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Brian Katcher

Author of Almost Perfect

6 Works 995 Members 57 Reviews

Works by Brian Katcher

Almost Perfect (2009) 564 copies, 29 reviews
The Improbable Theory of Ana and Zak (2015) 201 copies, 12 reviews
Playing with Matches (2008) 178 copies, 12 reviews
Deacon Locke Went to Prom (2017) 35 copies, 3 reviews
Everyone Dies in the End (2014) 16 copies
Marley's Ghost (2022) 1 copy, 1 review

Tagged

Common Knowledge

Gender
male
Education
University of Missouri, Columbia
Occupations
school librarian
writer
Places of residence
St. Louis, Missouri, USA
Mexico
Associated Place (for map)
St. Louis, Missouri, USA

Members

Reviews

64 reviews
Katcher flawlessly channels the worried and confused voice of a straight teenage boy in this honest and uncompromising take on transgender love. High-school senior Logan is stunned when outgoing new girl Sage reveals she is biologically a boy after they kiss for the first time. Logan realistically cycles through denial, anger and anxiety, finally reaching acceptance but constantly wondering whether he is brave enough to shrug off the deeply ingrained conventions of his rural upbringing. Sage show more is just as candidly drawn, struggling to balance her fear of being found out with her need to be seen as a “normal” girl. Domestic drama and personal tragedy ensue, and while the ending is not necessarily a happy one, both characters come full circle and begin to better understand both themselves and each other. The author tackles issues of homophobia, hate crimes and stereotyping with humor and grace in an accessible tone that will resonate with teens who may not have encountered the issue of transgender identity before. An excellent companion piece to Ellen Wittlinger’s Parrotfish (2007) and Jean Ferris’s Eight Seconds (2000). (Fiction. 14 & up)

-Kirkus Review
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Marley may be dead, but he's as much a character as anyone in this book. In fact, he reminds me of folks I've sat in AA meetings with over the years, crusty on the outside, but scratch them and you find they're filled with the marshmallow of regret. If our dead loved ones live on through our memories, then Marley is alive as anyone in the story. His unexpected death in a motorcycle accident hit his nephews the hardest. They, along with the Vanessa and Jessica, semi and not so semi love show more interests, all suffer from what I'll call the Fizbin of self-doubt. Aaron is held hostage by fear...fear that his beliefs aren't enough, fear that his adoption might somehow dissolve, leaving him alone. Kyler's albatross is his having been sickly in his infant years ailments that still have his mother keeping him in metaphorical diapers.
When the two boys spend time at Marley's fishing camp, a fond place for Kyler, but one Aaron never got a chance to visit, they're surprised by a scruffy dude who doesn't know they're there, and after they chase him off, Kyler finds an envelope with numerical clues. It's Jessica who realizes they're GPS coordinates and what ensues is a road trip to a park in South Carolina that unfolds like a Hope and Crosby road picture crossed with PG rated Bonnie and Clyde.
