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Is the ex GI posing as Kalki, an ancient Hindu deity, running an international drug ring or bringing about the destruction of the world?

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10 reviews
my first taste of Vidal and it's certainly not what i expected. the wit and sophisticated ideas, i did expect. what came as a surprise was the dark humor and satire- but also the science fiction. yes, science fiction. i said it.

i expected it to be a satirical indictment of cultish religiosity and several other things including heterosexuality, paternalism, the entertainment industry, pop culture, et al. and so it was. but then, like some "magic eye" image or masterful optical illusion, it became a work of science fiction. i won't say why because i want you to find out as i did and be as shocked as i was. in less than 300 pages, Kalki sprawls out over all of these subjects and more all the while delivering a rich story with complex and show more interesting characters. granted, most of them suffer little to no development, acting mostly as stock obstacles that challenge the protagonist and her cohort, but they are, nevertheless, distinct individuals that breathe.

in addition to its biting criticism, it taps into the deeper waters of mythology and unconscious, human archetypes a la Jung and Campbell. the central religion is Hinduism and the main character makes no bones about being atheist- this creates a kind of distance from which Christianity can be viewed and critiqued.

and, it's funny. i mentioned that briefly near the top but i want to emphasize how much it delighted me to find some really, effing funny parts in the story and prose. the story itself is not full of irony or extremely ironic but really is a kind of avatar of irony; just as Kalki is the 10th and last avatar of Vishnu/Siva.

i'm going to see about reading some more of Vidal's books. i truly do not expect to find one that tickles me as much as this one did. but, then, i didn't expect this one to do that either.
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Not just your plain everyday end of the world tale! This novel, written in the 1970s, is more of a sociopolitical statement than a novel. Using the Hindu concepts of Vishnu come again as avatar Kalki, to end the current era of human life on earth, the protagonist manages to manipulate the masses in order to achieve his own ends. Not only does he manipulate the common person on the street, but he is able to successfully manipulate Congress, the Chinese Mafia, and the CIA to his own ends. Charisma and intellect combined create a dangerous entity! Yet, without spoiling the book for anyone, I would have to say that if the reader is not enjoying the author's sociopolitical commentary in the first two thirds of the book, the final third is show more just a great ending to the entire novel, satisfying in many ways! show less
A wacky counterculture view of the U.S. as susceptible to anyone with a messiah complex. In this case, the messiah presents himself as the Hindu god of destruction. Like many of Vidal's novels, way too heavy-handed at times.
This forgotten novel by Gore Vidal both entertained and enthralled me when I read it in the early 1980s. The most startling part for me was at the end when only two human beings are left on earth. Vidal describes how quickly nature comes back to cover up man's highways, buildings and bridges. In no time New York City has reverted to a forest with animals roaming. What a wonderful day that would be!
A surprisingly good novel. Somehow the subject matter, does not at first appeal, but within the context of when it was written, it makes sense. I've always enjoyed Vidal's wit and style. I'd recommend this if you do to.
A Vidal social satire that brews a fun mix of religious cults and pop phenomenon. As many have said it's truly a novel of the 70s and that era.
Er is een pak pagina's in dit boek waarbij je even denkt dat je een eco-thriller aan het lezen bent. En veel erger dan 'eco-thriller' kan een boek niet worden natuurlijk, ... er is ook een pak pagina's, veelal voor en na dat andere pak pagina's, waarbij je denkt een politieke satire te lezen, en veel erger dan een politieke satire ... enzoverder ...
Het thrilleraspect deed me het boek ondanks alles uitlezen, een boek dat over het einde van de wereld handelt heeft tenminste dat voor op andere boeken dat je als lezer wenst te weten of die wereld al dan niet effectief vergaat. De politieke satire tilt het dan weer een heel klein beetje boven ... ach, wat baat het, het is een mislukt boek, geschreven door een schrijver van wie ik tot nog toe show more alleen maar geslaagde boeken gelezen had, ... niet grappig, niet spannend, niet intrigerend, niet schokkend, niet ... het boek verdwijnt uit de collectie ...

