Judith Arnold
Author of Father Found
About the Author
Disambiguation Notice:
Barbara Keiler wrote as Ariel Berk, Thea Frederick and Judith Arnold
Series
Works by Judith Arnold
Burning Bright (Return of the Light / Star Light, Star Bright / One for Each Night) (2004) — Contributor — 48 copies
My Valentine 1993 (Saints Alive / Chocolate Kisses / Simple Charms / Ms. Scrooge Meets Cupid) (1993) 38 copies
All They Want for Christmas (Comfort and Joy / Merry Christmas, Baby) (2001) — Contributor — 34 copies, 1 review
How to Marry a Millionaire (Family Wealth / Rich Man, Poor Man / Once Upon a Husband) (1997) — Author — 25 copies, 1 review
Aztec Sun 17 copies
Feitiço Do Luar 1 copy
Gestolen nachten 1 copy
One For Each Night 1 copy
Zůstaň, lásko! 1 copy
Tajemství mého srdce 1 copy
Life's A Beach: Boxed Set 1 copy
Minha vida te pertence 1 copy
Associated Works
Dangerous Men and Adventurous Women: Romance Writers on the Appeal of the Romance (1992) — Contributor — 239 copies, 2 reviews
Tagged
Common Knowledge
- Legal name
- Keiler, Barbara
- Other names
- Berk, Ariel (pen name)
Frederick, Thea (pen name)
Arnold, Judith (pen name) - Birthdate
- 1946-04-07
- Gender
- female
- Education
- Smith College (1974)
Brown University (1976 | Creative writing | A.M.) - Awards and honors
- Romantic Times Career Achievement Nomination
RWA Lifetime Acheivement Nomination - Short biography
- Barbara Keiler was born on 7 April 1946 in New York, USA. She started telling stories before she could write. She was four when her sister, Carolyn, stuffed a crayon into her hand and taught her the alphabet, and she's been writing ever since.
Barbara is a graduate of Smith College, where she learned to aim for the stars, and she received a master's degree in creative writing from Brown University, where she took aim at a good-looking graduate student in the chemistry department and wound up marrying him. She says: "Before my husband and I were married, I had a job in California and he was working on his Ph.D. in Rhode Island. I became ill, and he hopped on a plane and flew across the country to be with me. Neither of us had any money, but he said he simply couldn't concentrate on his research, knowing I was three thousand miles away and facing a serious health problem all by myself. He stayed for two weeks, until I was pretty well recovered. That he would just drop what he was doing, put his life on hold and race to my side told me how much he loved me. After that, I knew this was the man I wanted to marry."
Barbara has received writing fellowships from the Shubert Foundation and the National Endowment for the Arts, and has taught at colleges and universities around the country. She has also written several plays that have been professionally staged at regional theaters in San Francisco, Washington, D.C., Connecticut and off-off-Broadway.
Since her first romance novel's publication in 1983 as Ariel Berk. She wrote one novel as Thea Frederick, and since 1985 she writes as Judith Arnold. Barbara has sold more than 90 novels, with ten million copies in print worldwide. She has received several awards from Romantic Times Magazine, including awards for the Best Harlequin American Romance of the Year, Best Harlequin Superromance of the Year, Best Series Romantic Novel of the Year and a Lifetime Achievement Certificate of Merit for Innovative Series Romance. She has also been a finalist for the Golden Medallion Award and the RITA Award for Romance Writer of America. Her novel Barefoot in the Grass has appeared on the recommended reading lists distributed by cancer support services at several hospitals.
Barbara lives in a small town not far from Boston, Massachusetts, New England with her husband, two teenage sons, and a guinea pig named Wilbur. Her sister Carolyn died of breast cancer in 1998. - Nationality
- USA
- Birthplace
- New York, USA
- Places of residence
- Boston, Massachusetts, USA
- Disambiguation notice
- Barbara Keiler wrote as Ariel Berk, Thea Frederick and Judith Arnold
- Associated Place (for map)
- USA
Members
Reviews
I read a lot of Judith Arnold's romance novels in the 1980s and 90s, but both of us have gotten older. These days, love stories with blissful HEAs are nice but not very relevant to our lives anymore. So Arnold has moved on to write about what she knows now, and I can definitely relate.
If Only portrays a 60 year old, retired school music teacher who just wants to be left alone in peace. Unfortunately, her daughter and teenaged granddaughter live with Ruth and her husband Barry, and her son show more has just announced that he and his wife are separating because he is in love with a younger woman. Her other daughter is a therapist who has expert advice for everyone, despite the fact that her kids are running wild.
As Ruth tries to figure out the appropriate amount of involvement with her grown children's problems, she also looks back at the choices she has made in her life and imagines how her life could have been different. This isn't Sliding Doors; Ruth doesn't magically exist in two different timelines. The "if only" passages are brief fantasies about where the road not taken might have led - if Ruth and Barry had bought a different house, if she had learned to ski when her friend invited her on a family trip, if she had taken piano lessons from a better teacher...and in her fantasies, she is usually rich, famous, and/or trouble-free.
