Kinuko Craft
Author of Cinderella
About the Author
Image credit: Kinuko and Wolfgang III 02/2006
Works by Kinuko Craft
Rumpelstiltskin 1 copy
Associated Works
The Tenth Insight: Holding the Vision (1996) — Cover artist, some editions — 2,278 copies, 12 reviews
The Door in the Hedge and Other Stories (1981) — Cover artist, some editions — 2,024 copies, 27 reviews
Shadows of Forgotten Ancestors: A Search for Who We Are (1992) — Cover artist, some editions — 1,495 copies, 11 reviews
The Storyteller's Daughter: A Retelling of "The Arabian Nights" (2002) — Cover artist, some editions — 1,050 copies, 24 reviews
Snow: A Retelling of "Snow White and the Seven Dwarfs" (2003) — Cover artist, some editions — 786 copies, 22 reviews
Beauty Sleep: A Retelling of "Sleeping Beauty" (2002) — Cover artist, some editions — 735 copies, 26 reviews
Midnight Pearls: A Retelling of "The Little Mermaid" (2003) — Cover artist, some editions — 646 copies, 17 reviews
Belle: A Retelling of "Beauty and the Beast" (2008) — Cover artist, some editions — 551 copies, 13 reviews
Sunlight and Shadow: A Retelling of "The Magic Flute" (2004) — Cover artist, some editions — 486 copies, 8 reviews
The Night Dance: A Retelling of "The Twelve Dancing Princesses" (2005) — Cover artist, some editions — 433 copies, 7 reviews
Water Song: A Retelling of "The Frog Prince" (2006) — Cover artist, some editions — 402 copies, 13 reviews
Wild Orchid: A Retelling of "The Ballad of Mulan" (2009) — Cover artist, some editions — 401 copies, 14 reviews
Scarlet Moon: A Retelling of "Little Red Riding Hood" (2004) — Cover artist, some editions — 394 copies, 7 reviews
The Crimson Thread: A Retelling of "Rumpelstiltskin" (2008) — Cover artist, some editions — 344 copies, 6 reviews
The Rose Bride: A Retelling of "The White Bride and the Black Bride" (2007) — Cover artist, some editions — 308 copies, 6 reviews
Isaac Asimov's Magical Worlds of Fantasy, Volume 1: Wizards (1983) — Cover artist, some editions — 261 copies, 1 review
Spirited: A Retelling of "Beauty and the Beast" (2004) — Cover artist, some editions — 251 copies, 6 reviews
Duchess of Aquitaine: A Novel of Eleanor (2006) — Cover artist, some editions — 225 copies, 5 reviews
Marianne, the Madame, and the Momentary Gods (1988) — Cover artist, some editions — 170 copies, 2 reviews
Isaac Asimov's Magical Worlds of Fantasy, Volume 4: Spells (1942) — Cover artist, some editions — 153 copies, 1 review
Isaac Asimov's Magical Worlds of Fantasy, Volume 2: Witches (1984) — Cover artist, some editions — 152 copies, 1 review
Marianne, the Matchbox, and the Malachite Mouse (1989) — Cover artist, some editions — 144 copies, 2 reviews
Isaac Asimov's Magical Worlds of Fantasy, Volume 3: Cosmic Knights (1954) — Cover artist, some editions — 144 copies, 3 reviews
Isaac Asimov's Magical Worlds of Fantasy, Volume 6: Mythical Beasties (1837) — Cover artist, some editions — 134 copies, 2 reviews
Isaac Asimov's Magical Worlds of Fantasy, Volume 7: Magical Wishes (1891) — Cover artist, some editions — 95 copies, 1 review
Isaac Asimov's Magical Worlds of Fantasy, Volume 5: Giants (1985) — Cover artist, some editions — 93 copies, 2 reviews
Asimov's Science Fiction: Vol. 37, No. 9 [September 2013] (2013) — Cover artist — 15 copies, 3 reviews
Classics - a Child's Introduction to Treasure Island, Black Beauty, the Adventures of Tom Sawyer and Robinhood (1977) — Illustrator — 5 copies
MidAmeriCon II Souvenir Book — Cover artist — 1 copy
Locus Nr.499 2002.08 — Cover artist — 1 copy
Tagged
Common Knowledge
- Other names
- Craft, K. Y.
