Chen Qiufan
Author of Waste Tide
About the Author
Image credit: 陈楸帆2015
Works by Chen Qiufan
The smog society (short story) 3 copies
Atık İnsanları 2 copies
The Year of the Rat 1 copy
Forger Mr. Z 1 copy
Associated Works
Invisible Planets: Contemporary Chinese Science Fiction in Translation (2016) — Contributor — 681 copies, 27 reviews
Broken Stars: Contemporary Chinese Science Fiction in Translation (2019) — Contributor — 455 copies, 11 reviews
Loosed upon the World: The Saga Anthology of Climate Fiction (2015) — Contributor — 131 copies, 4 reviews
The Reincarnated Giant: An Anthology of Twenty-First-Century Chinese Science Fiction (2018) — Contributor — 49 copies
Clarkesworld: Issue 163 (April 2020) (2020) — Narrator, some editions; Contributor — 5 copies, 1 review
Asimov's Science Fiction: Vol. 44, No. 11 & 12 [November/December 2020] (2020) — Contributor — 4 copies
Tagged
Common Knowledge
- Other names
- Chan, Stanley
- Birthdate
- 1981-11-30
- Gender
- male
- Nationality
- China
- Birthplace
- Shantou, Guangdong Province, China
- Associated Place (for map)
- Guangdong Province, China
Members
Reviews
'Waste Tide' is a thrilling and atmospheric Chinese cyberpunk novel. It features a lot of elements that are familiar from American cyberpunk: virtual reality, technologically enhanced bodies, wealth inequality, brutal violence, fancy motorbikes, AI, hackers tangling with powerful people, etc. It was interesting to revisit these in the setting of Silicon Isle, a dumping ground for the world's discarded electronic technology. The vivid and lyrical descriptions of the place, polluted and show more squalid as it was, made the book memorable for me. The cultural and linguistic world-building both build upon this to provide thoughtful commentary on pollution, economic development, immigration, and structural inequality. The plot includes a great deal of action and violence, which is done well without being particularly original. The multiple character points of view keep the pace up, while also giving an intriguing range of perspectives on Silicon Isle. I appreciated the inclusion of detail on how its economy worked: clans of local people bid on containers of e-waste, which they employ poorly paid immigrants (the 'waste people') to sort and recover valuable materials from. This is of course not futuristic at all and actually happens to discarded Western technology. One plot thread involved an American corporation seeking to take over Silicon Isle, offering environmental remediation in return for capturing major profits.
Although I have no objection to the volume of action, although the violence was horrific at times, my favourite moments were quiet and included unsettling images like this:
Although I have no objection to the volume of action, although the violence was horrific at times, my favourite moments were quiet and included unsettling images like this:
They were in a mass graveyard. A few random wooden plaques stuck into the dark-coloured soil indicated that bodies were buried in this plot of land. However, the plaques contained only the year of death; there was no year of birth or name. Scattered here and there were a few slips of ghost money and some bits of burnt incense and candles. In the pale light of the moon, the sight seemed especially ghastly. Mimi put her hands together, lowered her eyes, and muttered a prayer.show less
"These are..." Kaizong lowered his voice, as though afraid to disturb the nameless, homeless ghosts.
"They're anonymous bodies washed ashore by the tides; some were trying to smuggle themselves into Hong Kong; some were supposed to be women and children killed by the natives in their... ceremonies..."
Despite being a staunch atheist, Kaizong shuddered at this. However, he quickly calmed himself down: This is surely nothing more than an urban legend made up by the migrant workers to smear the natives.
"You dragged me all the way out here in the middle of the night just for this?"
"Of course not. Look! Over there!" Mimi tilted her head, indicating an immense shadow in one corner of the graveyard.
"Wow." Kaizen stopped in front of the object, stunned by its size and eerie appearance.
He took out his ruggedised mobile phone and wiped off the condensation. The screen emitted a pale glow that illuminated this Buddhist-Daoist guardian of the graveyard - an almost three-metre-tall exoskeleton robot, a mecha. The alloy armour was covered by Daoist charms so that it was no longer possible to tell the armour's original paint colour; from every protrusion in the armour hung strings of plastic or wooden Buddhist prayer beads that struck each other in the breeze like wind chimes; even the joints were covered with bright red ribbons representing wishes for good fortune.
I think a lot of my experience with this work of flash fuction will be a bit skewed because I have visited China (albeit I have never been to Shenzhen), so I do believe I got to enjoy this story a bit more.
The plot centers around an engineer whose high tech prototype product security job is in danger because the Chinese government has started to dismantle a series of border fences separating Shenzhen and Hong Kong and the companies located somewhat illegally in those lands being paid un show more foreign currency are about to be eaten alive by the mainlanders. After convincing a coworker to help him distract his boss to send a protoype to a bootleger (a real dog eats dog society), it looks like he is caught and has to flee into a Shenzhen slum where he becomes entranced by a beautiful prostitute named Winter Lotus who has a high tech holographic tramp stamp on her belly and he starts to become curious about her...
I think the highlights of the story is the real life history lesson of rural landowners buildings shambled buildings in prime real estate to get higher severence payme ts when the government inevitably expropriates the land to feed an unrelentingly hungry urban sprawl and how locals don't protest or criticize: they try to game rhe system to make a profit and cash it.
The story was pretty interesting and I would have wanted to know more about the technology the MC uses to spy on Winter Lotus but the book sadly either doesn't develop it much or it was sadly lost in translation.