All four teens come to interesting realizations during this adventure and, while it at first seems like they've lost, the opposite is true and the book ends with a neat teaser. I hope that turns into a second book.
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Schon mal auf einer Sci-Fi-Comic-Convention gewesen? Ich noch nicht, aber nach dem Lesen dieses Buches hätte ich richtig Lust dazu. Denn der Autor hat dies so bilderreich und witzig beschrieben, dass ich mir am liebsten sofort eine Eintrittskarte dafür gekauft hätte. Leider ist nicht das ganze Buch so mitreißend, weshalb es nur für vergleichsweise wenig Sterne gereicht hat.
Ana und Zak, die beiden Hauptfiguren des Buches, haben nicht viel gemeinsam, wenn man davon absieht, dass sie auf show more dieselbe Schule gehen. Während Anas Leben nur aus Pflichten und Lernen zu bestehen scheint, genießt Zak das Leben und schenkt der Schule maximal so viel Aufmerksamkeit wie unbedingt nötig. Zufälligerweise nehmen Beide an einer Quiz-Meisterschaft in Seattle teil und als Anas kleiner Bruder verbotenerweise verschwindet, um auf die gleichzeitig stattfindende Sci-Fi-Comic-Con zu gehen, hilft Zak Ana, ihn dort wiederzufinden.
Zwei Jugendliche, die so unterschiedlich sind wie man es nur sein kann, auf der Suche nach einem 13jährigen Jungen auf einer schrägen Veranstaltung mit hunderten, wenn nicht sogar tausenden seltsamer Menschenwesen - das verspricht Verwicklungen und Chaos. Und dieses Versprechen wird gehalten, denn sie landen in einer gigantischen Schlacht, in der Ninjas, Konquistadoren, Wikinger, Kreuzritter, Orks, Zwerge undundund die Schlacht von Badon Hill nachstellen; Ana sprengt eines der wichtigsten Turniere des Festivals; Zak wird von einem wildgewordenen Wikinger gejagt - es geht drunter und drüber. Zu all dem werden beide in ein Gefühlschaos gestürzt, denn Zak findet Ana immer anziehender je weiter der Abend (bzw. die Nacht) voranschreitet und Ana muss feststellen, dass der scheinbare Hallodri ein verantwortungsbewusster und sympathischer junger Mann ist. Und dass Beide eine Vorstellung von ihrem jeweiligen Gegenüber haben, das nur in Teilen mit der Realität übereinstimmt.
Hört sich alles nicht schlecht an - und das ist es auch nicht. Wenn, ja wenn nur nicht der Anfang und das Ende wären. In einer Art erstem Teil werden die Konflikte dargestellt, die die beiden jungen Menschen mit bzw. wegen ihrer Eltern haben. Doch die Art, wie Ana und Zak damit umgehen, passt so gar nicht zu den Persönlichkeiten, die man ihm Laufe des Buches kennenlernt. Viel zu überzogen und wenig glaubwürdig handeln die Beiden; Zak wie ein pubertärer Zwölfjähriger und Ana wie ein kleines Mädchen ohne jedes Selbstvertrauen und Selbstbewusstsein. Am Ende hingegen wird diese chaotische Nacht durch eine Drogengeschichte noch derart gepusht, dass man fast glauben könnte, einen Actionthriller zu lesen. Dabei ist bereits derart viel geschehen, dass das überhaupt nicht nötig gewesen wäre.
So bleiben gemischte Gefühle: Ein toller Mittelteil mit einer Liebesgeschichte, die durchaus auch Jungs gefallen könnte - und ein Rest, bei dem weniger deutlich mehr gewesen wäre. Vielleicht beim nächsten Mal?
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Review also posted on my blog: https://bennilovesbooks.wordpress.com/2017/08/11/review-almost-perfect-by-brian-...

