Picture of author.

Kate Seredy (1899–1975)

Author of The Good Master

15+ Works 7,602 Members 80 Reviews 11 Favorited

About the Author

Image credit: Kate Seredy

Series

Works by Kate Seredy

The Good Master (1935) 2,434 copies, 24 reviews
The Singing Tree (1939) 1,863 copies, 16 reviews
The White Stag (1937) 1,721 copies, 25 reviews
The Chestry Oak (1948) 568 copies, 5 reviews
A Tree for Peter (2004) 458 copies, 1 review
Philomena (1955) 277 copies, 5 reviews
The Open Gate (1943) 74 copies
The Tenement Tree (1959) 49 copies
Lazy Tinka (1962) 47 copies
Gypsy (1951) 28 copies, 2 reviews
A Brand-new Uncle (1961) 28 copies, 1 review
Finnegan II: His Nine Lives (1953) — Illustrator, some editions; Illustrator — 27 copies, 1 review
Listening (1941) 26 copies
various 1 copy

Associated Works

Caddie Woodlawn (1935) — Illustrator, some editions — 9,083 copies, 69 reviews
The Illustrated Treasury of Children's Literature, Volumes 1-2 (1955) — Contributor — 523 copies, 4 reviews
The Prince Commands (1934) — Illustrator, some editions — 207 copies, 3 reviews
Adopted Jane (1947) — Illustrator, some editions — 167 copies, 5 reviews
Favorite Stories Old and New (1942) — Contributor — 145 copies, 2 reviews
Little Vic (1954) — Illustrator, some editions — 144 copies, 2 reviews
Smiling Hill Farm (1995) — Illustrator, some editions — 103 copies, 1 review
Told Under the Christmas Tree (1941) — Contributor — 94 copies, 3 reviews
The Christmas Anna Angel (1944) — Illustrator — 93 copies, 2 reviews
Winterbound (1936) — Illustrator, some editions — 88 copies, 2 reviews
Young Walter Scott (1935) — Illustrator — 81 copies
The Wonderful Year (1946) — Illustrator — 66 copies, 4 reviews
Stories for Five Year Olds and Other Young Readers (1973) — Contributor: The Little Rooster and the Diamond Button — 61 copies, 1 review
We Are Neighbors (1948) — Illustrator — 48 copies
Finding New Neighbors (1957) — Illustrator — 42 copies
The Easter Book of Legends and Stories (1963) — Contributor — 34 copies
Pilgrim Kate (1949) — Illustrator, some editions — 33 copies
Open the Door (1965) — Contributor — 25 copies
A Dog Named Penny (1955) — Illustrator — 24 copies, 1 review
Mademoiselle Misfortune (1936) — Illustrator, some editions — 21 copies
Mary Montgomery, Rebel (1948) — Illustrator — 11 copies
Michel's Island (1942) — Illustrator — 11 copies
Friendly Stories (1933) — Illustrator — 8 copies
Bible Children: Stories from the Bible (1937) — Illustrator — 7 copies
With Harp and Lute (2024) — Illustrator — 6 copies
The Gunniwolf and Other Merry Tales (1936) — Illustrator — 5 copies
Writing Books for Boys and Girls (1952) — Contributor, some editions — 5 copies
An Ear for Uncle Emil (1939) — Illustrator — 4 copies
Who Is Johnny? (1939) — Translator, some editions — 3 copies
Living Together at Home and at School (1944) — Illustrator — 2 copies
Happy Days — Illustrator — 2 copies
The Broken Song — Illustrator — 1 copy
Hoot-owl (1936) — Illustrator — 1 copy

Tagged

Common Knowledge

Canonical name
Seredy, Kate
Birthdate
1899-11-10
Date of death
1975-03-07
Gender
female
Education
Academy of Arts, Budapest, Hungary
Occupations
writer
children's book author
illustrator
young adult writer
artist
Short biography
Kate Seredy was born in Budapest to a multi-lingual family. Her grandparents were French, German, Slovakian, and Turkish, and all were active in some sort of political, religious, or personal rebellions. She earned an art teacher's degree at the Academy of Arts in Budapest. During World War I, she served as a nurse, then continued her studies around Europe. In 1922, she emigrated to the USA. She learned English quickly, ran a children's bookstore, and worked as a commercial illustrator and painter. In 1935, she met the children's editor at Viking Press, who encouraged her to write about her childhood in Hungary. Kate Seredy produced The Good Master, which she both wrote and illustrated. It was named a Newbery Honor book in 1935, a runner-up to Caddie Woodlawn, which Kate Seredy had also illustrated; another runner-up that year was Young Walter Scott, for which she had designed the book jacket and endpapers. In the course of her subsequent career, Seredy illustrated about 60 books and wrote a few more of her own, though she never considered herself a writer and thought of her stories as "an excuse for making pictures." One of her most famous is The White Stag, which won the Newbery Medal in 1938. She lived for many years at Listening Hill, a 100-acre farm near Montgomery, New York.