I do think it was entertaining, informative and a different kind of story rhan what I am used to. Might give the author the benefit of the doubt and read some other of his translated work. show less
The plot centers around an engineer whose high tech prototype product security job is in danger because the Chinese government has started to dismantle a series of border fences separating Shenzhen and Hong Kong and the companies located somewhat illegally in those lands being paid un show more foreign currency are about to be eaten alive by the mainlanders. After convincing a coworker to help him distract his boss to send a protoype to a bootleger (a real dog eats dog society), it looks like he is caught and has to flee into a Shenzhen slum where he becomes entranced by a beautiful prostitute named Winter Lotus who has a high tech holographic tramp stamp on her belly and he starts to become curious about her...
I think the highlights of the story is the real life history lesson of rural landowners buildings shambled buildings in prime real estate to get higher severence payme ts when the government inevitably expropriates the land to feed an unrelentingly hungry urban sprawl and how locals don't protest or criticize: they try to game rhe system to make a profit and cash it.
The story was pretty interesting and I would have wanted to know more about the technology the MC uses to spy on Winter Lotus but the book sadly either doesn't develop it much or it was sadly lost in translation.
I do think it was entertaining, informative and a different kind of story rhan what I am used to. Might give the author the benefit of the doubt and read some other of his translated work. show less
https://nwhyte.livejournal.com/3820462.html
It's a grim contemporary tale of pollution off the Chinese coast, in a community that has grown up from migrant workers who have come to process waste, and something non-human that has also emerged in the meantime. The metaphor of monsters living in the rubbish dump goes at least as far back as ancient human societies, but I felt this pulled that old story together with the contemporary structural problems of China, both managing its own growing and show more demanding society and dealing with America. Ken Liu's translation has its quirks - I don't really need to know about the precise tonal pronunciation of words that are used only a couple of times - but it's fluent and seems to catch a time and place, fictional but closely related to today's China. Recommended. show less
It's a grim contemporary tale of pollution off the Chinese coast, in a community that has grown up from migrant workers who have come to process waste, and something non-human that has also emerged in the meantime. The metaphor of monsters living in the rubbish dump goes at least as far back as ancient human societies, but I felt this pulled that old story together with the contemporary structural problems of China, both managing its own growing and show more demanding society and dealing with America. Ken Liu's translation has its quirks - I don't really need to know about the precise tonal pronunciation of words that are used only a couple of times - but it's fluent and seems to catch a time and place, fictional but closely related to today's China. Recommended. show less
An interesting story that gets bogged down a bit and lost its grip on me before it's not-really-climax. A critique of the usual suspects (particularly Americans, but capitalists more generally, the Japanese) but also Chinese that exploit other Chinese, ex-pats, and buried amongst all that perhaps an overall critique of "China today", environmental destruction, and maybe just the modern world. Some of that seems clearly aimed at Chinese targets (the clan leader who returned to China after show more suffering racism/belittlement only to turn around and practice the same x100 on internal migrants, with the full participation of his co-regionalists, etc.)
Some of it smacks of a certain kind of common (and therefore, perhaps misread on my part?) pro-Chinese/anti-US Japan Western Filipino etc. bias. Definitely a case of SF as social commentary, it's just a little hard for me to interpret with confidence what that commentary consists of.
The story itself left me wanting a bit more...so an AI popped into existence... so maybe the "A" part of that is actually not appropriate. An intelligence popped into existence as a side effect of an experimental virus and heavy metal poisoning... cool, cool. It is not-quite-evil-not-quite-good... it is like a human in that respect... cool, cool. But it is kind of evil... it sure seems like. Yeah, probably. So kill it... okay, cool, I guess. As my brother once called it, "The Heinlein approach."
But, WTF. Was it? Is it? What? And then what? Tell me more. I want to know more about that.
EDIT (a few hours after initial post): I suppose one way of interpreting some of the uncertainty and inconclusiveness is that the various things at stake (traditional vs modernized/ing society; globalized, capitalist exchange vs. older forms of exchange; development's winners vs. development's losers; short term suffering vs longer-term gain; not just technology, but a technologized world vs. a "softer"/slower/more human world; etc. etc. etc.) are still uncertain.Was Mimi 1 "evil"? Mimi 0 ultimately thought so, but Mimi 1 certainly claimed that from a vaster perspective she had great things to offer. So, too, do Scott and TerraGreen, the "evil" Americans. And, to save the world, Mimi 0 --the Chinese, the 'waste person'-- did have to all but die.
I dunno. Maybe I'm searching too hard for a deeper meaning. But worth noting that maybe some of the dissipation, or lack, of a climax is because the book is getting at the point that things are provisional, murky, even undecidable.
Maybe? show less
Some of it smacks of a certain kind of common (and therefore, perhaps misread on my part?) pro-Chinese/anti-US Japan Western Filipino etc. bias. Definitely a case of SF as social commentary, it's just a little hard for me to interpret with confidence what that commentary consists of.
The story itself left me wanting a bit more...
But, WTF. Was it? Is it? What? And then what? Tell me more. I want to know more about that.
EDIT (a few hours after initial post): I suppose one way of interpreting some of the uncertainty and inconclusiveness is that the various things at stake (traditional vs modernized/ing society; globalized, capitalist exchange vs. older forms of exchange; development's winners vs. development's losers; short term suffering vs longer-term gain; not just technology, but a technologized world vs. a "softer"/slower/more human world; etc. etc. etc.) are still uncertain.
I dunno. Maybe I'm searching too hard for a deeper meaning. But worth noting that maybe some of the dissipation, or lack, of a climax is because the book is getting at the point that things are provisional, murky, even undecidable.
Maybe? show less
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