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Janet McNeill (1907–1994)

Author of Tea at Four O'Clock

31+ Works 234 Members 12 Reviews

About the Author

Includes the names: Janet McNeil, Janet McNeill

Works by Janet McNeill

Tea at Four O'Clock (1956) 76 copies, 5 reviews
The Maiden Dinosaur (1984) 20 copies, 3 reviews
Goodbye, Dove Square (1969) 18 copies
The Small Widow (2014) 17 copies, 2 reviews
We Three Kings (1974) 9 copies
The Prisoner in the Park (1971) 7 copies
As Strangers Here (2015) 7 copies, 1 review
The Magic Lollipop (1974) 6 copies
The other people (1972) 5 copies
Tom's Tower (1965) 5 copies, 1 review
Umbrella Thursday (1973) 4 copies
A Monster Too Many (1972) 4 copies

Associated Works

A Golden Land (1958) — Contributor — 46 copies, 1 review
The Lucky Bag: Classic Irish Children's Stories (1984) — Contributor — 22 copies, 1 review
A Book of Girls' Stories (1973) — Contributor — 15 copies
Cricket Magazine, Vol. 5, No. 5, January 1978 (1978) — Contributor — 3 copies

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Reviews

13 reviews
Amended Review:

This is a short but rich and nuanced novel about a middle-aged Belfast spinster. Respected school teacher and locally known poet, fiftyish Sarah Vincent grew up in a well-to-do Presbyterian family. The family’s stately home (on the shores of Belfast Lough, not far from the Zoological Gardens) was divided into apartments after the death of Sarah’s father. Sarah now lives in one flat, and her girlhood friends, Helen and Addie, live in the others. For years, Sarah has show more regularly attended “tea parties” with her former school chums—among them: Mary, now a grandmother; the well-to-do Florence; and 40-year-old Joyce, the younger sister of Rose, who was the first of Sarah’s cohort to die (tragically, in her 20s, during childbirth). Rose’s is not the only sad story. Kitty, another unfortunate, is mentally ill and keeps to her bed. Kindhearted and used to obliging others, Sarah, the only unmarried woman in the bunch, makes regular visits to an unstable and aggressive woman whom everyone else seeks to avoid. Sarah is believed to have a special calming influence on Kitty. It’s convenient for the others to think so anyway.

Sarah has a lot of of things weighing on her. She is not nearly as free of responsibilities as the others think. First, there is the matter of the unfortunate, Helen, who has lived a very different life from Sarah. Once a wife and mother, Helen is professionally successful—she runs a thriving flower shop—but privately she is a mess. Mired in memories of personal tragedies, Helen is histrionic and seeks solace in the arms of a series of gentleman callers—one of them, Kitty’s husband. Helen’s beauty is fading fast, and it is the job of plain and steady Sarah to prop her up. On the one hand, Helen is scornful of her friend’s lack of sexual knowledge (Sarah’s senior girls seem better informed than their teacher); on the other hand, Helen depends on Sarah’s unique combination of unconditional positive regard and school-teacher bossiness. It’s a game of sorts, Sarah realizes, and she follows the unspoken rules . . . until one day she doesn’t.

None of Sarah’s friends is aware of the ways in which she is haunted. Chided constantly in childhood about her homely, large, and graceless body, she attempted early on to dissociate herself from her physical being, paying as little mind to her appearance as possible and focussing instead on developing her intellect. As a young person, Sarah also happened upon two distressing scenes of a sexual nature (one of them involving a family member). No one ever bothered to discuss either of these experiences with her. The events were subsequently buried until Sarah had a breakdown in adolescence. Her mother, an invalid for many years, died soon after. Sarah may now be middle aged, but part of her remains a child imprisoned in the past. At times, she still hears, sees, and addresses her dead parents. (Freud would have had a heyday with this woman.)

MacNeill’s novel offers a glimpse into a certain middle-class segment of mid-twentieth-century Belfast society, when women’s roles and sexual mores were beginning to change. The book is also a sensitive and restrained psychological study of sexual repression. The novel was originally published in 1964 and appears to be set in the early 1960s. There are a few references to the new freedoms for women— specifically, the birth control pill, which was first introduced as a contraceptive in 1960. I found McNeill’s mention of “The Troubles” in the text to be quite confusing—as I’ve always understood the term to apply to the Northern Ireland of the late 1960s and early 1970s . I didn’t know (until I did some online research) that the Belfast Riots of 1920-1922 are called “The First Troubles”. In the novel, to avoid being shot at, McNeill’s characters had, when young, been forced to lie down in the trams that took them to and from school during this period.

