Fae Myenne Ng
Author of Bone
About the Author
Image credit: Fae Myenne Ng Brooklyn Book Festival Borough Hall By annulla from Brooklyn, United States - IMG_8054, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=82841464
Works by Fae Myenne Ng
Associated Works
Charlie Chan Is Dead: An Anthology of Contemporary Asian American Fiction (1993) — Contributor — 169 copies, 3 reviews
American Eyes: New Asian-American Short Stories for Young Adults (1994) — Contributor — 97 copies, 1 review
Tagged
Common Knowledge
- Canonical name
- Fae Myenne Ng
- Birthdate
- 1956-12-02
- Gender
- female
- Education
- University of California, Berkeley (BA)
Columbia University (MFA) - Occupations
- writer
lecturer - Awards and honors
- Guggenheim Fellowship (2009)
Granta's Best of Young American Novelists (1996)
American Book Award - Agent
- Neil Olson (Donadio & Olson Associates)
- Short biography
- Fae Myenne Ng (pronounced "ing") is an American novelist, and short story writer. She is a first-generation Chinese American author whose debut novel Bone told the story of three Chinese American daughters growing up in her real childhood hometown of San Francisco Chinatown.
- Nationality
- USA
- Birthplace
- San Francisco, California, USA
- Places of residence
- San Francisco, California, USA
New York, New York, USA - Associated Place (for map)
- USA
Members
Reviews
Here's what you need to understand first and foremost. This is a story built around grief. Ona, the middle sister, jumped off the M floor of the Nam. M happens to be the thirteenth floor. Unlucky, unforgivable thirteen. Everything that happens to her surviving family centers on this one fact. Ona jumped. Everything is marked by the time Before Ona Jumped and the time After Ona Jumped. Confessional: I am like that, too. When I hear a specific date, I quickly do the math to determine if it is show more A.D.D. (after dad's death) or before - B.D.D. Leila is the eldest of three daughters and the one most constrained by old China values versus modern American China. She is aware of the boldness of her actions (eloping when her ancestors had childbride arranged marriages), but she isn't the boldest of the family. All three sisters are responsible for Mah's shame. Her sister Ona committed suicide (shame) and her sister, Nina, had an abortion (shame). Even Mah carries shame (an affair while her second husband was away at sea as a merchant marine). Told from the perspective of Lei, she has to make a decision between dating and duty; between marriage with Mason and Mah. Having both seems impossible. show less
At a horrific, life-changing moment, a Chinese immigrant in the United States under a false name and false pretenses thinks of some wisdom his mother had given him. He is about to be separated from his hand as two thugs drag him to a table saw, he remembers his mother’s aphorism: “Trust rock, she told him. Break fear upon rock. … Go toward fear. Trust fear. Steer toward rock.” She told him this as she was preparing to sell him to an illegal immigration ring in the U.S.
So the young show more man, who must make payments to his mob boss for the right to live, sustains himself at this ghastly moment. And Steer Toward Rock becomes the aphorism by which this novel’s characters must live if they want to find meaning, family, and happiness. Impressive for its sustained obliquity, Fae Myenne Ng’s book brought me into the Chinese culture in San Francisco’s Chinatown like no other book ever did. She stretches this culture taut across a frame of trans-Pacific exploitation and racketeering. We learn of the purchased boy from China whose name becomes Jack Moon Szeto, a multiple falsity rooted in a scheme to allow illegal entry to Chinese immigrants. Before confessing his status to the American authorities, he becomes another link in the illegal and oppressive chain. He must take a bogus bride purchased for him from China, but here he finds companionship and eventually fathers a fiery, headstrong daughter.
This entire history leads to the daughter. This is really her story – how she hasn’t steered toward the rock of honesty in her love life, but does free her father from the tangled, fear-ridden narrative of his past by shepherding him through the naturalization process.
I love the conversations between the Chinese men in San Francisco. They holler at each other, tease each other, voices seemingly raised at all times; they want to get each other’s goats. Through it all, though, there is honesty, good will, humor, and bemusement at life.(Jack himself exhibits wisdom unusual in one his age; his almost every statement, every piece of advice for friends and family drips with ancient Chinese wisdom.) This banter, with its glimpse into Chinese culture, is a major delight here, and worth the price of admission all by itself. I could have wished for a more-closely-described San Francisco, but this may have been absent by authorial intent. She tells her story obliquely, until roughly the last quarter of the book, when the daughter’s character takes center stage and the narrative takes on greater concreteness. Until then, though, the story is told as though through a mist, becoming visible like Victorian homes on a foggy day in San Francisco.