Hello, dear reader! We need to talk about this book. More specifically, I need to talk about this book, and why I believe that both cis and trans readers should avoid it at all costs.

Here is a fair warning that I’m likely going to be heavy on spoilers. I don’t particularly care because 1.) the spoilers I will be including will be heavily problematic, and 2.) hopefully if I show more spoil the book for you and you haven’t read it yet, you’ll decide to spend your hard-earned money on some other book (how about If I Was Your Girl instead?).

***BEGIN SPOILERS***

Let’s start with all of the transphobia in the book. Logan, our narrator, makes a pretty big deal out of the fact that he doesn’t see Sage as a girl, and even when he does recognize her as a girl, he does it in a way in which he makes it clear that she is a “different” kind of girl or “not fully” a girl. This is never resolved. Logan never gets over this. The only redeeming thing Logan has going for him when it comes to Sage’s gender is that he almost never uses incorrect pronouns for her after his initial confusion over what pronouns he's supposed to use… EXCEPT for that one time out of spite where he uses “she/he/it” to refer to her. He makes it clear that he says this because he’s angry, but he never apologizes for this, and this is a problem because it’s really not okay to misgender someone just because you’re angry with them. Sage is never recognized as the full woman that she is throughout the entire book, and it’s rather sickening.

Additionally, there is a massive amount of focus on Sage’s appearance throughout the book. Logan sees her as this tall, strange-looking girl with a deep voice when they first meet, and even though at this point she is passing without a hitch and Logan doesn’t know that she’s trans, he still can’t help but point out how different she is and how some of her behaviors are things that other girls would never do. A lot of these behaviors are coded as being “guy behaviors” and try to connect the idea that Sage isn’t really a girl back to the way she behaves. On top of that, after Sage comes out to him Logan will not stop scrutinizing Sage’s body in an attempt to find the “masculine” parts of her. This includes obsessively staring at her crotch in order to try to locate her penis as well as spending multiple pages talking about how shocked he is to find out that OH MY GOD THIS TRANS GIRL HAS REALLY BIG BOOBS AND THEY’RE REAL HOW IS THIS A THING WHY DO I LIKE THESE BOOBS (side note: you know that a book is written by someone who has never in their life worn a bra if they make a huge deal out of 36B being a gigantic size when, relatively speaking, it’s really not because that size is for roughly a 36-inch underbust and a 38-inch overbust, which is only a 2-inch difference. In fact, most of the people who wear that size are most likely wearing the wrong size bra. Check out r/ABraThatFits for more information on proper bra sizing.) While he hadn’t viewed her as such before she came out, Logan also refers to Sage as “burly” and discusses features that now look masculine to him that he didn’t see that way previously. Overall, this kind of scrutinization of Sage’s body comes off as obsessive and creepy, and it’s so not okay. Once again, this is something that Logan does not get over at all.

The discussion at the end of the book about whether Sage should “go back to being a boy” was also incredibly offensive. Sage is a girl. Being a girl wasn’t her choice; presenting as one was. Sage’s sister Tammi, whom I liked up until this point, decides that because of how Sage is treated for being trans, she shouldn’t have been supportive and it’s her fault that Sage is getting beat up by random strangers because Tammi wanted to have a sister, wanted her parents to let her do things and scrutinize Sage instead, and decided she really shouldn’t have encouraged Sage the way she had.

No. No no no no no.

The only supportive person Sage had in her life was Tammi. Tammi was the only person who saw Sage as her sister and not as “something” else. What is the author thinking by taking that last little shred of support away from Sage? Why would you do this? This is beyond disgusting and an excellent example of what not to do, be it with a character you are writing or an actual human being.

The set-up for Logan to “convince” Sage that she shouldn’t de-transition was eye-rolling. Logan has not been supportive and he still hasn’t learned a damn thing about trans people. Why is he the character doing this, exactly? Oh, yeah. Because he wants to redeem himself. The execution here fell incredibly flat — trans people do not need cisgender, transphobic white dudes telling them who they should be. They just don’t. Logan is out of his depth and out of his lane.

Much of the language used to describe trans people in this book is also offensive. “Transgendered” is a verb. Trans people are not verbs. Do not use this word. “Really a boy” is bullshit. Sage is not a boy. Sage is a girl. Additionally, using that phrase to come out is incredibly unrealistic — no passing trans person is going to look at another person and say “I’m x-gender-that-I-was-assigned-at-birth.” It’s just not going to happen because the person doesn’t actually believe that they are that gender they were assigned.

Logan is extremely homophobic and also pretty damn violent when it comes to learning that Sage is trans. First off, the very first thing he says about “what’s the worst that could happen?” when pursuing Sage, before her big “trans reveal” is that he found out what the worst could possibly be. He actually said, as a narrator speaking in the past tense, that what had happened — Sage being trans — was the worst possible thing that could happen. He was so focused on her genitals that even though he had real feelings for her, he could not view her as a whole person on her own and that her being who she is was actually terrible for him. Oh, poor Logan.

The literal first thing he does when he learns that Sage is trans after he kisses her is to run off and vomit. Real nice, Logan. He then spends several pages (and many other points throughout the book) ruminating over the fact that kissing a trans person might make him gay, going so far as to using the f-slur and thinking about putting her in the hospital and calling her a “sicko.” Then when some guy actually does that to Sage later, he can’t possibly imagine why someone would want to do that to her. Really now? because 200 pages ago, Logan, you were literally contemplating the exact same thing.

