A mad world, my masters
by Thomas Middleton
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Thomas Middleton's outrageous 'city comedy': a brilliantly plotted, farcical satire of lies and lust, translated from Jacobean London to the Soho of the 1950s. A dashingly impecunious bachelor, Dick Follywit, in need of quick cash and a good time has to live on his wits so turns con-man to fool his rich uncle. He variously becomes a Lord, a high-class call girl and a poor actor. Meanwhile, Truly Kidman, a high-class call girl--poor but quick-witted--needs to fool and then marry a rich young show more man. Sean Foley and Phil Porter's edited version of Middleton's play is faithful to the original text but adapts it to fit the seedy world of 1950s Soho, updating character names and including songs of the time to enhance the biting satire of lust and deception in the life of Bohemian London. show lessTags
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Author Information

69+ Works 4,755 Members
Thomas Middleton, 1580-1627 Middleton wrote in a wide variety of genres and styles, and was a thoroughly professional dramatist. His comedies were generally based on London life but seen through the perspective of Roman comedy, especially those of Plautus. Middleton is a masterful constructor of plots. "A Chaste Maid in Cheapside" (1630) is show more typical of Middleton's interests. It is biting and satirical in tone: the crassness of the willing cuckold Allwit is almost frightening. Middleton was very preoccupied with sexual themes, especially in his tragedies, "The Changeling" (1622), written with William Rowley, and "Women Beware Women" (1621). The portraits of women in these plays are remarkable. Both Beatrice-Joanna in "The Changeling" and Bianca in "Women Beware Women" move swiftly from innocence to corruption, and Livia in "Women Beware Women" is noteworthy as a feminine Machiavelli and manipulator. In his psychological realism and his powerful vision of evil, Middleton resembles Shakespeare. (Bowker Author Biography) show less
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- English, Italian
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