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The Judgment of Paris: The Revolutionary Decade That Gave the World…

by Ross King

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1,0252515,670 (3.94)39
Chronicles the origins of Impressionism against the backdrop of the artistic and cultural events of the nineteenth century as exemplified in the work of two artists--Ernest Meissonier and Edouard Manet.
  1. 10
    The Masterpiece by Émile Zola (JuliaMaria)
    JuliaMaria: Roman oder Sachbuch. Obwohl das Sachbuch von Ross King wirklich gut und lebendig geschrieben ist: noch besser, um das "Entstehen der modernen Malerei" und die Menschen dahinter zu verstehen, ist der Roman von Emile Zola. Ross King bezieht sich im übrigen auf Zola als Quelle.… (more)
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English (23)  All (1)  Hungarian (1)  All languages (25)
Showing 1-5 of 23 (next | show all)
I was familiar with much of this art history from a university introductory course (Darkness at Noon) and French political history from other readings but King weaves a wonderful story of their interconnectedness that filled in a lot of gaps for me. Perfect pandemic reading. ( )
  heggiep | Apr 20, 2021 |
Fascinating and rich with history. Truly enjoyed visiting the two main wineries represented here. A wonderful tale! ( )
  donblanco | Jan 4, 2021 |
About Impressionism ( )
  MarianneAudio | Aug 15, 2020 |
I always enjoy histories of the arts (music history, literary history and art history), and Ross King is one of the best art historians writing for a broad audience. Obviously, a book (or in my case, an audio book) about art has its limitations (which copious use of Google Image search is the remedy).

The beauty of King's work is his focus on the *history* aspect - not just the history of the artists, but the history of the period more broadly. The history of the Second Empire and its fall, the Paris Commune of 1871, and the earliest days of the Third Republic are all here. We learn a lot about the artists, but also Napoleon III (and to a lesser extent, Napoleon Bonaparte), Wilhelm I of Prussia, and the political leaders of France in the period from 1863 onward.

The hero here is Eduard Manet; the ultimate villain is Ernest Meissonier. You might ask about the latter, "Who?" This book will tell you. Both hero and villain are portrayed not in black and white, but in varying shades of grey, with all of their human warts and foibles. A great read. ( )
  vlodko62 | Dec 29, 2018 |
It's hard to believe that Impressionism, the almost universally loved school of art would ever have been regarded as dangerous and controversial. However, in the 1860's that's precisely how it was regarded by the powers that be in France. This entertaining group tells the story of the movement through two opposing artists of the time: Ernest Meissonier and Edouard Manet, the former an accepted and officially revered traditionalist and the latter a revolutionary at the vanguard of a new wave of art.

It also weaves the history of the time through the story, the rise of the Second Empire, Baron Haussmann's rebuilding of Paris, the Franco-Prussian War, the bloody Commune, and finally La Belle Epoch. A great read for those who love art, history and/or France ( )
  etxgardener | Oct 24, 2017 |
Showing 1-5 of 23 (next | show all)
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One gloomy January day in 1863...
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Chronicles the origins of Impressionism against the backdrop of the artistic and cultural events of the nineteenth century as exemplified in the work of two artists--Ernest Meissonier and Edouard Manet.

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