The Maiden Dinosaur is a brisk and compelling character-driven novel, which manages to accomplish a lot in relatively few pages. There’s much to ponder here (including the ways in which literature can hoodwink young, impressionable girls into dangerous romanticization of sexuality and relations between the sexes.)This is a book that begs to be read, re-read, and discussed with friends.
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Janet McNeill lived most of her adult life in Northern Ireland and was a prolific writer of plays and children's books as well as 10 adult novels and a number of volumes of short stories. She wasn't on my radar until I came across an article called ' Ten great Northern Irish novels you may have missed.

Compared on the jacket to Barbara Pym, Anita Brookner and Elizabeth Taylor, the writing in this novel certainly reminded me of Barbara Pym's writing, particularly in terms of characterisation. show more I've not got to Taylor yet, but McNeill's writing quality is absolutely on a level with Pym's and Brookner's, and it's a shame that she's never received the same level of recognition (Virago, Persephone - sort it out).

The Maiden Dinosaur centres around the main character Sarah, a fifty-something year old spinster teacher and minor poet who shares her former family home (now divided into 4 apartments) with two of her childhood friends and the daughter and son-in-law of another friend. The plain, sensible, clever one, with no family of her own Sarah is the no-nonsense linchpin both they and their wider friendship group turn to as conveniences them, whilst Sarah has quietly devoted herself for over 40 years to Helen within the group, whose personal tragedies and vanities demand much of Sarah's willing attention.

As the shifting sands of life bring inevitable significant events within the lives of the group of friends, the novel explores themes of loss and new beginnings in a middle-age context over one summer in Belfast.

McNeill's writing in this novel doesn't evoke a sense of place in terms of Northern Ireland itself, but in a way I quite liked that and enjoyed the absence of the usual local colloquialisms. Belfast Zoo (or Bellevue Zoo as it used to be known) is mentioned quite often, as the novel is set in North Belfast where the zoo still to this day sits looking down over the city just below Cave Hill. There was a charming children's film called Zoo made in 2017 which is filmed at Belfast Zoo. It's based on the true story of a woman in a terraced back-street in Belfast who hid an elephant from the zoo in her tiny back yard to stop it being euthanised when the Belfast Blitz began (somehow that story could only be true from Northern Ireland).

I thoroughly enjoyed this book, and will definitely be looking out for other titles by McNeill which are still in print.

This type of novel won't appeal to everyone, but if you're a lover of Pym or Brookner I would recommend it (I believe it's titled The Belfast Friends in the US).

4.5 stars - A wonderful depiction of the claustrophobia that life as a middle-aged woman can become.
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½
I loved this quiet novel about a middle-aged woman who finds her life suddenly changed when her invalid sister dies. Laura has been caring for Mildred for 6 years and has led a completely sheltered and isolated existence, completely controlled by the domineering Mildred. When Mildred dies, Laura inherits their large home and estate and her life begins to have motion. A long lost brother returns, bringing up memories of a friend of his who she loved in her youth and bringing to light a family show more secret that could change how Laura has viewed her whole adult life. Laura will have to decide for herself how she wants her life to look from here on out.

This is a simple novel with a simple plot that gives plenty of room for a deeply drawn character and situation. It's one of my favorite kinds of novel and reminded me of Barbara Pym, Anita Brookner, and Penelope Fitzgerald. I'll be on the lookout for more books by [[Janet McNeill]] who doesn't seem to have much currently in print in the U.S.
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½
When Laura’s older sister Mildred dies after a lengthy illness, she takes quiet pride in the minister identifying Laura as “the sister who with exemplary devotion did not spare herself in the long months of nursing.” Laura stands to inherit the family estate, but having put her life on hold for so long, she can barely come to terms with the possibilities now available to her. Laura’s younger brother George, long ostracized from the family, returns to make amends but does he have show more other motives? You can bet he does.

As Laura looks back on her life it becomes clear she was ruled first by a stern father and then by an equally tyrannical sister. Suppressed memories and family lies have taken a significant toll. Laura’s journey from awareness to action is slow, but satisfying.
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Works
31
Also by
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Members
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Rating
3.8
Reviews
12
ISBNs
49
Languages
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