Let’s take a second to discuss the choice of setting. I grew up in a town that was half the size the one Logan lived in, so I can say with quite a bit of confidence that the transphobia and the homophobia present in the book’s setting was realistic. Having said that, if Sage’s parents really wanted to make sure that no one they knew would find out Sage was trans, then why the fuck did they pick a small town to move to?! Sure, they knew no one there when they moved, but they’d meet people eventually, and if someone did out Sage to others, it would spread through that small town like wildfire and then everyone would know. If they really wanted to keep it quiet, they should have picked a large city where they know nobody because gossip does not spread in a large city like it does in a small town. In a large city, a few people will know, but hardly any of them are going to say anything about it, and it’s nearly impossible for everyone to find out about something. In a small town, though? Every single person is going to find out about the latest gossip in the span of a week. And then what do you do? Do you just keep hopping from small town to small town for the rest of your life? This decision boggles my mind. To be fair, based on Sage’s lack of knowledge about small town life, it’s possible that her parents didn’t know what a small town would be like, either. This decision just feels so, so unrealistic to me though. You don’t move a child that sticks out like a sore thumb to a homogeneous, transphobic, homophobic, microscopic town in hopes that they’ll blend in and stay out of trouble. You just don’t. I feel like the setting was placed as it was just so that transphobia and homophobia (and conservativism in general) would be more rampant so that the author could try to hit his point home harder.

Logan is the world’s worst friend, and not only toward Sage. His “best friend” Tim, who is that one stereotypical “Asian” kid in the tiny high school, is mistreated by Logan at every turn. (Side note: I really want to know how the author, who is not Japanese, pronounces “Tokugowa,” Tim’s last name. “Tokugawa” was the surname of the military government during the Edo/Tokugawa period, and considering how large that name was I kind of wonder if he was going for “Tokugawa” instead. They are not pronounced the same.) While racism towards Tim is a problem, what’s a larger problem is how frequently Logan fat-shames Tim. Logan cannot see Tim once without commenting on his weight. Tim is fat, and while we don’t see enough of him to know for sure, it doesn’t look like it bothers him all that much. It does, however, seem to bother Logan to no end. He endlessly comments on how much and how often Tim is eating, and how fast Tim eats his food, and he seems genuinely disgusted by his friend. He also states at one point that Tim “obviously” isn’t seeing anyone without giving any further explanation, and the implication here is that Tim can’t find a date because he is fat. Spoiler alert: Tim has a happy relationship and him being fat doesn’t seem to affect it at all. After finding this out, Logan doesn’t show any sort of guilt for his negativity towards Tim’s dating life, and it’s pretty disgusting how little support he gives his friend because he is fat. Additionally, Logan makes comments about some girls being “too skinny.” These things combined with all of the focus on Sage’s body show that Logan seems to have a real problem with people not looking the way he thinks they should look, and this is pretty controlling and creepy.

Sage says that Logan is her best friend, and I find this incredibly sad because she could do so much better than him. Why couldn’t she ditch him and go find other friends? Other people at their school exist. She plopped down in front of him in class and apparently made a pretty terrible choice in friend. We don’t see how her other classmates (other than Logan’s other friends and ex-girlfriend) see her at all — who’s to say that none of them would be willing to be her friend? Logan invalidates her gender, has violent thoughts toward her, considers her gender to be the worst possible thing that could happen to him, and yet he still thinks that he is worthy of being her friend even though he never actually progresses on any of these issues except for the violence. He still doesn’t see her as a girl — he sees her as something like a girl, but not as an actual girl. Logan is selfish and doesn’t actually care about Sage — he just cares about how he looks when he interacts with her. She deserves better.

***END SPOILERS***

I vehemently disagree with anyone who says this book is important. I am a nonbinary trans person, and the last thing I needed was a cisgender guy “oh, maybe trans people aren’t so bad after all” story. This book invalidates the gender of trans individuals, and it serves as an incredibly poor example for cis readers as well. It teaches them that trans people are people, yeah, but it perpetuates the idea that trans women aren’t really women and that being trans is a choice, and it never fully addresses that. It never fully addresses that a straight guy being attracted to a trans girl is not gay (though Sage says this is not true, Logan’s constant ruminating over this serves to invalidate her statement). And it makes the story about the hardships of being a trans teenager all about the poor, sad, so terribly distressed cis straight white male teenager who happens to be attracted to her.

I’m embarrassed that this book won a Stonewall Award. Trans teens, your gender is valid and real, and you deserve so much better than this book. Cis teens (and all other cis people), do not take your cues on how to interact with trans people from this book. Again, have you tried If I Was Your Girl yet? That book handles all of this so much better, and it deserves to be read.

Final rating: 1 out of 5 stars
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Works
6
Members
995
Popularity
#25,893
Rating
½ 3.6
Reviews
57
ISBNs
36
Languages
3

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