
Margaret Courtney-Clarke
Author of Ndebele: The Art of an African Tribe
About the Author
Works by Margaret Courtney-Clarke
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Common Knowledge
- Gender
- female
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Reviews
A photo-essay on the life of the culturally conservative, rural population of Morocco whose culture is withering in the onslaught of Western (European and American) culture.
From Publishers Weekly
This handsome photographic essay on the decorative arts of Ndebele women displays their ceremonial beadwork and the remarkable geometric designs they paint on their huts, outbuildings, walls, gateways, windows and interiors. Driven from their homes by the SouthAfrican government, several hundred thousand Ndebele people have been forced to resettle in a crowded, unproductive "homeland," KwaNdebele, in northeastern Transvaal where, despite all that has been done to them, show more the talented women of the tribe continue to practice their art with vigor, flair and skill, now using acrylic paints, plastic cloths and other high-tech materials instead of the traditional earths, skins and organic dyes. Some of the photos show structures that were subsequently destroyed.
Copyright 1986 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
The bold, colorful, geometric painted walls of the Ndebele of South Africa are a women's art through which wives, mothers, and daughters exhibit their creativity, identity, and skill. Women paint their homesteads in patterns and designs composed completely freehand. Their personal dress and adornment reiterate this Ndebele aesthetic, all of which photojournalist Courtney-Clarke captures so remarkably. Her photographs, introduced by a brief essay, cover homesteads, techniques, motifs, interiors, etc. Each artist is identified; each homestead located. Recent photographs in the KwaNdebele (government-designated homeland) reveal murals that perpetuate in form and spirit a traditional art form. Nothing in South Africa today is devoid of political overtonesnot even a book such as this one which stands as poignant witness to an art that thrives in spite of tremendous dislocations, forced removals, and hardship. Highly recommended. Janet L. Stanley, Smithsonian Inst. Libs., Washington, D.C.
Copyright 1986 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. show less
This handsome photographic essay on the decorative arts of Ndebele women displays their ceremonial beadwork and the remarkable geometric designs they paint on their huts, outbuildings, walls, gateways, windows and interiors. Driven from their homes by the SouthAfrican government, several hundred thousand Ndebele people have been forced to resettle in a crowded, unproductive "homeland," KwaNdebele, in northeastern Transvaal where, despite all that has been done to them, show more the talented women of the tribe continue to practice their art with vigor, flair and skill, now using acrylic paints, plastic cloths and other high-tech materials instead of the traditional earths, skins and organic dyes. Some of the photos show structures that were subsequently destroyed.
Copyright 1986 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
The bold, colorful, geometric painted walls of the Ndebele of South Africa are a women's art through which wives, mothers, and daughters exhibit their creativity, identity, and skill. Women paint their homesteads in patterns and designs composed completely freehand. Their personal dress and adornment reiterate this Ndebele aesthetic, all of which photojournalist Courtney-Clarke captures so remarkably. Her photographs, introduced by a brief essay, cover homesteads, techniques, motifs, interiors, etc. Each artist is identified; each homestead located. Recent photographs in the KwaNdebele (government-designated homeland) reveal murals that perpetuate in form and spirit a traditional art form. Nothing in South Africa today is devoid of political overtonesnot even a book such as this one which stands as poignant witness to an art that thrives in spite of tremendous dislocations, forced removals, and hardship. Highly recommended. Janet L. Stanley, Smithsonian Inst. Libs., Washington, D.C.
Copyright 1986 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. show less
incredibly beautiful pictures of coulourful houses and people from an area in Transvaal where the ndebele nomads settled 2 centuries ago; done by their women;
wall paintings, beadworks, sculptures
wall paintings, beadworks, sculptures
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Statistics
- Works
- 10
- Members
- 279
- Popularity
- #83,280
- Rating
- 4.2
- Reviews
- 4
- ISBNs
- 22
- Languages
- 3










