg ebook which has a lot of publishing info at the back so it’s hard to tell exactly where the book ends. Is it me, or does everyone have to read the ending three times to get it straight? And by straight I mean bendy and weird and what?
Spoilers on the move -
I knew it was a psychological horror story going in and that there might be more to the story than what’s on the surface. I don’t want to go so far as to declare an unreliable narrator, but it’s close. Even if what Jane perceived wasn’t real, she believed that it was and to me, that’s not an unreliable narrator, merely a fallible one. Are there the ghosts of servants past haunting the old pile, or is Jane crazy? Does Miles have some sort of symbiotic connection to Peter Quint? Does getting Flora away from the place break hers to Miss Jessel? There are no concrete answers. Instead, James relies on the reader’s interpretation of some pretty unspecific information. For example, just why are these ghosts so evil and is their evil different now than it was in life? Both are branded as villains, but nothing is specifically stated about what they did exactly. It’s hinted that there was an illicit affair going on between them, very improper, and somehow because the children were aware of it, the knowledge corrupted them. Did that lead to Miles’s unknown crime that got him kicked out of school? And speaking of unfathomable and unresolved...what’s with the uncle’s condition that Jane never contact him about the kids? That’s just weird. The whole thing is weird and that’s what makes it fun.
The actual writing, I should warn you, is convoluted. James is fond of the very long sentence populated by many, many commas. At first it was a job getting into the rhythm of his writing, but reading out loud helped, something I find useful for older novels. As you might have guessed, if you’re the type of reader who needs everything explained and tied up neatly, The Turn of the Screw isn’t the ghost story for you. show less
And there’s that ending. Wow. It came on extra suddenly for me because I read it as a Project Gutenberg ebook which has a lot of publishing info at the back so it’s hard to tell exactly where the book ends. Is it me, or does everyone have to read the ending three times to get it straight? And by straight I mean bendy and weird and what?
Spoilers on the move -
I knew it was a psychological horror story going in and that there might be more to the story than what’s on the surface. I don’t want to go so far as to declare an unreliable narrator, but it’s close. Even if what Jane perceived wasn’t real, she believed that it was and to me, that’s not an unreliable narrator, merely a fallible one. Are there the ghosts of servants past haunting the old pile, or is Jane crazy? Does Miles have some sort of symbiotic connection to Peter Quint? Does getting Flora away from the place break hers to Miss Jessel? There are no concrete answers. Instead, James relies on the reader’s interpretation of some pretty unspecific information. For example, just why are these ghosts so evil and is their evil different now than it was in life? Both are branded as villains, but nothing is specifically stated about what they did exactly. It’s hinted that there was an illicit affair going on between them, very improper, and somehow because the children were aware of it, the knowledge corrupted them. Did that lead to Miles’s unknown crime that got him kicked out of school? And speaking of unfathomable and unresolved...what’s with the uncle’s condition that Jane never contact him about the kids? That’s just weird. The whole thing is weird and that’s what makes it fun.
The actual writing, I should warn you, is convoluted. James is fond of the very long sentence populated by many, many commas. At first it was a job getting into the rhythm of his writing, but reading out loud helped, something I find useful for older novels. As you might have guessed, if you’re the type of reader who needs everything explained and tied up neatly, The Turn of the Screw isn’t the ghost story for you. show less
I've read The Turn of the Screw in the past, and though I don't often re-read books, the recent Netflix adaptation inspired me to come back to it. And, it was an interesting experience. Henry James is a master of the uncanny and the eerie, when he chooses to be, and even all these years after The Turn of the Screw was first published, the sense of ungroundedness in this book is still such a powerful thing. All through the book, it's difficult to know what's real and what's not, who to trust show more and who can't be believed. And yet, from moment to moment, the discomfort the reader feels is built from just how realistically this story is presented. All these years later, that style and power remain undiminished.
This is one of those reads that, I suspect, can only truly be experienced to its full potential once. What I mean by that is that the first read has such incredible power--so many twists, eerie moments, and surprises--there's no way to unremember what you've once read. Even though I hadn't read this book for more than a decade, coming back to it was both familiar and unfamiliar--but I couldn't revisit that first reading experience, and the horror and fascination I felt upon first discovering it. Was it still a powerful, worthwhile read? Absolutely. It just wasn't the same as it once was. Perhaps that can be said for most books, but because of the eerie, unfolding progression of this book, I suspect it's more true for this book than most others.
This book is so well-known, what more can be said? If you haven't yet read this book, you should. show less
This is one of those reads that, I suspect, can only truly be experienced to its full potential once. What I mean by that is that the first read has such incredible power--so many twists, eerie moments, and surprises--there's no way to unremember what you've once read. Even though I hadn't read this book for more than a decade, coming back to it was both familiar and unfamiliar--but I couldn't revisit that first reading experience, and the horror and fascination I felt upon first discovering it. Was it still a powerful, worthwhile read? Absolutely. It just wasn't the same as it once was. Perhaps that can be said for most books, but because of the eerie, unfolding progression of this book, I suspect it's more true for this book than most others.
