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369+ Works 5,422 Members 76 Reviews 9 Favorited

About the Author

Born near Pittsburgh, Pennsylvania, of immigrant Czech parents, American artist Andy Warhol studied art at the Carnegie Institute in Pittsburgh. He then worked as a commercial artist in New York City. In the early 1960s, Warhol became the most famous pioneer of "pop art," which used comic books, show more advertisements, and consumer goods as subject matter. Warhol's colorful paintings of Campbell's soup can labels, boxes of Brillo pads, and celebrity icons such as Marilyn Monroe, became among the most recognizable examples of pop art. Warhol was also a filmmaker as well as a painter and graphic artist; his more memorable films include Trash (1969) and Frankenstein (1973). His studio, called "The Factory," became infamous as a locale for eccentrics and eccentric behavior, much of it associated with the New York drug scene. It was Warhol who predicted that, "in the future, everyone will be famous for 15 minutes." (Bowker Author Biography) show less

Series

Works by Andy Warhol

The Andy Warhol Diaries (1989) 973 copies, 12 reviews
POPism: The Warhol Sixties (1980) 477 copies, 7 reviews
a: A Novel (1968) 175 copies, 1 review
Fame (PENGUIN MODERN) (2018) 139 copies, 1 review
America (1985) 101 copies, 1 review
Cats, Cats, Cats (1994) 86 copies, 1 review
New York (1980) — Interview — 67 copies, 1 review
Andy Warhol's exposures (1979) 63 copies, 1 review
Wild Raspberries (1997) — Author — 50 copies, 1 review
Angels, Angels, Angels (1994) 42 copies
Andy Warhol, portraits of the 70s (1979) 41 copies, 2 reviews
Warhol: Headlines (2011) 40 copies
Andy Warhol: Photography (1999) 39 copies, 3 reviews
Andy Warhol Nudes (1996) 38 copies, 2 reviews
Nadar/Warhol, Paris/New York: Photography and Fame (1999) — Artist — 37 copies, 1 review
Andy Warhol: a Factory (1998) 34 copies, 1 review
Andy Warhol : Men (2004) 34 copies, 1 review
Andy Warhol's Party Book (1988) 31 copies, 1 review
Love, Love, Love (1995) 29 copies
Style, Style, Style (1997) 27 copies, 2 reviews
Andy Warhol | Ai Weiwei (2015) — Artist — 27 copies, 1 review
Ho, Ho, Ho! (1995) 24 copies
The Prints of Andy Warhol (1990) 24 copies
Andy Warhol's index (book) (1967) 22 copies, 1 review
Andy Warhol (2011) 21 copies, 1 review
Andy Warhol Cars: Werner Spies (1988) — Artist — 19 copies
Andy Warhol: Red Books (2004) 19 copies, 1 review
Warhol Shadows (1987) 18 copies
Warhol-isms (2022) 16 copies
Warhol's World (2006) 15 copies
Andy Warhol Drawings (2012) 15 copies
Warhol 14 copies, 1 review
Andy Warhol at Christie's (2012) 12 copies, 1 review
Andy Warhol: Art From Art (1994) 11 copies
A Coloring Book (1990) 11 copies
Andy Warhol: Flowers (2012) 10 copies
Andy Warhol: Cars: Business Art (2003) — Artist — 9 copies, 1 review
Andy Warhol: Mao (2006) 9 copies
Andy Warhol: Headshots (2000) 8 copies, 1 review
Diarios (1990) 7 copies
Warhol : Bardot (2011) 7 copies
Andy Warhol Birthday Book (1989) 7 copies
Andy Warhol's Hats (2006) 6 copies
Portraits of Ingrid Bergman (1983) 6 copies, 1 review
Warhol: A Postcard Book (1989) 6 copies
Lenin By Warhol (1987) 5 copies
Warhol Women (2019) 5 copies
Entretiens 1962-1987 (2006) 5 copies
The Chelsea Girls (2004) 5 copies
Women in Revolt [1972 film] (2005) — Producer — 5 copies
Andy Warhol's Interview (2004) 5 copies
Lonesome Cowboys (2006) 4 copies
Andy Warhol [1987 documentary film] (1996) — Self — 4 copies
Andy Warhol (1999) 4 copies
Andy Warhol (1997) 3 copies
Warhol : pop art (2006) 3 copies
Andy Warhol: Kiku (2004) 3 copies
Andy Warhol Porträts (2012) 3 copies
Andy Warhol, Dollar Signs (2004) 3 copies
Vesuvius (1985) 3 copies
Rorschach paintings (1996) 3 copies
Duty Free (2000) 3 copies
Collaborations (1996) 3 copies
Photography (1999) 3 copies
Reigning Queens (1985) 3 copies
Andy Warhol: Unique (2014) 3 copies
Ladies and gentlemen (1975) 2 copies, 1 review
Blow Job (1963) 2 copies
Andy Warhol: Grapes (2015) 2 copies
Photographs 2 copies
Andy Warhol Graphic Works (2006) 2 copies
Ein Sonntag in New York (1993) 2 copies
Andy Warhol, Mr. America (2009) 2 copies
Andy Warhol Andorra (2006) 1 copy
Frankenstein 1 copy
Hormigueo 1 copy
Empire 1 copy
Kiss 1 copy
100 Cans 1 copy
Cat 1 copy
Andy Warhol 2001 (2000) 1 copy
"Amiga Andy" 1 copy
My Hustler I a man (2005) 1 copy
Andy Warhol Skulls (2008) 1 copy
Andy Warhol : the bomb (2006) 1 copy
Mick Jagger, 1975 (1975) 1 copy
Andy Warhol abstracto (1994) 1 copy
Dia�s Andy 1 copy
Marilyn (2002) 1 copy
Flowers (Sunday b. Morning) 1 copy, 1 review
Katzen, Katzen, Katzen (1999) 1 copy
Andy Warhol (1989) 1 copy
Das Tagebuch (1989) 1 copy
Mickey Mouse Printbook (1993) 1 copy
A, a novel by Andy Warhol 1 copy, 1 review

