John Dryden (1631–1700)
Author of All for Love
About the Author
Born August 9, 1631 into a wealthy Puritan family, John Dryden received an excellent education at Westminster School and Cambridge University. After a brief period in government, he turned his attention almost entirely to writing. Dryden was one of the first English writers to make his living show more strictly by writing, but this meant he had to cater to popular taste. His long career was astonishingly varied, and he turned his exceptional talents to almost all literary forms. Dryden dominated the entire Restoration period as a poet, playwright, and all-round man of letters. He was the third poet laureate of England. In his old age Dryden was virtually a literary "dictator" in England, with an immense influence on eighteenth-century poetry. His verse form and his brilliant satires became models for other poets, but they could rarely equal his standard. Dryden was also a master of "occasional" poetry - verse written for a specific person or special occasion. Like most poets of his time, Dryden saw poetry as a way of expressing ideas rather than emotions, which makes his poetry seem cool and impersonal to some modern readers. Dryden also wrote numerous plays that helped him make him one of the leading figures in the Restoration theatre. Today, however he is admired more for his influence on other writers than for his own works. He died on April 30, 1700 in London. (Bowker Author Biography) show less
Image credit: Photo © ÖNB/Wien
Series
Works by John Dryden
Dryden (Three Plays) The Conquest of Granada Parts I and II, Marriage A La Mode, Aureng-Zebe (1957) 46 copies
Fables antient and modern translated into verse, from Homer, Ovid, Boccace and Chaucer: with original poems (2003) 19 copies, 1 review
The Works of John Dryden, Volume XX: Prose 1691-1698 De Arte Graphica and Shorter Works (1990) 8 copies, 1 review
Annus mirabilis. The year of wonders, M. DC. LXVI. : An historical poem. Also a poem on the happy restoration and return (2016) 8 copies
The Works of John Dryden, Volume VIII: Plays: The Wild Gallant, The Rival Ladies, The Indian Queen (Volume 8) (1962) 8 copies
The Works of John Dryden, Volume XV: Plays: Albion and Albanius, Don Sebastian, Amphitryon (Works of John Dryden) (1976) 7 copies
Miscellany Poems 5 copies
The Works of John Dryden: Plays - "Amboyna", "The State of Innocence", "Aureng-Zebe" v. 12 (1995) 5 copies
The Works of John Dryden, Volume XIV: Plays; The Kind Keeper, The Spanish Fryar, The Duke of Guise, and The Vindication (1992) 5 copies
Works of John Dryden: Plays : The Tempest, Tyrannick Love, an Evenings Love (Works of John Dryden) (1970) 4 copies
The Works of John Dryden: Plays - "All for Love", "Oedipus", "Troilus and Cressida" v. 13 (1985) 4 copies
The Works of John Dryden, Volume VI: Poems, The Works of Virgil in English 1697 (Volume 6) (1988) 4 copies
The Works of John Dryden, Volume XI: Plays: The Conquest of Granada, Part I and Part II; Marriage-à-la-Mode and The Ass (1978) 4 copies
Poems, Plays, and Essays 4 copies
Poetry, prose and plays 4 copies
The Poetical Works of John Dryden, Volume 1 With Life, Critical Dissertation, and Explanatory Notes (2012) 3 copies
Threnodia Augustalis: a funeral-Pindarique poem sacred to the happy memory of King Charles II 3 copies
The Works of John Dryden, Volume XVIII: Prose: The History of the League, 1684 (Works of John Dryden) (1975) 3 copies
All for love and The Spanish fryar 3 copies
Songs and Poems of John Dryden. 3 copies
The Indian emperor: or, the conquest of Mexico by the Spaniards. Being the sequel of The Indian queen. Written by the late Mr. Dryden. (2010) 2 copies
John Dryden : [plays] 2 copies
An evening's love, or The mock astrologer. Acted at the Theater Royal, by His Majesties Servants 2 copies
Miscellany poems : the first part 2 copies
The Indian queen a tragedy. Written by the Honourable Sir Robert Howard, and Mr. Dryden (2005) 2 copies, 1 review
Secret-love, or the maiden-queen: as it is acted by his majesties servants at the Theater Royal 2 copies
Aenid 2 copies
The Poetical Works of John Dryden, Volume 2 With Life, Critical Dissertation, and Explanatory Notes (2012) 2 copies
All of love 1 copy
Ultimate Collection 1 copy
Of dramatic poesy I 1 copy
Of dramatic poesy II 1 copy
2000x: All for Love 1 copy
The Works of Virgil, Translated Into English Verse By John Dryden, in Four Volumes-Volume 1 (1795) 1 copy
Critical Essays 1 copy
Poetry and Plays 1 copy
Poèmes (bilingue) 1 copy