This book is so well-known, what more can be said? If you haven't yet read this book, you should. show less
“I seemed to float not into clearness, but into a darker obscure, and within a minute there had come to me out of my very pity the appalling alarm of his perhaps being innocent. It was for the instant confounding and bottomless, for if he were innocent, what then on earth was I?”
A young governess accepts a position in a beautiful estate in the English countryside, in Essex. The cosmopolitan uncle entrusts his niece and nephew into her hands and asks not to be disturbed under any show more circumstances. Bly is enormous, the acres endless, the house full of corridors and closed doors. Our unnamed narrator couldn’t be happier. Flora and Miles couldn’t be lovelier. And then, darkness arrives. A man standing on a tower, a woman in black standing by the lake. A strange song and a face at the window.
“I could only get on at all by taking "nature" into my confidence and my account, by treating my monstrous ordeal as a push in a direction unusual, of course, and unpleasant, but demanding, after all, for a fair front, only another turn of the screw of ordinary human virtue.”
Having recently watched (for the tenth time…) the marvelous 1961 film The Innocents, I thought that it was time to read one of Henry James’ most controversial works once again. I always choose this as a part of my summer readings. Its sultry atmosphere soon becomes eerie, its underlying sensuality grows within an environment of secrets and charged sexual tension. Suffocating and enticing, cryptic and provoking. Challenging. Hungry. The questions are many. Is everything real? Is the young woman ‘’imagining things’’? Has she created a world of her own, projecting her frustrations upon the ‘’innocents’’? Or has she found herself in a whirlwind of lust and obsession orchestrated by two malevolent spirits who use the children as vessels and instruments? Each reader needs to draw his/her own conclusions. James is not a writer who provides every solution at the end of his works. Even daily, mundane issues and snapshots of ordinary life acquire a different ‘’colour’’ in each novel. The Turn of the Screw is in a league of its own.
“The summer had turned, the summer had gone; the autumn had dropped upon Bly and had blown out half our lights. The place, with its gray sky and withered garlands, its bared spaces and scattered dead leaves, was like a theater after the performance--all strewn with crumpled playbills.”
Whatever your expectations may be, James created one of the best - if not THE best- Gothic novels of all time. Unique descriptions, commanding atmosphere, a background full of contrasts and dark imagery. The idyllic estate that changes when night falls. Two charming, gifted children that seem rather fascinated with Death, a housemaid that seems to protect every secret of the house. The Turn of the Screw defined the Gothic genre and paved the way for the trope of the Haunted House that is still extremely popular. More than ever, in fact. Whispers, apparitions, murmurs, nightly windows, shadows, a troubled young woman who wants to help and understand. Add desire and a potential incestuous relationship lurking in the future and you have a timeless story.
I read this novella when I was 17. It frustrated me because I was impatient, wanting to have every answer delivered on a silver plate. We discussed the hell out of it in university and I fell in love. I understood that the majority of the finest books written create more questions when their final page is turned. It was this work that gave birth to my fascination with dubious closures. Now, no matter how many times I have read it, its magnetism stays strong.
And I am one of those who side with the heroine. I firmly believe that it was all true. There are many dark forces around us and beyond us. Who's to say for certain?
“I take up my own pen again - the pen of all my old unforgettable efforts and sacred struggles. To myself - today - I need say no more. Large and full and high the future still opens. It is now indeed that I may do the work of my life. And I will.”
My reviews can also be found on https://theopinionatedreaderblog.wordpress.com/ show less
A young governess accepts a position in a beautiful estate in the English countryside, in Essex. The cosmopolitan uncle entrusts his niece and nephew into her hands and asks not to be disturbed under any show more circumstances. Bly is enormous, the acres endless, the house full of corridors and closed doors. Our unnamed narrator couldn’t be happier. Flora and Miles couldn’t be lovelier. And then, darkness arrives. A man standing on a tower, a woman in black standing by the lake. A strange song and a face at the window.
“I could only get on at all by taking "nature" into my confidence and my account, by treating my monstrous ordeal as a push in a direction unusual, of course, and unpleasant, but demanding, after all, for a fair front, only another turn of the screw of ordinary human virtue.”
Having recently watched (for the tenth time…) the marvelous 1961 film The Innocents, I thought that it was time to read one of Henry James’ most controversial works once again. I always choose this as a part of my summer readings. Its sultry atmosphere soon becomes eerie, its underlying sensuality grows within an environment of secrets and charged sexual tension. Suffocating and enticing, cryptic and provoking. Challenging. Hungry. The questions are many. Is everything real? Is the young woman ‘’imagining things’’? Has she created a world of her own, projecting her frustrations upon the ‘’innocents’’? Or has she found herself in a whirlwind of lust and obsession orchestrated by two malevolent spirits who use the children as vessels and instruments? Each reader needs to draw his/her own conclusions. James is not a writer who provides every solution at the end of his works. Even daily, mundane issues and snapshots of ordinary life acquire a different ‘’colour’’ in each novel. The Turn of the Screw is in a league of its own.