http://occamsrazorlibrary.blogspot.com/2009/09/kalki.html
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Unlike Myra, Teddy is no movie buff. She is an aviation buff instead. It quickly becomes obvious that Vidal has less interest in aeroplanes than in the movies. Teddy's enthusiasm is consequently a bit abstract. She worships the memory of Amelia Earhart. (Significantly, this particular idea comes most intensely to life when Teddy speculates about the possibility of ousting Shirley MacLaine from show more the title role in the projected bio-pic: Myra rides again.) There is a fleeting obeisance to Jacqueline Cochrane. Mention of these lady fliers sorts well enough with Teddy's feminism, but it is not enough in itself to convince the reader that she finds liberation in the wild blue yonder. The only thing that would do that would be a vividly transmitted sense of what it feels like to be mad about flying.

But the author doesn't possess, and can't convincingly simulate, any real feeling for the nuts and bolts of the matter. As a consequence, the promising theme of a ballsy woman who can outfly any man in the house ends up going for nearly nothing. Teddy hardly begins to embody the real spirit of American aviation, which has usually been based on a practicality so self-sufficient that even the most beautiful machines are given numbers instead of names. When Teddy waxes poetical about flying, she invokes the ghost of St-Exupéry. Wind, sand, and stars. The Frenchified reference fits the author (who made favourable mention of St- Exupéry in an essay on Richard Hillary in 1951) better than it fits the character.
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Clive James, The New York Review of Books
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452 works; 215 members

Author Information

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168+ Works 31,141 Members
Gore Vidal was born Eugene Luther Gore Vidal Jr. on October 3, 1925 at the U.S. Military Academy at West Point, New York. He did not go to college but attended St. Albans School in Washington and graduated from Phillips Exeter Academy in New Hampshire in 1943. He enlisted in the Army, where he became first mate on a freight supply ship in the show more Aleutian Islands. His first novel, Williwaw, was published in 1946 when he was twenty-one years old and working as an associate editor at the publishing company E. P. Dutton. The City and the Pillar was about a handsome, athletic young Virginia man who gradually discovers that he is homosexual, which caused controversy in the publishing world. The New York Times refused to advertise the novel and gave a negative review of it and future novels. He had such trouble getting subsequent novels reviewed that he turned to writing mysteries under the pseudonym Edgar Box and then gave up novel-writing altogether for a time. Once he moved to Hollywood, he wrote television dramas, screenplays, and plays. His films included I Accuse, Suddenly Last Summer with Tennessee Williams, Is Paris Burning? with Francis Ford Coppola, and Ben-Hur. His most successful play was The Best Man, which he also adapted into a film. He started writing novels again in the 1960's including Julian, Washington, D.C., Myra Breckenridge, Burr, Myron, 1876, Lincoln, Hollywood, Live From Golgotha: The Gospel According to Gore Vidal, and The Golden Age. He also published two collections of essays entitled The Second American Revolution, which won the National Book Critics Circle Award for criticism in 1982 and United States: Essays 1952-1992. In 2009, he received the National Book Awards lifetime achievement award. He died from complications of pneumonia on July 31, 2012 at the age of 86. (Bowker Author Biography) show less

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Craft, Kinuko (Cover artist)

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Common Knowledge

Canonical title
Kalki
Original title
Kalki
Original publication date
1978
Dedication
For Kukrit Pramoj who first told me of Kalki
First words
Where to begin?
Quotations
As entropy increases, energy hemorrhages. Language is affected. Words become mere incantation. When that happens, the end is near, and the cold.
Last words
(Click to show. Warning: May contain spoilers.)I am Siva.
Original language
English

Classifications

Genres
Fiction and Literature, General Fiction, Science Fiction
DDC/MDS
813.54Literature & rhetoricAmerican literature in EnglishAmerican fiction in English1900-19991945-1999
LCC
PZ3 .V6668Language and LiteratureFiction and juvenile belles lettresFiction and juvenile belles lettresFiction in English
BISAC

Statistics

Members
701
Popularity
40,412
Reviews
9
Rating
½ (3.62)
Languages
6 — Dutch, English, French, German, Russian, Spanish
Media
Paper, Audiobook
ISBNs
20
ASINs
14