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A little princess is protected by her friend Curdie from the goblin miners who live beneath the castle.Tags
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Inky_Fingers There might be more than a hundred years separating these two books, but I kept thinking of The Princess and the Goblin as I was reading The Spindlers. There is a bit of plot similarity with both girls lost in a magical underground world, but there are also similarities in the beauty of the language and in taking abstract concepts like dreams and giving them solid form.
Member Reviews
Anything in me that is brave, honest, kind, and honourable is due in great part to the many times I read this book when I was young. I loved the characters and the adventures, and the settings of both mountain and palace (especially the mysterious dove tower).
I had forgotten other appealing aspects: the humor, and the excitingly challenging vocabulary words. And, perhaps most appealing, is a part of the story seldom mentioned in the descriptions here - Princess Irene's amazing courage. At age eight, *she* rescued Curdie from the cave where the goblins lived and plotted against the sun-people.
A couple of quotes: We are all very anxious to be understood, and it is very hard [frustrating] not to be. But there is one thing much more show more necessary.... To understand other people."
and, "If a true princess has done wrong, she is always uneasy until she has had an opportunity of throwing the wrongness away from her by saying, 'I did it, and I wish I had not, and I am sorry for having done it.'"
MacDonald made me feel as if I could be a true princess, as he holds much less stock in titles & lineage than in strength of character. And while he's clearly not subtle about sharing his thoughts, he's not annoyingly didactic, either.
" show less
I had forgotten other appealing aspects: the humor, and the excitingly challenging vocabulary words. And, perhaps most appealing, is a part of the story seldom mentioned in the descriptions here - Princess Irene's amazing courage. At age eight, *she* rescued Curdie from the cave where the goblins lived and plotted against the sun-people.
A couple of quotes: We are all very anxious to be understood, and it is very hard [frustrating] not to be. But there is one thing much more show more necessary.... To understand other people."
and, "If a true princess has done wrong, she is always uneasy until she has had an opportunity of throwing the wrongness away from her by saying, 'I did it, and I wish I had not, and I am sorry for having done it.'"
MacDonald made me feel as if I could be a true princess, as he holds much less stock in titles & lineage than in strength of character. And while he's clearly not subtle about sharing his thoughts, he's not annoyingly didactic, either.
" show less
To be entirely fair, this isn't a book I read as a child (wish I had, though). I saw the film as a kid never knowing there was a book, and even after I was introduced to George MacDonald it wasn't till a nostalgia trip looking for the origins of the movie that I discovered this story. I absolutely love MacDonald's work, just so original and fantastic and imaginative, but what I love most of all about it, and which figures in this, is his apparent belief in the union of two people to reach a solution. There is an inherent power that comes from loving someone else, a theme pervasive in his works that, despite all the learned cynicism of the world, still makes my heart flutter a bit and feel hopeful and happy for the characters. Typical of show more this, Princess Irene and Curdie both have their skills and advantages, but they'll only succeed by joining together.
I have to read books like this in private because I get a ridiculously sappy smile on my face whenever this happens. It cramps my style. show less
I have to read books like this in private because I get a ridiculously sappy smile on my face whenever this happens. It cramps my style. show less
This classic fairy-tale-style story is set in a land where the Goblins and Humans have had a "cold war" for many, many years. Long ago, the Goblins threatened that some day they will steal a princess...and their day finally comes when Princess Irene's nurse accidentally keeps the Princess out after sunset. Luckily, they are rescued by a miner's boy, Curdie - but now the Goblins know where the Princess lives and what she looks like. When the Goblins hatch a devious plot, Curdie and Irene become fast-friends as they act in turn as heroes. First and foremost, this is a fairy-tale. But it is also an allegory about faith. Princess Irene has a great-great-grandmother - a mysterious and heavenly woman that only she can see. Irene's very-great show more grandmother gives the Princess a magical string and tells her to follow the string whenever she's afraid - never doubting it or deviating from it, regardless of where it may take her. Irene must learn to have faith even when she thinks that the string has led her astray. And Curdie must learn to have faith in a very-great grandmother that he has never seen. This is a sweet story, nice for reading aloud to young children. show less
When I was 100 pages in, my wife and I started reading it aloud to each other. She ended up getting sick that night, and we finished the whole book the following day as she rested and recovered. We were both glued to the book as the action started, and we really enjoyed hearing what happened next to the Princess and to Curdie.
George MacDonald is a delightful storyteller, with the same types of insights that mark C. S. Lewis' Chronicles of Narnia--it is no wonder that Lewis regarded MacDonald as "his master."
George MacDonald is a delightful storyteller, with the same types of insights that mark C. S. Lewis' Chronicles of Narnia--it is no wonder that Lewis regarded MacDonald as "his master."
