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Louis MacNeice (1907–1963)

Author of Letters from Iceland

54+ Works 1,410 Members 16 Reviews 8 Favorited

About the Author

Born in Belfast and raised in Carrickfergus, MacNeice was the son of an Anglican clergyman who became a bishop. His education in English schools and Oxford University made him ill at ease with his Puritan upbringing, but it never caused him to lose his sense of northern Irish roots. At Oxford, show more MacNeice became friends with Stephen Spender and later, W. H. Auden, with whom he collaborated on "Letters from Iceland" (1937). After graduating with a double first, MacNeice accepted a lectureship in the classics at Birmingham University and, after the traumatic elopement of his first wife, at Bedford College of the University of London. He joined the BBC as scriptwriter and producer in 1941 and remained with it for the remainder of his career. He also did an admired translation of Aeschylus's "Agamemnon" and the well-known book "The Poetry of W. B. Yeats" (1941). MacNeice defended his own poetry and that of Auden, Spender, and C. Day Lewis in his book "Modern Poetry" (1938). There he called for an "impure poetry" that would react against the giants of the previous generation by embracing the partisanship that he missed in W. B. Yeats and involvement with life that he found lacking in T. S. Eliot, both of whom had otherwise influenced him. While engaged with personal and political issues of the 1930's, MacNeice maintained a more skeptical stance than many of his contemporaries. His best verse---such as "Valediction" or "Bagpipe Music"---brings wit and strong rhythms to bear on contemporary life and often harks back to scenes of his youth. After joining the BBC, he also wrote more than 150 scripts, of which a dozen radio dramas have been published. An autobiography, "The Strings Are False," was published posthumously in 1966. During his lifetime, MacNeice was overshadowed by Auden, but in recent years, reevaluation of his work has regarded him as a major literary figure. (Bowker Author Biography) show less

Works by Louis MacNeice

Letters from Iceland (1937) 275 copies, 6 reviews
Collected Poems (1979) 241 copies, 3 reviews
Autumn journal : a poem (1939) 145 copies, 4 reviews
Selected Poems (1964) 135 copies
Selected Poems (1988) 100 copies, 2 reviews
Astrology (1964) 91 copies
The Strings Are False (1965) 72 copies
The Poetry of W. B. Yeats (1967) 46 copies
The Burning Perch (2001) 26 copies, 1 review
The Dark Tower (1964) 20 copies
I Crossed the Minch (2007) 17 copies
Letters of Louis MacNeice (2010) 15 copies
Poems (1937) 15 copies
The Earth Compels (1938) 10 copies
Plant and Phantom (1954) 8 copies
Varieties of parable (1965) 8 copies
Visitations (1957) 8 copies
Solstices (1961) 7 copies
Ten Burnt Offerings (1952) 6 copies
The Other Wing (1954) 4 copies
The Last Ditch (1971) 3 copies
Une voix (1997) 3 copies
Zoo (2013) 3 copies
Oración antes de nacer (2005) 2 copies
Blind Fireworks. (1929) 1 copy
秋の日記 1 copy

Associated Works

Faust I & II (1808) — Translator, some editions — 6,094 copies, 44 reviews
The Making of a Poem: A Norton Anthology of Poetic Forms (2000) — Contributor — 1,467 copies, 9 reviews
Agamemnon (0458) — Translator, some editions — 966 copies, 21 reviews
The Nation's Favourite Poems (1996) — Contributor, some editions — 687 copies, 8 reviews
World Poetry: An Anthology of Verse from Antiquity to Our Time (1998) — Contributor — 497 copies, 2 reviews
A Pocket Book of Modern Verse (1954) — Contributor, some editions — 484 copies, 3 reviews
Against Forgetting: Twentieth-Century Poetry of Witness (1993) — Contributor — 376 copies, 2 reviews
Ten Greek Plays in Contemporary Translation (1957) — Translator — 337 copies, 1 review
Modern American and Modern British Poetry (1919) — Contributor — 333 copies, 4 reviews
The 40s: The Story of a Decade (2014) — Contributor — 329 copies, 7 reviews
The Faber Book of Modern Verse (1936) — Contributor, some editions — 311 copies, 2 reviews
The Norton Anthology of English Literature, 4th Edition, Volume 2 (1979) — Contributor — 269 copies, 1 review
Stages of Drama: Classical to Contemporary Theater (1999) — Translator, some editions — 237 copies
The Penguin Book of Irish Verse (1970) — Contributor — 224 copies
British Poetry Since 1945 (1970) — Contributor, some editions — 191 copies, 2 reviews
Goethe's Faust, Parts I & II: An Abridged Version (1961) — Translator, some editions — 170 copies, 2 reviews
The Faber Book of Beasts (1997) — Contributor — 169 copies, 1 review
Emergency Kit (1996) — Contributor, some editions — 120 copies, 1 review
Answering Back: Living Poets Reply to the Poetry of the Past (2007) — Contributor — 118 copies, 1 review
Great Modern Reading (1943) — Contributor — 115 copies, 3 reviews
Leading from Within: Poetry That Sustains the Courage to Lead (2007) — Contributor — 114 copies, 3 reviews
Classics in Translation, Volume I: Greek Literature (1952) — Translator — 84 copies
The Everyman Anthology of Poetry for Children (1994) — Contributor — 79 copies
Gods and Mortals: Modern Poems on Classical Myths (2001) — Contributor — 74 copies, 2 reviews
The Folio Christmas Book (2000) 72 copies
Lament for the Makers: A Memorial Anthology (1996) — Contributor — 56 copies, 1 review
Long Overdue: Book About Libraries and Librarians (1993) — Contributor — 49 copies
A Quarto of Modern Literature (1935) — Contributor — 43 copies
Dog Poems: An Anthology (2021) — Contributor, some editions — 18 copies, 1 review
The Penguin New Writing No. 30 (1947) — Contributor — 16 copies
Oxford and Oxfordshire in Verse (1982) — Contributor — 15 copies
The Penguin New Writing No. 27 (1946) — Contributor — 13 copies
Apocalypse: An Anthology (2020) — Contributor — 6 copies
Thames: An Anthology of River Poems (1999) — Contributor — 6 copies
Round about Eight: Poems for Today (1972) — Contributor — 2 copies