Craft, Kinuko - Birthdate
- 1940
- Gender
- female
- Education
- Kanazawa College of Art
Art Institute of Chicago - Occupations
- children's book illustrator
artist - Awards and honors
- Gold Medal (The Society of Illustrators, New York City)
Silver Medal (The Society of Illustrators, New York City)
Chesley Award for Lifetime Achievement (2016) - Relationships
- Craft, M. Charlotte (daughter)
Craft, Mahlon (husband) - Nationality
- Japan (birth)
USA (naturalized) - Places of residence
- Connecticut, USA
- Associated Place (for map)
- Connecticut, USA
Members
Reviews
With thousands of known variants worldwide, Cinderella is the quintessential fairy-tale, and needs little introduction. This lavishly-illustrated version, with paintings that are consciously modeled on the aesthetic motifs of seventeenth and eighteenth-century France, serves as a showcase for the talent of the marvelous Kinuko Craft. Beautiful full-page plates are paired with text that is embellished with decorative borders and ornamental initial letters. The painting in which Cinderella is show more pouring water, as well as the two-page spread in which the fairy godmother is transforming mice into horses, are particularly fine, with very sharp and expressive faces. I was disappointed to note however, that some of the other illustrations, though beautiful as a whole, lack a real sense of definition when it comes to the faces - they appear almost blurry. This is unfortunate, as it is such a joy to pore over Kinuko Craft's paintings, which are usually pleasing in both their totality and their details...
The text of this retelling is largely taken from the version found in Andrew Lang's The Blue Fairy Book, although the language has been significantly modernized. The element of the injured bluebird, which turns out to be the fairy godmother, is taken from the variant found in the Brothers Grimm (Aschenputtel). All this information is helpfully supplied on the title page, although no indication is given as to who actually wrote the text, and is therefore responsible for the adaptation and synthesizing of these two variants. Craft herself, perhaps? show less
The text of this retelling is largely taken from the version found in Andrew Lang's The Blue Fairy Book, although the language has been significantly modernized. The element of the injured bluebird, which turns out to be the fairy godmother, is taken from the variant found in the Brothers Grimm (Aschenputtel). All this information is helpfully supplied on the title page, although no indication is given as to who actually wrote the text, and is therefore responsible for the adaptation and synthesizing of these two variants. Craft herself, perhaps? show less
At last, a Cinderella book that brings back the memory of my favorite fairytale book as a child. It was an entire volume of the Encyclopedia dedicated to classic fairy tales. Each double spread had long text on one side and a full-page glossy oil painting in great detail on the other. This book is similarly laid out but with less text, thankfully. The illustrations will knock your socks off. They are beautiful enough to be framed and hung. K. V. Craft is an extraordinary artist.
The first show more letter of each text of page is done like an illuminated manuscript, similar to my book Rumpelstiltskin's Child (I am not comparing my work to an artist of this calibre). I love the little details such as lizards climbing on the golden reeds.
Cinderella's ball gown is in a whole new category. The dance scene looks as though it is taking place at Versailles. Cinderellas second ball gown is even more stunning than the first. (This version follows the traditional story of two nights.) On the final page, where Cinderella and the Prince pose with his dog, the painting looks like it stepped off a museum wall.
On the title page it reads "the text for this book was adapted primarily from the Arthur Rackham Fairy Book and Andrew Lang's The Blue Fairy Book." On the first two pages we encounter the words haughty, assigned, chambers, mournful, lame, gallant, noble, distracted, huddled, wandered, humble, and hastily. The vocabulary is as rich as the illustrations.
This is the kind of book an older child would read or a parent might share and discuss with their child. If you want your child to experience an authentic Cinderella story, this is the one to choose. No matter how independent women become, some version of this story will always exist for little girls to enjoy and imagine.
For more children's book reviews and tips for sharing books with children, go to https://bferrante.wordpress.com/ show less
The first show more letter of each text of page is done like an illuminated manuscript, similar to my book Rumpelstiltskin's Child (I am not comparing my work to an artist of this calibre). I love the little details such as lizards climbing on the golden reeds.
Cinderella's ball gown is in a whole new category. The dance scene looks as though it is taking place at Versailles. Cinderellas second ball gown is even more stunning than the first. (This version follows the traditional story of two nights.) On the final page, where Cinderella and the Prince pose with his dog, the painting looks like it stepped off a museum wall.
On the title page it reads "the text for this book was adapted primarily from the Arthur Rackham Fairy Book and Andrew Lang's The Blue Fairy Book." On the first two pages we encounter the words haughty, assigned, chambers, mournful, lame, gallant, noble, distracted, huddled, wandered, humble, and hastily. The vocabulary is as rich as the illustrations.
This is the kind of book an older child would read or a parent might share and discuss with their child. If you want your child to experience an authentic Cinderella story, this is the one to choose. No matter how independent women become, some version of this story will always exist for little girls to enjoy and imagine.
For more children's book reviews and tips for sharing books with children, go to https://bferrante.wordpress.com/ show less
This story may have been told over and over, but this particular version is worth getting for the illustrations alone. Absolutely stunning. Like, OH MY GOD SO FUCKING GORGEOUS.
I love the illustrations in this book. It has a classic feeling to the book and the illustrations help draw you more into the book. This book is true to the classic story and I would be delighted to read this book solely because it will help students learn more about folktales but I believe the illustrations will help grasp the students attention as well. Another, thing I like about the book is that the words are in different color frames on each page.
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- Rating
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