It would be hard to top this book’s intent look at the San Francisco Chinese culture, or its treatment of the Hon Pak confession program, pursued in the 1950s by U.S. Immigration authorities as a sort of bait-and-switch tactic to get better records on Chinese and other immigrants. The family histories feel all too true, and the saga of exploitation all too consistent with the world’s ever-present greed.
http://bassoprofundo1.blogspot.com/2013/01/steer-toward-rock-by-fae-myenne-ng.ht... show less
So the young show more man, who must make payments to his mob boss for the right to live, sustains himself at this ghastly moment. And Steer Toward Rock becomes the aphorism by which this novel’s characters must live if they want to find meaning, family, and happiness. Impressive for its sustained obliquity, Fae Myenne Ng’s book brought me into the Chinese culture in San Francisco’s Chinatown like no other book ever did. She stretches this culture taut across a frame of trans-Pacific exploitation and racketeering. We learn of the purchased boy from China whose name becomes Jack Moon Szeto, a multiple falsity rooted in a scheme to allow illegal entry to Chinese immigrants. Before confessing his status to the American authorities, he becomes another link in the illegal and oppressive chain. He must take a bogus bride purchased for him from China, but here he finds companionship and eventually fathers a fiery, headstrong daughter.
This entire history leads to the daughter. This is really her story – how she hasn’t steered toward the rock of honesty in her love life, but does free her father from the tangled, fear-ridden narrative of his past by shepherding him through the naturalization process.
I love the conversations between the Chinese men in San Francisco. They holler at each other, tease each other, voices seemingly raised at all times; they want to get each other’s goats. Through it all, though, there is honesty, good will, humor, and bemusement at life.(Jack himself exhibits wisdom unusual in one his age; his almost every statement, every piece of advice for friends and family drips with ancient Chinese wisdom.) This banter, with its glimpse into Chinese culture, is a major delight here, and worth the price of admission all by itself. I could have wished for a more-closely-described San Francisco, but this may have been absent by authorial intent. She tells her story obliquely, until roughly the last quarter of the book, when the daughter’s character takes center stage and the narrative takes on greater concreteness. Until then, though, the story is told as though through a mist, becoming visible like Victorian homes on a foggy day in San Francisco.
It would be hard to top this book’s intent look at the San Francisco Chinese culture, or its treatment of the Hon Pak confession program, pursued in the 1950s by U.S. Immigration authorities as a sort of bait-and-switch tactic to get better records on Chinese and other immigrants. The family histories feel all too true, and the saga of exploitation all too consistent with the world’s ever-present greed.
http://bassoprofundo1.blogspot.com/2013/01/steer-toward-rock-by-fae-myenne-ng.ht... show less
nonfiction - memoir/family history by award-winning Chinese-American novelist. The eldest daughter in a family that would become divided over time, she relates her parents' experiences through the Exclusion and Confession periods, how these policies have left so many "orphan bachelors" - Chinese laborers whose wives and families were prohibited from joining them, how they have lived out their lives as solitary men arguing (very colorfully in their Toishanese and Cantonese) over chess boards show more in 1960s SF Chinatown. The second half of the book deals more with Fae and her siblings' lives as their parents' marriage dissolves along with the overall health of the family and their relationships.
I am doing a poor job of describing the book, but I loved the writing style (another demonstration of the author's skill in building a story) and also learned quite a bit -- Exclusion laws get mentioned a lot in the books I've been reading but not Confession. I also feel like these stories could also easily belong to my family; though the dates and places don't quite overlap, it's easy to imagine similar events happening to my elders. Great book, thank you and more, please! show less
I am doing a poor job of describing the book, but I loved the writing style (another demonstration of the author's skill in building a story) and also learned quite a bit -- Exclusion laws get mentioned a lot in the books I've been reading but not Confession. I also feel like these stories could also easily belong to my family; though the dates and places don't quite overlap, it's easy to imagine similar events happening to my elders. Great book, thank you and more, please! show less
A searing novel about grief, family, and the profound effect our choices make on those who love us told through an odd, though effective, backward spiral in time.
The backward storyline impressed me the most, as I had not read a book told from the end to the beginning. At first, I was startled, but as I continued to read, the more profound and deeply moving the narrative became. Imagine starting out cynical and world-weary and going backward to a time of unconditional love and innocence.
A show more must-read for anyone coping with loss, family-dynamics... A bonus is the Chinese immigrant and first generation Chinese-American cultural insights. show less
The backward storyline impressed me the most, as I had not read a book told from the end to the beginning. At first, I was startled, but as I continued to read, the more profound and deeply moving the narrative became. Imagine starting out cynical and world-weary and going backward to a time of unconditional love and innocence.
A show more must-read for anyone coping with loss, family-dynamics... A bonus is the Chinese immigrant and first generation Chinese-American cultural insights. show less
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Statistics
- Works
- 4
- Also by
- 6
- Members
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- Popularity
- #35,796
- Rating
- 3.5
- Reviews
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- ISBNs
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