Don Sebastian 1 copy
Dryden: Three Plays - The Conquest of Granada (Parts I and II), Marriage a la Mode, Aureng-Zebe 1 copy
The Songs of John Dryden. Edited by Cyrus Lawrence Day. [Music by various contemporary composers.] (1932) 1 copy
Of Dramatic Poesy Vol 2 1 copy
The Poetical Works of John Dryden. With Memoir and Intruduction to Poems 1889 [Leather Bound] 1 copy
Selected Poetry of Dryden. 1 copy
Farwell Ungratefull Traytor 1 copy
Four Comedies: Secret Love; Sir Martin Mar-All, An Evening's Love; Marriage a-la-Mode. (1967) 1 copy
Dryden: Selected Poems 1 copy
John Dryden, 1631-1700 1 copy
To the Memory of Mr. Oldham 1 copy
Why should a foolish marriage vow (included in The Norton Introduction to Literature - 5th Edition) 1 copy
A voyage to Sicily and Malta 1 copy
John Dryden bio 1631-1700 1 copy
Poetry 1 copy
John Dryden: The Critical Heritage: Volume 29 (The Collected Critical Heritage : The Restoration and the Augustans) (2013) 1 copy
The Rival-Ladies 1 copy
Cleomenes, The Spartan Heroe 1 copy
The Duke of Guise 1 copy
Of Dramatic Poesie Vol 1 1 copy
Of Dramatic Poesie Vol 2 1 copy
John Dryden, Vol 2 1 copy
Associated Works
Plutarch's Lives (0100) — Translator, some editions; Translator; Translator — 2,990 copies, 32 reviews
Paradise Lost [Norton Critical Edition] (1667) — Contributor, some editions — 2,424 copies, 14 reviews
Plutarch's Lives, Volume 1 of 2 (1992) — Translator, some editions; Translator — 1,679 copies, 7 reviews
The Making of a Poem: A Norton Anthology of Poetic Forms (2000) — Contributor — 1,470 copies, 9 reviews
The Best Poems of the English Language: From Chaucer Through Robert Frost (2004) — Contributor — 1,250 copies, 3 reviews
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 1,012 copies, 7 reviews
Plutarch's Lives of Themistocles, Pericles, Aristides, Alcibiades and Coriolanus, Demosthenes and Cicero, Caesar and Antony (1984) — Translator — 685 copies, 2 reviews
World Poetry: An Anthology of Verse from Antiquity to Our Time (1998) — Contributor — 497 copies, 2 reviews
Restoration and Eighteenth-Century Comedy [Norton Critical Edition] (1973) — Contributor — 282 copies, 2 reviews
Modern English Drama: Dryden; Sheridan; Goldsmith; Shelley; Browning; Byron (2004) — Contributor — 255 copies, 1 review
Ben Jonson and the Cavalier Poets [Norton Critical Edition] (1975) — Contributor — 237 copies, 2 reviews
Poems Bewitched and Haunted (Everyman's Library Pocket Poets Series) (2005) — Contributor — 231 copies
Twelve Famous Plays of the Restoration and Eighteenth Century (1933) — Contributor — 160 copies, 1 review
British Dramatists from Dryden to Sheridan (1934) — Contributor, some editions — 93 copies, 1 review
The Roads from Bethlehem: Christmas Literature from Writers Ancient and Modern (1993) — Contributor — 34 copies, 1 review
Out of the Best Books: An Anthology of Literature, Vol. 5: Community Responsibility (1969) — Contributor — 30 copies
PLUTARCH'S LIVES - Volume 2 — Translator, some editions — 7 copies
Covent Garden drollery; a miscellany of 1672 — Contributor — 5 copies
An English garner : ingatherings from our history and literature — Contributor, some editions — 4 copies
Shakespeare Adaptations: The Tempest, The Mock Tempest, and King Lear (1922) — Contributor — 3 copies, 1 review
The Plays of David Garrick: volume 7, Garrick's Alterations of Others, 1757-1773 (1982) — Contributor — 2 copies
The shipwreck, altered from Shakespeare and Dryden, with the original music by Smith, as performed at the Patagonian Theatre, Exeter-'Change — Contributor, some editions — 1 copy
London unwrapped : Aurora Orchestra with Iestyn Davies : The New Elizabethans : 25 September 2021 [text and translations] (2021) — Text — 1 copy
Plutarch's Lives, Volume 2 of 5 — Translator, some editions — 1 copy
A critical edition of Sir Robert Howard's The Great Favourite ; or, The Duke of Lerma (1988) — Author — 1 copy
Tagged
Common Knowledge
- Birthdate
- 1631-08-19
- Date of death
- 1700-05-12
- Gender
- male
- Education
- Westminster School, London
University of Cambridge (Trinity College) - Occupations
- poet
playwright
poet laureate
historiographer royal
critic - Awards and honors
- Poet Laureate of England (1668-1689)
Fellow of the Royal Society - Nationality
- England
- Birthplace
- Aldwincle, Thrapston, Northamptonshire, England, UK
- Place of death
- London, England, UK
- Burial location
- Westminster Abbey, London, England, UK
- Map Location
- UK
Members
Reviews
I'm not sure what to make of this edition.
