Mary Scott (2) (1888–1979)
Author of Breakfast at Six
For other authors named Mary Scott, see the disambiguation page.
About the Author
Image credit: Mary Edith Scott
Series
Works by Mary Scott
The Unwritten Book 6 copies
Fremde Gäste / Verlieb dich nie in einen Tierarzt / Oh, diese Verwandtschaft. Drei heitere Romane in einem Band. (1992) 3 copies
Barbara on the farm 3 copies
Frühstück um sechs / Mittagessen Nebensache / Und abends etwas Liebe. Drei heitere Romane in einem Band. (1987) 2 copies
Hilfe, ich bin berühmt / Flitterwochen / Das Jahr auf dem Lande. Drei Romane in einem Band. (1991) 2 copies
Ja, Liebling / Es tut sich was im Paradies / Tee und Toast. Drei Romane in einem Band. (1993) 2 copies
Macht nichts, Darling / Zärtliche Wildnis / Onkel ist der Beste. Drei Romane in einem Band. (1991) 1 copy
Barbara sees the Queen 1 copy
Barbara Prospers 1 copy
Associated Works
In Deadly Earnest: A Collection of Fiction by New Zealand Women 1870s–1980s (1989) — Contributor — 7 copies
Tagged
Common Knowledge
- Legal name
- Scott, Mary Edith
- Other names
- Clarke, Mary Edith
Stuart, Marten
Fiat, J. - Birthdate
- 1888-09-23
- Date of death
- 1979-07-16
- Gender
- female
- Education
- Napier Girls' High School
Auckland Grammar School
Auckland University College - Occupations
- teacher
author
librarian
novelist
playwright
journalist (show all 7)
autobiographer - Short biography
- Mary Scott was born Mary Edith Clarke in Waimate North in the Bay of Islands, New Zealand, a daughter of Marsden Clarke, a grazier, and his wife, Frances Emily Stuart. She had what she later described as an ideal childhood with her sister, only minimally supervised by an elderly nurse while their mother worked as a music teacher. In 1900, Mary was sent to boarding school, but two years later, moved with her family to Auckland. In 1905, she enrolled in Auckland University College to study English, French and history, and then won a scholarship to study for an MA in English and French, eventually graduating with first-class honors. In 1911, she began teaching at Christchurch Technical College, but the following year, returned to Auckland, where she accepted a position teaching English at Thames High School.
In 1913, her sister Frances married David Scott, a farmer; Mary and her mother went to Gisborne to stay with them. There Mary met David's brother Walter, whom she married in 1914. Immediately after their wedding, the couple moved to a remote sheep farm called Strathallan on the slopes of Pirongia Mountain. They were joined shortly afterwards on the next-door farm by Frances and David Scott.
Mary Scott and her husband farmed at Strathallan for 13 years in very primitive and isolated conditions, struggling with bush sickness and natural disasters. In 1917 and 1918, fires destroyed their house and all their possessions, as well as the bush, fences, and pastures, and killed most of the stock. In 1927, they moved with their four children to a new farm at Ngutunui, near Te Awamutu.
Mary took a job as a librarian in the town, which provided a house to live in and allowed her to send her two younger children to school there. They returned to the farm on weekends.
In the late 1920s, Mary started sending articles and stories to magazines and newspapers. In 1930, she was named the "Annual Discovery" of the New Zealand Artists' Annual and began to contribute a weekly item to the Dunedin Evening Star, for which she was to write for almost 50 years. A series of amusing stories based on her life in the bush, beginning with "Barbara Bakes," became the basis for her popular Barbara books. During her period at the Te Awamutu library, she contributed 14 articles a month to various papers and wrote her first two novels, published under the pseudonym Marten Stuart. Where the Apple Reddens (1934), followed by And Shadows Flee were historical romances set in the far north of early 19th century New Zealand. Her later, more humorous novels were published under her own name and set in contemporary times. She became widely read both in New Zealand and overseas.
Her first bestseller was Breakfast at Six (1953). Mary was a prolific and successful writer, producing three collections of plays, 33 novels, including five thrillers written with Joyce West, all while under the deadline of her regular contributions to leading newspapers and journals such as The Manchester Guardian.
Her autobiography, Days That Have Been (1966), and her most serious novel, The Unwritten Book (1957), told a grimmer story of life in the bush than her popular novels. - Nationality
- New Zealand
- Birthplace
- Waimate North, Bay of Islands, New Zealand
- Places of residence
- Napier, Hawke's Bay, New Zealand
Howick, Auckland, New Zealand
King Country, New Zealand
Christchurch, New Zealand - Place of death
- Tokoroa, Waikato, New Zealand
- Associated Place (for map)
- New Zealand
Members
Reviews
After declaring they both would never pick up male hitch-hikers, within days back-block country stalwart matrons, Susan and Larry, do just that. Two young men with different backgrounds move into the area and find work with local farmers.
