A Trick to Catch the Old One

by Thomas Middleton

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This is the first single volume edition of A Trick to Catch the Old One for many decades. This edition presents a thoroughly reconsidered text based on collation of all known copies of the 1608 quarto (including material unnoticed by earlier editors). Textual analysis draws on detailed internal investigation and the printer's wider practice to propose that relatively improvisational procedures and a paper quota governed A Trick's printing operations. Discovery of an overlooked record revises show more the date of court performance to 1 January 1607, with implications for the play's early history. Critical discussion freshly examines the play's multi-layered ironic texture in relation to such issues as the status of women, marriage's relation to prostitution and vice versa, and the contemporary marriage market. And the Courtesan receives special attention in the context of this overarching ironic scheme. An extensive stage history explores original staging and documents revivals to 2011. The commentary is the most wide-ranging and comprehensive of all modern editions. show less

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69+ Works 4,755 Members
Thomas Middleton, 1580-1627 Middleton wrote in a wide variety of genres and styles, and was a thoroughly professional dramatist. His comedies were generally based on London life but seen through the perspective of Roman comedy, especially those of Plautus. Middleton is a masterful constructor of plots. "A Chaste Maid in Cheapside" (1630) is show more typical of Middleton's interests. It is biting and satirical in tone: the crassness of the willing cuckold Allwit is almost frightening. Middleton was very preoccupied with sexual themes, especially in his tragedies, "The Changeling" (1622), written with William Rowley, and "Women Beware Women" (1621). The portraits of women in these plays are remarkable. Both Beatrice-Joanna in "The Changeling" and Bianca in "Women Beware Women" move swiftly from innocence to corruption, and Livia in "Women Beware Women" is noteworthy as a feminine Machiavelli and manipulator. In his psychological realism and his powerful vision of evil, Middleton resembles Shakespeare. (Bowker Author Biography) show less

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Canonical title
A Trick to Catch the Old One

Classifications

Genre
Fiction and Literature
DDC/MDS
822.3Literature & rhetoricEnglish & Old English literaturesEnglish dramaElizabethan 1558-1625
LCC
PR2714 .T7Language and LiteratureEnglishEnglish LiteratureEnglish renaissance (1500-1640)
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Members
50
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601,278
Rating
½ (3.67)
Languages
English
Media
Paper, Ebook
ISBNs
9
ASINs
1