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Loading... The White Hotel (1981)by D. M. Thomas
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Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. This is a tough book. Partly, it is the 'post-modern' style of the narrative, wherein actual events and non-fictional material is interlaced within the writing. Partly, it is the intense sexual fantasy in the (supposed) sessions between the main character and Freud that might put people off, and the knowledge we have of the doom awaiting those who lived between the wars of the 20th century. Or it might have been the iterative views of what is portrayed, each one changing the one before like a psychological Rashamon. How can we trust the narrator? How can we trust the portrayal of Freud, just reaching his ideas about the connection between love and the death wish? And all along there is love, in various forms, and death, natural and otherwise. Ultimately, we follow the main character all the way from trauma and pain and love to barbarous death, and something more. An excellent novel for those open to its method and frankness. Harold at Twice-Told raved about this novel, but it was Emir Kusturica's interets in bringing it to the screen which inspired my reading. I felt it contrived and flat, though the premise is engaging: the prescience of hysteria. The bits that Thomas stole are the best in the book: shame on you, Donald.
What ''The White Hotel'' sets out to perform, clearly, is the diagnosis of our epoch through the experience of an individual; and the highest praise I can give it is that for some time it comes close to achieving that goal. Indeed, the opening sections of the novel are so authoritative and imaginatively daring that I quickly came to feel I had found the book, that mythical book, that would explain us to ourselves. Belongs to Publisher SeriesWas inspired byAwardsDistinctionsNotable Lists
It is a dream of electrifying eroticism and inexplicable violence, recounted by a young woman to her analyst, Sigmund Freud. It is a horrifying yet restrained narrative of the Holocaust. It is a searing vision of the wounds of the twentieth century, and an attempt to heal them. Interweaving poetry and case history, fantasy and historical truth-telling, "The White Hotel" is a modern classic of enduring emotional power that attempts nothing less than to reconcile the notion of individual destiny with that of historical fate. No library descriptions found.
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Google Books — Loading... GenresMelvil Decimal System (DDC)823.914Literature English English fiction Modern Period 1901-1999 1945-1999LC ClassificationRatingAverage:
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There's a bit of a trick going on here, first hinted at and then increasingly evident (if you know your history, or you've just been reading the LT tags). The rising tension is mostly due to predicting what's coming rather than the plotting, although the hallucination element adds some ominousness. Its climax includes the most gut-wrenching description of this particular scene I've ever read, although I understand Thomas has Anatoly Kuznetsov to thank for its power. The final section ends on a mercifully happier note, the only one available. ( )