The goblins almost come across as an oppressed minority - or rather the king and his people are clearly oppressors of goblins. Somehow this charming tale doesn't work quite as meant when it has the goblins being taxed underground and redeemed by becoming brownies. All the verbiage of how one must behave when one is a princess (or prince?) is a bit much too. But the brisk story and the steadfastness of Curdie and Irene remain.
A formative favorite from my childhood; I read it several times then. I'm about due for a reread. After all, given that it's MacDonald, I'm sure it will hold up just fine, if not be even better now.
---
And yes it did. At first a bit of hard going, not for me but it must have been for child me and might be for your child. But then I got swept away again and read it in one summer afternoon.
I do not like the copyright page summary, which says Curdie protects the princess. She is at least as brave and inquisitive as he, though more sheltered and four years younger (8 and 12, respectively). And she goes on quite the quest to save *him* at one point, too!
"fear... always sides with the things we are afraid of."
"it is a low and contemptible show more thing to refuse to confess to a fault, or even an error."
(Would that more politicians and internet trolls would have learned that lesson!)
Now, the question is, do I read the sequel? I remember not liking it nearly so much, back then. show less
---
And yes it did. At first a bit of hard going, not for me but it must have been for child me and might be for your child. But then I got swept away again and read it in one summer afternoon.
I do not like the copyright page summary, which says Curdie protects the princess. She is at least as brave and inquisitive as he, though more sheltered and four years younger (8 and 12, respectively). And she goes on quite the quest to save *him* at one point, too!
"fear... always sides with the things we are afraid of."
"it is a low and contemptible show more thing to refuse to confess to a fault, or even an error."
(Would that more politicians and internet trolls would have learned that lesson!)
Now, the question is, do I read the sequel? I remember not liking it nearly so much, back then. show less
I wanted to read The Princess and the Goblin as an adult; it's a foundational book in the development of children's fantasy, with an active female protagonist as well. And... I didn't love it. Supposedly less moralistic than prior MacDonald works, it still reads like an instructional manual on how to be a good person, which doesn't make a great story. I had questions at the end, like why does the Goblins' Queen have toes? And Curdie is heaped with praise for choosing to stay with his family while King-Papa spends the whole time gallivanting around the country WHILE HIS DAUGHTER IS BEING ATTACKED BY GOBLINS. Every children's book goes into logical conniptions to get the parents out of the picture so that adventurous things can happen, show more but then one doesn't go on and on about the importance of staying with one's family: it makes one of your characters look like a royal jerk.
Important work, and I'm definitely never going to read it again. show less
Important work, and I'm definitely never going to read it again. show less
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Author Information

384+ Works 38,928 Members
George MacDonald was born on December 10, 1824 in Huntley, Aberdeenshire, Scotland. He attended University in Aberdeen in 1840 and then went on to Highbury College in 1848 where he studied to be a Congregational Minister, receiving his M. A. After being a minister for several years, he became a lecturer in English literature at Kings College in show more London before becoming a full-time writer. He wrote fiction, non-fiction, and poetry. In 1955, he wrote his first important original work, a long religious poem entitled Within and Without. He is best known for his fantasy novels Phantastes, The Princess and the Goblin, At the Back of the North Wind, and Lilith and fairy tales including The Light Princess, The Golden Key, and The Wise Woman. In 1863, he published David Eiginbrod, the first of a dozen novels that were set in Scotland and based on the lives of rural Scots. He died on September 18. 1905. (Bowker Author Biography) show less
Some Editions
Awards and Honors
Series
Belongs to Publisher Series
Airmont Classics (156)
Puffin Story Books (220)
Work Relationships
Is contained in
At the Back of the North Wind, The Princess and the Goblin, The Princess and Curdie by George MacDonald (indirect)
The George McDonald Treasury: Princess and the Goblin, Princess and Curdie, Light Princess, Phantastes, Giant's Heart, At the Back of the North Wind, Golden Key, and Lilith by George MacDonald (indirect)
George MacDonald Fantasy Classics Collection: Phantastes, The Light Princess, The Princess and the Goblin, Lilith by George MacDonald
The Complete Works of George MacDonald (Illustrated Edition): The Princess and the Goblin, Phantastes, At the Back of the North Wind, Lilith, England's ... Princess, The Golden Key and many more by George MacDonald
Has the adaptation
Common Knowledge
- Canonical title
- The Princess and the Goblin
- Original title
- The Princess and the Goblin
- Alternate titles*
- Die Prinzessin und die Kobolde
- Original publication date
- 1872
- People/Characters
- Princess Irene; Curdie Peterson; Lootie; Harelip; The Goblin Queen; The Goblin King (show all 8); Joan Peterson (Curdie's mother); Peter Peterson (Curdie's father)
- First words
- There was once a little princess whose father was king over a great country full of mountains and valleys.
Introduction: A story about goblins is bound to be strange. - Last words
- (Click to show. Warning: May contain spoilers.)The rest of the history of The Princess and Curdie must be kept for another volume.
- Original language
- English
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
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- ISBNs
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- UPCs
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- ASINs
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