Associated Works

Chicken Chicken (1997) — Cover artist, some editions — 718 copies, 9 reviews
The Assassin's Cloak: An Anthology of the World's Greatest Diarists (2000) — Contributor, some editions — 624 copies, 9 reviews
Warhol (1989) — Cover artist — 602 copies, 2 reviews
Collected Stories (1985) — Cover artist, some editions — 556 copies, 2 reviews
Amy Vanderbilt's Complete Cookbook (1961) — Illustrator, some editions — 198 copies, 3 reviews
The Velvet Underground & Nico (1967) — Producer — 153 copies, 4 reviews
Best in Children's Books 07 (1958) — Illustrator — 112 copies
Best in Children's Books 27 (1959) — Illustrator — 107 copies
Best in Children's Books 21 (1959) — Illustrator — 102 copies
My 1980s and Other Essays (2013) — Cover artist — 97 copies, 2 reviews
The Art of Mickey Mouse: Artists Interpret The World's Favorite Mouse (Disney Miniature Series) (1991) — Illustrator, some editions — 95 copies, 3 reviews
Amy Vanderbilt's Everyday Etiquette: Answers to Today's Etiquette Questions (1952) — Illustrator, some editions — 93 copies
Best in Children's Books 33 (1960) — Illustrator — 90 copies
The Cool School: Writing from America's Hip Underground (2013) — Contributor — 86 copies, 2 reviews
Jackie Under My Skin: Interpreting an Icon (1995) — Cover artist, some editions — 85 copies, 2 reviews
Pop Art Redefined (1969) — Interview — 73 copies, 1 review
Best in Children's Books 05 (1957) — Illustrator — 73 copies
Saturday Night Live: The Complete First Season 1975-1976 (2006) — Director, some editions; Director — 69 copies
Querelle [1982 film] (1982) — Cover artist, some editions — 54 copies
Andy Warhol: Series and Singles (2000) — some editions — 45 copies
Flesh for Frankenstein [1973 film] (1973) — Producer — 39 copies, 1 review
Blood for Dracula [1974 film] (1974) — Producer — 37 copies
The Grand Mademoiselle (1960) — Cover designer, some editions — 35 copies
Demian / The Journey to the East (1972) — Cover artist, some editions — 33 copies
Treasures IV: American Avant-Garde Film, 1947-1986 (2009) — Contributor — 26 copies
Vanishing Animals (1986) — Illustrator — 22 copies
The Strange Case of Lucile Clery (1932) — Cover artist, some editions — 19 copies, 1 review
Tate Introductions : Warhol (2014) — Artist — 17 copies
Revolution of the Eye: Modern Art and the Birth of American Television (2015) — Cover artist, some editions — 16 copies
Flesh [1968 film] (1998) — Producer — 12 copies
Heat [1972 film] (1998) — Producer — 11 copies
Trash [1970 film] (1998) — Producer — 11 copies
The Queen [1968 film] (1968) — Self — 9 copies
Forbidden childhood (1957) — Cover designer — 7 copies
The Universe of Keith Haring [2008 film] (2008) — Archive footage — 5 copies
Andy Warhol Et Al: The FBI File on Andy Warhol (1988) — Associated Name — 4 copies
What Makes a Man G.I.B.* *Good in Bed (1979) — Contributor — 2 copies
Cocaine Cowboys [1979 film] (1979) — Self — 2 copies, 1 review
Querelle: Original Motion Picture Soundtrack (1982) — Cover artist, some editions — 2 copies
Andy Warhol : Tate Modern: 12 March - 6 September 2020 (2020) — Cover artist — 1 copy
Andy Warhol: Pop Up Pop Art - The Silver Factory (2022) — Illustrator — 1 copy
Elizabeth II : 1926-2022 : A royal life (2022) — Illustrator — 1 copy

