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Mystery crime fiction written in the Golden Age of Murder. With an introduction by Martin Edwards and featuring the Dickson Carr short story "The Shadow of the Goat." We are thrilled to welcome John Dickson Carr into the Crime Classics series with his first novel, a brooding locked room mystery in the gathering dusk of the French capital. In the smoke-wreathed gloom of a Parisian salon, Inspector Bencolin has summoned his allies to discuss a peculiar case. A would-be murderer, imprisoned for show more his attempt to kill his wife, has escaped and is known to have visited a plastic surgeon. His whereabouts remain a mystery, though with his former wife poised to marry another, Bencolin predicts his return. Sure enough, the Inspector's worst suspicions are realized when the beheaded body of the new suitor is discovered in a locked room of the salon, with no apparent exit. Bencolin sets off into the Parisian night to unravel the dumbfounding mystery and track down the sadistic killer. show lessTags
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Noh, see polnud minu asi! Arvatavasti polnud minu asi ka avada tagauks ja minna aeda, aga isegi seal ei vabanenud ma ebareaalsustundest. Aeda ümbritsesid paplid, mille okste vahelt langes kruusatatud kõnniteedele kustuva päikese valgus... ja seal nägin ma pingil istumas miss Sharon Greyd.
Ta kandis midagi, mis nägi välja nagu hall tviidkostüüm ega vastanud kummaliselt mehelikuna üldse tema hoopiski mitte mehelikule figuurile, ning tema läikivaid juukseid kattis väike hall kübar. Ta istus seal, lõug käele toetatud, ja soris kinganinaga kruusa ning üllatav oli, kui kaugelt näiteks minutaoline lollpea oli suuteline nägema tema silmaripsmete joont. Ma valmistusin tagasi pöörduma (milleks inimesele tarbetult piinlikkust show more tekitada?), kuid ta kuulis mu samme, mis kostsid verandalt, ja tõstis pea.
Ma annan teile sõna, et selle tütarlapse üle oli võimatu rahulikult otsustada. Tema merevaiguvärvi silmadest kadus hajameelsus, kui neis välgatas äratundmine, ja tema huuled väljendasid midagi iseäralikku. Teadmata, mida muud teha, astusin lähemale. Kõik helid ja mõtted olid täiesti kadunud, kui mulle näis, et seisan jälle tema ees nagu eelmisel õhtul. Siis märkasin ootamatult sähvatava imestusega külma ja teravat pilku, millega ta mind silmitses. show less
Ta kandis midagi, mis nägi välja nagu hall tviidkostüüm ega vastanud kummaliselt mehelikuna üldse tema hoopiski mitte mehelikule figuurile, ning tema läikivaid juukseid kattis väike hall kübar. Ta istus seal, lõug käele toetatud, ja soris kinganinaga kruusa ning üllatav oli, kui kaugelt näiteks minutaoline lollpea oli suuteline nägema tema silmaripsmete joont. Ma valmistusin tagasi pöörduma (milleks inimesele tarbetult piinlikkust show more tekitada?), kuid ta kuulis mu samme, mis kostsid verandalt, ja tõstis pea.
Ma annan teile sõna, et selle tütarlapse üle oli võimatu rahulikult otsustada. Tema merevaiguvärvi silmadest kadus hajameelsus, kui neis välgatas äratundmine, ja tema huuled väljendasid midagi iseäralikku. Teadmata, mida muud teha, astusin lähemale. Kõik helid ja mõtted olid täiesti kadunud, kui mulle näis, et seisan jälle tema ees nagu eelmisel õhtul. Siis märkasin ootamatult sähvatava imestusega külma ja teravat pilku, millega ta mind silmitses. show less
this was very up and down for me. there were parts where the tension was great and other parts that i had to force myself to pay attention. i was really, really interested in seeing how the locked room mystery would be solved, and i also liked that there was more to the mystery and the story than just that. i feel like there was no cheating (a false wall or a trap door or something) and actually it was really clever the way it was solved. the rest of the book, though, i'm not so sure about. including the murder itself. i don't see how these brutal murders can be carried out with virtually no sound. the first one, the locked room one, there was an orchestra playing, yes, but there was also a policeman not that far away. she cut off his show more head and not only did she do it quietly if not silently, but she didn't get blood on her at all? she was back in the room of the party, with the detectives, minutes later. there was mention of a bloody article of clothing in her room, but there would have been more than that. and when she stabbed the second victim, multiple times, he would have made some noise, no? i also thought the handwriting analysis that tells us what drug the writer was on was a step too far. as was the pencil marks analysis to determine the exact pencil with which a letter was written. come on. still, it's fun. but come on. the drug stuff was kind of funny, i thought. such a big deal - and maybe some mind-altering was misattributed - was made of marijuana. on the other hand, i do like that he made the murderer a woman, which had to be pretty unusual in 1930, when this was written. and a society lady at that. and i think the locked room part was pretty cleverly handled, since there really can't be a good explanation for how that could happen.