Many of the "what if's" relate to Ruth's high school years in the 1970s, when she briefly played keyboards in a garage rock band, and tried to control her crush on the cute lead singer. The flashback chapters are lively and fun to read; who can resist a nice Jewish girl wearing bell-bottomed jeans, playing gigs with four guys, and singing about getting wasted?
But although Ruth eventually makes peace with the way her life turned out, the tone is resigned and not necessarily upbeat. Several plotlines about her daughter and granddaughter remain unresolved, and frankly Barry is a sexist jerk who lets Ruth do all of the housework and heavy emotional lifting. The ending suggests that everyone lands where they're supposed to be, so you might as well enjoy it. Nice for Ruth's peace of mind, but this reader wanted something better for her. I guess I'm still looking for that HEA fantasy, even if Arnold has learned that reality is not a romance novel.
ARC provided by Net Galley in exchange for objective review. show less
If Only portrays a 60 year old, retired school music teacher who just wants to be left alone in peace. Unfortunately, her daughter and teenaged granddaughter live with Ruth and her husband Barry, and her son show more has just announced that he and his wife are separating because he is in love with a younger woman. Her other daughter is a therapist who has expert advice for everyone, despite the fact that her kids are running wild.
As Ruth tries to figure out the appropriate amount of involvement with her grown children's problems, she also looks back at the choices she has made in her life and imagines how her life could have been different. This isn't Sliding Doors; Ruth doesn't magically exist in two different timelines. The "if only" passages are brief fantasies about where the road not taken might have led - if Ruth and Barry had bought a different house, if she had learned to ski when her friend invited her on a family trip, if she had taken piano lessons from a better teacher...and in her fantasies, she is usually rich, famous, and/or trouble-free.
Many of the "what if's" relate to Ruth's high school years in the 1970s, when she briefly played keyboards in a garage rock band, and tried to control her crush on the cute lead singer. The flashback chapters are lively and fun to read; who can resist a nice Jewish girl wearing bell-bottomed jeans, playing gigs with four guys, and singing about getting wasted?
But although Ruth eventually makes peace with the way her life turned out, the tone is resigned and not necessarily upbeat. Several plotlines about her daughter and granddaughter remain unresolved, and frankly Barry is a sexist jerk who lets Ruth do all of the housework and heavy emotional lifting. The ending suggests that everyone lands where they're supposed to be, so you might as well enjoy it. Nice for Ruth's peace of mind, but this reader wanted something better for her. I guess I'm still looking for that HEA fantasy, even if Arnold has learned that reality is not a romance novel.
ARC provided by Net Galley in exchange for objective review. show less
This was a Nook freebie. I am a sucker for marriage of convenience stories, but I'm leery of modern ones. They tend to make very little sense or seem contrived. This one was original and also threw some suspense with a hitman into the mix. I really liked this one!
I received this book as a giveaway by the author, and at first thought it was YA. The story begins when the hero & heroine are fifteen, friends who spend summers on Block Island with their parents. Since it wasn't what I was expecting, and I'm not a huge fan of YA, I almost put it down. But after a hilarious, touching, and skillfully crafted scene where the two decide to "practice kissing," I was hooked.
It is not a YA, but a classic romance with all the ups and downs, twist and turns, show more anguish and passion a romance reader desires. Shelley and Kip's friendship ends abruptly when a family emergency takes Shelley off the island, not to return for many years. The two friends' paths split them onto opposite coasts. Kip moves to California and marries the love of his life. Shelley decides to return to Block Island to fill a need for the islanders, opening a pharmacy.
But tragedy strikes Kip when his wife is hit by a car and killed, right before his eyes. A year later, his heart broken and his life shattered, he returns to his family's home on Block Island to heal. Neither he nor Kip can believe their eyes when the two meet again.
What follows is a deeply touching love story told from both the hero and heroine's viewpoints. We struggle with them as they wrestle with their emotional scars and their changing feelings for each other.
Originally published over twenty years ago, this classic tale has not lost any of its appeal. My first of Judith Arnold's titles, it will definitely not be my last. show less
It is not a YA, but a classic romance with all the ups and downs, twist and turns, show more anguish and passion a romance reader desires. Shelley and Kip's friendship ends abruptly when a family emergency takes Shelley off the island, not to return for many years. The two friends' paths split them onto opposite coasts. Kip moves to California and marries the love of his life. Shelley decides to return to Block Island to fill a need for the islanders, opening a pharmacy.
But tragedy strikes Kip when his wife is hit by a car and killed, right before his eyes. A year later, his heart broken and his life shattered, he returns to his family's home on Block Island to heal. Neither he nor Kip can believe their eyes when the two meet again.
What follows is a deeply touching love story told from both the hero and heroine's viewpoints. We struggle with them as they wrestle with their emotional scars and their changing feelings for each other.
Originally published over twenty years ago, this classic tale has not lost any of its appeal. My first of Judith Arnold's titles, it will definitely not be my last. show less
If you're in the mood for a tearjerker this one fills the bill. While very serious at times it still had a light mood to it. It's about perseverance and acceptance. Heroine is a wonderful character so realistically drawn. I wanted to hate the hero at one point but his reaction in one scene was completely believable. I won't give away the plot because it might spoil it for you. (Grade: B+)
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