Tagged

1960s (28) 20th century (24) Andy Warhol (270) art (569) art history (60) artists (39) autobiography (70) biography (106) catalogue (42) culture (22) diary (69) drawing (24) essays (22) exhibition catalogue (50) fiction (24) film (22) gay (25) history (22) memoir (79) monograph (38) New York (47) non-fiction (176) painting (50) philosophy (67) photography (86) pop art (151) pop culture (42) to-read (123) USA (49) Warhol (164)

Common Knowledge

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Discussions

Recent viewings in Experimental Film and Video (April 2013)

Reviews

89 reviews
POPism is a surprisingly slow, though still very enjoyable, read. Why does it drag so? Isn't pop, by its very nature, supposed to be easily consumed and digested? After all, we're talking about a style that isn't supposed to take itself seriously, present nothing meaningful beyond surface appearances (and those superficial appearances aren't supposed to be meaningful either, are they?), find the easiest route along the flashiest path, coalesce and decay quickly, look modish and hip, never show more sleep (with the help of copious amphetamines), talk brilliantly if nonsensically, be entirely accessible and "real," and embrace the spirit of everything goes *and* everything is good.

Is "everything goes," good?

My suspicion is that this account of the 60s, which in tone sounds more like Hackett to me even if the content is Warhol, betrays the bleak possibility that pop fun is merely the glossy front for parasitic and self-destructive a-heads, vapid (though sometimes attractive) style over non-existent substance, tedious self-involvement, rank consumerism, and the dread nihilism of Nietzschean transvaluation of values. Not for nothing did critics accuse Warhol of base exploitation and amorality. Warhol writes about Tiger Morse in a way that others could have written about him:

I've heard people say, "Tiger Morse was a fraud." Well, of course she was, but she was a real fraud.

Oh. Not sure if that is supposed to explain or excuse or both. Either way, I can admit to a persistent desire at this point and throughout the entire book: tell me more.

Warhol notes that what started as a chaotic open house atmosphere at The Factory in the early and mid 60s ended with a sense of doom and downright violence. MLK, Jr. and RFK were both assassinated, and even Warhol himself took a bullet from which he never psychologically recovered. Was it inevitable that Warhol would be shot by Valerie Solanas? Perhaps it was.

Throughout this book, which is a worthy read, I heard Allan Bloom shouting over the din created by the Velvet Underground and the "happenings" of the Exploding Plastic Inevitable. In The Closing of the American Mind, Bloom writes,

Around the campus disruptions and the student movement there has grown up a mythology...that the fifties were a period of intellectual conformism and superficiality, whereas there was real excitement and questioning in the sixties. McCarthyism--invoked when Stalinism is mentioned in order to even the balance of injustice between the two superpowers--symbolizes those gray, grim years, while the blazing sixties were the days of "the movement" and, to hear its survivors tell it, their single-handed liberation of the blacks, the women and the South Vietnamese. Without entering into the strictly political issues, the intellectual picture projected is precisely the opposite of the truth. The sixties were the period of dogmatic answers and trivial tracts. Not a single book of lasting importance was produced in or around the movement. It was all Norman O. Brown and Charles Reich. This was when conformism hit the universities, when opinions about everything from God to the movies became absolutely predictable. The evidence brought from pop culture to bolster the case for the sixties--that in the fifties Lana Turner played torchy, insincere adulteresses while in the sixties we got Jane Fonda as an authentic whore; that before the sixties we had Paul Anka and after we had the Rolling Stones--is of no importance. Even if this characterization were true, it would only go to prove that there is no relation between popular culture and high culture, and that the former is all that is now influential on the scene.