The introduction is quite perfunctory, and one of the things it simply leaves out is an explanation/justification of the selection presented -- a selection which I find problematic.
For example, if this is really Dryden's "Major Works," where is The Hind and the Panther? At least one of his many plays should have been included as well (probably All for Love): even if Restoration drama is solidly not at the level of Shakespeare, Dryden was one of its show more major lights.
To my mind there is also, in general, not enough of Dryden's marvelous prose represented. Thank goodness there is some. I would gladly have sacrificed some of the many, many poetic translations given here to have had a better selection of prose.
Plenty of notes, but they are not always terribly helpful. In conclusion, this is a copious selection, but indifferently edited. It seems either lazy, or done by someone who was in the end not terribly enthusiastic about Dryden's work in the first place. show less
The introduction is quite perfunctory, and one of the things it simply leaves out is an explanation/justification of the selection presented -- a selection which I find problematic.
For example, if this is really Dryden's "Major Works," where is The Hind and the Panther? At least one of his many plays should have been included as well (probably All for Love): even if Restoration drama is solidly not at the level of Shakespeare, Dryden was one of its show more major lights.
To my mind there is also, in general, not enough of Dryden's marvelous prose represented. Thank goodness there is some. I would gladly have sacrificed some of the many, many poetic translations given here to have had a better selection of prose.
Plenty of notes, but they are not always terribly helpful. In conclusion, this is a copious selection, but indifferently edited. It seems either lazy, or done by someone who was in the end not terribly enthusiastic about Dryden's work in the first place. show less
I'm the kind of reader that eats up 18th Century satire, but despite my enthusiasm for that kind of work, John Dryden scares me. Perhaps it's because his name implies dryness (which is often true), or perhaps it's because, to my mind, his work doesn't sparkle in the way that his contemporaries' does (see Swift and Pope). Nevertheless, Marriage a-la-Mode is an amusing and surprisingly vulgar exploration of love and marriage, at a time when thoughts on both were changing radically.
The play show more features two overlapping but mostly independent plots: in one, the young royal Leonidas attempts to woe the fair Palmyra, but each has a unique relation to the usurper kind Polydamas, creating class conflicts that threaten their relationship. In the other, slightly less convoluted plot, friends Rhodophil and Palamede are each arranged into marriages that make them unhappy, but both are seeking mistresses that will ease their dissatisfactions. Unfortunately for both of the men, his mistress is the other's wife; hilarity, as expected, ensues.
The two plots, which deal in different ways with questions of class and identity, are really only tangentially related but play off each other in interesting thematic ways. The regal plot, which is the less interesting of the two, is fairly staid and inoffensive, and more strongly invested in political intrigue and masquerading than anything else. It is unsurprising that later stagings of the play omitted this plot entirely, but in the context of Dryden's original vision, it offers an interesting contrast to the more playful second plot.
It is in those scenes featuring Rhodophil and Palamede that Dryden's linguistic skills shine. The play's roguish characters are well-versed at double entendre and outright vulgarity, creating many plays on words that cut a blue streak across the already amusingly immoral proceedings. Perhaps time has dulled the effect of the barbs at French fakeness, but the rest of the dialogue remains lively and spry. The many near-misses between the would-be cuckolds are particularly wonderful, as they attempt to explain away coincidence after coincidence, unable to defend their own reasons but also unable to slay the other's hole-ridden arguments. The result is a pleasant diversion to the severity of the first plot.
For anyone who is hesitant to approach Dryden, Marriage a-la-Mode offers a wonderful point of entry. The New Mermaids edition particularly treats the original vision of the play as tantamount to later revisions, giving it a certain amount of artistic and scholarly authenticity. While not as well known as his other works, the play is still a great example of the wide breadth of Dryden's gifts as both a satirist and a poet. show less
The play show more features two overlapping but mostly independent plots: in one, the young royal Leonidas attempts to woe the fair Palmyra, but each has a unique relation to the usurper kind Polydamas, creating class conflicts that threaten their relationship. In the other, slightly less convoluted plot, friends Rhodophil and Palamede are each arranged into marriages that make them unhappy, but both are seeking mistresses that will ease their dissatisfactions. Unfortunately for both of the men, his mistress is the other's wife; hilarity, as expected, ensues.
