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There's a lot to unpack about this book, and I doubt I'll cover all of it. I enjoyed my first John Dickson Carr read (The Mad Hatter Mystery) so much, I wanted to try out the series he wrote under the pseudonym Carter Dickson, one title of which I happened to have on the ole TBR pile.
If I were to judge based only on these two books, I'd have to say the Merrivale series is the one where he let his nutty flag fly. This book was hilarious; I laughed out loud several times at the start, and the witticisms and situational humor continue unabated throughout the rest of the story. There was also a vibe here that kept me thinking several times that this was what a Mary Stewart book would look like if it were written by a man (if that makes show more sense). That's not strictly accurate, but there's an essence of those types of storylines here.
The language was, to a modern reader, a bit obstructionist. It's very, very English and Dickson spent a lot of page space on "Ho! Ho!", "Oh, ah", "Phooey" and "Ahem" in ways that are out of sync with our style of speech. I was also never clear who the narrator was supposed to be; it's definitely third person, but there was a time or two when the fourth wall came down and comments were made that made it sound like the narrator was Martin Drake.
The plotting was, well, ok, here's the thing: the plotting was done so well and the murderer took me by such complete surprise, that the whole thing sort of backfired in the sense that I didn't buy into it at the end. There was no ah-hah moment, more a wait-wtf moment. The evidence is all there for the reader, but the psychology didn't work.
Still, I thought it was a hugely entertaining read. I wouldn't go so far as to call it an essential read, or even insist it's a must for Golden Age enthusiasts, but if you're in the mood for a laugh and don't mind a narrative that can be a bit thick, it's an extremely amusing tale. show less
If I were to judge based only on these two books, I'd have to say the Merrivale series is the one where he let his nutty flag fly. This book was hilarious; I laughed out loud several times at the start, and the witticisms and situational humor continue unabated throughout the rest of the story. There was also a vibe here that kept me thinking several times that this was what a Mary Stewart book would look like if it were written by a man (if that makes show more sense). That's not strictly accurate, but there's an essence of those types of storylines here.
The language was, to a modern reader, a bit obstructionist. It's very, very English and Dickson spent a lot of page space on "Ho! Ho!", "Oh, ah", "Phooey" and "Ahem" in ways that are out of sync with our style of speech. I was also never clear who the narrator was supposed to be; it's definitely third person, but there was a time or two when the fourth wall came down and comments were made that made it sound like the narrator was Martin Drake.
The plotting was, well, ok, here's the thing: the plotting was done so well and the murderer took me by such complete surprise, that the whole thing sort of backfired in the sense that I didn't buy into it at the end. There was no ah-hah moment, more a wait-wtf moment. The evidence is all there for the reader, but the psychology didn't work.
Still, I thought it was a hugely entertaining read. I wouldn't go so far as to call it an essential read, or even insist it's a must for Golden Age enthusiasts, but if you're in the mood for a laugh and don't mind a narrative that can be a bit thick, it's an extremely amusing tale. show less
Another classic from Carter Dickson, not perhaps the greatest piece of crime fiction but an enjoyable mystery starring the inimitable Sir Henry Merrivale (HM). Interweaving three strands of a love story, a decades old mysterious death and a sub plot involving HM's feud with Sophia, Dowager Countess of Brale (a comic delight) this book is a most enjoyable piece of escapism.
Practically perfect in every way, one of the best and most enjoyable mysteries I’ve ever read and one of the few books I’ve read and kept. Funny, spooky, impossible crime. Lovely stuff.
Good J.D. Carr, but romance elements add a bit too much padding.
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Author Information

228+ Works 18,933 Members
John Dickson Carr, the master of locked room mysteries, was born in Uniontown, Pennsylvania, in 1906. He was educated at Haverford College and the Sorbonne in Paris. Carr is a prolific writer with more than 80 novels and collections of short stories to his credit. He began his writing career at the age of 26 with his first published novel, It show more Walks At Night. Some of his most popular works are The Three Coffins (1935), The Burning Coat (1937), and The Bride of Newgate (1951). Carr also collaborated with Adrian Doyle, the son of Sir Arthur Conan Doyle in The Exploits of Sherlock Holmes (1954). Carr met his wife in 1932 and settled in England in 1933. He was drafted by the United States military in World War II, and was ordered to remain in England and work with the BBC. He lived in many cities throughout the world until 1967, when he permanently moved to Greenville, South Carolina. John Dickson Carr also wrote mystery novels under the name Carter Dickson. He died in Greenville in 1977. (Bowker Author Biography) show less
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Common Knowledge
- Canonical title*
- Luuranko kaappikellossa
- Original title
- The Skeleton in the Clock
- Original publication date
- 1948
- People/Characters
- Sir Henry Merrivale; John Stannard, K. C.; Martin Drake
- Important places
- London, England, UK
- First words
- The policeman, passing through Moreston Square at three o'clock in the morning, saw lights still burning in the windows of the top-floor flat at 16.
- Last words
- (Click to show. Warning: May contain spoilers.)The policeman smiled and sauntered on.
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
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- Reviews
- 4
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- Paper, Ebook
- ISBNs
- 9
- ASINs
- 16





























