so for me, the mystery parts of this were really solid and fun, but it seemed like maybe he was trying to make it longer or something, and there was a lot of unnecessary words and padding that made it much harder to read than it would have otherwise. this is his first novel and he was writing short stories before this, so i wonder if he had to work hard to make it longer and not be a short story. because the bones are excellent. show less
so for me, the mystery parts of this were really solid and fun, but it seemed like maybe he was trying to make it longer or something, and there was a lot of unnecessary words and padding that made it much harder to read than it would have otherwise. this is his first novel and he was writing short stories before this, so i wonder if he had to work hard to make it longer and not be a short story. because the bones are excellent. show less
It Walks By Night. begins with a quote about night monsters that bring about thoughts of werewolves and vampires. It is, however, a murder mystery complete with a severed head. The impossible murder that could not have happened with all doors being watched. It contains all of the needed components for this type of mystery. There is the inspector, the gruesome beheading, the new bride, trickery, and the woman scorned. To top it off - a little Reefer Madness mixed in.
This review was written for LibraryThing Member Giveaways.
As I have said elsewhere, the Bencolin series are among my favorites of Car's novels, especially those he wrote under his own name. Pf the Bencolin stories, this is probably my favorite; it has a remarkable criminal/victim.
Delightfully lurid. Recommended for all libraries.
second read and much as I try can't like it
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Author Information

228+ Works 18,969 Members
John Dickson Carr, the master of locked room mysteries, was born in Uniontown, Pennsylvania, in 1906. He was educated at Haverford College and the Sorbonne in Paris. Carr is a prolific writer with more than 80 novels and collections of short stories to his credit. He began his writing career at the age of 26 with his first published novel, It show more Walks At Night. Some of his most popular works are The Three Coffins (1935), The Burning Coat (1937), and The Bride of Newgate (1951). Carr also collaborated with Adrian Doyle, the son of Sir Arthur Conan Doyle in The Exploits of Sherlock Holmes (1954). Carr met his wife in 1932 and settled in England in 1933. He was drafted by the United States military in World War II, and was ordered to remain in England and work with the BBC. He lived in many cities throughout the world until 1967, when he permanently moved to Greenville, South Carolina. John Dickson Carr also wrote mystery novels under the name Carter Dickson. He died in Greenville in 1977. (Bowker Author Biography) show less
Series
Belongs to Publisher Series
Jännityksen mestarit (95)
Penguin Books (124)
British Library Crime Classics (Novel)
Adey's Locked Room Murders (0320)
Work Relationships
Common Knowledge
- Canonical title
- It Walks By Night
- Original title
- It Walks By Night
- Original publication date
- 1930
- People/Characters
- Henri Bencolin
- Dedication
- To Wooda Nicolas
and Julia Carr - First words
- "… and not least foul among these night-monsters (which may be found even in our pleasant land of France) is a certain shape of evil hue which by day may not be recognized, inasmuch as it may be a man of favored looks... (show all), or a fair and smiling woman; but by night becomes a misshapen beast with blood-dbe dabbled claws."
- Last words
- (Click to show. Warning: May contain spoilers.)She had kept her appointments with three men; she would have murdered them all.
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- ISBNs
- 16
- ASINs
- 18






























































