Gwendolyn Brooks (1917–2000)
Author of Selected Poems
About the Author
Gwendolyn Brooks was born on June 17, 1917 in Topeka, Kansas. She graduated from Wilson Junior College in Chicago in 1936 and received her L.H.D. (Doctor of Humane Letters) from Columbia College in 1964. She was the author of more than twenty books of poetry, including Children Coming Home, Blacks, show more To Disembark, The Near-Johannesburg Boy and Other Poems, Riot, In the Mecca, The Bean Eaters, and A Street in Bronzeville. In 1950, she was awarded the Pulitzer Prize in poetry for Annie Allen. She wrote numerous other books including a novel, Maud Martha, Report from Part One: An Autobiography, a book of poetry for children Bronzeville Boys and Girls, and several children's fiction books. She was named Poet Laureate of Illinois in 1968. She also received an American Academy of Arts and Letters award, the Frost Medal, a National Endowment for the Arts award, the Shelley Memorial Award, and fellowships from the Academy of American Poets and the Guggenheim Foundation. She died on December 3, 2000. (Bowker Author Biography) show less
Image credit: From the Poetry Foundation website, courtesy of Getty Images
Works by Gwendolyn Brooks
We Real Cool 8 copies
Poetry 1 copy
Brooks, Gwendolyn Archive 1 copy
Vern 1 copy
Marie Lucille 1 copy
Narcissa 1 copy
Andre 1 copy
We Real Cool Issue 1 1 copy
Associated Works
The Making of a Poem: A Norton Anthology of Poetic Forms (2000) — Contributor — 1,471 copies, 9 reviews
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 1,013 copies, 7 reviews
Cries of the Spirit: A Celebration of Women's Spirituality (2000) — Contributor — 404 copies, 2 reviews
Black Voices: An Anthology of Afro-American Literature (Mentor) (1968) — Contributor — 358 copies, 1 review
The Norton Anthology of African American Literature {2nd edition} (2003) — Contributor, some editions — 282 copies, 2 reviews
African American Poetry: 250 Years of Struggle and Song (2020) — Contributor — 235 copies, 4 reviews
No More Masks: An Anthology of Twentieth-Century American Women Poets (1993) — Contributor, some editions — 226 copies, 3 reviews
The Best Short Stories by Black Writers, 1899-1967: The Classic Anthology (1967) — Contributor — 200 copies, 1 review
Daughters of Africa: An International Anthology of Words and Writings by Women of African Descent from the Ancient Egyptian to the Present (1992) — Contributor — 186 copies
From Totems to Hip-Hop: A Multicultural Anthology of Poetry Across the Americas 1900-2002 (2002) — Contributor — 182 copies
Poetry Speaks Expanded: Hear Poets Read Their Own Work from Tennyson to Plath (2007) — Contributor — 158 copies, 2 reviews
The Norton Anthology of American Literature, Volume 2: 1865 to Present (1979) — Contributor, some editions — 136 copies
Black-Eyed Susans and Midnight Birds: Stories by and about Black Women (1990) — Contributor — 114 copies
In Search of Color Everywhere: A Collection of African-American Poetry (1994) — Contributor — 105 copies
Every Shut Eye Ain't Asleep: An Anthology of Poetry by African Americans Since 1945 (1994) — Contributor — 97 copies
Make a Joyful Sound (poems for children by African American Poets) (1991) — Contributor — 96 copies, 1 review
Grand Mothers: Poems, Reminiscences, and Short Stories About the Keepers of Our Traditions (1994) — Contributor — 89 copies
On Girlhood: 15 Stories from the Well-Read Black Girl Library (2021) — Contributor — 83 copies, 1 review
The Heath Anthology of American Literature, Concise Edition (2003) — Contributor — 73 copies, 1 review
Poemhood: Our Black Revival: History, Folklore & the Black Experience: A Young Adult Poetry Anthology (2024) — Contributor — 58 copies, 2 reviews
Angles of Ascent: A Norton Anthology of Contemporary African American Poetry (2013) — Contributor — 47 copies
A Way Out of No Way: Writing about Growing Up Black in America (1996) — Contributor — 34 copies, 2 reviews