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Reviews

21 reviews
What a strange and weird travel book about Auden and MacNeice’s three month’s of travel around Iceland, mainly by bus and pony, in 1936; part letters home, part poetry, a little fact and quotes from earlier writers about Iceland, and a diary section written by a cod spinster.
As Auden says in his first “Letter to Lord Byron”:
Every exciting letter has enclosures,
And so shall this - a bunch of photographs,
Some out of focus, some with wrong exposures,
Press cuttings, gossip, maps,
show more statistics, graphs;
I don’t intend to do the thing by halves,
I’m going to be very up to date indeed.
It is a collage that you’re going to read.


It might have been considered a bit of a rum do in its time, it now reads as humorously eccentric. It is fascinating too for its view of a historic Iceland that has disappeared in the 80 odd years since it was written (although Auden bemoans the move to towns from the countryside), for mentions of German tourists in search of the Aryan homeland and fleeting references to the Spanish Civil War, which started whilst Auden and MacNeice were in Iceland. The book ends with a humorous versified joint Last Will & Testament, which surprised me with its name dropping - John Betjeman may be expected, but Anthony Blunt and Guy Burgess (both later revealed as Russian spies) were a surprise.

Overall, an enjoyable but not special book, with MacNeice’s letters from Hetty to Nancy are the most interesting reads, and Auden’s Letters to Lord Byron also working well.
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Re-reading him after some years. I do love Louis Macneice, great poet of the everyday and the bittersweet. He sets out to make you feel quite pessimistic and grim, yet you end up laughing for joy. Favourites: “Snow”; “Prayer before Birth” that wonderful incantation; “Apple Blossom” and “The Truisms”.
So immediate, so that it almost reads as stream of consciousness poetry:
Close and slow, summer is ending in Hampshire,
Ebbing away down ramps of shaven lawn where close-clipped yew
Insulates the lives of retired generals and admirals
And the spyglasses hung in the hall and the prayer-books ready in the pew
And August going out to the tin trumpets of nasturtiums
And the sunflowers’ Salvation Army blare of brass And the spinster sitting in a deck-chair picking up stitches
Not raising her
show more eyes to the noise of the ’planes that pass

By turns, autobiographical and personal.
But for all that, so of the historical moment, as he went into 1939.
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½
I've been waiting more than 30 years to read this. Perhaps I would have liked it more then. As it is, the only passages that really grabbed me were ones I already knew:

September has come, it is hers
Whose vitality leaps in the autumn,
Whose nature prefers
Trees without leaves and a fire in the fire-place
So I give her this month and the next

Though the whole of my year should be hers who has
rendered already
So many of its days intolerable or perplexed
But so many more so happy;

Who has left show more a scent on my life and left my walls
Dancing over and over with her shadow,

Whose hair is twined in all my waterfalls
And all of London littered with remembered kisses.

***

There will be time to audit
The accounts later, there will be sunlight later
And the equation will come out at last.

***

I had thought I was going to love it. The idea of a poem written in real time and published, same, autobiographical, capturing the time-before-the-war in anticipation of it. When it was about the vacation in Spain just before the fall to Franco, the trip's clichés given piquancy by the looming horror and very uncertain future, that was a poem I thought might give me some sort of solace, or at least perspective, when faced with our own uncertainty.

But no. All the rest of it is quite different: an election, a lost dog, a great deal of classical Greek references, most of which I didn't understand. Apparently it was quite popular in 38 and 39, so maybe readers then did find in it what I was hoping to.

At least it was possible to get through to the end, which seems like a near impossibility with new works just now.

Library copy
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Works
54
Also by
40
Members
1,410
Popularity
#18,225
Rating
3.9
Reviews
16
ISBNs
71
Languages
4
Favorited
8

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