The two plots, which deal in different ways with questions of class and identity, are really only tangentially related but play off each other in interesting thematic ways. The regal plot, which is the less interesting of the two, is fairly staid and inoffensive, and more strongly invested in political intrigue and masquerading than anything else. It is unsurprising that later stagings of the play omitted this plot entirely, but in the context of Dryden's original vision, it offers an interesting contrast to the more playful second plot.
It is in those scenes featuring Rhodophil and Palamede that Dryden's linguistic skills shine. The play's roguish characters are well-versed at double entendre and outright vulgarity, creating many plays on words that cut a blue streak across the already amusingly immoral proceedings. Perhaps time has dulled the effect of the barbs at French fakeness, but the rest of the dialogue remains lively and spry. The many near-misses between the would-be cuckolds are particularly wonderful, as they attempt to explain away coincidence after coincidence, unable to defend their own reasons but also unable to slay the other's hole-ridden arguments. The result is a pleasant diversion to the severity of the first plot.
For anyone who is hesitant to approach Dryden, Marriage a-la-Mode offers a wonderful point of entry. The New Mermaids edition particularly treats the original vision of the play as tantamount to later revisions, giving it a certain amount of artistic and scholarly authenticity. While not as well known as his other works, the play is still a great example of the wide breadth of Dryden's gifts as both a satirist and a poet. show less
"Et tu, Brute?" The famous Shakespeare line from Julius Caesar is how most of us know Marcus Brutus. Well, the ancient biographer Plutarch wrote an entire life of Brutus. Turns out, Marcus Brutus was a remarkable man living in remarkable times. Here are several quotes from Plutarch's text along with my comments.
"Brutus having to the goodness of his disposition added the improvements of learning and the study of philosophy and having stirred up his natural parts, of themselves grave and show more gentle, by applying himself to business and public affairs, seems to have been of a temper exactly framed by virtue." ---------- What praise from Plutarch the philosopher - describing Brutus as a man good by nature and a lover of wisdom who is both serious and kind in the political sphere. The ideal Roman!
But bad time to be a Roman since it's civil war: Caesar vs. Pompey. We read: "Thinking it his duty to prefer the interest of the public to his own private feelings, and judging Pompey's to be the better cause . . . Brutus placed himself under Pompey's command." ---------- Years ago, Pompey had Brutus's father murdered, but Brutus was able to put aside his private feelings and, placing his country first, supported Pompey. And Plutarch writes how "Caesar had so great a regard for Brutus that he ordered his commanders by no means to kill him in the battle, but to spare him, if possible, and bring him safe to him." Now that speaks volumes of Brutus's character -- even in a civil war, each leader wanted him on his side. And, to thicken the plot, Caesar knew Brutus was probably his son.
As we all know from our ancient history, Caesar wins and brings Brutus over to his side. But, alas, Brutus can see Caesar is an unjust tyrant and, along with his friend Cassius and other high-ranking Romans, Brutus make plans to assassinate Caesar. In his planning, Brutus consults an Epicurean. "Statilius the Epicurean held that, to bring himself into troubles and danger upon the account of evil or foolish men did not become a man that had any wisdom or discretion." ---------- Epicureans wanted little to do with the public life, especially if one has to deal with vicious fools. As it turned out, perhaps this was a bit of Epicurean wisdom worth heeding. (I had to throw this in since I am drawn personally to the philosophy of Epicurus).
Caesar is assassinated but Brutus and Cassius have Caesar's nephew to deal with, a 20 year old, also named Caesar. As per usual in the ancient world, this means war. After many battles all over the Roman empire, it all comes down to one big final clash. Now, as it turns out, the navy fighting on behalf of Brutus defeated Caesar's fleet. If Brutus knew about this critical navel success, he would have had no need to rush into the grand finale of a land battle. Plutarch writes: "But it seems, the state of Rome not enduring any longer to be governed by many, but necessarily requiring a monarchy, the divine power, that it might remove out of the way the only man that was able to resist him that could control the empire, cut off his good fortune from coming to the ears of Brutus. ---------- Ah, Plutarch was not only a biographer but a priest at Delphi. In Plutarch's worldview, no matter how virtuous and right-thinking a man may be, he will not succeed if the gods have other plans.