The Serpent and the Fire: Poetries of the Americas from Origins to Present (2024) — Contributor — 17 copies
History, memory, and the literary left : modern American poetry, 1935-1968 (2006) — excerpted — 9 copies
Our Souls Have Grown Deep Like the Rivers — Narrator, some editions — 3 copies
Tagged
Common Knowledge
- Legal name
- Brooks, Gwendolyn Elizabeth
- Birthdate
- 1917-06-07
- Date of death
- 2000-12-03
- Gender
- female
- Education
- Wilson Junior College (1936)
- Occupations
- poet
publicist
teacher - Organizations
- American Academy of Arts and Letters (Literature, 1976)
- Awards and honors
- National Book Award, Medal of Distinguished Contribution to American Letters (1994)
Shelley Memorial Award (1975/1976)
Frost Medal (1988/1989)
National Medal of Arts (1995)
Fellowship of the Academy of American Poets (1999)
Poet Laureate of Illinois (1968) (show all 11)
American Academy of Arts and Letters Academy Award ( [1946])
Poet Laureate Consultant in Poetry to the Library of Congress (1985-1986)
Jefferson Lecture (1994)
Aiken Taylor Award (1992)
Chicago Literary Hall of Fame (2010) - Relationships
- Blakely, Henry (husband)
Madhubuti, Haki R. (cultural son) - Nationality
- USA
- Birthplace
- Topeka, Kansas, USA
- Place of death
- Chicago, Illinois, USA
- Map Location
- Kansas, USA
Members
Reviews
Maud Martha is plain. This is a plain novel, too.
I'm awed by this little gem, the only novel written by poet Gwendolyn Brooks.
This isn't a work of major ideas or heart-stopping events or clever literary techniques that will astound you. Nothing wrong with those kinds of works, but that isn't what this is. What it is, is a sure-footed walk with poet Brooks, taking you where she has been, a place she wants you to see too.
Maud Martha is a black woman in America mid-century.
It's a story of her show more every day awareness about every day things. Maud Martha is not special, not admired, not pretty. She is not especially happy nor especially sad. She is one human life among billions.
Like a dandelion.
She makes observations of the things that give her joy and heartache, in her own silent, poetic voice. She makes do, does without, wishes for more, wishes for better, feels her feelings: of lament, fear, nostalgia, anger, boredom, resignation. And feels them without self-pity. Somehow, she doesn't scream (what would be the point of that).
She doesn't often deceive herself about this life,
She was afraid to suggest to him that, to most people, nothing at all “happens.” That most people merely live from day to day until they die. That, after he had been dead a year, doubtless fewer than five people would think of him oftener than once a year. That there might even come a year when no one on earth would think of him at all.
I wanted to say to Maud Martha--to Brooks, so many times while reading, thank you, that "Yes. Yes. That's it. That's the thing I've been wanting someone to share." show less
I'm awed by this little gem, the only novel written by poet Gwendolyn Brooks.
This isn't a work of major ideas or heart-stopping events or clever literary techniques that will astound you. Nothing wrong with those kinds of works, but that isn't what this is. What it is, is a sure-footed walk with poet Brooks, taking you where she has been, a place she wants you to see too.
Maud Martha is a black woman in America mid-century.
It's a story of her show more every day awareness about every day things. Maud Martha is not special, not admired, not pretty. She is not especially happy nor especially sad. She is one human life among billions.
Like a dandelion.
She makes observations of the things that give her joy and heartache, in her own silent, poetic voice. She makes do, does without, wishes for more, wishes for better, feels her feelings: of lament, fear, nostalgia, anger, boredom, resignation. And feels them without self-pity. Somehow, she doesn't scream (what would be the point of that).