“The summer had turned, the summer had gone; the autumn had dropped upon Bly and had blown out half our lights. The place, with its gray sky and withered garlands, its bared spaces and scattered dead leaves, was like a theater after the performance--all strewn with crumpled playbills.”
Whatever your expectations may be, James created one of the best - if not THE best- Gothic novels of all time. Unique descriptions, commanding atmosphere, a background full of contrasts and dark imagery. The idyllic estate that changes when night falls. Two charming, gifted children that seem rather fascinated with Death, a housemaid that seems to protect every secret of the house. The Turn of the Screw defined the Gothic genre and paved the way for the trope of the Haunted House that is still extremely popular. More than ever, in fact. Whispers, apparitions, murmurs, nightly windows, shadows, a troubled young woman who wants to help and understand. Add desire and a potential incestuous relationship lurking in the future and you have a timeless story.
I read this novella when I was 17. It frustrated me because I was impatient, wanting to have every answer delivered on a silver plate. We discussed the hell out of it in university and I fell in love. I understood that the majority of the finest books written create more questions when their final page is turned. It was this work that gave birth to my fascination with dubious closures. Now, no matter how many times I have read it, its magnetism stays strong.
And I am one of those who side with the heroine. I firmly believe that it was all true. There are many dark forces around us and beyond us. Who's to say for certain?
“I take up my own pen again - the pen of all my old unforgettable efforts and sacred struggles. To myself - today - I need say no more. Large and full and high the future still opens. It is now indeed that I may do the work of my life. And I will.”
My reviews can also be found on https://theopinionatedreaderblog.wordpress.com/ show less
In The Wings of the Dove, Henry James pours on layers of conscious and subconscious motivations, knowing characterizations, banal (on purpose) dialogue, a whole host of enigmatic "Oh!"s, some delightful Venetian settings, and a perfect last line to what is, on its surface, a pretty standard love triangle / inheritance story with a dash of British classism. Kate Croy is beautiful and sassy, but she has no money and her father is a scoundrel. Her rich aunt Maude has brought her into her home show more as a companion with sights on making a very good marriage to a rich someone, but Kate has fallen in love with the penniless journalist Merton Densher (when else has a romantic lead been named Merton?). Separately, the very rich and very alone and also semi-secretly dying of a mysterious illness American heiress Milly Theale has struck up an intense and sudden friendship with the very New Englandy Susan Stringham and the two of them head off to Europe to have adventures on Milly's dime. Prior to their departure, Milly meets Merton while he is on assignment sending dispatches from America to his paper. And when Milly and Susan get to London, Susan thinks to look up her old boarding school friend, who happens to be Aunt Maude. Merton loves Kate but feels a sisterly friendship for Milly, Milly loves Merton and is fascinated by Kate, Susan is desperately loyal to Milly, Maude loves Milly for her social currency, and Kate loves Merton but also seems to be keeping her options open. Things get ethically dicey when Kate works Merton into agreeing to pretend to love Milly so that she will leave him her money when she dies, which would allow Kate and Merton to get married with Aunt Maude's blessing. While this sounds like a soap opera, the style of writing and the structure of the book make this a much slower and more floaty affair. And, as a person who is not as rich or oddly beautiful or strange as Milly, but who is (not so secretly) living with a terminal illness, I loved that she was more than just a plot point for Kate and Merton's actions to hang off of. Her relationship with her doctor, her intense friendships, and her views on how she wants to spend her remaining time are all complex and unique and very refreshing.
Here's a taste of James, and one of the most delightful descriptions of love at first sight I've ever read:
"They had found themselves looking at each other straight, and for a longer time on end than was usual even at parties in galleries, but that, after all, would have been a small affair, if there hadn't been something else with it. It wasn't, in a word, simply that their eyes had met; other conscious organs, faculties, feelers had met as well, and when Kate afterwards imaged to herself the sharp, deep fact she saw it in the oddest way, as a particular performance. She had observed a ladder against a garden wall, and had trusted herself to to climb it as to be able to see over into the probable garden on the other side. On reaching the top she had found herself face to face with a gentleman engaged in like calculation at the same moment, and the two enquirers had remained confronted on their ladders. The great point was that for the rest of that evening they had been perched they had not climbed down; and indeed, during the time that followed, Kate at least had had the perched feeling -- it was as if she were there aloft without a retreat." show less
Here's a taste of James, and one of the most delightful descriptions of love at first sight I've ever read:
"They had found themselves looking at each other straight, and for a longer time on end than was usual even at parties in galleries, but that, after all, would have been a small affair, if there hadn't been something else with it. It wasn't, in a word, simply that their eyes had met; other conscious organs, faculties, feelers had met as well, and when Kate afterwards imaged to herself the sharp, deep fact she saw it in the oddest way, as a particular performance. She had observed a ladder against a garden wall, and had trusted herself to to climb it as to be able to see over into the probable garden on the other side. On reaching the top she had found herself face to face with a gentleman engaged in like calculation at the same moment, and the two enquirers had remained confronted on their ladders. The great point was that for the rest of that evening they had been perched they had not climbed down; and indeed, during the time that followed, Kate at least had had the perched feeling -- it was as if she were there aloft without a retreat." show less
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