Black Mountain Breakdown

by Lee Smith

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A consummate storyteller in the Southern tradition, Lee Smith tugs at her listeners' heart strings with this haunting narrative that reads like a country ballad. Touching, funny, and sad, its down-to-earth characters are somehow familiar and endearing as they do their best to meet the demands of daily life. Her mother's pride and joy, young Crystal Spangler has a keen intellect, the body of a beauty queen, and the heart of a poet. When she leaves Appalachia to attend college and follow her show more dreams, she faces a dazzling future. But something lurking in the shadow of Black Mountain is calling her back, something that will change her life forever. With passion, warmth, and insight, narrator Linda Stephens gradually reveals the rich irony inherent in this compelling novel. Her expressive, lyrical voice ensures the listener a delightfully vivid listening experience. show less

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We first meet Crystal Spangler when she’s a dreamy twelve-year-old Virginia mountain girl, in the summer before she begins high school. We follow her as her dreaminess leads her to look for meaning, or for herself, in all the wrong places.

I adore Lee Smith’s work. She writes about the mountains of Virginia. I’m in North Carolina, but reading a book by Lee Smith feels like coming home. She captures the spirit of these mountains and these people perfectly. Just read this opening paragraph:

”Now the lightning bugs come up from the mossy ground along the river bank, first one, then two together, more, hesitant at first, from the darkness gathered there already in the brush beneath the trees. Crystal sits and watches, holds her show more breath, the Mason jar beside her knee; if she looks down, she can’t even see it now. She touches it with her finger and feels the glass with the letters raised and indecipherable in the dimness so that they could be anything, any words at all. They could be French. Suddenly out of the scrub grass at her knees comes rising a small pale flickering light, sickly unearthly yellowish green, fairy light. It is so close she can breathe on it and see the whirring, tiny wings. Crystal doesn’t move. She could catch it, but she doesn’t. Only her eyes move to follow the flight, erratic at first as if blown by wind although there is no wind in the hot still damp of early June on the river bank, then into the dark branches, away and gone. Crystal can barely see the river on down the bank, barely hear it. She looks across the river bed now to the railroad track cut into the mountain which goes straight up on the other side, almost perpendicular, impenetrable, too steep for houses or even trails: Black Mountain. Its rocky top makes a jagged black hump across the sky and it is surprisingly light that far up in the sky, but the river bottom lies deep in the mountain’s shadow and even in Crystal’s yard now and in Agnes’s yard next door and on Highway 460 in front of the house it is dark. Cars have got their lights on.”

I read that and I drifted back to endless summer nights growing up, either catching lightning bugs or sitting on the porch watching them rise from the hayfield and the trees. I can remember the sound of the creek from my parents’ house, or I can remember being at my grandparents’ house and watching the light fade behind the mountain we called Stoney Fork as full dark settled in across the hills. It might be December, but that passage transports me right into July. And I am amazed at Lee Smith’s talent.

But.

Black Mountain Breakdown is more of a character study than a regional study and I couldn’t bring myself to like Crystal. I can’t bring myself to love a book if I don’t like the characters, so I had a problem. I can’t fault Smith on her depiction of Crystal: she perfectly described the woman who just can’t be herself without tying herself up in some other identity. She’s either Crystal the cheerleader, Crystal the beauty queen, Crystal the Christian, or Crystal the football player’s girlfriend. She’s never just Crystal. And that drives me crazy. She caught my interest at one point and I got excited that this might turn into a five star book for me, but that went away, and I’m left a little dissatisfied. There’s room to think that the book ends any way that you want it to, but I can’t really bring myself to believe that my ending is ever going to happen for Crystal.

For the right reader, I know this would be a fantastic book. It just wasn’t quite there for me.
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Southern Fiction
212 works; 51 members

Author Information

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32+ Works 7,045 Members
Lee Smith is a novelist, short story writer, and educator. She was born in 1944 in Grundy, Virginia. Smith attended Hollins College in Roanoke, Virginia. In her senior year at Hollins, Smith entered a Book-of-the-Month Club contest, submitting a draft of a novel called The Last Day the Dog Bushes Bloomed. The book, one of 12 entries to receive a show more fellowship, was published in 1968. Smith wrote reviews for local papers and continued to write short stories. Her first collection of short stories, Cakewalk, was published in 1981. Smith taught at North Carolina State University. Her novel, Oral History, published in 1983, was a Book-of-the-Month Club featured selection. She has received two O. Henry Awards, the Robert Penn Warren Prize for Fiction, the North Carolina Award for Fiction, the Lila Wallace/Reader's Digest Award, and the Academy Award in Literature presented by the American Academy of Arts and Letters. (Bowker Author Biography) show less

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Common Knowledge

Original publication date
1980
People/Characters
Crystal Spangler

Classifications

Genres
Fiction and Literature, General Fiction
DDC/MDS
813.54Literature & rhetoricAmerican literature in EnglishAmerican fiction in English1900-19991945-1999
LCC
PS3569 .M5376 .B5Language and LiteratureAmerican literatureAmerican literatureIndividual authors1961-
BISAC

Statistics

Members
238
Popularity
136,161
Reviews
1
Rating
½ (3.57)
Languages
English
Media
Paper, Audiobook, Ebook
ISBNs
12
ASINs
4