Note: There are differing years given for her birth year online, but both Wikipedia's sources, Encyclopedia Britannica, and the site hosting her archive gives it as 1899.
Nationality
Hungary
USA
Birthplace
Budapest, Hungary
Places of residence
Budapest, Hungary
Montgomery, New York, USA
Place of death
Middletown, New York, USA
Burial location
cremated
Associated Place (for map)
Budapest, Hungary

Members

Reviews

84 reviews
When I was a child I read all sorts of nation founding and preserving myths, tales of Ulster, the Fianna, the Cid, whoever. This was another of those nation founding myths, but a bit more foreign. I liked it fine then, and remember just a bit of it. But it's not very thrilling now and the way those heroes are dressed in the illustrations are preposterous. I guess I prefer my Attila a lot more historical and not the great, great, grandson of Noah. Nimrod is impressively long lived, I've gotta show more say.

The Cimmerians show up in this tale; it is notable that Conan (the Barbarian) is more properly known as "the Cimmerian". Perhaps, in her illustrations, Seredy was following the Conan rule that the colder the temperature gets the less the hero wears, until, when surrounded by nothing but snow and ice he's usually stripped down to a pair of fur boots and some kind of fur bikini.
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½
Newbery winner or not, that was boring as hell.
It read like those tedious warmongering chapters in the Old Testament, with a dash of ancient mythology thrown into the mix. Hard to imagine a child of any age ever enjoying this, but I guess kids were different in1937.
To be fair though, I've never had any taste for mythology. I prefer books about characters I can identify with and care about. Nimrod, Bendeguz and Attila were definitely not characters I related to, had interest in, or muster show more compassion for. show less
Opening as Gypsy the cat lies secluded with her newborn kittens, and then flashing back to Gypsy's own days as a kitten, this lovely picture-book follows its eponymous feline heroine through the many stages of her development from brand new kitten to brand new mother. Gypsy learns the ways of cats - the 'first rule' of cleanliness, the pleasure of purring, the use of tail and claws - and then, when her adventuring takes her into a strange new world, the ways of humans. As a mature cat, who show more is allowed to come and go from her humans' house, she learns the ways of the wild, always observing, always storing away the knowledge of the world around her. One day she finds what she has been, all unknowingly, looking for, and takes a mate. Kittens, and the true wisdom of motherhood are not long to follow...

A beautiful book, one which pairs evocative, poetic text with breathtakingly realistic and delightful artwork in sepia tones, Gypsy is a picture-book that all cat-lovers would cherish, if they happened upon it. I only wish that I had encountered it first as a child, as I feel sure it would have been a perennial favorite! Written and illustrated by Kate Seredy, the Hungarian-American children's writer who was awarded the Newbery Medal in 1938 for her novel, The White Stag, this wonderful book is sadly now long out-of-print, and somewhat difficult to obtain. This seems a shame, because although some elements might feel a little dated - many cat-lovers these days would frown on the idea of an indoor-outdoor cat, although at the time of publication (1951) it would have been unremarkable - in general Gypsy is still a book with immense appeal. Every single illustration was beautiful - my favorites included the scene in which Gypsy lies with her children, as well as the one where she plays with her human's glasses as a young kitten - and many of the passages were thought-provoking and emotionally resonant. When Seredy writes on the first page of Gyspy's purr being "a song without words," of her tucking her kittens into "the gently curved crescent of herself," I felt a sense of delight and recognition that only increased as the story progressed. Highly, highly recommended to anyone looking for children's stories featuring cats, or for gorgeous book illustrations.
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½
The author actually claims in the back that it's "real" but apparently she means in the same sense as "Yes Virginia there is a Santa Claus." Too bad. Books should be either fiction or not. I mean, I know history is subject to various inaccuracies due to various issues, but Seredy seems to want this book to be used in history class, not in literature, and that's just too much of a stretch, imo.

Starts out very slow, imo. So much Proud Brave Hungarians just like so many other works by Seredy. show more But I persevered, and the ending, though awfully happy, was engaging, and made the journey worthwhile. The Americans, salt of the earth you know, are proud and brave, too. I just wish Michael were a bit older, so he could be more believable... nothing would have been different as far as I could see. And I'm not sure about Pop's action at the end because there are different kinds of oaks, and who's to say an American of whatever species could pass for a Hungarian? And there seemed to be a confusion of languages - all too often it seemed that *everyone* knew both English and Hungarian.

Beautifully written. The craftsmanship of the sentences, the grace of the metaphors, the effortless flow of the songs and ritual verses... just lovely. I'm not sure if that's enough to engage youngsters today, and I know I wouldn't have liked this when I was a child, but I do like it now and recommend it to interested adults.
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Statistics

Works
15
Also by
36
Members
7,602
Popularity
#3,211
Rating
3.9
Reviews
80
ISBNs
67
Favorited
11

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