A lament from Allan Bloom; a victory for Andy Warhol. Truly, what a fascinating time to read about and POPism a wonderful book from which to dive in.
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Warhol didn't actually write the book, just as he didn't actually paint most of his works himself. He had a tape recorder into which he poured his thoughts, and an assistant with whom he worked to transcribe and edit what he chose to publish. The book is made up of sections rather than chapters, as it has no real narrative thread. Each section is given a title such as money or art, and Warhol simply reels forth his ideology, thoughts and musings on the subject. Luckily he was an extremely show more odd man with an unusual way of looking at the world, which is what makes the book so entertaining. He had a fascinating relationship with his art and the people around him and enough wit and humour to take the edge of what might otherwise come across as highly pretentious musings. If you want to know about Warhol and what his art means, this is as good a place as any to start. show less
Call me a philistine, but I never quite understood the whole thing about Warhol's soup labels or Monroe's portrait. They're cool, but not my idea of art in terms of Art of the Ages.

But boy, do I love his cats! This short, 10 minute read is full of Warhol's gorgeous, whimsical drawings of cats and this is the art I can get behind. If I were amongst the money-to-burn crowd, I'd bypass Warhol's Mao and opt for his Meow. (Sorry, had to be done.)

Each exquisite feline is coupled with a quote of show more Warhol's, and while they're not bad, the cats are better. show less
Well, it's Andy Warhol, so it's pretty much what you'd expect. Generally speaking, his secretary Pat Hackett did a fine job of turning Warhol's recollections into a readable book, but she made him sound nicer than he was. Even in the sympathetic biographies (like Victor Bockris's), Warhol doesn't come off as the harmless, almost goody-two-shoes voyeur he tries to be in POPism, so take this portrayal with a grain of salt.

It's never directly stated, of course, but this book isn't about the show more 1960s: that's just the incidental garnish. It's actually about an ambitious eccentric who, via his art and considerable luck, made contact with stratospherically rich people who collected paintings and enabled him to become a celebrity (and to indulge his crueler instincts). Did some part of Warhol--who came from a desperately poor background--hate these people? Probably. But another part of him yearned to join their ranks, and he made it. By the end, he had nothing like a human personality ("I don't think that there is any person there," William S. Burroughs once remarked to David Bowie)...but that, too, aligned with Warhol's desires. Or so he said. Certainly, he was famous for being a nonpersonality--a real-life cartoon character--rather than for his art. (If you've ever wondered what Pop looked like when painted by people with actual artistic talent, check out the work of Tom Wesselmann or Alex Katz.)

POPism underscores the fact that what went on at the Factory was far more interesting than Warhol's artistic output. (Does anyone really care about 100 Brillo Boxes or 40 Gold Marilyns at this stage of the game?) He and the wealthy, manipulative art crowd survived, but many of the people who gave this narrative its drama--Fred Herko, Danny Williams, Andrea Feldman, Eric Emerson--did not. The story about a drunken Judy Garland singing "Over the Rainbow" with a mouthful of spaghetti is funny, sort of, but it's also mean-spirited. Much of the book is just spiteful without being even slightly funny, and the smarmily casual tone fails to disguise the intent.
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Associated Authors

Edward Albee Foreword
David Moos Editor
Nadar Photographer
KunstHausWien Host Institute
Weiwei Ai Künstlerin
Michael Dayton Hermann Editor and Foreword
Henry James Contributor
Jean-Paul Sartre Contributor
Diana Vreeland Contributor
Le Corbusier Contributor
Truman Capote Contributor
Lotte Lenya Contributor
Louise Nevelson Contributor
Thomas Wolfe Contributor
Philip Johnson Contributor
Anthony E. Grudin Contributor
Matt Wrbican Contributor
John G Handhardt Contributor
Callie Angell Contributor
John J. Curley Contributor
Jeanette Winterson Contributor
Gene R. Swenson Interviewer
Paul Taylor Interviewer
Hilton Als Contributor
Miko McGinty Designer
Edzard Reuter Foreword
Philippe Safavi Translator
Michael Stoeber Translator
Jonathan Lehtem Contributor
Jonathan Lethem Contributor
Pierre Girard Translator
Alan Cumming Foreword
Dirk Hiscock Book & cover designer

Statistics

Works
369
Also by
50
Members
5,422
Popularity
#4,596
Rating
3.9
Reviews
76
ISBNs
344
Languages
19
Favorited
9

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