She doesn't often deceive herself about this life,
She was afraid to suggest to him that, to most people, nothing at all “happens.” That most people merely live from day to day until they die. That, after he had been dead a year, doubtless fewer than five people would think of him oftener than once a year. That there might even come a year when no one on earth would think of him at all.
I wanted to say to Maud Martha--to Brooks, so many times while reading, thank you, that "Yes. Yes. That's it. That's the thing I've been wanting someone to share." show less
A novella composed of short, lyrical vignettes, Maud Martha follows the eponymous protagonist over some 20 years, from childhood through to marriage and motherhood from the '20s through to the end of WW2. Maud is bright and sentimental and imaginative, stuck in an unsatisfying marriage and a run-down apartment in a racist city, but perpetually full of day dreams and hope for the future. Gwendolyn Brooks' prose makes the everyday beautiful and conjures up vividly what life must have been like show more in a mid-century, predominantly Black and working-class community in Chicago. Definitely recommended. show less
I loved Maud Martha as a character and as a representation of Black womanhood in the early 20th century, but I found the structure of the novel left me wanting something more. While Brooks’ writing was easy to live in for extended periods of time (partially due to her grounding, evocative descriptions), the fragmented approach to storytelling made it hard for me to stay or want to stay rooted in the plot. I spent many chapters waiting for a clarity, contextualizing, or feeling that never show more came. Thus, I ended the novel with the sense of having experienced something enjoyable but not-quite-finished.
Despite my critiques, I found Brooks’ writing beautiful in an almost mundane way. She made everyday moments and experiences vivid in a way I want to study and, while her narrative structure didn’t fully work for me in her fiction, I have the sense I’ll appreciate it more in her poetry. I look forward to hopefully trying one of her poetry collections later this year to test that thought. show less
Despite my critiques, I found Brooks’ writing beautiful in an almost mundane way. She made everyday moments and experiences vivid in a way I want to study and, while her narrative structure didn’t fully work for me in her fiction, I have the sense I’ll appreciate it more in her poetry. I look forward to hopefully trying one of her poetry collections later this year to test that thought. show less
This stunning little book poses a question, or rather this reader was constantly pursued by the question while reading, is an ordinary life- unspectacular in its existence, bearing cherished childhood memories that most children have, with its grievances (petty and genuine) outside of the unusual, although shaped by the systemic oppressions and pressures persons categorized as her race face, devoid of grand tragedy or turbulence, worth telling? And the resounding answer that is confirmed show more turning every page: yes!
Maud Martha is a sensitive child. She's aware of the way life around her is arranged: her race, the darker shade of her colour, her social standing, all connive against her. It affects everything from the common desirability humans crave—to attract and be beheld as beauty, to the treatment she receives from strangers, to where she lives, the employment available to her, in short the course her life takes. She observes the shifts and turns of life; she grows up and cultivates the passions for the arts she's cherished since she was a child, and her beliefs of empathy and feeling. This stunning book is reminiscent of the people and places in Gwendolyn Brooks’s wonderful poetry, and both the poetry and this book are enriching reading experiences I'd highly recommend. show less
Maud Martha is a sensitive child. She's aware of the way life around her is arranged: her race, the darker shade of her colour, her social standing, all connive against her. It affects everything from the common desirability humans crave—to attract and be beheld as beauty, to the treatment she receives from strangers, to where she lives, the employment available to her, in short the course her life takes. She observes the shifts and turns of life; she grows up and cultivates the passions for the arts she's cherished since she was a child, and her beliefs of empathy and feeling. This stunning book is reminiscent of the people and places in Gwendolyn Brooks’s wonderful poetry, and both the poetry and this book are enriching reading experiences I'd highly recommend. show less
Lists
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Black Authors (1)
Poetry (1)
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AP Lit (1)
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Youth: BLM (1)
The Zora Canon (3)
Awards
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Statistics
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- 61
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- Rating
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