The fact of males having long hair is the basis of long discussion among the staid resident rural population. The newcomers are gradually accepted. The novel sets about in detail listing the social life of a small New Zealand rural town. There's a wedding to show more anticipate for all. The young people are all responsible and don't drink to any excess. They even get together to rehearse a play. Gossip is rife especially when someone starts stealing cash from unattended farm houses.
It is all very anodyne. Everyone is at heart a decent bloke or Sheila. A variation of British pluck is a resource always at hand to smooth the way when the rural order is disturbed.
Plots like these have a purpose in reinforcing the established good order of small communities and for Mary Scott this was a prescription at the heart of her novels. She was successful with a decent published output.
But rural life had a reverse side to it as well, and it would not have been in the writer's scheme to reveal and examine any darker aspects. show less
The fact of males having long hair is the basis of long discussion among the staid resident rural population. The newcomers are gradually accepted. The novel sets about in detail listing the social life of a small New Zealand rural town. There's a wedding to show more anticipate for all. The young people are all responsible and don't drink to any excess. They even get together to rehearse a play. Gossip is rife especially when someone starts stealing cash from unattended farm houses.
It is all very anodyne. Everyone is at heart a decent bloke or Sheila. A variation of British pluck is a resource always at hand to smooth the way when the rural order is disturbed.
Plots like these have a purpose in reinforcing the established good order of small communities and for Mary Scott this was a prescription at the heart of her novels. She was successful with a decent published output.
But rural life had a reverse side to it as well, and it would not have been in the writer's scheme to reveal and examine any darker aspects. show less
This mild and vaguely humorous novel reminds me of the inoffensive radio dramas that used to play regularly on our government funded National radio service during the Nineteen Fifties and Sixties. I can imagine it as an extended school composition piece about farm life for which the student would receive an "EXCELLENT" stamp from the teacher.
Farm life in mid-century New Zealand is portrayed in the guise we were all brought up to believe, that the men were laconic, hard-working, family types show more who didn't flinch at lending a hand to a neighbour in need. The women were similarly hard-working with additional responsibilities for managing a household that could burgeon with families and workers, remaining cheerful as the engines behind the social cohesion of their districts.
This story revolves around a middle-aged man who has fallen heedlessly for a pretty, headstrong young English woman, Gloria. The man's niece (an irritating character named Larry) sees the new-comer as a gold-digger and arranges rather spiteful manoeuvres to cause the affair to be doomed. Much of the antagonism arises from the arrival of the beautiful outsider, Gloria who appears to the locals as someone who will upset the assumed order of family and civic welfare.
The writer Mary Scott was successful in her time. She was not used to back-country farming, being a city girl. However, she wrote to supplement the farming income which was often in jeopardy from setbacks financial and natural and was a country librarian.
These rural novels of New Zealand were often amusing, strait-laced and presented only a surficial look at life. I am pleased to have read a novel of this kind, if only for a first-hand experience of them. show less
Farm life in mid-century New Zealand is portrayed in the guise we were all brought up to believe, that the men were laconic, hard-working, family types show more who didn't flinch at lending a hand to a neighbour in need. The women were similarly hard-working with additional responsibilities for managing a household that could burgeon with families and workers, remaining cheerful as the engines behind the social cohesion of their districts.
This story revolves around a middle-aged man who has fallen heedlessly for a pretty, headstrong young English woman, Gloria. The man's niece (an irritating character named Larry) sees the new-comer as a gold-digger and arranges rather spiteful manoeuvres to cause the affair to be doomed. Much of the antagonism arises from the arrival of the beautiful outsider, Gloria who appears to the locals as someone who will upset the assumed order of family and civic welfare.
The writer Mary Scott was successful in her time. She was not used to back-country farming, being a city girl. However, she wrote to supplement the farming income which was often in jeopardy from setbacks financial and natural and was a country librarian.
These rural novels of New Zealand were often amusing, strait-laced and presented only a surficial look at life. I am pleased to have read a novel of this kind, if only for a first-hand experience of them. show less
A wonderful, gently humourous book that leaves you feeling as though you've been on holiday.
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Associated Authors
Statistics
- Works
- 47
- Also by
- 1
- Members
- 431
- Popularity
- #56,716
- Rating
- 3.1
- Reviews
- 3
- ISBNs
- 114
- Languages
- 2













