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Tension runs high as a Moscow cop investigates murder under the big top—from the Edgar Award–winning "Ed McBain of Mother Russia" (Kirkus Reviews).Porfiry Rostnikov was one of the top detectives in Moscow—until he crossed the KGB. On the orders of the secret service, this bulldog cop is busted down to the minor crimes unit, where his talents are utterly wasted. When a drunk climbs the statue of Nikolai Gogol in Arbat Square and threatens to kill himself, Rostnikov tries to talk the show more man down. But with a perfect somersault, acrobat Valerian Duznetzov leaps from the statue—the final jump of a storied career.
Across town, Duznetzov's partner, Oleg, practices his trapeze routine high above the circus floor. After letting go of the bars and going into a perfect double flip, Oleg falls, expecting the net to catch him. But the net has been sabotaged, and Oleg dies. As Rostnikov digs into this strange pair of deaths, he finds dark secrets inside the Moscow circus—secrets sure to grab the attention of his old friends at the KGB.
"The shrewd, temperate Inspector Rostnikov . . . himself is like an acrobat on the high wire without a net, a target of both his jealous supervisor and the unknown murderer . . . This witty, intricate thriller reaches a suspenseful finale in the center ring under the Moscow Circus Big Top." —Publishers Weekly
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Summary: When two of three high wire artist die, one by suicide, one by “accident,” Rostnikov suspects more, little realizing the reach of the KGB into this case while his friends Sasha deals with black marketers and Karpo pursues a serial murderer of prostitutes.
Porfiry Rostnikov, once a hero has been demoted after a clash with the KGB, separated from his team of Sasha Tkach and Emil Karpo. Rostnikov’s son has been sent to Afghanistan, a warning of what can happen to family of those crossing the KGB. Rostnikov is reduced to chasing pickpockets in Arbat Square when he spots a man atop a statue of Gogol, spouting nonsense about flying. Rostnikov fails to talk him down as he ends his life with a perfect somersault onto the pavement. show more He was an aerial artist for the circus where the other male in the act, Oleg, discovers in the last moment of his life that his safety net is not. Rostnikov, thinking that there is more than a concurrent suicide and accident going on, sets out to investigate, The third, Katya Rashkovskaya, doesn’t want to be protected, even after Rostnikov saves her life. Nor will she tell him anything she knows. Then his old KGB boss, dying of cancer warns him off the case. This is KGB territory. But he suspects the deputy director, Mazaraki is behind the deaths and the murder attempt, and he uses that angle to keep pursuing the case.
Meanwhile, Sasha’s undercover work trapping videotape and machine black marketers reveals corruption on the part of his boss. The boss turns the black marketers to his own profitable end. That is, until Sasha teams up with Rostnikov and the two black marketers to mount a sting.
Emil Karpo has an obsession with unsolved crimes, studying the files, brooding over them. His current file is that of a series of murders of a prostitute. We are introduced to the killer, a file clerk wanting to make the Party safe from prostitutes…and he is feeling the compulsion to kill again.
Rostnikov, despite his leg injury, ends up playing a decisive role in the denouement of all three cases, while Sasha intervenes at a decisive moment to save Rostnikov’s life during the climactic confrontation. Clearly this team belongs together, and Rostnikov manages to find the leverage to make that happen by the end.
Kaminsky moves between the three plots in a fast-paced novel. One sees the currency of knowledge that can be used to subdue, to manipulate, and even to murder. Rostnikov, not ignorant of these things surprises us in his apparent vulnerability, and shrewd intelligence, combined with a loyalty to his friends, each with their own vulnerabilities. We see how difficult it can be to be married to someone in law enforcement, compounded in Rostnikov’s case with the ever present danger of falling afoul of his own superiors. Perhaps the only thing that protects Rostnikov is his own humility, the realization that these things could come at any time, and that he is never above or beyond them. show less
Porfiry Rostnikov, once a hero has been demoted after a clash with the KGB, separated from his team of Sasha Tkach and Emil Karpo. Rostnikov’s son has been sent to Afghanistan, a warning of what can happen to family of those crossing the KGB. Rostnikov is reduced to chasing pickpockets in Arbat Square when he spots a man atop a statue of Gogol, spouting nonsense about flying. Rostnikov fails to talk him down as he ends his life with a perfect somersault onto the pavement. show more He was an aerial artist for the circus where the other male in the act, Oleg, discovers in the last moment of his life that his safety net is not. Rostnikov, thinking that there is more than a concurrent suicide and accident going on, sets out to investigate, The third, Katya Rashkovskaya, doesn’t want to be protected, even after Rostnikov saves her life. Nor will she tell him anything she knows. Then his old KGB boss, dying of cancer warns him off the case. This is KGB territory. But he suspects the deputy director, Mazaraki is behind the deaths and the murder attempt, and he uses that angle to keep pursuing the case.
