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TINY ALICE begins with a venomous exchange between a lawyer and a cardinal whose contempt for each other careens back to their school days. Eventually, the lawyer offers the cardinal $100 million a year at the request of Miss Alice, the world's richest woman. Julian, the cardinal's secretary, is to come to Miss Alice's castle to complete the details, but while there, Julian falls prey to Miss Alice as she contrives to make him her lover. Through the related transmutations of religious show more ecstasy and orgasmic pleasure, Julian's true feelings are terrifyingly revealed, and the stage is set for the electrifying climax of this eloquent, compelling play. show less

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2 reviews
I know this play has always confounded audiences and elicited maximum venom from critics. Extracts: from Eliott Norton (laudatory), "big and brutal as an Elizabethan tragedy, sinister and blasphemous as a black mass, more depraved than any drama yet produced on the American stage", to Philip Roth, who called it ''a homosexual daydream.'' Albee's own mature judgment was, "Come on, you childish, foolish young playwright fond of the sound of your own voice." Yet this enigma has always haunted me -- surely at least part of the original intention.
An odd and confusing play by an acclaimed American master playwright, whom I have generally liked much better. This is about an odd and enigmatic heiress who sends her lover/lawyer to the Cardinal of the local diocese with an offer of an immense donation, which turns out to be the value of an innocent man's soul and his sacrifice by the Church for filthy lucre. This does not exactly describe the events within, but it's close enough. I can't figure out quite what archtypes the various characters are supposed to represent, but the basic war of good and evil is apparently the theme, with innocent bystanders to boot. This started out with more promise, but eventually sinks into confusion and pomposity. Albee would have been better served show more with less obfuscation and more clarity. show less

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Author Information

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105+ Works 11,116 Members
Edward Albee was born in Virginia on March 12, 1928. His first produced play, The Zoo Story, opened in Berlin in 1959 before playing at the Provincetown Playhouse in Greenwich Village the following year. In 1960, it won the Vernon Rice Memorial Award. In 1962, his Broadway debut, Who's Afraid of Virginia Woolf?, won a Tony Award for best play. It show more was adapted into a film starring Richard Burton and Elizabeth Taylor in 1966. He wrote about 30 plays during his lifetime including The Sandbox, The American Dream, The Death of Bessie Smith, All Over, and The Play About the Baby. He won the Pulitzer Prize three times for A Delicate Balance in 1966, Seascape in 1975, and Three Tall Women in 1991. Three Tall Women also received Best Play awards from the New York Drama Critics Circle and Outer Critics Circle. He won another Tony Award for The Goat, or Who Is Sylvia? and a Lifetime Achievement Tony Award in 2005. He had died after a short illness on September 16, 2016 at the age of 88. (Bowker Author Biography) show less

Some Editions

Altena, Ernst van (Translator)

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Common Knowledge

Original publication date
1964
People/Characters
Lawyer; Cardinal; Julian; Butler; Miss Alice
Dedication
for Noel Farrand
First words
Oomm, yoom, yoom, um?
Last words
(Click to show. Warning: May contain spoilers.)God, Alice...I accept thy will.

Classifications

Genre
Fiction and Literature
DDC/MDS
812.54Literature & rhetoricAmerican literature in EnglishAmerican drama in English20th Century1945-1999
LCC
PS3501 .L178 .T5Language and LiteratureAmerican literatureAmerican literatureIndividual authors1900-1960

Statistics

Members
342
Popularity
92,182
Reviews
2
Rating
(3.81)
Languages
English
Media
Paper
ISBNs
4
ASINs
13