Eric Maisel

I've been reading a number of books dealing with the themes tackled in COACHING THE ARTIST WITHIN: artist fears, doubts, anxiety, blocks, stalled projects, etc. Maisel's book is a wonderful addition to my growing keeper shelf of books to reconnect with when the creative life becomes too much to bear, when I wonder why I bother at all, and when I start to think I'd be better off making widgets on an assembly line.

Maisel addresses the issues all artists face with plenty of compassion, but he show more doesn't sugar-coat the important issues, either. He makes it abundantly clear that hard work is needed to succeed, and he's not afraid to give artists a good kick in the behind to get them moving again. Perhaps most important of all is the way he encourages each of us to become our own creativity coaches. Empowering and motivating, COACHING THE ARTIST WITHIN is a must-read for anyone struggling to find meaning in his or her creative work. (A) show less

I have had this book on my shelf for years, waiting for the right time to pick it up. It was given to my husband and me before our first trip to Paris. Neither of us read it then, but I just felt like now was a good time since we have had to cancel our current (and fourth) Paris trip due to COVID-19. Would this short book substitute for a trip to Paris? Actually, it was a fun way to virtually visit one of my favorite places. And to make plans for the next trip. In some ways it's a "how-to show more write" book without containing writing technique tips. But it's really more of a motivator with Paris as the setting. The writing style is upbeat and humorous. I found myself laughing out loud many times. What I especially liked was the lists of museums, bookstores, cafes, and day trips. So it's also a travel guide with lots of illustrations, fun historical facts, tips about various things to do on a budget and also encouragement to get you to write, if that's what you want to do when visiting the City of Light. show less

The first chapter of this book is so interesting I’m finding it hard not to quote the whole thing. Maisel, who holds degrees in philosophy (B.S.), psychology (B.A.), creative writing (M.A.), counseling (M.S.), and counseling psychology (PhD) discusses what a personality is, the traditional psychologist’s theories, clinicians and experimenters, and how little is actually known or provable from a scientific stand point about personality.

He asserts “Fiction writers have a leg up on show more psychologist when it comes to understanding personality and character. To put it differently: Fiction writers are our real psychologist.” I love this perspective and after reading Maisel’s take on the failing of psychologist to actually define a personality theory, I’m fascinated.

Writers get to make up characters, defining who they are, what motivates them, how those characters interpret and respond to their world. And while what the writer creates is artificial, it is a depth of understanding human motivation and personality that rivals what psychologist have tried to understand and theorize about because we get to be inside the characters head.

Though there are plenty of theories of personality, they don’t hold up to the real scientific rigor of analysis. A real theory is provable and results reproducible, human personality theories are not. Freud, the father of psychoanalysis in the late nineteenth century, led the psychology movement down the path to experiments which led to a plethora of theorist. “...Gustave, Jung, Adler, Horney, Kelly Erikson...” their major ideas have not led to any one conclusive theory. In fact, “...no psychologist, psychiatrist, family therapist, or clinical social worker, could say, except guess, what caused depression, anxiety addiction psychosis or any of the other ailments that befall people.”

Without a concrete theory that explains why we suffer from these psychological maladies, “...health care professionals are left with three ways of dealing with our emotional health.” Medication, clinical methods(psychoanalysis), or behavioral changes. “Or they could do what natural philosophers have done for thousands of years, use their common sense and their understanding of human nature– and a lot of wit and warmth– to affect behavior changes.”

There are plenty of health professional who work this way. “There turned to be all the difference in the world between standing behind a theory and having insight into human nature. The first could be called pseudo-science: the second, wisdom.” To me, it this wisdom of noticing and being in touch with humanity that gives writers the basis for building characters that are alive and real on the page.

Maisel goes to discuss academia, the problems with diagnosis, and testing. Basically he wants you, the writer, to realize that professional psychologist are no more an expert on why humans do the things they do than you are. In fact writer have the advantage of being able to get inside the subjects head and know why a character is behaving the way they do, what exactly is motivating them and their secret wishes and desires. No therapist can do that.

The majority of the book is Maisel’s “personality quizzes for analyzing your characters.” Scenarios are proposed, such as “At the Airport” and questions asked with answers provided. The answer you pick for your character have a small synopsis explaining what that might reveal about your character. The first question about the airport is about waiting, if you chose the answer, “A. Restless?” you’d find out “ Waiting restlessly is consistent with type A character whose appetites, ambitions and high energy level make it impossible for him to relax.” While I found them interesting, they ended up not serve a purpose for me in this study. I was more intrigued by his ideas of personality and the writer than any of the exercises. Though I wouldn’t hesitate to try out the exercise if I ever feel stuck or wanted to do character building exercises for practice. show less

I read this book while still in school writing short stories for the first time. This is a review I wrote then, eight years ago.

Maisel’s book supports the notion that writers can take control of the process of writing through a series of practical exercises, which allows one to write “...passionately and well about those things that really matter to you.”

One facet of the writing process that perplexed me is how one develops an idea. The second of Maisel’s principles deals with show more intention. I hadn’t realize how bereft of intention I was till I worked through laying out an action plan that includes Maisel’s TIPS exercise, “Themes, Intention, Plan, Steps.”

Throughout the book he uses examples of five fictional writers to illustrate the different ways one might utilize the exercises. Since I have no writers in my life, I found it helpful to experience these exercise through these imagined writers and how they may be utilized.

I was surprised to find such a practical and sensible chapter on choice. Primarily, the choice of writing for yourself or for the marketplace. He explains the reality of a writers life and points out choices you can make that may be of more benefit to you commercially. And more importantly,that writing with the intention of keeping the marketplace in mind doesn’t make you a sell out or creatively inferior. He points out the perils and pitfalls of writing for both yourself and the marketplace, leaving the choice of importance up to you.

The other principles, Honoring the Process, Befriending the Work, Evaluating the Work, and Doing What’s Required, brings you more fully into the process. I enjoyed working through this book, and developed a deeper understanding of the writing routine.

I’d recommend this book to any writer struggling with taking their work more seriously. show less