Meanwhile, Sasha’s undercover work trapping videotape and machine black marketers reveals corruption on the part of his boss. The boss turns the black marketers to his own profitable end. That is, until Sasha teams up with Rostnikov and the two black marketers to mount a sting.
Emil Karpo has an obsession with unsolved crimes, studying the files, brooding over them. His current file is that of a series of murders of a prostitute. We are introduced to the killer, a file clerk wanting to make the Party safe from prostitutes…and he is feeling the compulsion to kill again.
Rostnikov, despite his leg injury, ends up playing a decisive role in the denouement of all three cases, while Sasha intervenes at a decisive moment to save Rostnikov’s life during the climactic confrontation. Clearly this team belongs together, and Rostnikov manages to find the leverage to make that happen by the end.
Kaminsky moves between the three plots in a fast-paced novel. One sees the currency of knowledge that can be used to subdue, to manipulate, and even to murder. Rostnikov, not ignorant of these things surprises us in his apparent vulnerability, and shrewd intelligence, combined with a loyalty to his friends, each with their own vulnerabilities. We see how difficult it can be to be married to someone in law enforcement, compounded in Rostnikov’s case with the ever present danger of falling afoul of his own superiors. Perhaps the only thing that protects Rostnikov is his own humility, the realization that these things could come at any time, and that he is never above or beyond them. show less
In this fourth book of the Inspector Porfiry Rostnikov mystery series we find our protagonist investigating two mysterious deaths at the New Circus, Karpo reviewing cold case files about murdered prostitutes, and Tkach working undercover to find those responsible for smuggling video tapes from the West.
I enjoy how the author combines, yet keeps separate, the individual story lines, and makes the characters three dimensional. Another recommended read by Kaminsky.
I enjoy how the author combines, yet keeps separate, the individual story lines, and makes the characters three dimensional. Another recommended read by Kaminsky.
It will be a sad day for me when I finish all the books of Inspector Rostnikov series, and I am half way through... Marvelous writing, great appeal. With all the knowledge the author seems to have about Russia and the Soviet days, I find it amusing that he chooses to invent half of the names for his characters, making them sound weird (I should know - I am from that part of the world). But that doesn't limit the enjoyment of reading this series.
Novel by a Northwestern University professor. Well done.
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Stories set in a cold Mother Russia
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Author Information

128+ Works 7,308 Members
Stuart M. Kaminsky is head of the radio/television/film department at Northwestern University in Illinois. He is also a writer of textbooks, screenplays, and mystery novels. The more popular of his two series of detective novels features Toby Peters. Set in the 1930s and 1940s, the Peters books draw on Kaminsky's knowledge of history and love of show more film by incorporating characters from the film industry's past in nostalgic mysteries. Murder on the Yellow Brick Road (1978), for example, features Judy Garland while Catch a Falling Clown (1982) stars Emmett Kelley as Peters's client and Alfred Hitchcock as a murder suspect. His other critically acclaimed series chronicles the cases of Inspector Porfiry Rostnikov. Kaminsky's detailed studies of Russian police procedure combined with aspects of life in Russia have earned the Series an Edgar nomination for Black Knight in Red Square (1984) and the 1989 Edgar Award for A Cold Red Sunrise (1988). Stuart Kaminsky was born in Chicago in 1934 and died in 2009. (Bowker Author Biography) show less
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Series
Belongs to Publisher Series
Il giallo Mondadori (2172)
Common Knowledge
- Canonical title
- A Fine Red Rain
- Original title
- A Fine Red Rain
- Original publication date
- 1987
- People/Characters
- Porfiry Petrovich Rostnikov (Inspector); Emil Karpo; Sasha Tkach
- Important places
- Moscow, Russia
- Epigraph
- Think carefully of the town we have seen in the play. Everybody agrees that there is no such town in Russia. But what if it were the town of our soul, lying within each of us? - Nikolai Gogol, The Denouement of the Inspector... (show all) General
- Dedication
- To Jessie, Alice, and Leonard Maltin
- First words
- The man sitting on Gogol's shoulders was weeping and shouting, but Porfiry Petrovich Rostnikov couldn't hear him.
- Last words
- (Click to show. Warning: May contain spoilers.)As he crossed the street, he was certain that the rain had now stopped.
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- ISBNs
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