After her first gap year ends in disaster, Pat decides to start afresh. She finds employment at a local art gallery, and moves into a flat at 44 Scotland Street – an intriguing building full of intriguing people. There's Domenica Macdonald, the slightly eccentric anthropologist across the hall. There's Irene Pollock, whose five-year-old son Bertie is a victim of her fascination with psychoanalysis. Then there's Bruce, Pat's roommate – an intolerable, self-absorbed, arrogant narcissist who Pat most certainly does not have feelings for. Well . . . not really.