Surrounded by Caesar's army, Brutus does the honorable Roman thing - he has himself put to death. But before this, Brutus says: "He found an infinite satisfaction in this, that none of his friends had been false to him; that as for fortune, he was angry with that only for his country's sake; as for himself, he thought himself much more happy than they who had overcome, not only as he had been a little time ago, but even now in his present condition since he was leaving behind him such a reputation of his virtue as none of the conquerors with all their arms and riches should ever be able to acquire." ---------- Spoken like a true Greco-Roman philosopher! Brutus valued friendship and a reputation for personal virtue above all else. In this he joins Cicero, Seneca and the future great Roman emperor/philosopher Marcus Aurelius.
Plutarch’s Lives are available on-line: http://www.documentacatholicaomnia.eu... show less
"Et tu, Brute?" The famous Shakespeare line from Julius Caesar is how most of us know Marcus Brutus. Well, the ancient biographer Plutarch wrote an entire life of Brutus. Turns out, Marcus Brutus was a remarkable man living in remarkable times. Here are several quotes from Plutarch's text along with my comments.
"Brutus having to the goodness of his disposition added the improvements of learning and the study of philosophy and having stirred up his natural parts, of themselves grave and show more gentle, by applying himself to business and public affairs, seems to have been of a temper exactly framed by virtue." ---------- What praise from Plutarch the philosopher - describing Brutus as a man good by nature and a lover of wisdom who is both serious and kind in the political sphere. The ideal Roman!
But bad time to be a Roman since it's civil war: Caesar vs. Pompey. We read: "Thinking it his duty to prefer the interest of the public to his own private feelings, and judging Pompey's to be the better cause . . . Brutus placed himself under Pompey's command." ---------- Years ago, Pompey had Brutus's father murdered, but Brutus was able to put aside his private feelings and, placing his country first, supported Pompey. And Plutarch writes how "Caesar had so great a regard for Brutus that he ordered his commanders by no means to kill him in the battle, but to spare him, if possible, and bring him safe to him." Now that speaks volumes of Brutus's character -- even in a civil war, each leader wanted him on his side. And, to thicken the plot, Caesar knew Brutus was probably his son.
As we all know from our ancient history, Caesar wins and brings Brutus over to his side. But, alas, Brutus can see Caesar is an unjust tyrant and, along with his friend Cassius and other high-ranking Romans, Brutus make plans to assassinate Caesar. In his planning, Brutus consults an Epicurean. "Statilius the Epicurean held that, to bring himself into troubles and danger upon the account of evil or foolish men did not become a man that had any wisdom or discretion." ---------- Epicureans wanted little to do with the public life, especially if one has to deal with vicious fools. As it turned out, perhaps this was a bit of Epicurean wisdom worth heeding. (I had to throw this in since I am drawn personally to the philosophy of Epicurus).
Caesar is assassinated but Brutus and Cassius have Caesar's nephew to deal with, a 20 year old, also named Caesar. As per usual in the ancient world, this means war. After many battles all over the Roman empire, it all comes down to one big final clash. Now, as it turns out, the navy fighting on behalf of Brutus defeated Caesar's fleet. If Brutus knew about this critical navel success, he would have had no need to rush into the grand finale of a land battle. Plutarch writes: "But it seems, the state of Rome not enduring any longer to be governed by many, but necessarily requiring a monarchy, the divine power, that it might remove out of the way the only man that was able to resist him that could control the empire, cut off his good fortune from coming to the ears of Brutus. ---------- Ah, Plutarch was not only a biographer but a priest at Delphi. In Plutarch's worldview, no matter how virtuous and right-thinking a man may be, he will not succeed if the gods have other plans.
Surrounded by Caesar's army, Brutus does the honorable Roman thing - he has himself put to death. But before this, Brutus says: "He found an infinite satisfaction in this, that none of his friends had been false to him; that as for fortune, he was angry with that only for his country's sake; as for himself, he thought himself much more happy than they who had overcome, not only as he had been a little time ago, but even now in his present condition since he was leaving behind him such a reputation of his virtue as none of the conquerors with all their arms and riches should ever be able to acquire." ---------- Spoken like a true Greco-Roman philosopher! Brutus valued friendship and a reputation for personal virtue above all else. In this he joins Cicero, Seneca and the future great Roman emperor/philosopher Marcus Aurelius.
Plutarch’s Lives are available on-line: http://www.documentacatholicaomnia.eu... show less
Lists
Awards
You May Also Like
Associated Authors
Statistics
- Works
- 314
- Also by
- 73
- Members
- 2,575
- Popularity
- #9,977
- Rating
- 4.0
- Reviews
- 27
- ISBNs
- 259
- Languages
- 2
- Favorited
- 10














