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Caitlin Thomas (1913–1994)

Author of Leftover Life to Kill

5+ Works 237 Members 4 Reviews

About the Author

Includes the name: Caitlin Thomas

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Works by Caitlin Thomas

Leftover Life to Kill (1957) 78 copies, 1 review
Caitlin (1986) 76 copies, 1 review
Double Drink Story (1989) 68 copies, 2 reviews

Associated Works

The Norton Book of Women's Lives (1993) — Contributor — 444 copies, 1 review

Tagged

Common Knowledge

Other names
Macnamara, Caitlin
Birthdate
1913-12-08
Date of death
1994-07-31
Gender
female
Occupations
memoirist
autobiographer
Relationships
Thomas, Dylan (husband)
Devas, Nicolette (sister)
Short biography
Caitlin Thomas, née Macnamara, was born in London to a decayed Anglo-Irish landowning family from County Clare. Her sister Nicolette Macnamara Devas grew up to became a painter and writer. When Caitlin was a small child, her parents separated, and she moved with her mother and siblings to a house near Ringwood, Hampshire, on the edge of the New Forest, where they were close friends of the painter Augustus John and his family. In 1930, at age 16, she returned to London and entered dancing school; by 18, she was dancing in a London chorus line. After studying the Isadora Duncan style of dancing, she lived for a brief time in Paris before going to County Clare with her father. In 1936, she met Dylan Thomas in a pub in London; they began a relationship through correspondence and married the following year. The couple lived a peripatetic and bohemian lifestyle, moving from Chelsea to Wales, Oxford, Ireland, and Italy. They eventually settled in a cottage in the village of Laugharne, Wales, in 1938 and had three children. The marriage was famously tempestuous, fuelled by alcohol and infidelity. She became more and more frustrated at being left behind to raise the children and deal with the bills while her husband spent his time traveling for poetry readings and carousing. Following his premature death in 1953, she published a frank memoir, Leftover Life to Kill (1957). She had been spending an increasing amount of time in Italy, and finally decided to move there. She never married again, but had a long-term relationship with Giuseppe Fazio, with whom she had a son when she was 49. In 1963, she published her second book, Not Quite Posthumous Letters to My Daughter. In 1986, she published her autobiography, Caitlin: Life with Dylan Thomas.
Nationality
UK
Birthplace
Hammersmith, London, England, UK
Places of residence
London, England, UK
Rome, Italy
Catania, Sicily, Italy
Laugharne, Carmarthenshire, Wales, UK
Ringwood, Hampshire, England, UK
County Clare, Ireland
Place of death
Catania, Sicily, Italy
Burial location
Laugharne, Carmarthenshire, Wales, UK
Map Location
UK

Members

Reviews

5 reviews
She is egotistical, hysterical, jealous and quarrelsome, her own worst enemy, proud and violent." So reads Cyril Connolly's Sunday Times review of this book. Sometimes the critics actually get it right. This book is a long, endless dirge of self-pity. It may read well as a private journal of one's grief, but it should never have been published. I can only surmise that the publishers wanted to capitalize on Dylan Thomas's death and so a book by his widow would have fit that bill nicely. show more

Published in 1957, this book was surely in progress shortly after Thomas's death. While there is no denying Widow Thomas's lovely facility with language, the passages of intensive breast-beating mea culpas become a teeth-gnashing experience for the reader as well: one wants to put her out of her misery as quickly as possible. One begins to suspect, not long into the book, that her emotions are more on display than they are real.

Throughout, one gets the impression that she has assumed Dylan Thomas's identity: his irreverence, his language, his compulsiveness, his obsessions. She is more of an exhibitionist than DT himself ... if that be possible ... ! so much so that one feels she is leading the reader into a Mad Dance of her own devising.

Had she been able to temper that self-obsession, she might have been a very good writer. As good as DT himself, if not better, ... so many have hinted.

I'm afraid I can't offer much more insight into this one as I was at quite a loss as to why teeth-gnashing, self-indulgence and delirium are worthy subjects to be put on display, without the tempering lessons of humility or self-knowledge.

One doesn't come away from this with any true details of either her own life, or Dylan's -- other than that she is deeply neurotic, and he is dead.
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What this book lacks in literary polish, it more than makes up in honesty. Of course, I cannot know for certain that this is a true picture of Caitlin and Dylan Thomas' life together, but Caitlin comes across as very honest: the tale does not always represent her in a good light and has the ring of truth to it.

This is a very sad story of two people, neither very mature, either in years, or outlook, who obviously loved each other deeply but did not have the wisdom to work upon their show more relationship. There were violent outbursts - usually Caitlin handing out a beating to the miniature, feeble Dylan who, whilst not violent, could be completely thoughtless.

Were Dylan Thomas not to have been an undoubted poetical genius, then one's description of him would have been most unflattering: indeed, even Caitlin seems to have excused behaviour that would have been unacceptable from a mere human being, because of Dylan's talent. This raises some interesting questions, as does Dylan's demise in America. Both parties were inveterate drunks and Dylan was reported to have said that he had drunk a record (for him) eighteen straight whiskies. This may well have been an exaggeration; Dylan seems to have been one of those chaps who felt that a man is defined by how much alcohol he is able to consume (I hope not: I would certainly need to become a cross dresser, at the very least!). There were other strange events surrounding the death - the doctor called to assist Thomas seems to have administered an odd cocktail of drugs and his treatment to have been, unusual. At this remove, we will probably never know the truth and Caitlin appears to have reached this conclusion too because, whilst she mentions these facts, she does not churn out a conspiracy theory.

This is a loving reminiscence of a relationship into which few people would ever have entered but, which was perhaps inevitable for these two.
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I did not find this book nearly as interesting as, 'Caitlin' which, interestingly, told much more of the story of Caitlin's marriage to Dylan Thomas.

This book is divided into three sections; the first, a rambling apology for the Thomas' drunken lifestyle, the second covering Caitlin's troubled childhood, and only the third really giving an insight into life with Dylan. The first book was written with a ghost writer, George Tremlett, who at least provides an invisible line in authorship. In show more this tome, Caitlin writes her own story and one is forced to the opinion that she wanted to prove her writing ability stood alongside that of Dylan: it didn't. The text appears stilted: this is not someone writing in their natural manner.

So, having complained about the style, what of the content? Were this to be the only book that I had read about Dylan Thomas, I would be much more complimentary, but there are many professional biographies of the poet and even, as previously mentioned, another book giving Caitlin's perspective. In that light, this offering is somewhat surplus to requirements and a cynic might suggest that it was written to cash in. Even the pictures therein, have all been included in other works so, there is little to recommend this book over others upon the subject.
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½
Na de eerste 2 hoofdstukken kon ik het verdere verloop van hun leven wel inschatten: drankgebruik, overspel, poëzie schrijven en vooral eigenlijk veel drankgebruik. Waarschijnlijk een boeiend boek als je gepassioneerd bent door het leven en drankprobleem van Dylan Thomas.

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Statistics

Works
5
Also by
1
Members
237
Popularity
#95,613
Rating
½ 3.5
Reviews
4
ISBNs
14
Languages
2

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