Robert Bober

Life A User's Manual is one of my desert island books, so when I came across this short book in the library I checked it out. Perec collaborated with documentary filmmaker Robert Bober, and in 1978 accompanied him on a visit to Ellis Island. The book begins with a short factual introduction giving a brief history of Ellis Island followed by a "prose poem" by Perec about Ellis Island and his visit. Access to America was more or less free until 1875, and then gradually restrictive measures show more were added. Still, between 1892 and 1924 16 million people passed through the Ellis Island reception center: "Essentially Ellis Island was a sort of factory for manufacturing Americans." I learned the difference between E-migrant (leaving a country) and I-mmigrant (arriving in a new country), which I had never thought of before.

Here's a brief excerpt of the prose poem:

This was the golden door
right there, in sight, almost at hand,
was the America of a thousand dreams,
the land of freedom where all men were equal,
the place where everyone could finally have his chance,
the new world, the free world,
where life could start over again

but this was not America, not yet,
only an extension of the boat,
a remnant of the old world
where nothing had yet been assured,
where those who had left
still hadn't arrived,
where those who had given up everything
had so far obtained nothing

This was a slight book, but I enjoyed it.

3 stars show less

The premise of this book lies around a film that Perec and the French filmmaker Robert Bober made in the late 70's concerning European emigration to the United States and in particular Ellis Island the last stop before entry where a person was either allowed to go on or sent back. Using photography (I believe stills from the subsequent film) and Perec's descriptive talents the book gives the reader an idea of what it was like and what it meant for people to leave their countries and come to show more America to seek a better life. The last section is made up of several interviews mostly with elderly people who originally came here in the first decade of the 20th century and who describe their journeys and the reasons they made them. I found it to be an interesting book although Perec's prose in this non-fictional setting is much more spare than what it is in a fictional setting. Bober's photographs help to move the book along though and Perec as an interviewer is thoughtful in his questions and allows his interviewees to take center stage. A nice book. show less

Page 14: an entire paragraph dedicated to explaining how inspectors at Ellis Island changed peoples' names.

OK, that never happened. It's a myth. This is known (see links below), now. I was hoping for a footnote explaining the error. No? OK...well, I imagine it will be discussed in the afterword. Wrong! Page 59: "As lore had it, they seemed to translate last names almost homophonically, subjecting them to distortions that rendered them unrecognizable..." NOOOOOO. The inspectors at Ellis show more Island did not even write down names. The names were written--the passenger lists you can view online--were written at the point of embarkation, when the tickets were purchased (and crossed out names purchased tickets but did not embark). This is not lore, this is MYTH.

Don't hire a poet to write about and explain history. Please. As a historian and genealogist, we don't need myths like this spread further.

Some name change articles (there are LOTS):
Smithsonian Mag: https://www.smithsonianmag.com/smithsonian-institution/ask-smithsonian-did-ellis...
NYPL: https://www.nypl.org/blog/2013/07/02/name-changes-ellis-island
JewishGen: https://www.jewishgen.org/infofiles/ellismythnames.html
ALA Journal: https://journals.ala.org/index.php/dttp/article/view/6655/8939
Times of Israel: https://www.timesofisrael.com/jewish-americans-changed-their-names-but-not-at-el... show less

Questo documentario storico è una meditazione toccante sul significato dell'esilio, della diaspora e del sogno americano. Il regista Robert Bober ha visitato Ellis Island nel 1979, prima che fosse trasformato in un museo. La telecamera segue una giovane guida turistica e alcuni turisti americani lungo il percorso che i loro antenati hanno preso mentre attraversavano il centro di immigrazione di Ellis Island. La narrazione del grande scrittore ebreo-francese Georges Perec fornisce un show more contrappunto alla ricca evocazione cinematografica dell'isola di Bober. Per me, Ellis Island è la sede di Exile. . . . Quello che trovo qui non sono radici o tracce, ma il contrario, qualcosa di informe, quasi indescrivibile che può essere chiamato chiusura o scissione o rottura, qualcosa intimamente e confusamente legato al fatto stesso di essere ebrei. show less